Egerton had thrown himself at full length on the sofa, a position
exceedingly rare with him; and about his whole air and manner, as Levy
entered, there was something singularly different from that stateliness
of port common to the austere legislator. The very tone of his voice was
different. It was as if the statesman--the man of business--had
vanished; it was rather the man of fashion and the idler, who, nodding
languidly to his visitor, said, "Levy, what money can I have for a
year?"
"The estate will bear very little more. My dear fellow, that last
election was the very devil. You cannot go on thus much longer."
"My dear fellow!" Baron Levy hailed Audley Egerton as "my dear fellow."
And Audley Egerton, perhaps, saw nothing strange in the words, though
his lip curled.
"I shall not want to go on thus much longer," answered Egerton, as the
curl on his lip changed to a gloomy smile. "The estate must, meanwhile
bear £5000 more."
"A hard pull on it. You had really better sell."
"I cannot afford to sell at present. I cannot afford men to say, 'Audley
Egerton is done up--his property is for sale.'"
"It is very sad when one thinks what a rich man you have been--and may
be yet!"
"Be yet! How?"
Baron Levy glanced towards the thick mahogany doors--thick and
impervious as should be the doors of statesmen. "Why, you know that,
with three words from you, I could produce an effect upon the stocks of
three nations, that might give us each a hundred thousand pounds. We
would go shares."
"Levy," said Egerton coldly, though a deep blush overspread his face,
"you are a scoundrel; that is your look out. I interfere with no man's
tastes and consciences. I don't intend to be a scoundrel myself. I have
told you that long ago."
The Baron laughed, without evincing the least displeasure.
"Well," said he, "you are neither wise nor complimentary; but you shall
have the money. But yet, would it not be better," added Levy, with
emphasis, "to borrow it, without interest, of your friend L'Estrange?"
Egerton started as if stung.
"You meant to taunt me, sir!" he exclaimed passionately. "I accept
pecuniary favors from Lord L'Estrange! I!"
"Tut, my dear Egerton, I dare say my Lord would not think so ill now of
that little act in your life which--"
"Hold!" exclaimed Egerton, writhing. "Hold!"
He stopped, and paced the room, muttering in broken sentences, "To blush
before this man! Chastisement, chastisement!"
Levy gazed on him with hard and sinister eyes. The minister turned
abruptly.
"Look you, Levy," said he, with forced composure--"you hate me--why, I
know not. I have never injured you--never avenged the inexpiable wrong
you did me."
"Wrong!--you a man of the world! Wrong! Call it so if you will then," he
added shrinkingly, for Audley's brow grew terrible. "But have I not
atoned it? Would you ever have lived in this palace, and ruled this
country as one of the most influential of its ministers, but for my
management--my whispers to the wealthy Miss Leslie? Come, but for me
what would you have been--perhaps a beggar?"
"What shall I be now if I live? _Then_ I should not have been a beggar;
poor perhaps in money, but rich--rich in all that now leaves my life
bankrupt. Gold has not thriven with me; how should it. And this
fortune--it has passed for the main part into your hands. Be patient,
you will have it all ere long. But there is one man in the world who has
loved me from a boy, and wo to you if ever he learn that he has the
right to despise me!"
"Egerton, my good fellow," said Levy, with great composure, "you need
not threaten me, for what interest can I possibly have in tale-telling
to Lord L'Estrange? As to hating you--pooh! You snub me in private, you
cut me in public, you refuse to come to my dinners, you'll not ask me to
your own; still there is no man I like better, nor would more willingly
serve. When do you want the £5000?"
"Perhaps in one month, perhaps not for three or four. Let it be ready
when required."
"Enough; depend on it. Have you any other commands?"
"None."
"I will take my leave, then. By the by, what do you suppose the
Hazeldean rental is worth--net?"
"I don't know, nor care. You have no designs upon _that_, too?"
"Well, I like keeping up family connections. Mr. Frank seems a liberal
young gentleman."
Before Egerton could answer, the Baron had glided to the door, and,
nodding pleasantly, vanished with that nod.
Egerton remained, standing on his solitary hearth. A drear, single man's
room it was, from wall to wall, despite its fretted ceilings and
official pomp of Bramah escritoires and red boxes. Drear and
cheerless--no trace of woman's habitation--no vestige of intruding,
happy children. There stood the austere man alone. And then with a deep
sigh he muttered, "Thank heaven, not for long--it will not last long."
Repeating those words, he mechanically locked up his papers, and pressed
his hand to his heart for an instant, as if a spasm had shot through it.
"So--I must shun all emotion!" said he, shaking his head gently.
In five minutes more, Audley Egerton was in the streets, his mien erect,
and his step firm as ever.
"That man is made of bronze," said a leader of the Opposition to a
friend as they rode past the minister. "What would I give for his
nerves!"
FOOTNOTES:
[M] Continued from page 692, vol. iv.
From Mr. Kimball's forthcoming "Sequel to St. Leger."
THE STORY OF DR. LINDHORST.
"Dr. Lindhorst has been an intimate friend of my father from the time
they were both together at Heidelberg. The Doctor was born in
Switzerland, and, after finishing the study of medicine, came back to
his native town to practise it. Before this, however, he had become
enthusiastically devoted to geology and its kindred sciences, botany and
mineralogy; and, indeed, to all those pursuits which have direct
relation to nature and her operations. His father dying soon after, and
leaving him a handsome patrimony, he had abundant opportunity to indulge
in them; which he did, without, however, neglecting his profession.
Indeed, he soon acquired a reputation for being skilful and attentive,
while every one spoke in terms of commendation of the young Doctor Paul.
Suddenly there was a change. He declined any longer to visit the sick,
excepting only the most poor and miserable. He absented himself for days
and weeks in the mountains, pursuing his favorite objects with an
unnatural enthusiasm. Then he left Thun for foreign countries, and was
gone two or three years, and returned with an accumulation of various
specimens in almost every department of natural science: with
note-books, herbariums, cabinets, strange animals stuffed to resemble
life, birds, fishes, petrifactions--in short, the air, the water, and
the earth had furnished their quota to satisfy his feverish zeal for
acquisition. He was still a young man, scarce five-and-twenty, yet he
bore the appearance of a person at least forty years old--"
"But the cause of this strange metamorphose?"
"No one pretends to tell," continued Josephine. "There is a report--and
my father, who, I am sure, knows all, does not contradict it--that Paul
Lindhorst was attached to a young girl who resided in the same town, and
that his affection was returned. On one occasion, a detachment of French
soldiers was quartered in Thun for a short time, and a sub-lieutenant,
who had in some way been made acquainted with her, was smitten with the
charms of the pretty Swiss. I suppose, like some of her sex, she had a
spice of coquetry in her composition, and now, possessing two lovers,
she had a good opportunity to practise it. Paul Lindhorst, however, was
of too earnest a nature to bear this new conduct from the dearest object
of his heart with composure, neither was it his disposition to suffer in
silence. He remonstrated, and was laughed at; he showed signs of deep
dejection, and these marks of a wounded spirit were treated with
thoughtless levity or indifference; he became indignant, and they
quarrelled. It is quite the old story; the girl, half in revenge, half
from a fancied liking for her new lover, married him: soon the order for
march came, and, by special permission, she was permitted to accompany
her husband, as the regiment was to be quartered in France, and not to
go on active service. Such," continued Josephine Fluellen, "is the story
which I have heard repeated, and to which was attributed the
extraordinary change in the young physician. His devotion to his
favorite pursuits continued to engross him, he grew more abstracted,
more laborious, more unremitting in his vocation. Again he visited
foreign lands, and was gone another three years. Returning, he brought,
in addition to his various collections, a little bright-eyed,
brown-haired child, a girl, some four years old; and taking her to his
house, which he still retained, he made arrangements for her
accommodation there, by sending to Berne for a distant relative, a widow
lady, who had but one child, also a little girl, about the age of the
stranger. She accordingly took up her residence with Dr. Lindhorst, and
assumed the charge of both the children, while the Doctor continued to
pursue his labors, apparently much lighter of heart than before."
"But the child?"
"I was about to add that I learned from my father the following account
of it. He told me (but I am sure this is not known to any out of our own
family) that as Dr. Lindhorst was returning home after his second long
absence, he entered a small village near Turin, just as a detachment of
'The Army of Italy' were leaving it. The rear presented the usual motley
collection of baggage-wagons, disabled soldiers, sutlers, camp-women,
and hangers-on of all sorts, who attend in the steps of a victorious
troop. As Paul Lindhorst stopped to view the spectacle, and while the
wild strains of music could be heard echoing and re-echoing as the
columns defiled around the brow of a mountain which shut them from his
sight, the rear of the detachment came up and passed. At a short
distance behind, a child, scarcely four years of age, without shoes or
stockings, and thinly clad, her hair streaming in the wind, ran by as
fast as her little feet could carry her, screaming, in a tone of agony
and terror, 'Wait for me, mamma!' 'Here I am, mamma!' 'Do dot leave me,
mamma!' '_Do_ wait for me!' Paul Lindhorst sprang forward, and taking
the child in his arms, he hastened to overtake the detachment, supposing
that by some accident the little creature had been overlooked. On coming
up, he inquired for the child's mother.
"'Bless me!' said one of the women, 'if there is not poor little
Annette!'
"'We can't take her; that's positive,' cried another.
"'How did she get here?' exclaimed a third.
"'Something must be done,' said a wounded soldier, in a compassionate
tone. 'Give her to me; I will carry her in my arms;' and taking the
little Annette, who recognized in him an old acquaintance, he easily
quieted her by saying her mamma would come very soon.
"The Doctor at length discovered that the poor child's mother had died
in the village they were just leaving. He learned also that she was the
wife of an officer who had been wounded some time before, and that she
had made a long journey, just in time to see him breathe his last, and
had remained with the camp until her own death. Some charitable person,
attracted by the sprightly appearance of the little girl, had
volunteered the charge of it, and, the halt at an end, the detachment
had marched on its victorious course. Paul Lindhorst felt a shock, like
the last shock which separates soul from body. He had inquired and been
told the name of the deceased officer; he buried his face in his hands
and wept. Little Annette had fallen asleep in the old soldier's arms,
and the heavy military wagon lumbered slowly on its way. It was more
than he could bear, to give up the child into the hands of
strangers--_her_ child. Old scenes came back to his recollection. He
forgot every resentment. He remembered but his first, his only love. He
walked hastily after the wagon, and readily persuaded the old soldier to
give the little girl to him. Then taking her in his arms while she still
slept, he walked almost with a light heart into the village. It was of
course difficult at first to pacify the little creature; but kindness
and devotion soon do their office, and all the love which she had had
for her mother was transferred to her kind protector. She has always
borne his name, and, I believe, is unacquainted with her history, at
least with the more melancholy portions of it. Do not ask me any more
questions. I know you want to speak of your friend Maclorne. I must not
show you too much favor at one time; besides, we must visit Lina a few
moments. I have quite neglected her of late."
