III--A PARALLEL

(MOLL CUTPURSE AND JONATHAN WILD)

THEY plied the same trade, each with incomparable success. By her, as

by him, the art of the fence was carried to its ultimate perfection. In

their hands the high policy of theft wanted nor dignity nor assurance.

Neither harboured a single scheme which was not straightway translated

into action, and they were masters at once of Newgate and the Highway.

As none might rob without the encouragement of his emperor, so none

was hanged at Tyburn while intrigue or bribery might avail to drag a

half-doomed neck from the halter; and not even Moll herself was

more bitterly tyrannical in the control of a reckless gang than the

thin-jawed, hatchet-faced Jonathan Wild.

They were statesmen rather than warriors--happy if they might direct

the enterprises of others, and determined to punish the lightest

disobedience by death. The mind of each was readier than his right arm,

and neither would risk an easy advantage by a misunderstood or unwonted

sleight of hand. But when you leave the exercise of their craft to

contemplate their character with a larger eye, it is the woman who at

every point has the advantage. Not only was she the peerless inventor

of a new cunning; she was at home (and abroad) the better fellow. The

suppression of sex was in itself an unparalleled triumph, and the

most envious detractor could not but marvel at the domination of her

womanhood. Moreover, she shone in a gayer, more splendid epoch.

The worthy contemporary of Shakespeare, she had small difficulty in

performing feats of prowess and resource which daunted the intrepid

ruffians of the eighteenth century. Her period, in brief, gave her an

eternal superiority; and it were as hopeless for Otway to surpass

the master whom he disgraced, as for Wild to o'ershadow the brilliant

example of Moll Cutpurse.

Tyrants both, they exercised their sovereignty in accordance with their

varying temperament. Hers was a fine, fat, Falstaffian humour, which,

while it inspired Middleton, might have suggested to Shakespeare an

equal companion of the drunken knight. His was but a narrow, cynic wit,

not edged like the knife, which wellnigh cut his throat, but blunt and

scratching like a worn-toothed saw.

She laughed with a laugh that echoed from Ludgate to Charing Cross, and

her voice drowned all the City. He grinned rarely and with malice;

he piped in a voice shrill and acid as the tricks of his mischievous

imagination. She knew no cruelty beyond the necessities of her life,

and none regretted more than she the inevitable death of a traitor.

He lusted after destruction with a fiendish temper, which was a grim

anticipation of De Sade; he would even smile as he saw the noose tighten

round the necks of the poor innocents he had beguiled to Tyburn. It was

his boast that he had contrived robberies for the mere glory of dragging

his silly victims to the gallows. But Moll, though she stood half-way

between the robber and his prey, would have sacrificed a hundred

well-earned commissions rather than see her friends and comrades

strangled. Her temperament compelled her to the loyal support of her own

order, and she would have shrunk in horror from her rival, who, for all

his assumed friendship with the thief, was a staunch and subtle ally of

justice.

Before all things she had the genius of success. Her public offences

were trivial and condoned. She died in her bed, full of years and of

honours, beloved by the light-fingered gentry, reverenced by all the

judges on the bench. He, for all the sacrifices he made to a squint-eyed

law, died execrated alike by populace and police. Already Blueskin had

done his worst with a pen-knife; already Jack Sheppard and his comrades

had warned Drury Lane against the infamous thief-catcher. And so

anxious, on the other hand, was the law to be quit of their too zealous

servant, that an Act of Parliament was passed with the sole object of

placing Jonathan's head within the noose. His method, meagre though

masterly, lulled him too soon to an impotent security. She, with her

larger view of life, her plumper sense of style, was content with

nothing less than an ultimate sovereignty, and manifestly did she prove

her superiority.

Though born for the wimple, she was more of a man than the breeched

and stockinged Jonathan, whose only deed of valiance was to hang,

terrier-like, by his teeth to an evasive enemy. While he cheated

at cards and cogged the dice, she trained dogs and never missed a

bear-baiting. He shrank, like the coward that he was, from the exercise

of manly sports; she cared not what were the weapons--quarterstaff or

broadsword--so long as she vanquished her opponent. She scoured the town

in search of insult; he did but exert his cunning when a quarrel was put

upon him. Who, then, shall deny her manhood? Who shall whisper that his

style was the braver or the better suited to his sex?

As became a hero, she kept the best of loose company: her parlour was

ever packed with the friends of loyalty and adventure. Are not Hind and

Mull Sack worth a thousand Blueskins? Moreover, plunder and wealth were

not the only objects of her pursuit: she was not merely a fence but a

patriot, and she would have accounted a thousand pounds well lost, if

she did but compass the discomfiture of a Parliament-man. Indeed, if

Jonathan, the thief-catcher, limped painfully after his magnificent

example, Jonathan the man and the sportsman confessed a pitiful

inferiority to the valiant Moll. Thus she avenged her sex by distancing

the most illustrious of her rivals; and if he pleads for his credit a

taste for theology, hers is the chuckle of contemptuous superiority. She

died a patriot, bequeathing a fountain of wine to the champions of

an exiled king; he died a casuist, setting crabbed problems to the

Ordinary. Here, again, the advantage is evident: loyalty is the virtue

of men; a sudden attachment to religion is the last resource of the

second-rate citizen and of the trapped criminal.

A Book of Scoundrels · 第 19 / 41 题