I
The Piazza of Trinità de' Monti takes its name from a church and convent
which stand on the edge of the Pincian Hill.
A flight of travertine steps, twisted and curved to mask the height,
goes down from the church to a diagonal piazza, the Piazza di Spagna,
which is always bright with the roses of flower-sellers, who build their
stalls around a fountain.
At the top of these steps there stands a house, four-square to all
winds, and looking every way over Rome. The sun rises and sets on it,
the odour of the flowers comes up to it from the piazza, and the music
of the band comes down to it from the Pincio. Donna Roma occupied two
floors of this house. One floor, the lower one, built on arches and
entered from the side of the city, was used as a studio, the other was
as a private apartment.
Donna Roma's home consisted of ten or twelve rooms on the second floor,
opening chiefly out of a central drawing-room, which was furnished in
red and yellow damask, papered with velvet wall-papers, and lighted by
lamps of Venetian glass representing lilies in rose-colour and violet.
Her bedroom, which looked to the Quirinal, was like the nest of a bird
in its pale-blue satin, with its blue silk counterpane and its
embroidered cushion at the foot of the bed; and her boudoir, which
looked to the Vatican, was full of vases of malachite and the skins of
wild animals, and had a bronze clock on the chimney-piece set in a
statue of Mephistopheles. The only other occupant of her house, besides
her servants, was a distant kinswoman, called her aunt, and known to
familiars as the Countess Betsy; but in the studio below, which was
connected with the living rooms by a circular staircase, and hung round
with masks, busts, and weapons, there was Bruno Rocco, her
marble-pointer, the friend and housemate of David Rossi.
On the morning after Donna Roma's visit to the Piazza Navona a letter
came from the Baron. He was sending Felice to be her servant. "The man
is a treasure and sees nothing," he wrote. And he added in a footnote:
"Don't look at the newspapers this morning, my child; and if any of them
send to you say nothing."
But Roma had scarcely finished her coffee and roll when a lady
journalist was announced. It was Lena, the rival of Olga both in
literature and love.
"I'm 'Penelope,'" she said. "'Penelope' of the _Day_, you know. Come to
see if you have anything to say in answer to the Deputy Rossi's speech
yesterday. Our editor is anxious to give you every opportunity; and if
you would like to reply through me to Olga's shameful libels.... Haven't
you seen her article? Here it is. Disgraceful insinuations. No lady
could allow them to pass unnoticed."
"Nevertheless," said Roma, "that is what I intend to do. Good-morning!"
Lena had barely crossed the doorstep when a more important person drove
up. This was the Senator Palomba, Mayor of Rome, a suave, oily man, with
little twinkling eyes.
"Come to offer you my sympathy, my dear! Scandalous libels. Liberty of
the press, indeed! Disgraceful! It's in all the newspapers--I've brought
them with me. One journal actually points at you personally. See--'A
lady sculptor who has recently secured a commission from the
Municipality through the influence of a distinguished person.' Most
damaging, isn't it? The elections so near, too! We must publicly deny
the statement. Ah, don't be alarmed! Only way out of a nest of hornets.
Nothing like diplomacy, you know. Of course the Municipality will buy
your fountain just the same, but I thought I would come round and
explain before publishing anything."
Roma said nothing, and the great man backed himself out with the air of
one who had conferred a favour, but before going he had a favour to ask
in return.
"It's rumoured this morning, my dear, that the Government is about to
organise a system of secret police--and quite right, too. You remember
my nephew, Charles Minghelli? I brought him here when he came from
Paris. Well, Charles would like to be at the head of the new force. The
very man! Finds out everything that happens, from the fall of a pin to
an attempt at revolution, and if Donna Roma will only say a word for
him.... Thanks!... What a beautiful bust! Yours, of course? A
masterpiece! Fit to put beside the masterpieces of old Rome."
The Mayor was not yet out of the drawing-room when a third visitor was
in the hall. It was Madame Sella, a fashionable modiste, with social
pretensions, who contrived to live on terms of quasi-intimacy with her
aristocratic customers.
"Trust I am not _de trop_! I knew you wouldn't mind my calling in the
morning. What a scandalous speech of that agitator yesterday! Everybody
is talking about it. In fact, people say you will go away. It isn't
true, is it? No? So glad! So relieved!... By the way, my dear, don't
trouble about those stupid bills of mine, but ... I'm giving a little
reception next week, and if the Baron would only condescend ... you'll
mention it? A thousand thanks! Good-morning!"
"Count Mario," announced Felice, and an effeminate old dandy came
tripping into the room. He was Roma's landlord and the Italian
Ambassador at St. Petersburg.
"So good of you to see me, Donna Roma. Such an uncanonical hour, too,
but I _do_ hope the Baron will not be driven to resign office on account
of these malicious slanders. You think not? So pleased!"
Then stepping to the window, "What a lovely view! The finest in Rome,
and that's the finest in Europe! I'm always saying if it wasn't Donna
Roma I should certainly turn out my tenant and come to live here
myself.... That reminds me of something. I'm ... well, I'm tired of
Petersburg, and I've written to the Minister asking to be transferred to
Paris, and if somebody will only whisper a word for me.... How sweet of
you! Adieu!"
