XVI

Somewhere

The long white roads lead well away:

Somewhere

Will lead me home on earth, some day.

Myra was sitting on the terrace with the older women, with Mrs. Peters,

with Mrs. Borgessen, with Mrs. Wietinghoff, and with the young Mrs.

Vandahl who because of her condition felt a little awkward and preferred

to sit still in her basket-chair rather than amuse herself with the

“young people” in the garden.

Nearly all the women had some knitting in hand at which they worked more

or less attentively. The conversation flowed along quietly, without

haste, but also without stopping.

Myra looked down at the white net through which, also without haste but

without stopping, she plied her needle in and out, silently rejoicing

that she did not need to take part in the conversation. All she had to

do was keep her eyes on her work. She need only look up and speak when

she was spoken to. As a result, she seemed demure and young-girlish, and

nobody ever suspected what a gloriously comfortable feeling that was.

She had sat on that terrace frequently in the last few months, but that

day for the first time she felt the beauty of the garden, the quiet

voices beside her, the clear calls from the tennis court,

everything—colors, fragrances, sounds—with a sense of ease and comfort

and grateful enjoyment.

For weeks and weeks she had lived in a state of secret apprehension like

a criminal in flight. A hundred times, she thought she saw Gisela or

heard her voice. A hundred times, when she tore open a letter from Luisa

Peters, she expected to read that Gisela had come to some horrible end.

A hundred times her heart had throbbed so violently that she had had to

struggle for breath. And a hundred times her fear and anxiety had been

unnecessary.

She often repeated to herself that there was really no need to fear a

scandal, since the opinion and favor of these people was of no account

to her anyway. And yet there were moments when she had to confess to

herself that it would be less terrible to learn of Gisela’s death than

to see her suddenly appear from somewhere—here on the terrace of the

Peters’ house, for example. Some vexatious scene was sure to result, an

unsavory scene of which she would willy-nilly be the central figure. She

could picture it to herself down to the smallest detail, so that she

would turn pale and blush, and the blood would hammer in her veins.

More than once she resolved to affect an astonished and injured

expression, a bewildered smile. When she had found her poise

sufficiently to deny the acquaintanceship, they would, they must take

Gisela for a mad woman and have her put out by the servants.

Myra went over and over it during her sleepless nights. She saw Gisela’s

face as distorted with hate and pain and vengeance as at that moment

when she had flung her glass after Fiametta.

And she would hear herself saying in a very clear and calm voice, “I am

so frightfully sorry, Mrs. Peters, to be the occasion of such a scene in

your house. But I assure you I have never seen this—lady before in my

life.”

It would make a very good impression if she paused for a moment before

the word “lady,” much better than if she were to say “person.”

Perhaps it would be cleverer yet to go right up to Gisela and speak to

her in a big sister tone. “Won’t you tell me where I have met you

before? Where did you learn my name? I know you, of course, but for the

moment I can’t recollect—won’t you help me? Did we perhaps go to school

together?”

Or might she not produce the best impression by playing the terrified

maiden, by fleeing behind a chair and trembling, or by seeking

protection from the ladies. “Help me! What does she want with me? Do you

understand what she wants with me? Do you know her? Do you know who she

is?”

Yes, perhaps that would be the most natural course for a well-bred and

somewhat timid young lady when attacked by a lunatic....

She would lie, lie to the limit—although she really did not care very

much for the opinion of Mrs. Peters, or the opinion of Mrs. Borgessen.

But she wanted peace, she wanted to be completely enveloped in an

invulnerable cloak of propriety and convention. She wanted never again

to be exposed, never again to let the shirt be torn from her shoulders.

Never again should a contemptuous glance strike her. Her skin had become

sensitive, so incredibly sensitive—a glance in which she did not read

kindliness and friendliness hurt her.

Oh, how well she understood Olga Radó, who had denied her, pitilessly

denied and handed her over. She had been hunted till she was worn out.

Her skin had been seared with contemptuous glances. She could not endure

another glance and did not mean to. She was afraid of glances, her fear

of them amounted to the paltriest cowardice.

But she had not been afraid of a loaded revolver....

