IX

For some days after this the house was in a tumult. Men in red caps

labelled "Casa di Vendita" were tearing up carpets, dragging out pieces

of furniture and marking them. The catalogue was made, and bills were

posted outside the street door announcing a sale of "Old and New Objects

of Art" in the "Appartamento Volonna." Then came the "Grand

Esposizione"--it was on Sunday morning--and the following day the

auction.

Roma built herself an ambush from prying eyes in one corner of the

apartment. She turned her boudoir into a bedroom and sitting-room

combined. From there she heard the shuffling of feet as the people

assembled in the large dismantled drawing-room without. She was writing

at a table when some one knocked at the door. It was the Commendatore

Angelelli, in light clothes and silk hat. At that moment the look of

servility in his long face prevailed over the look of arrogance.

"Good-morning, Donna Roma. May I perhaps...."

"Come in."

The lanky person settled himself comfortably and began on a confidential

communication.

"The Baron, sincerely sorry to hear of your distresses, sends me to say

that you have only to make a request and this unseemly scene shall come

to an end. In fact, I have authority to act on his behalf--as an unknown

friend, you know--and stop these proceedings even at the eleventh hour.

Only a word from you--one word--and everything shall be settled

satisfactorily."

Roma was silent for a moment, and the Commendatore concluded that his

persuasions had prevailed. Somebody else knocked at the door.

"Come in," said the Commendatore largely.

This time it was the auctioneer. "Time to begin the sale, Signorina. Any

commands?" He glanced from Roma to Angelelli with looks of

understanding.

"I think her Excellency has perhaps something to say," said Angelelli.

"Nothing whatever. Go on," said Roma.

The auctioneer disappeared through the door, and Angelelli put on his

hat.

"Then you have no answer for his Excellency?"

"None."

"_Bene_," said the Commendatore, and he went off whistling softly.

The auction began. At a table on a platform where the piano used to

stand sat the chief auctioneer with his ivory hammer. Beneath him at a

similar table sat an assistant. As the men in red caps brought up the

goods the two auctioneers took the bidding together, repeating each

other in the manner of actor and prompter at an Italian theatre.

The English Sister came to say that the Countess wished to see her niece

immediately. The invalid, now frightfully emaciated and no longer able

to sit up, was lying back on her lace-edged pillows. She was plucking

with shrivelled and bony fingers at her figured counterpane, and as Roma

entered she tried to burst out on her in a torrent of wrath. But the

sound that came from her throat was like a voice shouted on a windy

headland, and hardly louder than the muffled voices of the auctioneers

as they found their way through the walls.

Roma sat down on the stool by the bedside, stroked the cat with the

gold cross suspended from its neck, and listened to the words within the

room and without as they fell on her ear alternately.

"Roma, you are treating me shamefully. While I am lying here helpless

you are having an auction--actually an auction--at the door of my very

room."

"Camera da letto della Signorina! Bed in _noce_, richly ornamented with

fruit and flowers." "Shall I say fifty?" "Thank you, fifty." "Fifty."

"Fifty-five." "Fifty-five." "No advance on fifty-five?" "Gentlemen,

gentlemen! The beautiful bed of a beautiful lady, and only fifty-five

offered for it!..."

"If you wanted money you had only to ask the Baron, and if you didn't

wish to do that, you had only to sign a bill at six months, as I told

you before. But no! You wanted to humble and degrade me. That's all it

is. You've done it, too, and I'm dying in disgrace...."

"Secretaire in walnut! Think, ladies, of the secrets this writing-desk

might whisper if it would! How much shall I say?" "Sixty lire." "Sixty."

"Sixty-five." "Sixty-five." "Writing-desk in walnut with the love

letters hardly out of it, and only sixty-five lire offered!..."

"This is what comes of a girl going her own way. Society is not so very

exacting, but it revenges itself on people who defy the

respectabilities. And quite right, too! Pity they could not be the only

ones to suffer, but they can't. Their friends and relations are the real

sufferers; and as for me...."

The Countess's voice broke down into a maudlin whimper. Without a word

Roma rose up to go. As she did so she met Natalina coming into the room

with the usual morning plate of forced strawberries. They had cost four

francs the pound.

Some time afterwards, from her writing-table in the boudoir-bedroom,

Roma heard a shuffling of feet on the circular iron stairs. The people

were going down to the studio. Presently the auctioneer's voice came up

as from a vault.

"And now what am I offered for this large and important work of modern

art?"

There was a ripple of derisive laughter.

"A fountain worthy, when finished, to rank with the masterpieces of

ancient Rome."

More derisive laughter.

"Now is the time for anti-clericals. Gentlemen, don't all speak at once.

Every day is not a festa. How much? Nothing at all? Not even a soldo?

Too bad. Art is its own reward."

Still more laughter, followed by the shuffling of feet coming up the

iron stairs, and a familiar voice on the landing--it was the Princess

Bellini's--"Madonna mia! what a fright it is, to be sure!"

Then another voice--it was Madame Bella's--"I thought so the day of the

private view, when she behaved so shockingly to the dear Baron."

Then a third voice--it was the voice of Olga the journalist--"I said the

Baron would pay her out, and he has. Before the day is over she'll not

have a stick left or a roof to cover her."