From the New Monthly Magazine.
A DARK DEED OF THE DAYS GONE BY.
I.
In one of the sunniest spots of sunny Tuscany, that favored department
of Italy, may still be seen the ruins of a strong, ancient-built castle,
or palace, surrounded by extensive grounds now run to waste; and which
was, a century or two ago, one of the proudest buildings in that balmy
land.
It was on an evening of delicious coolness, there so coveted, that a
cavalier issued on horseback from the gates of the castle, which was
then at the acme of its pride and strength. Numerous retainers stood on
either side by the drawbridge their heads bared to the evening sun,
until the horseman should have passed, but he went forth unattended; and
the men resumed their caps, and swung to the drawbridge, as he urged his
horse to a quick pace. It was the lord of that stately castle, the young
inheritor of the lands of Visinara. His form, tall and graceful, was
bent occasionally to the very neck of his horse, in acknowledgment of
the homage that was universally paid him, though he sat his steed
proudly, as if conscious that such bearing befitted the descendant of
one of Italia's noblest families. In years he had numbered scarcely more
than a quarter of a century, and yet on his beautiful features might be
traced a shade, which told of perplexity or care.
Turning down a narrow and not much frequented way, which branched off
from the main road, a mile or two distant from his residence, he urged
his horse to a fast pace, and at length came in view of one of those
pretty places, partly mansion, partly cottage, and partly temple, at
that period to be seen in Italy; but which we _now_ meet with rarely
save in pictures. Fastening the bridle of his charger to a tree, he
walked towards the house, and passing down the colonade, which ran along
the south side of it, entered one of the rooms through the open window.
A lady, young and beautiful, sat there alone. She had delicate features,
and a fair, open countenance, the complexion of which resembled more
that of an English than an Italian one, inasmuch as a fine, transparent
color was glowing on the cheeks. The expression of her eyes was mild and
sweet, and her hair, of a chestnut brown, fell in curls upon her neck,
according to the fashion of the times. She started visibly at sight of
the count, and her tongue gave utterance to words, but what she
apparently knew not. "So you have returned, signor?"
"At last, Gina," was the count's answer, as he threw his arm around her
slender waist, and essayed to draw her affectionately towards him.
"Unhand me, Count di Visinara!" she impetuously exclaimed, sliding from
his embrace, and standing apart, her whole form heaving with agitation.
He stood irresolute; aghast at this reception from her, who was his
early and dearest love. "Are you out of your senses?" was his
exclamation.
"No, but I soon shall be. And I have prayed to Heaven that insanity may
fall upon me rather than experience the wretchedness of these last few
days."
"My love, my love, what mean you?"
"_My love!_ you call _me_ your love, Count di Visinara! Be silent,
hypocrite! I know you now. Cajoled that I have been in listening to you
so long!"
"Gina!"
"And so the honorable Count di Visinara has amused his leisure hours in
making love to Gina Montani!" she cried, vehemently. "The lordly
chieftain who----"
"Be silent, Gina!" he interrupted. "Before you continue your strange
accusations, tell me the origin of them. My love has never wandered from
you."
"Yet you are seeking a wife in the heiress of Della Ripa! Ah, Sir Count,
your complexion changes now!" Gina Montani was right: the flush of
excitement on his face had turned to paleness. "Your long and repeated
journeys, for days together, are now explained," she continued. "It was
well to tell me business took you from home."
"I have had business to transact with the Prince of Della Ripa," he
replied, boldly, recovering his equanimity.
"And to combine business with pleasure," she answered, with a curl of
her delicate lip, "you have been wont to linger by the side of his
daughter."
"And what though I have sometimes seen the Lady Adelaide?" he rejoined.
"I have no love for her."
Gina was silent for awhile, as if struggling with her strong emotion,
and then spoke calmly. "My mother has enjoined me, times out of mind,
not to suffer your continued visits here, for that you would never marry
me. You never will, Giovanni."
"Turn to my own faith, Gina," he exclaimed, with emotion, "and I will
marry thee to-morrow."
"They say you are about to marry Adelaide of Della Ripa," she replied,
passing by his own words with a gesture.
"They deceive you, Gina."
"_You_ deceive me," she answered, passionately; "you, upon whose
veracity I would have staked my life. And this is to be my reward!"
"You are like all your sex, Gina--when their jealousy is aroused,
good-by to reason; one and all are alike."
"Can you say that in this case my suspicions are unfounded?"
"Gina," he answered, as he once again would have folded her to his
heart, "let us not waste the hours in vain recriminations: I have no
love for Adelaide of Della Ripa." And, alas! for the credulity of woman,
Gina Montani lent ear once more to his honeyed persuasions, until she
deemed them true: and they were again happy together, as of old. But
this security was not to last long for her. As the weeks and months flew
on, the visits of the count to her mother's house grew few and far
between. He made long stays at the territory of Della Ripa, and people
told it as a fact, no longer disputable, that he was about to make a
bride of the Lady Adelaide.
They had come strangers into Tuscany, the Signora Montani and her
daughter, but a year or two before. The signora was in deep grief for
the loss of her husband, and they lived the most secluded life, making
no acquaintances. They were scarcely known by name or by sight, and,
save the Count di Visinara, no visitors were ever found there. The
signora was of northern extraction, and of the Reformed faith, and had
reared her daughter in the principles of the latter, which of itself
would cause them to court seclusion, at that period, in Italy. And the
Lord of Visinara, independent and haughty as he was by nature and by
position, would no more have dared to take Gina Montani to be his wedded
wife, than he would have braved his Mightiness the Pope in St. Peter's
chair.
II.
It was on a calm moonlight night, that a closely-wrapped-up form stood
in the deep shade of a grove of cypress-trees, within the gates of the
Castle of Visinara, anxiously watching. Parties passed and repassed, and
the figure stirred not; but now there came one, the very echo of whose
footsteps had command in it, and the form advanced stealthily, and
glided out of its hiding-place, right upon the path of the Lord of
Visinara. He stood still, and faced the intruder. "Who are you--and what
do you do here?"
"I came to bid you farewell, my Lord; to wish you joy of your marriage!"
And, throwing back the mantle and hood, Gina Montani's fragile form
stood out to view.
"You here, Gina!"
"Ay; I have struggled long--long. Pride, resentment, jealousy--I have
struggled fiercely with them; but all are forgotten in my unhappy love."
He folded her to his heart, as in their happy days. "You depart
to-morrow morning on your way to bring home your bride. I have seen your
preparations; I have watched the movements of your retainers. No
farewell was given me--no word offered of consolation--no last visit
vouchsafed." It would seem that he could not gainsay her words, for he
made no reply. "Know you how long it is since we met?" she continued;
"how long--"
"Reproach me not," he interrupted. "I have suffered more than you, and,
for a farewell visit, I did not dare to trust myself."
"And so this is to be the end of your enduring love, that you said was
to be mine, and only mine, till death!"
"And before Heaven I spoke the truth. I have never loved--I never shall
love but you. Yet, Gina, what would you have me do? I may not speak to
you of marriage; and it is necessary to my position that I wed."
"_She_ is of your own rank, therefore you have wooed her?"
"And of my own faith. Difference in rank may be overcome; in faith,
never."
"Oh that the time had come when God's children shall be all of one
mind!" she uttered; "when the same mode of worship, and that a pure one,
shall animate us all. In the later ages, this peace may be upon the
earth."
"Would to the saints that it were now, Gina; or that you and I had never
met."
"What! do _you_ wish it?" she contemptuously exclaimed; "you, who
voluntarily sever yourself from me?"
"I have acted an honorable part, Gina," he cried, striding to and fro in
his agitation.
"_Honorable_, did you say?"
"Ay, honorable. You were growing too dear to me, and I could not speak
of marriage to you." There was a long pause. She was standing against
one of the cypress-trees, the moon, through an opening above, casting
its light upon her pure face, down which were coursing tears of anguish.
"So henceforth we must be brother and sister," he whispered.
"Brother and sister," she repeated, in a moaning voice, pressing the
cold tree against her aching temples.
"After awhile, Gina, when time shall have tamed our feelings down. Until
then, we may not meet."
"Not meet!" she exclaimed, startled by the words into sudden pain. "Will
you never come to see us? Shall we never be together again--like brother
and sister, as you have just said?"
"Nay, Gina, I must not do so great wrong to the Lady Adelaide."
"So great wrong!" she exclaimed in amazement.
"Not real wrong, I am aware. But I shall undertake at the altar to love
and cherish her; and though I cannot do the one, I will the other.
Knowing this, it is incumbent on me to be doubly careful of her
feelings."
"I see, I see," interrupted the young lady, indignantly; "_her_ feelings
must be respected whilst mine--Farewell, Giovanni."
"One word yet, Gina," he said, detaining her. "You will probably hear of
me much--foremost in the chase, gayest in the ballroom, last at the
banquet--the gay, fortunate Lord of Visinara; and when you do so,
remember that that gay lord wears about him a secret chain, suspected by
and known to none--a chain, some links of which will remain entwined
around his heart to his dying day, though the gilding that made it
precious must from this time moulder away. Know you what the chain is,
Gina?"
The suffocating sobs were rising in her throat, and she made no answer.
"_His love for you_. Fare thee well, my dearest and best. Nay, another
instant; it is our last embrace in this world."
III.
It was a princely cavalcade that bore the heiress of Della Ripa to her
new territories, and all eyes looked out upon it. The armor of the
warlike retainers of the house of Visinara sparkled in the sun, and the
more peaceful servitors were attired with a gorgeousness that would
have done honor to an Eastern clime. The old Prince of Della Ripa, than
whom one more fierce and brave never existed in all Italy, had that
morning given his daughter's hand to Giovanni of Visinara; and as she
neared the castle that was henceforth to be her home, every point from
which a view of the procession could be obtained was seized upon.
