In its last years, when the famous hostelry began to be regarded as a

great moral danger by the authorities, they began to make determined

efforts to prevent boys from being within its doors, and one St.

Andrew’s Day a raid was suddenly made. Just as the revelry had reached

its height, Smut, otherwise known as Beelzebub, the head waiter,

announced the appearance of a party of masters. Great confusion ensued,

and as an ominous creaking of boots was heard on the staircase, the

landlord’s daughter turned off the gas, and all was left in darkness.

A stentorian voice was heard crying, “I require the landlord of this

house to provide me with a light.” Meanwhile, one of the masters groped

his way to the door of the banqueting-room and held it so that no one

could pass. One of the raiding party, a master named Goodford, who

afterwards became “Head,” greatly distinguished himself by embracing

Smut, whom in the darkness he mistook for a boy trying to make his

escape. However, he was rudely undeceived by a gruff voice grunting

out, “Come, none of this nonsense!” At length a light was procured, and

as the boys filed out, one by one, their names were entered in a “black

list.”

The curious thing is that little organised effort seems ever to have

been made to prevent boys from being allowed to enter the old inn;

raiding them when within its walls naturally did little good; in fact,

it merely stimulated the spirit of adventure and made them go there

more. A cousin of the writer--well-known as master of the West Kent

foxhounds--describing Eton life under Hawtrey, could not help speaking

with glee of how he and a companion were the only boys out of twenty

who managed to escape during one of these raids, the perilous method

adopted having been to climb down a waterpipe and then drop into the

yard at the back.

The Christopher finally ended its career as a hostelry in 1842, owing

to the Crown giving up the lease to the College. Its abolition had

been constantly urged ever since Dr. Hawtrey had become Headmaster.

A violent foe to the old inn and its enemy, he branded it as the

greatest evil in Eton life, and after it had been numbered with things

of the past he was so pleased that, as a sort of thank-offering, he

wanted it to be pulled down and a chapel of ease erected on the site.

This scheme, however, was not carried out, St. John’s Church being

built in the High Street instead and the Christopher turned into a

boarding-house, the tap-room becoming a court of justice, where petty

sessions were held.

Another part of the building was appropriated to the use of the Eton

Debating Society, commonly called “Pop” (it is said, from “popina,”

an eating-house), which celebrated its centenary in the present year.

Its original domicile was over the small shop of Mrs. Hatton, the

confectioner, quarters very useful for gratifying a love of “sock.” It

is said that at the Saturday four-o’clock meetings the proceedings were

often delayed by the consumption of ices and cakes and the drinking of

cherry brandy.

[SN: WILLIAM JOHNSON]

The vestibule, where so many wild young bucks had kicked their heels,

was turned into a pupil room, in which for a time presided one of the

most gifted, if eccentric, Eton masters who ever existed, William

Johnson (who afterwards changed his name to Cory), the author of

_Ionica_ and of the Eton boating song. Highly unconventional in his

ways, he could never remain unmoved when he heard the sound of drums

outside in the street, indicating that some regiment was passing

through the College. Eton has given many a gallant officer to England,

and, as the large number of memorials in the Chapel shows, the roll of

Etonian soldiers is associated with numberless glorious memories. These

stirred the imaginative mind of the clever master, and, keenly desirous

that the rising generation should imbibe a due portion of that martial

ardour which was the heritage of their school, he would lead his pupils

out to the archway, and, pointing to the passing regiment, proudly

exclaim, “Boys, the British army!”

Mr. Johnson was an Eton master from 1845 to 1872, during which

period he showed all the qualifications of a gifted teacher, though

at times betraying considerable eccentricity. He was much given to

introspection, and amused boys would often regale themselves with the

sight of Billy Johnson, as they irreverently called him, standing wrapt

in profound meditation all alone in the school-yard, totally oblivious

of everything about him. He was very short-sighted, which gave rise to

the story that he had been seen furiously rushing down Windsor Hill,

making futile grabs at a fleeing hen, which he believed to be his hat,

blown off by the wind. In school, owing to this infirmity, he was

unable to perceive what boys were doing, and the carving of names and

cutting into desks and forms was carried on in perfect safety beneath

his very nose. Against positive disorder, however, he could well defend

himself, and his paradoxical utterances and epigrammatic sayings kept

even the most turbulent spirits in check.