Now Myra had reached the same pass.

She was prepared to die rather than endure contempt. And prepared to

lie, with a straight face, with a clear voice, to lie cold-bloodedly,

not for any personal advantage, not ever for the sake of respect, but

from shame, from the profoundest, most abysmal shame, in order that the

protecting mantle might not be stripped from her naked soul.

Of course, she had never loved Gisela. But sometimes it seemed to her as

if she were capable of denying even her greatest and most sacred love.

That was when she trembled with fear of the Moebius girls. Might it not

be that she would suddenly see Fannie’s and Emmie’s reddish blonde heads

bob up? Might she not suddenly confront one of them, totally unprepared?

Yes, and in this case it would do no good to declare them insane. No one

would ever question the sound intelligence of the Moebius girls.

Certainly no one here.

But what could they convict her of after all! Myra could meet every

attack with a counter-attack. Myra had met Olga Radó at the Moebius

house. “Our cousin,” they had proudly called her then. All she need do

was inquire of them about their “relative,” and ask with surprise if it

were true that Olga Radó was dead. Had she really shot herself?

Only, she must not weep as she asked it....

And whenever Myra thought that she must not weep, the tears would begin

streaming down her face.

But presently she would grow calmer. She was no longer thinking of the

possibility of such encounters. The last year seemed to her somewhat

unreal, vague and meaningless. The memory of Olga Radó persisted. But

she now remembered most vividly the first period of their friendship,

and the pure adoration she had felt for Olga’s intellectual superiority,

her accomplished manner, the distinguished and captivating quality of

her entrances and exits. Myra was inclined to think less frequently of

her burning tenderness, of the agony of a farewell which could not even

be called a farewell—less frequently of her death.

Sometimes she would find a touching and painful pleasure in imaging that

Olga was still living and would suddenly appear in these circles. Among

these elegant, assured and clever women, she would be the most elegant,

the most assured, the cleverest. If she but wished, she would succeed in

ravishing this cool, reserved and self-conscious company in half an

hour.

But the more clearly she had visualized the picture of the living Olga,

the more her remembrance had paled in the last few months. Now and again

it seemed to her like the giddy whirl of carnival night, and she was

convinced that no one had a right to discuss a confidence of that time,

any more than one had a right to remind a lady in the sober light of day

that one had kissed her under her mask at the carnival carouse.

Myra had taken off her mask and costume. She was once more Myra Rudloff,

and it would have been tactless to allude to any fugitive half forgotten

connections.

So completely was she Myra Rudloff that she sometimes wondered if there

were not someone of her own name to whom she could attach herself or

whom she could attach to herself.

So weary was she of her young freedom.

Or perhaps of its restriction.

If she had an older relative with her, she could take lodgings and live

more according to her taste. For, of course, it was forbidden her to

live alone, just as she must not stay at a hotel, and just as there were

a very few pensions, coffee-houses, restaurants and even streets that

she might frequent.

Sometimes it struck her as absurd when people said in quite shocked

voices, “Good Heavens, you mustn’t go there. One can see that you’re a

stranger here!”

But she always acquiesced. She knew too well that she herself had lost

her standards. For a while she had thought defiantly that she was old

and stable enough to permit herself any associates, any book, any manner

of life. Then she had found out that she could not swim in the troubled,

swirling waters into which she had plunged. When she was close to

drowning her pride had forsaken her and she was submissive and grateful

that a firm hand had pulled her out.

She no longer felt secure. She had thought she could plunge into the sea

without danger—now she was glad when expert hands prepared her bath for

her.

Sometimes she was slightly embarrassed when an astonished glance rested

upon her because she let slip that she had read a book, or seen a play

which were strictly forbidden to young ladies of “her station.”

Sometimes she had to fight down a free and easy manner that had become

so natural to her in the last few months that she noticed nothing

improper in it.

Sometimes she thought almost with gratitude of Aunt Emily. At least she

had taught Myra how to hold her knife and fork, and it would have been

bad had she had to pay attention to such details and live in fear of

violating etiquette. But in all matters of form, her “good training” had

become blood of her blood.