"By my patron saint, but it is a goodly sight!" exclaimed one of a group
of maidens, gathered at a window beneath which the bridal cavalcade was
prancing. "Only look at Master Pietro, the seneschal."
"And at the steel points of the halberds,--how they shine in the crimson
of the setting sun."
"Nay, rather look at these lovely dames that follow--the Lady Adelaide's
tire-women. By the sacred relics! if her beauty exceed that of her
maidens, it must be rare to look upon. See the gold and purple of their
palfreys' horsecloths waving in the air."
"Hist! hist! it is the Count of Visinara in his emblazoned carriage! How
haughtily he sits; but the Visinara is a haughty race. And--yes--see--by
his side--oh, how lovely! Signora Montani, look! That face might win a
kingdom."
Gina Montani, who stood in the corner of the lattice, shielded from view
by its massive frame, may possibly have heard, but she answered not.
"Say what you will of his pride, he is the handsomest man that ever
lived," exclaimed a damsel, enthusiastically. "Look at him as he sits
there now--he rides bareheaded, his plumed cap resting on his
knee--where will you find such a face and form as that!"
"What is _she_ like?" interrupted an old duenna, snappishly, who,
standing behind, could not as yet obtain a view of the coveted sight;
"we know enough of his looks, let us hear something of hers. But you
girls are ever the same: if a troop of sister angels came down from
heaven, headed by the Virgin Mother herself, and a graceless cavalier
appeared at the other side, you would turn your backs to the angels and
your eyes upon Beatrice. Is she as handsome as the young Lady Beatrice,
the count's sister, who married away a year agone?"
"Oh, mother, she is not like her. Beatrice of Visinara had a warm
countenance, with eyes black as the darkest night, and brilliant as a
diamond aigrette."
"And are the wife's not black," screamed out the duenna. "They ought to
be; her blood is pure Italian."
"They are blue as heaven's sky, and her face is dazzling to behold from
its extreme fairness, and her golden hair droops in curls almost to her
waist--it is a band of diamonds, you see, that confines it from the
temples. But you can see her now, mother; remember you one half so
lovely?"
"_Dio mio!_" uttered the woman, startled at the beautiful vision that
now came within her sight; "the Lord of Visinara has not sacrificed his
liberty for nothing."
"Mark you her rich white dress, mother, with its corsage of diamonds,
and the sleeves looped up to the elbow with lace and jewels? And over
it, nearly hiding her fair neck, is a mantle of blue velvet, clasped by
a diamond star. And see, she is taking her glove off, and her hand is
raised to her cheek--small and delicate it is too, as befitteth her rank
and beauty. And--look!--he lays his own upon it as she drops it, but she
would draw it from him to replace the glove. Now he bends to speak to
her, and she steals a glance at him with her blushing cheeks and her eye
full of love. And now he is bowing to the people--hark how they shout,
'Long life to the Lady Adelaide--long life and happiness to the Count
and Countess of Visinara!'"
"She is very beautiful, Bianca; but--"
"Ay, what, you are a reader of countenances, _madra mia_; what see you
there?"
"That she is proud and self-willed. And woe be to any who may hereafter
look upon her handsome husband with an eye of favor, for she loves him."
"Can there be a doubt of that?" echoed Bianca; "has she not married him?
And look at his attractions: see this goodly lot of cavaliers speeding
on to join his banquet; can any there compare with him?"
"Chi é stracco di bonaccie, si mariti," answered the lady; "and have
you, Bianca, yet to learn that the comeliest mates oftentimes bring any
thing but love to the altar?"
Bianca made a grimace, as if she doubted. "It will come sure enough,
then," she said aloud; "for none could be brought into daily contact
with one so attractive and not learn to love him."
"And who should this be in a holy habit, following the bridal equipage
on his mule? Surely the spiritual director of the Lady Adelaide--the
Father Anselmo it must be, that we have heard speak of. A faithful man,
but stern, it is told; and so his countenance would betray. Bend your
heads in reverend meekness, my children, the holy man is bestowing his
blessings."
"How savage I should be if I were the Lady Beatrice, not to be able to
come to the wedding after all," broke in the giddy Bianca. "She reckoned
fully upon it, too, they say, and had caused her dress for the ceremony
to be prepared--one to rival the bride's in splendor."
"She has enough to do with her newly-born infant," mumbled the good
duenna. "Gayety first, care afterwards; a christening usually follows a
wedding. Come, girls, there's nothing more to see."
"Nay, mother mine, some of these dames that follow lack not beauty."
"Pish!" uttered a fair young girl who had hitherto been silent; "it
would be waste of time to look at their faces after the Lady
Adelaide's."
"Who is that going away? The Signora Montani? Why, it has not all
passed, signora. She is gone, I declare! What a curious girl she seems,
that."
"Do you know what they say?" cried little Lisa, Bianca's cousin.
"What do they say?"
"That her mother is a descendant of those dreadful people over the sea,
who have no religion, the heretics."
The pious duenna boxed her niece's ears.
"You sinful little monkey, to utter such heresy!" she cried, when anger
allowed her to speak.
"So they do say so!" sobbed the young lady, dancing about with the
passion she dared not otherwise vent. "And people _do_ say," she
continued, out of bravado, and smarting under the pain, "that they are
heretics themselves, or else why do they never come to mass?"
"The old Signora Montani is bedridden; how could she get to mass?"
laughed Bianca.
"Don't answer her, Bianca. If she says such a thing here again--if she
insinuates that the Signora Gina, knowing herself to be in such league
with the Evil One, would dare to put her head inside a faithful house
such as this, I will cause her to do public penance--the wicked little
calumniator!" concluded the good duenna, adding a few finishing strokes
upon Lisa's ears.
III.
Long lasted the bridal banquet, and merrily it sped. Ere its conclusion,
and when the hours were drawing towards midnight, the young Lady
Adelaide, attended by her maidens, was conducted to her
dressing-chamber, according to the custom of the times and of the
country. She sat down in front of a large mirror whilst they disrobed
her. They took the circlet of diamonds from her head, the jewels from
her neck and arms, and the elegant bridal dress was carefully removed;
and there she sat, in a dressing-robe of cambric and lace, while they
brushed out and braided her beautiful hair. As they were thus engaged,
the lady's eyes ran round and round the costly chamber. The furniture
and appurtenances were of the most _recherché_ description. One article
in particular attracted her admiration. It was a small, but costly
cabinet of malachite marble, exquisitely mounted in silver, and had been
a present to the count from a Russian despot. In the inner part was
fixed a mirror, encircled by a large frame of silver, and on the
projecting slab stood open essence-bottles of pure crystal, in silver
frames, emitting various perfumes. As she continued to look at this
novelty--the marble called malachite was even more rare and costly in
those days than it is in ours--she perceived, lying by the side of the
scent-bottles, a piece of folded paper, and, wondering what it could be,
she desired one of the ladies to bring it to her. It proved to be a
sealed letter, and was addressed to herself. The conscious blush of love
rose to her cheeks, for she deemed it was some communication or present
from her husband. She opened it, and the contents instantly caught her
eye, in the soft, pure light which the lamps shed over the apartment:
"_To the Lady Adelaide, Countess of Visinara._
"You fancy yourself the beloved of Giovanni, Count of Visinara,
but retire not to your rest this night, lady, in any such vain
imagining. The heart of the count has long been given to
another, and you know, by your love for him, that such passion
can never change its object. Had he met you in earlier life, it
might have been otherwise. He marries you, for your lineage is
a high one, and she, in the world's eye and in that of his own
haughty race, was no fit mate for him."
The bridegroom was still at the banquet, for some of his guests drank
deeply, when a hasty summons came to him. Quitting the hall, he found,
standing outside, two of his bride's attendants.
"Sir Count, the Lady Adelaide--"
"Has retired?" he observed, finding they hesitated, yet feeling somewhat
surprised at so speedy a summons.
"Nay, signor, not retired, but--"
"But what? Speak out."
"We were disrobing the Lady Adelaide, Sir Count, when she saw in the
chamber a note addressed to her. And--and--she read it, and fainted, in
spite of the essence we poured on her hands and brow."
"A note!--fainted!" ejaculated the count.
"It was an insulting letter, signor; for Irene, the youngest of the Lady
Adelaide's attendants, read the first line or two of it aloud, before we
could prevent her, it having fallen, open, on the floor. Our lady is yet
insensible, and the Signora Lucrezia desired us to acquaint you, my
lord."
Without another word he turned from them, and passing through the
various corridors, entered the dressing-chamber. The Lady Adelaide was
still motionless, but a faint coloring had begun to appear in her face.
"What is this, signora?" demanded the count of the chief attendant,
Lucrezia.
"It must be owing to this letter, my lord, which was waiting for her on
the cabinet," was the lady's reply, holding out the open note. "The Lady
Adelaide fainted whilst she was perusing it."
"Fold it up," interrupted the count, "and replace it there." Lucrezia
did as she was bid. "You may now go," said Giovanni to the attendants,
advancing to support his bride. "When the countess has need of you, you
shall be summoned."
"You have read that letter?" were the first connected words of the Lady
Adelaide.
"Nay, my love, surely not, without your permission. Will you that I read
it?"
She motioned in the affirmative.
"A guilty, glowing color came over his face as he read. Who could have
written it? That it alluded to Gina Montani there was no doubt. Who
_could_ have sent it? He felt convinced that she had no act or part in
so dishonorable a trick--yet what may not be expected from a jealous
woman? Now came his trial.
"Was it not enough to make me ill?" demanded Adelaide.
He stammered something. He was not yet sufficiently collected to speak
connectedly.
"Giovanni," she exclaimed, passionately, "deceive me not. Tell me what I
have to fear: how much of your love is left for me--if any."
He tried to soothe her. He told her an enemy must have done this; and he
mentioned Gina Montani, though not by name. He said that he had
sometimes visited her house, but not to love; and that the letter must
allude to this.
"You _say_ you did not love her!" she cried, resentment in her tone, as
she listened to the tale.