Roma was sick of all this insincerity, and feeling bitter against the
person who had provoked it, when an unseen hand opened the door of a
room on the Pincio side of the drawing-room, and the testy voice of her
aunt called to her from within.
The old lady, who had just finished her morning toilet and was redolent
of scented soap, reclined in a white robe on a bed-sofa with a gilded
mirror on one side of her and a little shrine on the other. Her bony
fingers were loaded with loose rings, and a rosary hung at her wrist. A
cat was sitting at her feet, with a gold cross suspended from its
ribbon.
"Ah, is it you at last? You come to me sometimes. Thanks!" she said in a
withering whimper. "I thought you might have looked in last night, and I
lay awake until after midnight."
"I had a headache and went to bed," said Roma.
"I never have anything else, but nobody thinks of me," said the old
lady, and Roma went over to the window.
"I suppose you are as headstrong as ever, and still intend to invite
that man in spite of all my protests?"
"He is to sit to me this morning, and may be here at any time."
"Just so! It's no use speaking. I don't know what girls are coming to.
When I was young a man like that wouldn't have been allowed to cross the
threshold of any decent house in Rome. He would have been locked up in
prison instead of sitting for his bust to the ward of the Prime
Minister."
"Aunt Betsy," said Roma, "I want to ask you a question."
"Be quick, then. My head is coming on as usual. Natalina! Where's
Natalina?"
"Was there any quarrel between my father and his family before he left
home and became an exile?"
"Certainly not! Who said there was? Quarrel indeed! His father was
broken-hearted, and as for his mother, she closed the gate of the
palace, and it was never opened again to the day of her death. Natalina,
give me my smelling salts. And why haven't you brought the cushion for
the cat?"
"Still, a man has to live his own life, and if my father thought it
right...."
"Right? Do you call it right to break up a family, and, being an only
son, to let a title be lost and estates go to the dogs?"
"I thought they went to the Baron, auntie."
"Roma, aren't you ashamed to sneer at me like that? At the Baron, too,
in spite of all his goodness! As for your father, I'm out of patience.
He wasted his wealth and his rank, and left his own flesh and blood to
the mercy of others--and all for what?"
"For country, I suppose."
"For fiddlesticks! For conceit and vanity and vainglory. Go away! My
head is fit to split. Natalina, why haven't you given me my smelling
salts? And why will you always forget to...."
Roma left the room, but the voice of her aunt scolding the maid followed
her down to the studio.
Her dog was below, and the black poodle received her with noisy
demonstrations, but the humorous voice which usually saluted her with a
cheery welcome she did not hear. Bruno was there, nevertheless, but
silent and morose, and bending over his work with a sulky face.
She had no difficulty in understanding the change when she looked at her
own work. It stood on an easel in a compartment of the studio shut off
by a glass partition, and was a head of David Rossi which she had
roughed out yesterday. Not yet feeling sure which of the twelve apostles
around the dish of her fountain was the subject that Rossi should sit
for, she had decided to experiment on a bust. It was only a sketch, but
it was stamped with the emotions that had tortured her, and it showed
her that unconsciously her choice had been made already. Her choice was
Judas.
Last night she had laughed when looking at it, but this morning she saw
that it was cruel, impossible, and treacherous. A touch or two at the
clay obliterated the sinister expression, and, being unable to do more
until the arrival of her sitter, she sat down to write a letter.
"MY DEAR BARON,--Thanks for Cardinal Felice. He will be a great
comfort in this household if only he can keep the peace with
Monsignor Bruno, and live in amity with the Archbishop of Porter's
Lodge. Senator Tom-tit has been here to suggest some astonishing
arrangement about my fountain, and to ask me to mention his
nephew, Charles Minghelli, as a fit and proper person to be chief
of your new department of secret police. Madame de Trop and Count
Signorina have also been, but of their modest messages more anon.
"As for D. R., my barometer is 'set fair,' but it is likely to be
a stormier time than I expected. Last night I decked myself in my
best bib and tucker, and, in defiance of all precedent, went down
to his apartment. But the strange thing was that, whereas I had
gone to find out all about _him_, I hadn't been ten minutes in his
company before he told all about _me_--about my father, at all
events, and his life in London. I believe he knew me in that
connection and expected to appeal to my filial feelings. Did too,
so strong is the force of nature, and then and thereafter, and all
night long, I was like somebody who had been shaken in an
earthquake and wanted to cry out and confess. It was not until I
remembered what my father had been--or rather hadn't--and that he
was no more to me than a name, representing exposure to the
cruellest fate a girl ever passed through, that I recovered from
the shock of D. R.'s dynamite.
"He has promised to sit to me for his bust, and is to come this
morning!--Affectionately, ROMA.
"P. S.--My gentleman has good features, fine eyes, and a wonderful
voice, and though I truly believe he trembles at the sight of a
woman and has never been in love in his life, he has an
astonishing way of getting at one. But I could laugh to think how
little execution his fusillade will make in this direction."
"Honourable Rossi!" said Felice's sepulchral voice behind her, and at
that moment David Rossi stepped into the studio.