His powers of satire were generally recognised as being highly

formidable, and masters as well as boys sometimes felt the keen thrust

of his rapier. In a school book, _Nuces_, written by him for the use of

the lower forms, was to be found a sentence which Etonians universally

agreed was a hit at a somewhat unpopular master, conspicuous for the

length of his flowing beard. This ran: “Formerly wise men used to grow

beards. Now other persons do so.”

[SN: THE BOATING SONG]

Though the poetical masterpiece of Mr. Johnson is the small volume

entitled _Ionica_, which contains some beautiful verse, a more

generally known composition of his is the Eton boating song, which

has been carried by old Etonians practically all over the world. An

interesting account of how this song came to be written is given by

the Reverend A. C. Ainger in his admirable work on _Eton in Prose and

Verse_. It would seem to have been composed in the winter of 1863

for the 4th of June of that year. Some little time later the words

were printed in the third number of a periodical called the _Eton

Scrap-book_, of which Everard Primrose was one of the joint-editors.

A copy of the words were sent in 1865 to a subaltern in the Rifle

Brigade, Algernon Drummond by name, who was then with his battalion at

Nowshera, in India. This young officer, who, four or five years before,

had been one of Johnson’s pupils, was haunted by the words till the

tune came to them, and eventually, owing to him, a number of officers

who had been at Eton made a practice of singing it nightly after mess.

Gradually guests learnt it, with the result that old Etonians in other

regiments took to singing the song which recalled to them their old

school in distant England.

The composition of this boating song, it should be added, cost William

Johnson much trouble and some sleepless nights; nevertheless, its

final form contains some lines which are scarcely worthy of an author

who, in _Ionica_, has shown himself a true poet. It must, however, be

remembered that the song, as we have it, was never intended for the

wide publicity which it so speedily attained. No doubt its popularity

has been in a great measure caused by the charming tune to which it was

set, whilst the whole-hearted and somewhat touching devotion to Eton

expressed in the words makes an irresistible appeal to all true sons of

the school, particularly to those who remember the days when, free from

care, they passed many a happy hour

Skirting past the rushes,

Ruffling o’er the weeds,

Where the lock stream gushes,

Where the cygnet feeds.

The fact that “the rushes” are now no more, having been entirely swept

away by the great flood of 1894, will not cause Etonians of a later

date to sing the words less heartily, and many a generation yet to come

will probably continue to accord this boating song the appreciation

which it first obtained nearly half a century ago.

No man, perhaps, ever expressed better the true Eton spirit than Mr.

Johnson in some words he uttered a few months before his death. He was

a sufferer from heart disease, and realised that his end might at any

time occur. Declining a friend’s invitation, he said, “I think it

unmannerly to drop down dead in another man’s grounds.”

The pupil room in which he sat has now ceased to serve that purpose;

the old structure of the Christopher, having undergone further changes,

is now used merely to accommodate masters, and has ceased to be an

Eton house. The only external trace of the inn yard as it was, are

some of the old balustrades of the ancient gallery facing the site of

the livery stables which were swept away in 1901. Many will remember

Charley Wise, the proprietor, who used to be such a familiar figure

standing under the archway thirty years ago.

[SN: SHELLEY]

The original sign of the Christopher, it should be added, hangs at

the modern Christopher in the High Street. Shelley, when an Eton boy,

one night stole the great gilded bunch of grapes from this, and hung

it in front of the Headmaster’s door, so that the astounded pedagogue

ran into it as he was hurrying into school in the morning. The whole

character of Shelley was a mass of contradictions, and he seems to have

been far from happy at school, where he seldom joined in any sports;

according to some he never went on the river, but this is doubtful.

The young poet’s favourite ramble was Stoke Park and the picturesque

churchyard close by, rendered famous for all time by Gray’s _Elegy_, of

which Shelley is said to have been very fond.