He hesitated a single second; but, he reasoned to himself, he ought at
all risks to lull her suspicions--it was his duty. So he replied firmly,
though the flush of shame rose to his brow, for he deemed a falsehood
dishonorable. "In truth I did not. My love is yours, Adelaide."
"Why did you visit her?"
"I can hardly tell you. I hardly know myself: want of thought--or of
occupation, probably."
"You surely did not wrong her?" was the next whispered question, as she
turned her face from him.
"Wrong _her!_ Had you known her, you could not have admitted the
possibility of the idea," he answered, resentment in his tone now. "She
has been carefully reared, and is as innocent as you are."
"Who is she?--what is her name?"
"Adelaide, let us rather forget the subject. I have told you I loved her
not: and I should not have mentioned this at all, but that I can think
of nothing else to which that diabolical letter can have alluded.
Believe me, my own wife"--and he drew her to his bosom as he
spoke--"that I have not done you so great an injury as to marry where I
did not love."
"Oh," she exclaimed, wringing her hands, and extricating herself from
him, "that this cruel news had not been given me!"
"My love, be comforted--be convinced. I tell you it is a false letter."
"How can I know it is false?" she lamented--"how can you prove it to
me?"
"Adelaide, I can but tell you so now: the future and my conduct must
prove it."
"Giovanni," she continued vehemently, and half sinking on her knees
before him, "deceive me not. If there be aught of truth in this
accusation, let me depart. I am your wife but in name: a slight ceremony
only has passed between us, and we both know how readily, with such
influence as ours, the Church at Rome would dissolve that. Suffer me to
depart ere I shall be indeed your wife."
"Adelaide," he replied mournfully, as he held her, "I thought you loved
me."
"I do--I do. None, save God, know how passionately. My very life is
bound up in yours; but it is because I so love you, that I could not
brook a rival. Let me know the truth at once--even though it be the
worst; for should I trust to you now, and find afterwards that I had
been deceived, it would be most unhappy for both of us. My whole
affection would be turned to hate; and not only would my own existence
be wretched, but I should render yours so."
"You have no rival, Adelaide. You never shall have one."
"I mean not a rival in the vulgar acceptation of the term," she replied,
a shade of haughtiness mixing with her tone--"but one in your
heart--your mind--this I could not bear."
"Adelaide, hear me. Some enemy, wishing to do me a foul injury, has
thrust himself between us; but, rely on it, they are but false cowards
who stab in the dark. I have sought you these many months; I have
striven to gain your love; I have now made you mine. Why should I have
done this had my affections been another's? Talk not of separation,
Adelaide." She burst into a passionate fit of weeping. "Adelaide," he
whispered, as he fondly clasped her to his heart, "believe that I love
you; believe that you have no rival, and that I will give you none. I
have made you my wife--the wife of my bosom: you are, and ever shall be,
my only love."
Sweet words! And the Lady Adelaide suffered her disturbed mind to yield
to them, resolutely thrusting away the dreadful thought that the heart
of her attractive husband could ever have been given to another.
V.
Months elapsed, and the Lady Adelaide was the happiest of the happy,
although now and again the remembrance of that anonymous letter would
dart before her mind, like a dream. That most rare felicity was, indeed,
hers, of passionately idolizing one from whom she need never be
separated by night or by day. But how was it with him? Love is almost
the only passion which cannot be called forth or turned aside at will,
and though the Count di Visinara treated his wife in all respects, and
ever would, with the most cautious attention, his heart was still true
to Gina Montani. But now the Count had to leave home; business called
him forth; and to remain away fifteen days. In those earlier times women
could not accompany their lords every where, as they may in these; and
when Giovanni rode away from his castle gates, the Lady Adelaide sank
in solitude upon the arm of one of her costly sofas, all rich with
brocaded velvet; and though not a tear dimmed her eye, or a line of pain
marked her forehead, to tell of suppressed feelings, it seemed to her
that her heart was breaking. It was on the morrow, news was brought to
the countess that one craved admission to her--a maiden, young and
beautiful, the servitor said; and the Lady Adelaide ordered her to be
admitted. Young and beautiful indeed, and so she looked, as, with
downcast eyes, the visitor was ushered in--_you_ know her, reader,
though the Lady Adelaide did not. She began to stammer out an incoherent
explanation; that news had reached her of the retirement of one of the
Lady Adelaide's attendants, and of her wish to fill the vacant place.
"What is your name?" inquired the countess, already taken, as the young
are apt to be, with the prepossessing manners and appearance of her
visitor.
"Signora, it is Gina Montani."
"And in whose household have you resided?"
A deep shade rose to Gina's face. "Madam, I am a stranger as yet to
servitude. I was not reared to expect such. But my mother is dead, and I
am now alone in the world. I have heard much, too, of the Countess of
Visinara's gentleness and worth, and should wish to serve her."
Some further conversation, a few preliminary arrangements, and Gina
Montani was installed at the castle as one of the countess's maids in
waiting: a somewhat contradistinctive term, be it understood, to a
_waiting-maid_, these attendants of high-born gentle-women being then
made, in a great degree, their companions. Gina speedily rose in favor.
Her manners were elegant and unassuming, and there was a sadness about
her which, coupled with her great beauty, rendered her eminently
interesting.
VI.
The Lady Adelaide stood at the eastern window of the Purple Room--so
called from its magnificent hangings--watching eagerly for the
appearance of her husband, it being the day and hour of his expected
return. So had she stood since the morning. Ah! what pleasure is there
in this world like that of watching for a beloved one! At the opposite
end of the apartment were her ladies, engaged upon some fancy work, in
those times violently in vogue, like that eternal knitting or
crotchet-work is in ours. "Come hither, Lucrezia," said the lady, at
length. "Discern you yon trees--groups of them scattered about, and
through which an occasional glimpse of the highway may be distinguished?
Nay, not there; far, far away in the distance. See you aught?"
"Nothing but the road, my lady. And yet, now I look attentively, there
seems to be a movement, as of a body of horsemen, Ah! now there is an
open space, and they are more distinct. It should be the count, madam,
and his followers."
"I think it is, Lucrezia," said the Lady Adelaide, calmly, not suffering
her emotion to appear in the presence of her maidens, for that haughty
girl brooked not that others should read her deep love for Giovanni.
"You may return to your embroidery."
The Count di Visinara rode at a sharp trot towards his home, followed by
his retainers; but when he discerned the form of his wife at the window,
he quickened the pace to a gallop, after taking off his plumed cap, and
waving his hand towards her in the distance. She pressed her heart to
still its throbbing, and waited his approach.
She heard him rattle over the drawbridge, and was turning to leave the
apartment to welcome him home, when he entered, so great haste had he
made. Without observing that she was not alone, he advanced, and,
throwing his arms round her, drew aside her fair golden curls, and
kissed her repeatedly, like many a man possessed of a lovely wife will
kiss, though his love may be far away from her. But she shrank from his
embrace, the glowing crimson overspreading her face; and then the count
turned and saw they were not alone. At the extreme end of the apartment,
out of hearing, but within sight, were the damsels seated over their
embroidery. "Gina," murmured one of the girls, still pursuing her work,
"what has made you turn so pale? You are as white as Juliette's dress."
"Is the Signora Montani ill?" demanded Lucrezia, sharply, for she liked
not Gina.
"A sudden pain--a spasm in my side," gasped Gina. "It is over now."
"Is he not an attractive man?" whispered another of the ladies in Gina's
ear.
"He?"
"The Count di Visinara: _you_ never saw him before. They are well
matched for beauty, he and the Lady Adelaide."
"Pray attend to your work, and let this gossiping cease," exclaimed
Lucrezia, angrily.
Giovanni and his wife remained at the window, with their backs towards
the damsels. She suffered her hand to remain in his--they could not see
_that_--and conversed with him in a confidential tone. Then she began
chattering to him of her new attendant, telling how lovely she was, when
a servant entered and announced the mid-day meal.
"Now you shall see my favorite," she exclaimed, as he took her hand to
conduct her to the banquet-hall. "I will stop as I pass them, to look at
their work, and you shall tell me if you do not think her very
beautiful."
"Scarcely, Adelaide, when beside you."
"She is about my age," ran on Adelaide, whose spirits were raised to
exuberance. But it had never entered the mind of that haughty lady to
imagine the possibility of the Lord of Visinara, _her husband_, looking
upon an attendant of hers with an eye of real admiration; or she might
not have discussed their personal merits.
"How do you get on with the work, Lucrezia?" demanded the Lady Adelaide,
stopping close to her attendants.
"Favorably, madam," answered the signora, rising from her seat.
"That is a beautiful part that you are engaged upon, Gina. Bring it
forward, that we may exhibit our handiwork."
Gina Montani, without raising her eyes, and trembling inwardly and
outwardly, rose, and advanced with the embroidery. The Signora Lucrezia
eyed her, covertly.
"Is it not a handsome pattern?" exclaimed Adelaide, her thoughts now
really occupied with the beauty of the work. "And I was so industrious
while you were away, Giovanni. I did a good portion of this myself--I
did, indeed; all the shadings of the rosebuds are my doing, and those
interlaces of silver."
The Lady Adelaide stopped, for, on looking to his face for approbation,
she was startled by the frightful pallor which had overspread it. "Oh,
Giovanni, you are ill!--my husband, what is it? Giovanni--"
"It is nothing," interrupted the count, leading her hurriedly from the
room. "I rode hard, and the sun was hot. A cup of wine will restore me."
But not less awake to this emotion of the count's than she had been to
Gina's, was the Signora Lucrezia, and she came to the conclusion that
there was some unaccountable mystery at the bottom of it, which she
determined to do all in her power to find out.
VII.
Days passed. The count had not yet seen Gina alone, though he had sought
for the opportunity; but one morning when he entered the Lady Adelaide's
embroidery room--so called--Gina sat there alone, sorting silks. He did
not observe her at the first moment, and, being in search of his wife,
called to her, "Adelaide!"
"The Lady Adelaide is not here, signor," was Gina's reply, as she rose
from her seat.
"Gina," he said, advancing cautiously, and speaking in an under tone,
"what in the name of all the saints brought you here--an inmate of my
castle--the attendant of the Lady Adelaide?"
