XIII

On the morrow he left his mean brick dwelling in the Jewry, and

received her alone in a marble-paved chamber in the Palace, the walls

adorned with carvings of flowers and birds, minutely worked, the

ceiling with arabesques formed of thin strips of painted wood, the air

cooled by a fantastic fountain playing into a pool lined with black

and white marbles and red tiling. Lattice-work windows gave on the

central courtyard, and were supplemented by decorative windows of

stained glass, wrought into capricious patterns.

"Peace, O Messiah!" Her smile was dazzling, and there was more of

gaiety than of reverence in her voice. Her white teeth flashed 'twixt

laughing lips. Sabbataï's heart was beating furiously at the sight of

the lady of his dreams. She was clad in shimmering white Italian silk,

which, draped tightly about her bosom, showed her as some gleaming

statue. Bracelets glittered on her white wrists, gems of fire sparkled

among her long, white fingers, a network of pearls was all her

head-dress. Her eyes had strange depths of passion, perfumes breathed

from her skin, lustreless like dead ivory. Not thus came the maidens

of Israel to wedlock, demure, spotless, spiritless, with shorn hair,

priestesses of the ritual of the home.

"Peace, O Melisselda," he replied involuntarily.

"Nay, wherefore Melisselda?" she cried, ascending to the _leewán_ on

which he stood.

"And wherefore Messiah?" he answered.

"I have seen thee in visions--'tis the face, the figure, the prophetic

beauty--But wherefore Melisselda?"

Dreamers of the Ghetto · 第 71 / 173 题