As was shown by the incident of the Christopher’s grapes, Shelley,

though as a rule of a meditative disposition, was on occasion given to

playing pranks. He once bought a large brass cannon at an auction in

Windsor, and harnessed many Lower boys to draw it down into College.

It was captured by one of the tutors and kept till the holidays at

Hexter’s. He was fond of experimenting in science, and set fire to a

tree in south meadow by laying a train of gunpowder to it; another

time, by means of an electrical machine, he flung his tutor against the

wall.

This tutor’s name was Bethell, and, according to all accounts, he was

a somewhat unattractive character. Amongst the boys he was known as

“Vox et praeterea nihil” and “Botch” Bethell, because he was supposed

always to be making errors or botches in altering their verses. His

favourite phrase, which he used to alter as it might be for a long or

a short verse, was for the former “sibi vindicat ipse,” for the latter

“vindicat ipse sibi,” in consequence of which an impudent boy in his

house, being one day asked at meal-time what he would take, said, “Sir,

I vindicate to myself a slice of mutton.” Towards the boys under his

charge Bethell was harsh, and sometimes even brutal. Meeting a Lower

boy one day coming in with a bowl full of sausages covered by his hat

to keep them warm, Bethell sternly inquired, “What have you got there?”

The boy, fearing trouble, whimpered, “Nothing, sir,” upon which Bethell

jerked up the bowl with his hand and sent hat and sausages flying into

the road.

In Shelley’s day, life at Eton had changed a good deal, compared with

that led some twenty years before, when Arthur Wellesley was a shy,

retiring Lower boy, in whom neither masters nor schoolfellows saw any

germs of future greatness.

[SN: THE GREAT DUKE]

He was about twelve years old when he went to Miss Naylor’s, and

in spite of his shyness he is supposed to have taken part with his

companions in several escapades. Traditions used to be current at Eton

about his shooting expeditions up the river at unpermitted seasons and

hours; and during the middle of the last century a tree standing near

the site of his dame’s was known as “the Duke’s Tree,” because it was

said that as a boy the old duke had been fond of climbing it. Arthur

Wellesley was not very long at Eton, but nevertheless in after life he

cherished a great love for the school to which in due course he sent

his sons. One of his first acts on going down to visit them there was

to take them to see the door at his old house where, when a boy, he had

cut his own name. Though no great athlete himself, he fully appreciated

the manly character induced by games and sport, and Creasy declares

that not many years before his death he was passing by the playing

fields, where numerous groups were happily busied at their games of

cricket. Pointing to them, the old Field-Marshal said, “There grows the

stuff that won Waterloo.”

The great Duke’s elder brother, Lord Mornington, afterwards Marquis of

Wellesley, had, as is well known, a fanatical love for Eton, where,

by his express wish, he was buried, his own beautiful Latin lines[3]

recording the satisfaction with which he looked forward to resting

there. According to a request which he left behind him, six weeping

willows were planted in different parts of the playing fields, and a

bench fixed at a particular spot which commanded his favourite view.

As an Eton boy he was a particularly fine elocutionist, as was shown

by two recitations of his at Speeches on Election Monday 1778, before

a large number of royal visitors; in Strafford’s dying speech he drew

tears from the audience. David Garrick, hearing of it, complimented the

youthful speaker on having done what he had never achieved, namely,

made the King weep. To which the clever Etonian returned the graceful

answer, “That is because you never spoke to him in the character of a

fallen favourite.”

In many ways this brother of the Iron Duke may be considered the

type of the perfect Etonian, and, as far as classical learning went,

scarcely any boy educated at the school ever equalled him. When Dr.

Goodall, a contemporary at Eton of Lord Wellesley, was examined in 1818

before the Education Committee of the House of Commons respecting the

alleged passing over of Porson in giving promotions to King’s College,

he at once declared that the celebrated Greek scholar was not by any

means at the head of the Etonians of his day; and on being asked by

Lord Brougham, the Chairman, to name his superior, he at once said,

“Lord Wellesley.”