"You shall hear the truth," she gasped, leaning against the wall for
support. "I have lived long, these many months, in my dreary home,
unseeing you, uncared for, knowing only that you were happy with
another. Giovanni, can you picture what I endured? My mother died--you
may have heard of it--and her relations sent for me into their distant
country, and would have comforted me; but I remained on alone to be near
you. I struggled much with my unhappy passion. My very soul was wearing
away with despair. I would see you pass sometimes at a distance with
your retainers--and that was heaven to me. Then came a thought into my
mind; I wrestled with it, and would have driven it away--but there it
was, ever urging me; it may be that my better angel sent it there; it
may be that the Evil One, who is ever tempting us for ill, drove it on."
"What mean you?" he inquired.
"It suggested," she continued in a low voice, "that if but to see you at
a distance, and at rare intervals, could almost compensate for my life
of misery, what bliss would be mine were I living under the roof of your
own castle, liable to see you any hour of the day; hence you find me
numbered amongst your wife's waiting-maids. And blame me not, Giovanni,"
she hastily concluded, seeing him about to interrupt her; "you are the
cause of all, for you sought and gained my love; and such love! I think
none can have ever known such. And yet I must suppress this love. The
fiercest jealousy of the Lady Adelaide rages in my heart--and yet I must
suppress it! Giovanni, you have brought this anguish upon me; so blame
me not."
"It is a dangerous proceeding, Gina. I was becoming reconciled to our
separation; but now--it will be dangerous for both of us."
"Ay," she answered, bitterly, "you had all. Friends, revelry, a wife of
rare beauty, the chase, the bustle of an immense household--in short,
what had you not to aid your mental struggles? I but my home of
solitude, and the jealous pictures, self, but ever inflicted, of your
happiness with the Lady Adelaide."
"I still love but you, Gina," he repeated, "but I will be honorable to
_her_, and must show it not."
"Do I ask you to show it? or think you I would permit it?" she replied
quickly; "no, no; I did not come here to sow discord in your household.
Suffer me to live on unnoticed as of these last few days, but, oh! drive
me not away from you."
"Believe me, Gina, this will never do. I mistrust my own powers of
endurance; ay, and of concealment."
"You can think of me but as the waiting-maid of your lady," she
interrupted, in a tone of bitterness. "In time you will really regard me
as such."
"There would be another obstacle, Gina," he returned, sinking his voice
to a lower tone, as if fearful even to mention the subject--"how can you
live in my household, and not conform to the usages of our faith? You
know that yours must never be suspected."
"Trust to me to manage all," she reiterated; "but send me not away from
you."
"Be it so, Gina," he observed, after reflection; "you deserve more
sacrifice on my part than this. But all confidence must cease between
us: from this time we are to each other as strangers."
"Even so," she acquiesced. "Yet if you deem my enduring affection
deserves requital, give me at times a look as of old; a smile,
unperceived by others, but acknowledged by, and too dear to, my own
heart. It will be a token that you have not driven away all remembrance
of our once youthful love, though it is at an end for ever."
He took her hand and clasped it tenderly, but the next moment he almost
flung it from him, and had turned and quitted the room. Gina burst into
a violent fit of weeping, and slowly retreated to seek the solitude of
her chamber.
Scarcely had the echo of her footsteps died away in the gallery, when
the door of a closet appertaining to the room was cautiously pushed
open, and out stepped the Signora Lucrezia, her eyes and mouth wide
open, and her hair standing on end.
"May all the saints reject me if ever I met with such a plot as this!"
she ejaculated. "I knew there was something going on underneath, but the
deuce himself would never have suspected this. So the innocent-faced
madam has not been winding herself round the Lady Adelaide for
nothing--the she-wolf in sheep's petticoats! Something was said, too,
that I could not catch, about her irreligion. The hypocrite dare not go
to confession, probably, and so keeps away. The letter of the wedding
night is explained now, and that changing, as they both did, to the hue
of a mort-cloth at sight of each other. May I die unabsolved if so sly a
conspiracy ever came up. However, I shall not interfere yet awhile. Let
my baby-mistress look out for herself: she has not pleased me of late,
showering down marks of favor upon this false jade. _Her_ rival! if she
did but know it! I'll keep my eyes and ears open. Two lovers cannot live
for ever under the same roof without betraying their secret; and there
will be an explosion some day, or my name is not Lucrezia Andrini."
From Household Words
A FASHIONABLE FORGER.
I am an attorney and a bill discounter. As it is my vocation to lend
money at high interest to extravagant people, my connection principally
lies among "fools," sometimes among rogues "of quality." Mine is a
pursuit which a prejudiced world either holds in sovereign contempt, or
visits with envy, hatred, and all uncharitableness; but to my mind,
there are many callings, with finer names, that are no better. It gives
me two things which I love--money and power; but I cannot deny that it
brings with it a bad name. The case lies between character and money,
and involves a matter of taste. Some people like character; I prefer
money. If I am hated and despised, I chuckle over the "per contra." I
find it pleasant for members of a proud aristocracy to condescend from
their high estate to fawn, feign, flatter; to affect even mirthful
familiarity in order to gain my good-will. I am no Shylock. No client
can accuse me of desiring either his flesh or his blood. Sentimental
vengeance is no item in my stock in trade. Gold and bank-notes satisfy
my "rage;" or, if need be, a good mortgage. Far from seeking revenge,
the worst defaulter I ever had dealings with cannot deny that I am
always willing to accept a good post-obit.
I say again, I am daily brought in contact with all ranks of society,
from the poverty-stricken patentee to the peer; and I am no more
surprised at receiving an application from a duchess than from a pet
opera-dancer. In my ante-room wait, at this moment, a crowd of
borrowers. Among the men, beardless folly and mustachioed craft are most
prominent: there is a handsome young fellow, with an elaborate cane and
wonderfully vacant countenance, who is anticipating, in feeble follies,
an estate that has been in the possession of his ancestors since the
reign of Henry the Eighth. There is a hairy, high-nosed, broken-down
nondescript, in appearance something between a horse-dealer and a
pugilist. He is an old Etonian. Five years ago he drove his
four-in-hand; he is now waiting to beg a sovereign, having been just
discharged from the Insolvent Court, for the second time. Among the
women, a pretty actress, who, a few years since, looked forward to a
supper of steak and onions, with bottled stout, on a Saturday night, as
a great treat, now finds one hundred pounds a month insufficient to pay
her wine-merchant and her confectioner. I am obliged to deal with each
case according to its peculiarities. Genuine undeserved Ruin seldom
knocks at my door. Mine is a perpetual battle with people who imbibe
trickery at the same rate as they dissolve their fortunes. I am a hard
man, of course. I should not be fit for my pursuit if I were not; but
when, by a remote chance, honest misfortune pays me a visit, as
Rothschilds amused himself at times by giving a beggar a guinea, so I
occasionally treat myself to the luxury of doing a kind action. My
favorite subjects for this unnatural generosity, are the very young, or
the poor, innocent, helpless people, who are unfit for the war of life.
Many among my clients (especially those tempered in the "ice-book" of
fashion and high-life--polished and passionless) would be too much for
me, if I had not made the face, the eye, the accent, as much my study as
the mere legal and financial points of discount. To show what I mean, I
will relate what happened to me not long since:--
One day, a middle-aged man, in the usual costume of a West-End shopman,
who had sent in his name as Mr. Axminster, was shown into my private
room. After a little hesitation, he said, "Although you do not know me,
living at this end of the town, I know you very well by reputation, and
that you discount bills. I have a bill here which I want to get
discounted. I am in the employ of Messrs. Russle and Smooth. The bill
is drawn by one of our best customers, the Hon. Miss Snape, niece of
Lord Blimley, and accepted by Major Munge; whom, no doubt, you know by
name. She has dealt with us for some years, is very, very extravagant;
but always pays." He put the acceptance--which was for two hundred
pounds--into my hands.
I looked at it as scrutinizingly as I usually do at such paper. The
Major's signature was familiar to me; but having succeeded to a great
estate, he has long ceased to be a customer. I instantly detected a
forgery; by whom? was the question. Could it be the man before me?
experience told me it was not. Perhaps there was something in the
expression of my countenance which Mr. Axminster did not like, for he
said, "It is good for the amount, I presume?"
I replied, "Pray, sir, from whom did you get this bill?"
"From Miss Snape herself."
"Have you circulated any other bills made by the same drawer?"
"O yes!" said the draper, without hesitation; "I have paid away a bill
for one hundred pounds to Mr. Sparkle, the jeweller, to whom Miss Snape
owed twenty pounds. They gave me the difference."
"And how long has that bill to run now?"
"About a fortnight."
"Did you endorse it?"
"I did; Mr. Sparkle required me to do so, to show that the bill came
properly into his possession."
"This second bill, you say, is urgently required to enable Miss Snape to
leave town?"
"Yes; she is going to Brighton for the winter."
I gave Mr. Axminster a steady, piercing look of inquiry. "Pray, sir," I
said, "could you meet that one hundred pounds bill, supposing it could
not be paid by the acceptor?"
"Meet it?" The poor fellow wiped from his forehead the perspiration
which suddenly broke out at the bare hint of a probability that the bill
would be dishonored: "Meet it? O no! I am a married man, with a family,
and have nothing but my salary to depend on."
"Then the sooner you get it taken up, and the less you have to do with
Miss Snape's bill affairs, the better."
"She has always been punctual hitherto."
"That may be." I pointed to the cross-writing on the document, and said
deliberately--"_This_ bill is a forgery!"
At these words the poor man turned pale. He snatched up the document;
and, with many incoherent protestations, was rushing toward the door,
when I called to him, in an authoritative tone, to stop. He paused. His
manner indicating not only doubt, but fear. I said to him, "Don't flurry
yourself; I only want to serve you. You tell me that you are a married
man with children, dependent on daily labor for daily bread; and that
you have done a little discounting for Miss Snape out of your earnings.
Now, although I am a bill discounter, I don't like to see such men
victimized. Look at the body of this bill: look at the signature of your
lady customer, the drawer. Don't you detect the same fine, thin,
sharp-pointed handwriting in the words, 'Accepted, Dymmock Munge.'" The
man, convinced against his will, was at first overcome. When he
recovered, he raved: he would expose the Honorable Miss Snape, if it
cost him his bread: he would go at once to the police office. I stopped
him, by saying roughly, "Don't be a fool. Any such steps would seal your
ruin. Take my advice; return the bill to the lady, saying simply that
you cannot get it discounted. Leave the rest to me, and I think the bill
you have endorsed to Sparkle will be paid." Comforted by this assurance,
Axminster, fearfully changed from the nervous, but smug hopeful man of
the morning, departed. It now remained for me to exert what skill I own,
to bring about the desired result. I lost no time in writing a letter to
the Honorable Miss Snape, of which the following is a copy:
"Madam: A bill, purporting to be drawn by you, has been offered
to me for discount. There is something wrong about it; and,
though a stranger to you, I advise you to lose no time in
getting it back into your own hands.--D. D."
