Forehand grip from the back.]

Many older players, who have taken up the game “any old way” and

believe in “just doing the best they can,” claim that professional

teaching is useless, as it makes a player “all form and no play.” Of

course, a professional cannot make a star player out of every pupil,

but he can make their best much better than it would otherwise have

been, much less tiring to the player, and more pleasurable to the

onlooker, by teaching them the correct form, the right way to handle

themselves and their racket.

Few start playing golf without taking lessons on how to drive, putt,

etc., or else reading the various articles that have been written on

how to play. There are just as many different strokes in tennis and

just as definite ways to play them in order to attain the best and most

consistent results. If the player knows the science of the strokes,

when she is off her game a little thought will soon find her error;

whereas if she is playing “hit or miss,” she will merely be disgusted

at being “off her game,” and have to trust to her lucky Providence to

get her “on” again.

A player who is “all form” has merely not carried her game far enough,

either has not played long enough or else has not in herself the

makings of a first-class player. But at least she looks well on the

court, plays a fairly consistent game and really fails only when it

comes to crack tournament play. As a matter of fact, she is a player

whom first-class players are always willing to play against, for she is

steady and has reasonable pace to her balls, making her a good opponent

in practise. Then, too, many people make this criticism of someone who

is taking lessons, when the pupil is really only just starting in, and

has to concentrate so much on how she is hitting the ball that she has

little thought left for strategy. Once, however, a player learns how to

stroke the ball correctly and how to handle herself on the court, the

rest comes rapidly. But the fundamentals have to be learned first, and

learned thoroughly, so that they become second nature to the player,

before there can be much thought of studying the tactics of play.

A professional, besides being able to give his pupil the required ball

again and again for the stroke under study, can also watch and tell her

what she is doing incorrectly. To pick up the game alone is, as in all

things, more difficult than to have someone pointing the way. However,

learning by oneself requires greater concentration and thought on what

one is doing, and insofar is all the better training.

The best way to begin without professional aid is to find a smooth

board wall against which the ball may be hit, with a level cleared

space in front of it. It is well to draw a chalk line the height of the

net, 3 feet from the ground, so that the player may become accustomed

to hitting the ball high enough.

By practising against this board for a while before playing any games,

the beginner can put all her attention on _how_ she is hitting the

ball. She has no opponent, no score, to worry her, and can become

thoroughly at home with the fundamental principles of the strokes. This

is the practise that a girl needs more than a boy, for it will give

her the necessary training for eye and body. She will learn to keep

her eye on the ball, to time her strokes correctly, and to use her

body easily and quickly in response to the demands of her eye. Above

all, she will be acquiring the habit of concentration, a habit most

important in tennis, and something that no one can teach.

The easiest and quickest way to learn to serve is to take a half

dozen or so of balls out on the court and practise hitting them in

the right way into the opposite service court, just as if a game were

in progress. In a very short time, the beginner will find that she is

ready to go out and hold her own against those of her friends who have

been “batting around” for some time but without any real thought as to

what they were doing.

It is best to learn the ground strokes first, the strokes used against

a ball that has bounced once. They are more easily practised alone, and

in learning to play them correctly, the fundamental principles which

are true for all strokes will be mastered. The player will learn to

concentrate on what she is doing, to keep her eye on the ball, to time

it in its flight, and to follow through, putting the weight of her

body into the stroke. The habit of keeping the _eye on the ball_, of

watching it throughout its flight, is a very necessary one to acquire,

and now is the time while there is no opponent to tempt the eye away.

Many players are so busy watching their adversary, to know just where

she is in the opposite court, that they do not know exactly where the

ball is, and have to take a chance at hitting it squarely. After all,

it is much more important to be sure of your ball, for if you do not

send the ball true, of what use to know just where your opponent is.

This is the cause of the many “scratch” shots made on the courts, balls

hit with any part of the racket, strings or even frame, instead of

with the center of the stringing. A player must learn to keep her _eye

on the ball_ all the time, in order that her shots may be clean and

true, and of the maximum speed, through having her racket squarely

behind the ball. This habit of keeping the eye on the ball develops and

includes the _habit of concentration_, another very essential habit

to form if one is to play first-class tennis. No one can do her game

justice if she allows her mind to wander the least bit from the matter

at hand. If she begins to think of the audience, or the umpire, or any

of the thousand and one things that are liable to distract a player,

her mind is not wholly on her stroke, her eye will waver, and a scratch

shot is the almost inevitable result. Proper footwork too, which plays

such an important part in getting the proper swing of arm and body,

comes only with constant thought. In time this keeping the eye on the

ball, and using proper footwork becomes so nearly second nature that

the player may use her powers of concentration on the problems of

strategy which advanced play require. But at all times she must keep

her mind as it were within the boundaries of the court and not allow it

to wander.

Tennis for girls · 第 32 / 47 题