From time to time she was in doubt as to whether a young lady of good

family might go alone to the opera, or might be invited by an

acquaintance whom she had met in the city to partake of a tart in a

pastry-shop. Then she would think in a flash, “What would Aunt Emily say

in so difficult a dilemma?” And as Aunt Emily averred nearly everything

to be unseemly, reprehensible and immoral, Myra could feel in obeying

her that she was leading a blameless-life, even in the eyes of the

sternest critic.

She had already considered if the most sensible course were not simply

to summon Aunt Emily. Then she would have the infallible oracle in all

matters of propriety at her elbow. She could rent a house, take the

furniture out of storage, have a home, receive visitors, give little

parties. Besides, there was no occasion for contentions of any sort.

Even Aunt Emily could have nothing to say against her present

associates.

Myra was tamed. It made quite a difference whether one viewed the world,

the blooming laughing world, always from the inside of a cage, against

whose bars one continually batted one’s head and wings in an effort to

escape, if just for once. Or whether one were flying back, tired out at

evening, somewhat scratched and ruffled, to steal voluntarily into the

comfortable cage and find refuge there.

Of course, the door would always remain open now, Myra was of age.

Instantly she recalled that she had come of age a few months too late.

Otherwise Olga Radó would still be living, living with her, free at last

of all cares and debts and worries, in a beautiful cozy home such as she

had always wanted. She would be alive and happy, her laugh would still

ring out for the world’s delight—and her bell-toned voice, and her

beautiful proud face and her delicate, strong hands. Yes, none of these

would have been destroyed, annihilated, extinguished—had there been no

Aunt Emily.

And hate blazed up in Myra again like a red flame.

The voices from the tennis court drew nearer. White flannels flashed

amongst the blackish-red foliage of a purple-beech and the golden-yellow

leaves of a maple. The first pair turned the corner, passed the

rose-trellis, and approached the terrace—Gwen and Fred Wietinghoff.

Mrs. Peters smiled in greeting to her beautiful daughter. The smile

still further revealed her long prominent, rather uneven teeth, stopped

with all kinds of fillings, embellished with specks of white porcelain,

encircled with threads of gold as fine as a hair. Her teeth were the

same color as the big dull gray pearl in her beautifully shaped ear and

gave the same impression of some infinitely fragile, infinitely precious

object which must be preserved at any price and with the most tender

solicitude. Without the teeth her regular, somewhat withered but haughty

features, crowned by a pile of carefully waved blonde hair carefully

restrained by a net, regardless of fashion, might almost have been

called handsome.

She smiled proudly and complacently. She had every right to.

Myra was delighted anew by the lovely firm way in which Gwen set down

her tiny foot with its springy ankle, and by the slender firm body under

its white dress, and the curly hair glistening and fluttering in the

sunlight.

The sight of her filled Myra’s heart with a buoyant delight—but it did

not throb faster by a single beat.

She was just as pleased to see Fred Wietinghoff, who was walking beside

Gwen. He was much taller than she, broad-shouldered, and narrow in the

hips, all the contours of his muscles showing under his silk shirt. He

looked like a twenty-year-old. But when the light fell on his face, a

network of sharp little wrinkles was visible in his clear, golden brown

skin around his eyes and mouth, and a few white threads in his smooth

metallic blond hair, at the temples.

But she was pleased, too, when she saw Vandahl whose eager eyes were

seeking out his young wife from a distance, and blinking a greeting to

her.

And she was pleased when she saw Henry Rantzau and young Lucius appear

behind the others, plunged as deeply in conversation, which the younger

man was accompanying with sweeping gestures, as if they were strolling

somewhere across a lonely field, and not going to meet a group of people

who were expecting and watching them.

“My dears, I’m dying of thirst!” It was Gwen’s first utterance as she

took the last steps of the terrace at a bound.

She ran to the tea-wagon behind Myra, and poured raspberry juice and ice

water into a cut-glass goblet.

With the utmost composure, Fred took the goblet from her as she was

about to carry it to her lips and drained it at a draught.

“What is the meaning of that?” she asked amazed and angry.