I intended to deal with the affair quietly, and without any view to
profit. The fact is, that I was sorry--you may laugh--but I really _was_
sorry to think that a young girl might have given way to temptation
under pressure of pecuniary difficulties. If it had been a man's case, I
doubt whether I should have interfered. By the return of post, a lady's
maid entered my room, profusely decorated with ringlets, lace, and
perfumed with _patchouli._ She brought a letter from her mistress. It
ran thus:
"_Sir_--I cannot sufficiently express my thanks for your
kindness in writing to me on the subject of the bills; of which
I had also heard a few hours previously. As a perfect
_stranger_ to you, I cannot estimate your kind consideration at
too high a value. I trust the matter will be explained; but I
should much like to see you. If you would be kind enough to
write a note as soon as you receive this, I will order it to be
sent to me at once to Tyburn Square. I will wait on you at any
hour on Friday you may appoint. I believe that I am not
mistaken in supposing that you transact business for my friend
Sir John Markham, and you will therefore know the inclosed to
be his handwriting. Again thanking you most gratefully, allow
me to remain your much and deeply obliged,
"JULIANA SNAPE."
This note was written upon delicate French paper, embossed with a coat
of arms. It was in a fancy envelope: the whole richly perfumed, and
redolent of rank and fashion. Its contents were an implied confession of
forgery. Silence, or three lines of indignation, would have been the
only innocent answer to my letter. But Miss Snape thanked me. She let
me know, by implication, that she was on intimate terms with a name good
on a Westend bill. My answer was, that I should be alone on the
following afternoon at five.
At the hour fixed, punctual to a moment, a brougham drew up at the
corner of the street next to my chambers. The Honorable Miss Snape's
card was handed in. Presently, she entered, swimming into my room,
richly yet simply dressed in the extreme of Parisian good taste. She was
pale--or rather colorless. She had fair hair, fine teeth, and a
fashionable voice. She threw herself gracefully into the chair I handed
to her, and began by uncoiling a string of phrases, to the effect that
her visit was merely to consult me on "unavoidable pecuniary
difficulties."
According to my mode, I allowed her to talk; putting in only an
occasional word of question, that seemed rather a random observation
than a significant query. At length, after walking round and round the
subject, like a timid horse in a field, around a groom with a sieve of
oats, she came nearer and nearer the subject. When she had fairly
approached the point, she stopped, as if her courage had failed her. But
she soon recovered, and observed: "I cannot think why you should take
the trouble to write so to me, a perfect stranger." Another pause--"I
wonder no one ever suspected me before."
Here was a confession and a key to character. The cold gray eye, the
thin compressed lips, winch I had had time to observe, were true indexes
to the "lady's inner heart:"--selfish, calculating, utterly devoid of
conscience; unable to conceive the existence of spontaneous kindness;
utterly indifferent to any thing except discovery; and almost
indifferent to that, because convinced that no serious consequences
could affect a lady of her rank and influence.
"Madam," I replied, "as long as you dealt with tradesmen accustomed to
depend on aristocratic customers, your rank and position, and their
large profits, protected you from suspicion; but you have made a mistake
in descending from your vantage ground to make a poor shopman your
innocent accomplice--a man who will be keenly alive to any thing that
may injure his wife or children. His terrors--but for my
interposition--would have ruined you utterly. Tell me, how many of these
things have you put afloat?"
She seemed a little taken aback by this speech, but was wonderfully
firm. She passed her white, jewelled hand over her eyes, seemed
calculating, and then whispered, with a confiding look of innocent
helplessness, admirably assumed, "About as many as amount to twelve
hundred pounds."
"And what means have you for meeting them?"
At this question, so plainly put, her face flushed. She half rose from
her chair, and exclaimed, in the true tone of aristocratic
_hauteur_--"Really, sir, I do not know what right you have to ask me
that question."
I laughed a little, though not very loud. It was rude, I own; but who
could have helped it? I replied, speaking low; but slowly and
distinctly:--"You forget. I did not send for you: you came to me. You
have forged bills to the amount of twelve hundred pounds. Yours is not
the case of a ruined merchant, or an ignorant over-tempted clerk. In
your case a jury" (she shuddered at that word) "would find no
extenuating circumstances; and if you should fall into the hands of
justice, you will be convicted, degraded, clothed in a prison dress, and
transported for life. I do not want to speak harshly; but I insist that
you find means to take up the bill which Mr. Axminster has so
unwittingly endorsed!"
The Honorable Miss Snape's grand manner melted away. She wept. She
seized and pressed my hand. She cast up her eyes, full of tears, and
went through the part of a repentant victim with great fervor. She would
do any thing; any thing in the world to save the poor man. Indeed, she
had intended to appropriate part of the two hundred pound bill to that
purpose. She forgot her first statement, that she wanted the money to go
out of town. Without interrupting, I let her go on and degrade herself
by a simulated passion of repentance, regret, and thankfulness to me,
under which she hid her fear and her mortification at being detected. I
at length put an end to a scene of admirable acting, by recommending her
to go abroad immediately, to place herself out of reach of any sudden
discovery; and then lay her case fully before her friends, who would, no
doubt, feel bound to come forward with the full amount of the forged
bills. "But," she exclaimed, with an entreating air, "I have no money; I
cannot go without money!" To that observation I did not respond;
although I am sure she expected that I should, check-book in hand, offer
her a loan. I do not say so without reason; for, the very next week,
this honorable young lady came again; and, with sublime assurance and a
number of very charming, winning speeches (which might have had their
effect upon a younger man), asked me to lend her one hundred pounds, in
order that she might take the advice I had so obligingly given her, and
retire into private life for a certain time in the country. I do meet
with a great many impudent people in the course of my calling--I am not
very deficient in assurance myself--but this actually took away my
breath.
"Really, madam," I answered, "you pay a very ill compliment to my gray
hairs; and would fain make me a very ill return for the service I have
done you, when you ask me to lend a hundred pounds to a young lady who
owns to having forged to the extent of one thousand two hundred pounds,
and to owing eight hundred pounds besides. I wished to save a personage
of your years and position from a disgraceful career; but I am too good
a trustee for my children to lend money to any body in such a dangerous
position as yourself."
"Oh!" she answered, quite unabashed, without a trace of the fearful,
tender pleading of the previous week's interview--quite as if I had been
an accomplice, "I can give you excellent security."
"That alters the case; I can lend any amount on good security."
"Well, sir, I can get the acceptance of three friends of ample means."
"Do you mean to tell me, Miss Snape, that you will write down the names
of three parties who will accept a bill for one hundred pounds for you?"
Yes, she could, and did actually write down the names of three
distinguished men. Now I knew for certain, that not one of those
noblemen would have put his name to a bill on any account whatever for
his dearest friend; but, in her unabashed self-confidence, she thought
of passing another forgery _on me_. I closed the conference by saying "I
cannot assist you;" and she retired with the air of an injured person.
In the course of a few days, I heard from Mr. Axminster, that his
liability of one hundred pounds had been duly honored.
In my active and exciting life, one day extinguishes the recollection of
the events of the preceding day; and, for a time, I thought no more
about the fashionable forger. I had taken it for granted that, heartily
frightened, although not repenting, she had paused in her felonious
pursuits.
My business, one day, led me to the establishment of one of the most
wealthy and respectable legal firms in the city, where I am well known,
and, I believe, valued; for at all times I am most politely, I may say
most cordially, received. Mutual profits create a wonderful freemasonry
between those who have not any other sympathy or sentiment. Politics,
religion, morality, difference of rank, are all equalized and
republicanized by the division of an account. No sooner had I entered
the _sanctum_, than the senior partner, Mr. Precepts, began to quiz his
junior, Mr. Jones, with "Well, Jones must never joke friend Discount any
more about usury. Just imagine," he continued, addressing me, "Jones has
himself been discounting a bill for a lady; and a deuced pretty one too.
He sat next her at dinner in Grosvenor Square last week. Next day she
gave him a call here, and he could not refuse her extraordinary request.
Gad, it is hardly fair for Jones to be poaching on your domains of
West-end paper!"
Mr. Jones smiled quietly, as he observed,
"Why, you see, she is the niece of one of our best clients; and, really,
I was so taken by surprise, that I did not know how to refuse."
"Pray," said I, interrupting his excuses, "does your young lady's name
begin with S.? Has she not a very pale face, and cold gray eye?"
The partners stared.
"Ah! I see it is so; and can at once tell you that the bill is not worth
a rush."
"Why, you don't mean--?"
"I mean simply that the acceptance is, I'll lay you a wager, a forgery."
"A forgery!"
"A forgery," I repeated as distinctly as possible.
Mr. Jones hastily, and with broken ejaculations, called for the
cash-box. With trembling hands he took out the bill, and followed my
finger with eager, watchful eyes, as I pointed out the proofs of my
assertion. A long pause was broken by my mocking laugh; for, at the
moment, my sense of politeness could not restrain my satisfaction at the
signal defeat which had attended the first experiment of these highly
respectable gentlemen in the science of usury.
The partners did not have recourse to the police. They did not propose a
consultation with either Mr. Forrester or Mr. Field; but they took
certain steps, under my recommendation; the result of which was that at
an early day, an aunt of the Honorable Miss Snape was driven, to save so
near a connection from transportation, to sell out some fourteen hundred
pounds of stock, and all the forgeries were taken up.
One would have thought that the lady who had thus so narrowly escaped,
had had enough; but forgery, like opium-eating, is one of those charming
vices which is never abandoned, when once adopted. The forger enjoys not
only the pleasure of obtaining money so easily, but the triumph of
befooling sharp men of the world. Dexterous penmanship is a source of
the same sort of pride as that which animates the skilful rifleman, the
practised duellist, or well-trained billiard-player. With a clean
Gillott he fetches down a capitalist, at three or six months, for a cool
hundred or a round thousand; just as a Scrope drops over a stag at ten,
or a Gordon Cumming a monstrous male elephant at a hundred paces.
