Nietzsche and German Culture

By Abraham Solomon.

_A Letter to The New York Evening Post._

Sir: Those who trace the German militaristic doctrines to Nietzsche's

influence commit Pastor Mander's sin when he told Mrs. Alving to bar

from her library a book which he had never read. Nietzsche was an

inveterate enemy of efficiency, astigmatic with regard to practical

life, and he never worked out a philosophy in the accepted sense of the

term. He was a lyric poet who wrote psychology when he failed to sustain

the poetic mood. In the Engadine and at Sils-Maria, brooding in a rocky

void wherein he touched the sharp edge of infinity, he sang a Dionysian

hymn to life against the melancholy products of German learning and

against those Nihilistic snares which he thought lurked in Christian

doctrine. There he worked out the mystic idea of "Eternal Recurrence"

and his song of Zarathustra with the bell strokes of noon.

What he knew of history he used for an analysis of values, and not for

State polity. He shrank from the irritations of reality, and he had

little patience with the national mania cultivated after Sedan, warning

his country that their victory was not one of a superior culture, that

Germany had no style but a barbaric mixture of many styles; and he

pointed out the essential difference between culture and erudition.

His unfinished work, "The Will to Power," was an attempt to house his

lyric passions in an architectural frame. The façade of the structure,

as posthumously revealed to us, is an indication that he was really

engaged in building a Tower of Babel. Power, Affirmation, Yea-Saying he

considered the attributes of life, and he found in them recompense for

his weakness and his lack of capacity for happiness. He was a master of

the exquisite nuances of vision, but since he touched real life at the

circumference, and not at the centre, his philosophical valuations are

bizarre, and have only a literary value.

It is superficial to make Treitschke and Bernhardi his disciples, as

some American writers have made Roosevelt his disciple. Treitschke is a

heavy-footed historian who raised the axiom of self-preservation into a

philosophy of force. Von Bernhardi's book, though extreme in its

expression, is based on the fundamental truth that if Germany desired a

just proportion of oversea territories (a proportion denied her by

England) she would have to gain it by force of arms. In the development

of this idea he makes many generalizations calculated to dazzle the

multitude and to imbue it with the courage to expansion. Treitschke

would have rested in obscurity but for the war; Bernhardi does not

pretend to talents as a philosopher.

The real origin of Germany's policy in the last forty years may be

derived from the eminently practical and direct mind of Bismarck. From

reading of history he learned that chicane and force had been utilized

as the roads to power, of which fact he found ample demonstration in the

histories of England and Russia. He proved himself a true adept by using

chicane and force to achieve German unity, after the theorists had

failed.

Those who glibly condemn a lyric philosopher in order to make out a case

against Germany reveal the weakness of their position. It is strange

that these lantern-eyed critics haven't cited Heine as an enemy of

democracy because he adored Napoleon. Was it because Heine lived for

years in Paris on the adulation of advanced feminines?

The New York Times Current History of the European War, Vol. 1, January 9, 1915 What Americans Say to Europe · 第 142 / 146 题