“I’m sacrificing myself for you again,” he said with unshakable

equanimity. “I’ve warned you against inflaming your lungs. I beg you,

when you are thirsty, drink tea. May I pour you a cup?”

“I _will_ drink water!” Gwen stamped her foot in annoyance. “Give me

that carafe, I’m dying of thirst!”

“You won’t die of thirst for some time yet,” replied Fred. “You’re

really hardly thirsty at all, but since you’ve never suffered from

thirst in your life you have no standards by which to judge. Drink a cup

of lukewarm tea, it will be very good for you.”

“But I don’t want lukewarm tea,” said Gwen between laughter and anger.

“I drink hot tea in winter and ice water in summer. I’m going to drink

water and if I get inflammation of the lungs, it’s no concern of yours.”

“Good heavens,” said Fred pityingly, “what a little sixteen-year-old!

You’re not so young any more that you make yourself ‘cute’ that way.

Probably you think it’s very romantic to toss off a glass of ice water

in a fit of youthful impetuosity when you’re overheated with playing,

and then be carried off by inflammation of the lungs in the flower of

your youth.” He was sitting on the arm of a basket-chair, swinging his

foot in its heelless shoe. “Inflammation of the lungs is a horrid malady

with phlegm and spittle—not in the least poetic. In fact, there is no

poetic sickness.” He straightened his shoulders slightly. “Only health

is poetic, but everything from a saber cut to typhus is prosaic and

disgusting and mostly connected with bad smells.”

“Oh, Fred, you’re disgusting.” She turned her back on him. “You’re

positively not fit to enter a drawing-room. I’m going to tell your

mother so.”

“She’ll think you’re slandering me!” He smiled complacently and somewhat

mischievously. “She knows you can’t bear me.”

Vandahl had moved a stool beside his young wife’s chair. Myra observed

how his big well-formed hands caressed the folds of her dress

stealthily.

A radiant stream of tenderness was constantly playing on him from her

soft brown eyes.

Myra was a little anxious on her account. She looked so happy, and

apparently worshipped her husband so idolatrously. If only she had

finished with her hours of pain! The wish burned in Myra’s heart like a

mute prayer.

Rantzau and Lucius were leaning against the stone balustrade. Myra could

catch disjointed fragments of their conversation when the others were

silent.

“Why not? The electrons that are thrown off by the so-called cathode

rays have a velocity of something like a quarter of a million kilometer

seconds.”

It was Rantzau’s deep, vibrant voice.

Gwen seated herself on the arm of Myra’s chair and put her arm around

her shoulders.

“Protect me, Myra,” she said, “everybody makes me angry and seems horrid

to me. You are the only person here whom I really like!”

“Oh, Gwen,” Myra smiled up at her, “it’s a good thing that you don’t

have to cross any bridges tonight!”

Gwen’s face grew serious. “I’ll kill somebody yet,” she said as if she

were telling a fairy-tale, “and I’ll bury the corpse in a cellar and

steal everything valuable and bury that in the forest. Then I’ll go

somewhere, to the courts, to the police or the senate and tell

everything. Then everybody will laugh and pity me and say, ‘Poor child,

she has a fever, she’s delirious—that’s Mr. Peters’ little daughter! get

a car, and take the youngster home, her mother ought to pack her off to

bed, she’s got the measles.’ And then the bailiff or an officer will

take me home so that nothing may happen to me on the way. Oh, Myra have

you had any of the short-cake? Deuli makes them simply divine! They make

life worth living. But I’ve never yet been able to eat enough of them.

I’ve stipulated that when I get married I want you to give me a bath-tub

full of short-cakes. And on my wedding-day I’ll eat short-cake from

morning till night. Eat something, Myra—I really believe that you live

on air and love.”

“On air perhaps,” said Fred dryly, “as far as I can judge your

consumption of the other so-called popular commodity, I couldn’t last a

week on your rations.”

Myra took good care not to understand his remark.

“I’d like to live on air,” she said, breathing in the breeze that came

from the garden. Despite the fragrance of the roses, it was strong and

sharp and smelled a little of the sea. “On pure fresh air!”

The scorpion · 第 18 / 22 题