As I before observed, my connection, especially lies among the
improvident--among those who will be ruined--who are being ruined--and
who have been ruined. To the last class belongs Francis Fisherton, once
a gentleman, now without a shilling or a principle; but rich in mother
wit--in fact a _farceur_, after Paul de Kock's own heart. Having in
bygone days been one of my willing victims, he occasionally finds
pleasure and profit in guiding others through the gate he frequented, as
long as able to pay the tolls. In truth, he is what is called a
"discount agent."
One day I received a note from him, to say that he would call on me at
three o'clock the next day, to introduce a lady of family, who wanted a
bill "done" for one hundred pounds. So ordinary a transaction merely
needed a memorandum in my diary, "Tuesday, 3 P.M.; F.F., 100_l._ Bill."
The hour came and passed; but no Frank, which was strange--because every
one must have observed, that, however dilatory people are in paying,
they are wonderfully punctual when they expect to receive money.
At five o'clock, in rushed my Jackall. His story, disentangled from
oaths and ejaculations, amounted to this:--In answer to one of the
advertisements he occasionally addresses "To the Embarrassed," in the
columns of the "Times," he received a note from a lady, who said she was
anxious to get a "bill done"--the acceptance of a well-known man of rank
and fashion. A correspondence was opened and an appointment made. At the
hour fixed, neatly shaved, brushed, gloved, booted,--the revival, in
short, of that high-bred Frank Fisherton, who was so famous
"In his hot youth, when Crockford's was the thing,"
glowing with only one glass of brandy "just to steady his nerves," he
met the lady at a West-end pastry-cook's.
After a few words (for all the material questions had been settled by
correspondence) she stepped into her brougham, and invited Frank to take
a seat beside her. Elated with a compliment of late years so rare, he
commenced planning the orgies which were to reward him for weeks of
enforced fasting, when the coachman, reverentially touching his hat,
looked down from his seat for orders.
"To ninety-nine, George street, St. James," cried Fisherton, in his
loudest tones.
In an instant, the young lady's pale face changed to scarlet, and then
to ghastly green. In a whisper, rising to a scream, she exclaimed, "Good
heavens! you do not mean to _that_ man's house" (meaning me). "Indeed, I
cannot go to him, on any account; he is a most horrid man, I am told,
and charges most extravagantly."
"Madam," answered Frank, in great perturbation, "I beg your pardon, but
you have been grossly misinformed. I have known that excellent man these
twenty years, and have paid him hundreds on hundreds; but never so much
by ten per cent, as you offered me for discounting your bill."
"Sir, I cannot have any thing to do with your friend." Then, violently
pulling the check-string, "Stop" she gasped; "and _will you_ have the
goodness to get out?"
"And so I got out," continued Fisherton, "and lost my time; and the
heavy investment I made in getting myself up for the assignation; new
primrose gloves, and a shilling to the hair-dresser--hang her! But, did
you ever know any thing like the prejudices that must prevail against
you? I am disgusted with human nature. Could you lend me half a
sovereign till Saturday?"
I smiled; I sacrificed the half sovereign, and let him go, for he is not
exactly the person to whom it was advisable to intrust all the secrets
relating to the Honorable Miss Snape. Since that day I look each morning
in the police reports, with considerable interest; but, up to the
present hour, the Honorable Miss Snape has lived and thrived in the best
Society.
From the Boston Atlas.
FRANCIS PULSZKY.
Francis Pulszky, de Lubocz and Cselfalva, was born in 1814, at Eperies,
in the county of Sáros. He is of an ancient and distinguished Protestant
family. His father, grandfather, and great-grandfather, all held the
office of Inspector of the Protestant College at Eperies; an office to
which Mr. Pulszky was himself appointed in 1840. His grandfather on the
mother's side was Fejèrváry, the Hungarian archæologist, whose valuable
collection has been incorporated with the National Library at Pesth.
After completing his college education, Mr. Pulszky visited Italy. While
in Rome he was made Fellow of the Archæological Institute of that city.
In 1834 he returned to his country, and attended the sittings of the
Diet, at Presburg, as Jurat. In 1835 he established, in conjunction with
Vukovics and Lovassy, the Debating Club which afterwards became the
object of the persecution of the Austrian Government. He formed, at this
time, a friendship with Kolcsey, the poet, with Deák, the celebrated
jurist, and with Kossuth.
In 1836, Mr. Pulszky once more quitted Hungary to travel through
Germany, France and England, in order to enlarge his experience by
observation of the manners and institutions of foreign countries, and
thus qualify himself to render more effectual service to his own. On his
return in 1837, he published an account of England, written in German,
which gained him a wide reputation. Soon after his return he was elected
a Fellow of the Hungarian Academy. During his absence from Hungary his
friend Lovassy, a young man highly distinguished for his brilliant
genius, and for the nobleness of his character, together with some other
members of the Debating Club, were subjected by the Austrian Government
to an imprisonment, under the rigors of which the intellect of Lovassy
was completely shattered. His release found him in a state bordering on
idiocy, in which he has ever since continued.
In 1839, Mr. Pulszky was sent as deputy to the Diet from his native
county of Sáros. In this Diet, the framing of a commercial code was
proposed. Mr. Pulszky was on the Committee appointed to consider this
subject. He was likewise a member of the Committee appointed for the
codification of the criminal law. After the close of the Diet, Mr.
Pulszky repaired to Heidelberg, to study more fully the subject of the
criminal law with the celebrated Mittermaier. The committee intrusted
with the work of the codification of the criminal law of Hungary,
closed its labors in 1843. Mr. Pulszky did not offer himself as a
candidate for re-election to the Diet. In Hungary, the deputies to the
Diet are obliged to vote in conformity with the instructions of their
constituents. The county of Sáros, which Mr. Pulszky had represented,
was a conservative county; and as his principles allied him with the
liberal party, he thus often found himself placed in a false position.
He therefore devoted himself to serving the cause of reform in Hungary,
by his pen. He wrote constantly for the _Pesti Hirlap_, the journal
edited by Kossuth. The character of this journal, and the objects of its
editor, are thus described by Szilagyi, a political opponent, in a work
published at Pesth in 1850; "In 1841 a strange thing happened. He
[Kossuth] who had been imprisoned for editing a journal, came out on the
1st of January of that year as editor of the _Pesti Hirlap_. The first
number of this paper betrayed that it was the organ of the Opposition,
and in a short time it had obtained a reputation which could hardly have
been expected. In reality Kossuth conducted the editorship with much
ability. His leading articles, the stereotyped publications of the
wishes of his heart, scourged the abuses which existed in the counties
and in the cities. The aim of these articles was to raise the importance
of the burgher class, to overthrow the privileges of the nobility--in a
word, _first_, Reform, _secondly_ Reform--a hundred times, Reform."
In 1848, after the Revolutions of Paris and Vienna, while the
ministerial question yet remained to be settled in Hungary, Mr. Pulszky
was sent to Pesth, together with Klauzal and Szemere, by the Archduke
Stephen, the Palatine of Hungary, to take suitable measures for the
maintenance of order. Some disturbances having broken out at
Stuhlweissenburg, Mr. Pulszky went thither to quell them. He was
recommended to take a military force with him, but he refused, confiding
in the power of reason and eloquence. The result showed that he was not
mistaken. He addressed the people with energy, and the disturbances were
appeased without the necessity of a resort to force. In May, 1848, Mr.
Pulszky was appointed Secretary of State for Foreign Affairs in Vienna.
On the 5th of October of the same year, when the Austrian government no
longer felt it necessary to observe any appearances in regard to
Hungary; and when war had been virtually declared against that country
by the Imperial proclamation of Oct. 3rd, which appointed Jellachich
Royal Commissary in Hungary, with full powers civil and military, Mr.
Pulszky was dismissed from his office.
Mr. Pulszky was with Kossuth at the battle of Schwechat, where he acted
as aid to the Hungarian commander, General Moga. He returned with
Kossuth to Pesth, where he was appointed a member of the Committee of
Defence, and was made Minister of Commerce. In December, 1848, he was
sent as accredited Envoy to England, to advocate the interests of
Hungary in that country. Speaking of his appointment to this office,
Schlesinger, the able and impartial historian of the Hungarian War,
says: "Kossuth could not have found a more active, able, and competent
man in Hungary for the post. All that a man could do Pulszky did.
Pulszky possesses the acuteness of a civilian, a penetrating intellect,
readiness of conception, inexhaustible powers of invention, and withal,
indefatigable activity, great knowledge of business, and a healthy and
sober spirit, which is not easily carried away by sanguine hopes." After
a perilous journey through Gallicia, Mr. Pulszky reached France, spent a
short time in Paris, and arrived in England early in March, 1849, where
he has since remained until the time of his embarkation for the United
States. During his residence in England, Mr. Pulszky has served the
cause of his country with equal zeal and ability. His character and his
talents have obtained for him a great influence there. He enjoys the
personal friendship of many of the most eminent men of England; and it
is in a great degree to be ascribed to his exertions, that the merits of
the Hungarian cause are so well apprehended by a large portion of the
British public.
Of the literary labors of Mr. Pulszky and of his wife, who accompanies
him in this country, the Transcript gives the following account, which,
though incomplete, is sufficiently accurate, so far as it goes: "Mr.
Pulszky is distinguished not only as a statesman and a diplomatist, but
as an author. Early in life he acquired a high reputation in his own
country, and in Germany, by various political, archæological and
philological writings. He wrote in German in a singularly pure and
forcible style. For the last two or three years he has resided in
London, where he has published several works in English, written in good
style, and exhibiting a rare combination of practical intellect and
creative imagination." He is a novelist as well as the historian and
vindicator of his country. The most elaborate production of his pen, in
English, is a novel in two volumes, 'The Jacobins in Hungary,' published
last spring. The London Examiner concludes its notice of this work, by
saying, "In a word, 'The Jacobins in Hungary' is a remarkably well told
tale, which will please all readers by the skill and pathos of its
narrative, and surprise many by its fairness and impartiality of tone to
opinions as well as men. But the majority of intelligent Englishmen have
not now to learn, that the closest parallel for a Hungarian rebel of the
nineteenth century, would be an English rebel of the seventeenth; and
they will not feel or express astonishment that what falls from Mr.