Roma dropped her head on to the table. Try as she might to keep a brave

front, the waves of shame and humiliation were surging over her.

Some one touched her on the shoulder. It was Natalina with a telegram:

"Letter received; my apartment is paid for to end of June; why not take

possession of it?"

From that moment onward nothing else mattered. The tumultuous noises in

the drawing-room died down, and there was no sound but the voices of the

auctioneer and his clerk, which rumbled like a drum in the empty

chamber.

It was four o'clock. Opening the window, Roma heard the music of a band.

At that a spirit of defiance took possession of her, and she put on her

hat and cloak. As she passed through the empty drawing-room, the

auctioneer, who was counting his notes with the dry rustle of a

winnowing machine, looked up with his beady eyes and said:

"It has come out fairly well, Madame--better than we might have

expected."

On reaching the piazza she hailed a cab. "The Pincio!" she cried, and

settled in her seat. When she returned an hour afterwards she wrote her

usual letter to David Rossi.

"High doings to-day! Have had a business on my own account, and

done a roaring trade! Disposed of everything in the shop except

what I wanted for myself. It isn't every trades-woman who can say

that much, and I'm only a beginner to boot!

"Soberly, I've sold up. Being under notice to leave this

apartment, I didn't want all this useless furniture, so I thought

I might as well get done with it in good time. Besides, what right

had I to soft beds and fine linen while you were an exile,

sleeping Heaven knows where? And then my aunt, who is very ill and

wants all sorts of luxuries, is rather expensive. So for the past

week my drawing-room has been as full of fluting as a frog-pond at

sunset, and on Sunday morning people were banging away at my poor

piano as if it had been a hurdy-gurdy at an osteria.

"But, oh dear! how stupid the world is! People thought because I

was selling what I didn't want I must be done. You would have

laughed to hear their commentaries. To tell you the truth, I was

so silly that I could have cried, but just at the moment when I

felt a wee bit badly, down came your telegram like an angel from

Heaven--and what do you think I did? The old Adam, or say the new

Eve, took possession of me, and the minute the people were gone I

hired a cab--a common garden cab, Roman variety, with a horse on

its last legs and a driver in ragged tweeds--and drove off to the

Pincio! I wanted to show those fine folk that I _wasn't_ done, and

I did! They were all there, my dear friends and former

flatterers--every one of them who has haunted my house for years,

asking for this favour or that, and paying me in the coin of

sweetest smiles. It seemed as if fate had gathered them all

together for my personal inspection and wouldn't let a creature

escape.

"Did they see me? Not a soul of them! I drove through them and

between them, and they bowed across and before and behind me, and

I might have been as invisible as Asmodeus for all the

consciousness they betrayed of my presence. Was I humiliated?

Confused? Crushed? Oh, dear no! I was proud. I knew the day would

come, the day was near, when they must try to forget all this and

to persuade themselves it had never been, when for my own sake,

even mine, and for yours, most of all for yours, they would come

back humble, so humble and afraid.

"So I gave them every chance. I was bold and I did not spare them.

And when the sun began to sink behind St. Peter's and the band

stopped, and we turned to go, I know which of us went home happy

and unashamed. Oh, David Rossi! If you could have been there!

"I must write again on other matters. Meantime, one item of news.

Lawyer Napoleon, who continues to go to Regina C[oe]li to see the

bewildering Bruno, saw Charles Minghelli there in prison clothes!

If the God who settles the question of sex had only remembered to

make your wife the procurator-general, think how different the

history of the world would have been! The worst of it is he

mightn't have remembered to make you a woman; and in any case,

things being so nicely settled as they are, I don't think I want

to be a man. I waft a kiss to you on the wings of the wind. It's

ponente to-day, so it ought to be warm. "ROMA.

"P.S.--My poor friend is still in trouble. Although not a

religious woman, she has taken to saying a 'Hail Mary' every night

on going to bed, and if it wasn't for that I'm afraid she would

commit suicide, so frightful are the visions that enter her head

sometimes. I've told her how wrong it would be to do away with

herself, if only for the sake of her husband, who is away. Didn't

I tell you he was away at present? It would hurt you dreadfully if

_I_ were to die before _you_ return, wouldn't it? But I'm dying

already to hear what you think of her. Write! Write! Write!"

X

When the King of Terrors could no longer be beaten back the Countess

sent for the priest. Before he arrived she insisted on making her toilet

and receiving him in the dressing-gown which she used to wear when

people made ante-camera to her in the days of her gaiety and strength.

During the time of the Countess's confession Roma sat in her own room

with a tremor of the heart which she had never felt before. Something

personal and very intimate was creeping over her soul. She heard the

indistinct murmur of the priest's voice at intervals, followed by a

sibilant sound as of whispers and sobs.

The confession lasted fifteen minutes and then the priest came out of

the room. "Now that your relative has made her peace with God," he said,

"she must receive the Blessed Sacrament, Extreme Unction, and the

Apostolic Blessing."

He went away to prepare for these offices, and the English Sister came

to see Roma. "The Countess is like another woman already," she said, but

Roma did not go into the sickroom.

The priest returned in half-an-hour. He had now two assistants, one

carrying the cross and banner, the other a vessel of holy water and the

volume of the Roman ritual. The Sister and Felice met them at the door

with lighted candles.

"Peace be to this house!" said the priest.