[SN: A SUGGESTION]

Curiously enough, there appears to be no record of where the young

nobleman boarded. Presumably it was at Miss Naylor’s, where later came

his illustrious brother. A commemorative tablet should surely be set up

near the spot where those two great Etonians lived when Eton boys. The

houses where a number of other prominent men spent their school days

are for the most part known, and several others might be honoured in

a similar manner, arousing a spirit of noble emulation and pride in a

splendid record of those who have deserved well of their country.

A somewhat remarkable coincidence is that George Canning, Gladstone,

and the late Lord Salisbury in turn boarded at the same house. In

Canning’s time the dame was Mrs. Harrington, in Gladstone’s Mrs.

Shurey, whilst in Lord Robert Cecil’s day the Rev. G. Cookesley was in

control. Amongst modern politicians Lord Rosebery boarded at Vidal’s,

Mr. Balfour at Miss Evans’s, Lord Curzon at Mr. Oscar Browning’s, and

Mr. Lewis Harcourt at the Rev. A. C. Ainger’s. The room of the present

Colonial Secretary was celebrated as being the best decorated in Eton.

The writer has a vivid recollection of being impressed by the number of

well-arranged pictures which he saw when, as a small boy, he enjoyed

the honour of being asked to breakfast there. The whole place was full

of evidences of the artistic taste which admittedly distinguished Mr.

Harcourt as First Commissioner of Public Works.

FOOTNOTE:

[3] See Chapter VI.

* * * * *

[Illustration: Herbert Stockhore, the “Montem Poet,” going to Salt Hill

in 1823.]

V MONTEM

Though even to-day a few old Etonians survive who took part in the last

Eton Montem, the memory and the recollection of the quaint glories of

this ancient and unique festival will soon have become totally obscured

by the sordid dust of modern life.

Whilst the lover of old customs may lament that the merry voices of

Montem are drowned for ever, it is absolutely certain that even had

the famous triennial pageant been allowed to continue after 1844, its

celebration could never have been prolonged up to the present day in

its ancient form; for, besides being utterly out of accord with modern

ideas and ways, the ceremony would have brought such crowds to Eton as

to have rendered any procession to Salt Hill more or less impossible.

To some, however, it may be a matter for regret that no attempt was

made to perpetuate the memory of Montem by holding a modified festival

in the playing fields.

It is all very well to denounce old customs as merely useless relics

of a bygone age. The individual who carries such a view to an

extreme is in reality even more unreasonable than he who delights in

contemplating the past alone. Both in their different ways are in the

wrong: the fanatical worshipper of ancient ways being apt to lose

sight of the improvements wrought by progress, whilst he who despises

antiquity forgets that the state of society in which we live, and the

institutions of the country itself, are all derived from preceding

ages. Do or think what we will, our ancestors are far more necessary to

us than posterity.

The tumulus or mound, to which the whole school formerly marched in

procession at Whitsuntide once in every three years, stands in a field

just off the Bath road in the hamlet known as Salt Hill. Supposed by

some to be an ancient barrow, it appears to have never been opened,

though a portion was sliced off in 1893 when some cottages were built

close by. It seems a pity that this hillock--the scene of so many

picturesque gatherings in the past--should not have been preserved

intact, and some memorial, inscribed with a brief account of the

ceremony of Montem, placed upon its summit.

[Illustration: The Montem of 1823. _From an old print._]

[SN: THE PARSON AND HIS CLERK]

The exact origin of “Montem” is involved in considerable obscurity.

Perhaps the most plausible explanation is that it arose in a similar

manner as the old Winchester custom of “going on Hills.” Another theory

is that the festival was of feudal origin, the tenure of the College

estates having been held by the payment of “salt-silver”--an ancient

legal term signifying money paid by tenants in certain manors in lieu

of service of bringing their lord’s salt from the market. It may have

also been originally connected with the curious ceremony of electing

a “Boy-Bishop.” In a number of old Montem Lists, which the writer has

been fortunate enough to acquire, the parson occupies a prominent place

in the procession, coming immediately after the Captain and being

followed by the clerk. Both ecclesiastical characters, it should be

added, were always personated by Collegers, and it was the custom for

them to indulge in gross buffoonery, the parson delivering a burlesque

sermon on Salt Hill, down which he afterwards kicked the clerk. In 1778

this proceeding so scandalised Queen Charlotte, who was present, that

she begged it might never occur again, and henceforth both parson and

clerk ceased to figure in the ceremony.

