CHAPTER I

AN ARMENIAN

PRINCESS

_A Tale of Anatolian

Peasant Life_

BY

EDGAR JAMES BANKS

[Illustration: ARTI et VERITATI]

BOSTON: THE GORHAM PRESS

TORONTO: THE COPP CLARK CO., LIMITED

Copyright, 1914, by Edgar James Banks

All Rights Reserved

THE GORHAM PRESS, BOSTON, U. S. A.

CONTENTS

CHAPTER PAGE

I AK HISSAR 7

II CHILDHOOD DAYS 14

III THE PARTING 21

IV THE TAX COLLECTOR 27

V THE LETTER 37

VI A VISITOR 40

VII THE PADISHAH 47

VIII ARRESTED 53

IX THE TRIAL 59

X THE BUYUK ZAPTIEH 63

XI THE TURBANED MOLLAH 70

XII BEFRIENDED 78

XIII HOME 81

XIV THE SILENT APPEAL 87

XV MARKET DAY 93

XVI THE REWARD 99

XVII CAPTIVES 105

XVIII THE CHAOUSH 109

XIX FOR THE PADISHAH 112

XX AS FROM THE DEAD 122

XXI VASSINAG 128

XXII THE ANSWERED PRAYER 131

XXIII IN THE HAREM 138

XXIV ON THE TRAIL 148

XXV BEHIND THE LATTICE 152

XXVI IN DISGUISE 159

XXVII FIRE 168

XXVIII THE DERVISHES 175

XXIX THE WANDERERS 182

XXX MINGLED JOY AND SORROW 189

XXXI DRIVEN ON 193

XXXII HOPE 202

XXXIII THE PASHA’S PROPOSAL 212

XXXIV REJECTED 222

XXXV THE CHARM 228

XXXVI TOO LATE? 234

XXXVII DARKNESS 237

XXXVIII THE REAL HAKIM 245

XXXIX FORWARD 251

AN ARMENIAN PRINCESS

CHAPTER I

AK HISSAR

Nestling among the hills of Central Asia Minor is the little village

of Ak Hissar, or Aksar, as the natives call it. The name comes from a

neighboring old castle, a relic of the early days when the wild Turkish

hordes from the distant East swept over and conquered the country. The

white ruins of this ancient fortress are now almost hidden by mulberry

trees. Its dungeons, once dark and damp, but now lighted by the warm

sun, had they the power to speak, could narrate tales of horror to the

children who make them their innocent playhouses.

On a little square in the heart of the village stands the great wooden

government building, before whose rickety, half-closed door the little

folk often stop to gaze at the soldiers quartered within. It is here

the governor lodges when he comes to the village. Here the passports

are issued. Here the tax collector stores his money. Here the prisoners

are chained. And it is here the villagers learn the latest news from

the outside world, or discuss weighty questions, while lounging and

smoking and sipping their coffee.

At one end of the single street of the village may be seen a little,

whitewashed mosque. From its slender minaret, towering above a roof of

reddish tiles, the muezzin rubs his sleepy eyes at the appearance of

the first rays in the east, and sings to the Faithful that prayer is

better than sleep. And by the side of the mosque, in a thatched hut

with bare openings in its walls for windows, the little Moslems go to

school, where they sit from early morning till late in the afternoon,

squatted on the dirt floor in a circle about the priest and teacher,

and imitating his nasal accent obtain their education by memorizing

verses from the Koran.

At the other end of the village stands the Armenian church, a small

building surmounted by a wooden cross. As in most Protestant churches

in Turkey, for the protection of the worshipers, the few windows are

grated with iron bars. Nearly opposite the church is the Armenian

school, where it is taught that other countries than Turkey exist; that

czar and emperor and king are not governors appointed by the Sultan,

and that there are other things worth learning besides the Koran.