Pulszky on any question of society or government, might with equal
propriety for its sobriety and moderation of tone, have fallen from Lord
Somers or Mr. Pym."
The English translation of _Schlesinger's War in Hungary_ was edited by
Mr. Pulszky, who prefaced it with a long and well-written historical
introduction, and added to it a masterly sketch of the life and
character of Görgey, who had been his school-fellow, and with whose
whole career he was intimately acquainted. The estate of the Görgey
family was in fact situated at no great distance from that of Mr.
Pulszky, who was also an intimate friend of the traitor's brother.
To the "_Memoirs of a Hungarian Lady_" by Theresa Pulszky, his wife, Mr.
Pulszky prefixed a most valuable Introduction, containing the best
history of Hungary which we have yet seen in English. It is a clear and
concise sketch of the annals of the nation, from the earliest period to
the year 1848, occupying about 100 pages of the American edition of the
Memoirs. Madame Pulszky, the heroine and author of these interesting
memoirs, is, we believe, a native of Vienna, where, in 1845, she was
married to Mr. Pulszky. She was residing on their estates in Hungary,
about 60 miles from Pesth, when the war broke out; and the _Memoirs_ are
principally devoted to a narrative of her sufferings and adventures in
that exciting and perilous time. They contain, besides, many graphic
descriptions of life and manners in Hungary, and a good historical
narrative of the Revolution and the war.
Besides the _Memoirs_, Madame Pulszky has published in English, a volume
of _Tales and Traditions of Hungary_, which we have not seen, but of
which highly favorable notices have appeared in the Examiner and other
English journals. She is not only a brilliant and powerful writer, but a
most lovely and accomplished lady, as we learn from very reliable
sources in Europe. Her talents and acquirements are said to be quite
extraordinary. In England her husband and herself enjoyed the highest
consideration, both in point of character and ability.
It may be remarked, in addition to this, that the _Memoirs of a
Hungarian Lady_ (Lea & Blanchard, Philadelphia, 1850) give a full
account of Mr. Pulszky's career during the war and the revolution, and
in chapters II. and III. a minute and most interesting sketch of his
estates and tenantry. His novel, the _Jacobins in Hungary_, is
understood to be written with constant reference to the recent history
of his country, though the events on which it is founded occurred sixty
years ago.
Authors and Books.
Henry Heine's long-promised _Romanzero_ has at last appeared in Germany,
where the first edition has been greedily snapped up. It is a collection
of poems of various name and nature, all after the true Heinian vein.
The great curiosity of the book is the preface in which the "dying
Aristophanes" discourses on his alleged conversion to religion, in a
strain which settles the question, so much discussed for the past two or
three years, whether such a conversion has actually taken place or not.
He declares that he has "returned to God, like the profligate son, after
having long kept swine among the Hegelians. Was it suffering that drove
me back? Perhaps a less miserable reason. The celestial home-sickness
came over me, and urged me forth through woods and ravines, over the
dizziest mountain paths of dialectics. On my way I found the God of the
Pantheists, but could not use him." Afterwards he says, that while in
politics his views have not changed, in theology he has gone back to
belief in a personal divinity. But he denies the report that he has
joined any church. "No," he says, "my religions convictions and views
remain free from all ecclesiasticism; no bell-ring has seduced me, no
altar-candle blinded me. I have played with no symbols, nor altogether
renounced my reason. I have sworn off from nothing, not even my old
heathen gods, from whom I have indeed parted, but in all love and
friendship. It was in May, 1848, the day when I last went out, that I
took leave of the gracious idols I had worshipped in the days of my
happiness. It was with difficulty that I dragged myself to the Louvre,
and I almost fainted as I entered the lofty hall where the blessed
goddess of beauty, our dear Lady of Milo, stands on her pedestal. I lay
long at her feet, and wept so vehemently that a stone must have been
filled with pity. The goddess, too, looked down piteously, as if to say,
'Seest thou not that I have no arms, and cannot help thee?'" It seems
evident from this, that whatever change has happened in Heine's notions,
there is no vital piety in his heart, but he is the same heathen as
ever. The _Romanzero_ is divided into three parts--Histories,
Lamentations, and Hebrew Melodies. The former are like the ballads he
has before published, except that many of them go farther in the way of
indecency, while many others are charming conceits, which are sure of
long popularity. The Lamentations are more expressive of the personal
state of mind and experience of the author. The Hebrew Melodies are the
best of all, and betray a profound affection for the Jewish race and
history, which he vainly seeks to hide with sneering and scoffs, and
which proclaims him a genuine son of Abraham as well as of the
nineteenth century. For the rest, the reader of this book will be
reminded of the sharp saying of Gutzkow about Heine: "He is a writer who
tries to disguise spoiled meat with a _sauce piquante_." Heine has also
published "_Doctor Faust_, a Dance Poem, with curious information about
the Devil, Witches and Poetic Art." This is intended to serve as the
ground-work of a ballet and presents the great problems of existence in
the form of a jest and a paradox. It was written for Lumley, the London
manager, but his ballet-master declared the performance of it
impossible.
* * * * *
The _Grenzboten_ contains a paper on German _Romanticism_, by Dr. JULIAN
SCHMIDT, written for the purpose of defeating the last attempts which
the romantic school of German writers is making to regain its former
ascendency. Baron Eichendorff, almost the last of the old school, has
lately brought out a pamphlet for that purpose. It has found a full
contradiction in Dr. Schmidt's essay, one which will doubtless be
satisfactory to all but the Baron himself.
* * * * *
We cannot too much commend a metrical German translation of the heroic
Sagas (_Heldensagen_) of Firdusi, the chief of Persian poets. It is due
to the learning and taste, we might even say the genius, of HERR VON SCHOCK, and has
lately been published at Berlin. Those who recollect the delicious
illustrations which our Emerson has dug out of this old mine of Persian
poetry, to adorn some of his more recent lectures with, can need no
additional inducement to seek the acquaintance of this book. It contains
ten distinct _sagas_, with an introduction by the translator.
* * * * *
A work bearing a somewhat attractive title has recently been published
for FRED BURAU, by Brockhaus, of Leipzig, entitled _The Secret History
of Enigmatic Men, a Collection of Forgotten Notabilities._ Among the
"odd ones" cited, are the Countess of Rochlitz, Dankelmann and
Wartenberg, natural children of the last Stuarts, and of Danish Kings,
Count Lewenhaupt, Lord Peterborough, the Duke of Ormond, Frederic
Augustus the First, John Lilburne, W. Ludwig Weckerlin, and various
other characters, too numerous to mention. We noticed this work while it
was in course of preparation last year.
* * * * *
A singular historical concert was given at Dresden, in November. It was
made up of works of distinguished Electoral and Royal Saxon
_Capellmeisters_, in chronological order. First appeared John Walther,
the friend of Luther, and the original master of Protestant Church
music. Next, Heinrich Schutz, the author of the first German opera. The
Italians, Lotti and Porpora, and Hasse (who composed in Italian style),
represented the golden period of the Electoral Court in the past half of
the eighteenth century. Naumann marked the transition to modern German
music, while the most recent schools were represented by Morlacchi,
Reissiger, Weber, and Richard Wagner.
* * * * *
The Michaelmas Fair of this year at Leipzig, is, according to its
catalogue, as rich as ever in literary wares. From the Spring Fair up to
September 30, there appeared in Germany 3,860 new books, and 1,130 more
are now in press. Of those published, 106 were on Protestant, and 62 on
Catholic theology; 36 on philosophy; 205, history and biography; 102 on
linguistic subjects; 194, natural sciences; 168, military sciences; 83,
commerce and industry; 87, agriculture and the management of forests;
69, public instruction; 92, classical philology; 80, living languages;
64, theory of music and the arts of design; 168, fine arts in general;
48, books for the people; 28, scientific miscellanies; bibliography, 18.
* * * * *
A History of Music in Italy, Germany, and France, from the beginning of
Christianity to the present day, has been published in Germany, from the
pen of PHILIP BRENDEL. It is not to be commended. It is not a real
history, such as indeed is greatly to be desired, but a collection of
sentimentalities and fancies, For instance, in speaking of Beethoven,
the author compares him with Schiller in respect to the substance of his
works, but says that in respect to his artistic form, he far excels that
poet, and even rises to the level of Jean Paul. This may do for
transcendental young people, but it is nonsense to all who like common
sense and real information.
* * * * *
About a year since, a society was formed in Germany for the publication
of the works of BACH, the great composer for the organ. Three hundred
and fifty subscribers were obtained, each paying five Prussian Thalers
($3.50), a-year, for which he receives a copy of the issues of the
society. They are not sold to music dealers, and are not intended for
the general market. Of the subscribers, six are in Paris, twenty-three
in London, ten in Russia, thirteen in Austria, but we see none from the
United States. The first publication was to appear in December. It will
contain ten cantatas not before published.
* * * * *
On the death of the great philologist LACHMANN JACOB GRIMM, for many
years his co-laborer and friend, was appointed to deliver an oration
before the Academy of Sciences in Berlin, which was done on the 3d of
July last. This speech, recently published, is said to be highly
interesting, as giving the characteristics of both the eulogist and the
deceased, each of them men whose names will henceforth be inseparably
allied in the history of German learning.
A biography of LACHMANN has been published at Berlin; it is by William
Hertz, and will interest those who care to look at the quiet but most
industrious life of a great scholar.
* * * * *
A Sketch of _Jona. Edwards and his Works_, has been published in German
at Leipsig.
DR. ANDREE, whose work on America we lately noticed, has commenced at
Bremen a periodical called _Das Westland_, devoted exclusively to the
diffusion of information respecting the new world. The idea is an
excellent one, especially in view of the great numbers of Germans who
are already established on this side the Atlantic, and the still greater
numbers that desire to come here. No man in Europe is so well fitted as
Dr. Andree to conduct such a work. The first number, which we have
received, contains articles on the Lopez Expedition, the Southern States
of the American Union in their relation to the North, Traditions of the
North American Indians, the navigation of the La Plata system of Rivers,
the Welland Canal, &c. Sold in New-York by Westerman Brothers, 240
Broadway.
* * * * *