According to some, the original date for celebrating Montem was

December 6th, the very day dedicated to St. Nicholas, and usually

chosen for the election of the “Boy-Bishop” in ancient times. Be

this as it may, in Elizabeth’s reign the procession took place

about the feast of the Conversion of St. Paul. Granted that it was

ever celebrated on St. Nicholas’ Day, those who derive it from the

“Boy-Bishop” have a coincidence of time in their favour, whence it

is not unreasonable to suppose a connection between the triennial

festival at Eton and the ancient ecclesiastical mimicry of an episcopal

election. Another circumstance favourable to the same supposition is

found in a singular custom which formerly made part of the Montem

festival. The parson at one period, receiving a Prayer-book, used to

read part of the Service to the crowd; which usage bore an obvious

resemblance to the mimic services performed by the “Boy-Bishop” in the

distant past. Till 1759, when the date was changed to Whit-Tuesday,

Montem was annual; it then became biennial, and finally after 1775

triennial.

In those days it had already assimilated some striking features of that

curious alliance of licensed mendicity, brigandage, and gaiety--the

modern charity bazaar. Of its ancient character as a semi-religious

festival nothing remained, and it had become a collection for the

benefit of the Captain of the Collegers who might have been fortunate

enough to obtain a vacancy at King’s College, Cambridge.

[SN: “MONTEM-SURE”]

The proceedings in College which heralded the approach of Montem were

characteristic and peculiar. In former days it was the custom that

any vacancy at King’s should be immediately announced at Eton by

the “resignation man,” generally the coachman of the Provost of that

College, a delay of three weeks all but a day being allowed to the

Captain of the school in which he might make his preparations for

leaving. If, however, this period of grace should chance to expire on

the very eve of Whitsun-Tuesday Montem-day, the right of being Captain

would lapse to the Colleger who was next on the list, so that the

twentieth day before Whitsun-Tuesday in that year was a very critical

day for the Captain and second Colleger. Till midnight it could not

be known for certain who would be Captain. The boys called that night

“Montem-Sure Night,” when wild excitement prevailed amongst the

Collegers in Long Chamber, and as the last stroke of midnight sounded

from the clock in Lupton’s Tower, some fifty-two stout oaken beds

would be let fall on to the floor with a thundering crash, numberless

shutters would be slammed with furious energy, and “Montem-Sure,”

shouted by many powerful young throats, would ring out all over Eton.

Whoever was Captain of the school on the Whitsun-Tuesday in a Montem

year became _ipso facto_ Captain of Montem. But, as has before been

said, the Captain of the school could not be known for certain till

within twenty days of the eventful Whitsun-Tuesday.

A King’s scholar could, if he succeeded in passing his “election

trials” every year at the end of July, remain at Eton a twelvemonth

after passing the last examination, provided he was not yet nineteen.

If by that time he had not gone to King’s College, Cambridge, he was

superannuated, and had to leave Eton. At the examination at the end

of every July those boys who had passed their eighteenth birthday

were placed in school order of merit, and were called from thence to

Cambridge at any time of the year, whenever, through death, marriage,

or any cause, a vacancy occurred in the number of the seventy members

of King’s College, in order to supply which King Henry VI. founded his

school at Eton of seventy scholars. Montem only happened every third

year, for which reason it was only possible that a boy who was born

in such a year that he would have passed his eighteenth birthday on

the July previous to a Montem could ever become captain of Montem, and

obtain the financial benefits accruing from the collection made at that

festival.

[SN: “SALT! SALT”]

William Malim, the Headmaster, who wrote an account of Eton for the

Royal Commission who visited the school in 1561, thus described the

Montem of his day:--

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