The rest of the narrow street is lined with buildings peculiar to

Anatolia. The low houses with latticed windows to shield the faces

of the Osmanli women from the polluting eyes of the stranger are at

once distinguished as Turkish homes. Here and there are grouped the

shops, their entire fronts open to the street. Year in and year out the

grocer sits patiently behind his stock in trade, consisting of a box of

coarse salt, a cone of sugar, and a few glass jars filled with spices,

candles, and cigarettes. The saddler exposes for sale huge gorgeously

decorated packsaddles and long strings of blue glass beads, which, good

as they are as ornaments for the donkeys, are even more potent to

protect the animals from the influence of the evil eye. Half concealed

behind his dark-brown loaves of bread, the baker mixes his dough, and

with long-handled scoop pushes it far back into the stone oven. On

a shelf before the little eating house is displayed a row of bright

copper pans, filled with boiled rice, eggplant floating in oil, curdled

milk, and other dainties savory to the palate of the Anatolian peasant.

In the fruit shop are baskets overflowing with grapes and figs, and

huge piles of delicious melons, which provident nature has bestowed so

lavishly on the improvident Turk. The little village, remote as it is

from the busy world, can boast of its money changer too. Badiark, a

young Armenian, sits from morning till night at his little glass case

rattling his silver coins to inform the passers-by that he has money to

sell. For a coin worth twenty cents he gives nineteen cents in change;

the other cent is his profit. To the distressed villager who is able

to pawn a family jewel, a house, or a piece of land, he lends his idle

capital at what in his eyes is a moderate rate of interest, twenty

per cent a month. And the village is so small that the young money

changer has leisure for another occupation when not collecting interest

or making change. Conspicuously arranged with his money is a bunch of

reed pens, and some ink; and for the villager who would write to a

distant friend, the versatile Badiark, with scholastic air, selects one

of a stock of flowery-worded letters which he keeps on hand, adds the

date and the name of the sender, with awe-inspiring seal, and collects

therefor a goodly fee. Thus the young money changer grows wealthy.

Ak Hissar is not without accommodations for the stranger. The quaint

doorway of the dilapidated inn opens into a single large room on the

first floor. In the farther corner, under the great stone arch, the

innkeeper prepares the coffee, and keeps alive the coals for the

nargilehs furnished to his guests. About the sides of the room, and

raised slightly from the ground, runs a wide platform, upon which

sleep side by side the travelers who cannot afford the luxury of a

bed in one of the little chambers above. A door in the rear leads to

the stairway, and out to the spacious stables. The inn is more than a

stopping place for strangers. All day long the idle villager, loitering

in its shade, lazily sips his coffee and smokes his pipe, or watches

the graceful maidens filling their earthen jars with water at the well.

Here, too, during the summer evenings, the simple peasants gather to

listen to the tales of a wandering story-teller; or they are held by

the weird Oriental strains which the village musicians improvise on the

clarionet and pompoms; or proudly they watch a pompous soldier as he

flourishes his sword before an imaginary enemy; or, if not wearied by

the labor of the day, they join hands, and sway about as they execute

the fantastic step of their national dance.

The pride of the village is the shop of the old Armenian merchant

Dicran, for it is larger than the others, and, like some of the shops

in Stamboul, possesses both door and window. Displayed within are

silks from Brusa, print goods from England, bright colored sunshades

for Turkish ladies, and boots and slippers worthy even of the Moslem

priest. Dicran is justly regarded as the chief of the village. When

disputes arise among the villagers, does not Dicran settle them to the

satisfaction of both parties? Does not Dicran sell goods to people who

have no money, and trust them till better times come? When the tax

collector is severe, extorting more than the people can pay, does not

Dicran intercede for them? If the soldiers are dragging a debtor to

prison, does not Dicran pay the debt? When a villager is in trouble

with the government, does not Dicran alone dare to take his part?

When the mayor is in doubt, is not Dicran consulted? And when work is

scarce, is it not to Dicran the poor villager goes? Dicran is old, and

his hair has long been gray, but his form is powerful and erect, and

few even of the younger men would care to grapple with him. Some call

him severe. When his dark, penetrating eyes look from beneath those

gray, shaggy brows, as if to search the very soul, and detect fraud or

deceit, none could be more severe; but kinder heart than Dicran’s never

was.

An Armenian princess · 第 1 / 39 章