CHAPTER XIX—PUBLIC DINNERS

All public dinners in London, from the Lord Mayor’s annual banquet at

Guildhall, to the Chimney-sweepers’ anniversary at White Conduit House;

from the Goldsmiths’ to the Butchers’, from the Sheriffs’ to the

Licensed Victuallers’; are amusing scenes. Of all entertainments of

this description, however, we think the annual dinner of some public

charity is the most amusing. At a Company’s dinner, the people are

nearly all alike—regular old stagers, who make it a matter of business,

and a thing not to be laughed at. At a political dinner, everybody is

disagreeable, and inclined to speechify—much the same thing,

by-the-bye; but at a charity dinner you see people of all sorts, kinds,

and descriptions. The wine may not be remarkably special, to be sure,

and we have heard some hardhearted monsters grumble at the collection;

but we really think the amusement to be derived from the occasion,

sufficient to counterbalance even these disadvantages.

Let us suppose you are induced to attend a dinner of this

description—‘Indigent Orphans’ Friends’ Benevolent Institution,’ we

think it is. The name of the charity is a line or two longer, but never

mind the rest. You have a distinct recollection, however, that you

purchased a ticket at the solicitation of some charitable friend: and

you deposit yourself in a hackney-coach, the driver of which—no doubt

that you may do the thing in style—turns a deaf ear to your earnest

entreaties to be set down at the corner of Great Queen-street, and

persists in carrying you to the very door of the Freemasons’, round

which a crowd of people are assembled to witness the entrance of the

indigent orphans’ friends. You hear great speculations as you pay the

fare, on the possibility of your being the noble Lord who is announced

to fill the chair on the occasion, and are highly gratified to hear it

eventually decided that you are only a ‘wocalist.’

The first thing that strikes you, on your entrance, is the astonishing

importance of the committee. You observe a door on the first landing,

carefully guarded by two waiters, in and out of which stout gentlemen

with very red faces keep running, with a degree of speed highly

unbecoming the gravity of persons of their years and corpulency. You

pause, quite alarmed at the bustle, and thinking, in your innocence,

that two or three people must have been carried out of the dining-room

in fits, at least. You are immediately undeceived by the

waiter—‘Up-stairs, if you please, sir; this is the committee-room.’

Up-stairs you go, accordingly; wondering, as you mount, what the duties

of the committee can be, and whether they ever do anything beyond

confusing each other, and running over the waiters.

Having deposited your hat and cloak, and received a remarkably small

scrap of pasteboard in exchange (which, as a matter of course, you

lose, before you require it again), you enter the hall, down which

there are three long tables for the less distinguished guests, with a

cross table on a raised platform at the upper end for the reception of

the very particular friends of the indigent orphans. Being fortunate

enough to find a plate without anybody’s card in it, you wisely seat

yourself at once, and have a little leisure to look about you. Waiters,

with wine-baskets in their hands, are placing decanters of sherry down

the tables, at very respectable distances; melancholy-looking

salt-cellars, and decayed vinegar-cruets, which might have belonged to

the parents of the indigent orphans in their time, are scattered at

distant intervals on the cloth; and the knives and forks look as if

they had done duty at every public dinner in London since the accession

of George the First. The musicians are scraping and grating and

screwing tremendously—playing no notes but notes of preparation; and

several gentlemen are gliding along the sides of the tables, looking

into plate after plate with frantic eagerness, the expression of their

countenances growing more and more dismal as they meet with everybody’s

card but their own.

You turn round to take a look at the table behind you, and—not being in

the habit of attending public dinners—are somewhat struck by the

appearance of the party on which your eyes rest. One of its principal

members appears to be a little man, with a long and rather inflamed

face, and gray hair brushed bolt upright in front; he wears a wisp of

black silk round his neck, without any stiffener, as an apology for a

neckerchief, and is addressed by his companions by the familiar

appellation of ‘Fitz,’ or some such monosyllable. Near him is a stout

man in a white neckerchief and buff waistcoat, with shining dark hair,

cut very short in front, and a great, round, healthy-looking face, on

which he studiously preserves a half sentimental simper. Next him,

again, is a large-headed man, with black hair and bushy whiskers; and

opposite them are two or three others, one of whom is a little

round-faced person, in a dress-stock and blue under-waistcoat. There is

something peculiar in their air and manner, though you could hardly

describe what it is; you cannot divest yourself of the idea that they

have come for some other purpose than mere eating and drinking. You

have no time to debate the matter, however, for the waiters (who have

been arranged in lines down the room, placing the dishes on table)

retire to the lower end; the dark man in the blue coat and bright

buttons, who has the direction of the music, looks up to the gallery,

and calls out ‘band’ in a very loud voice; out burst the orchestra, up

rise the visitors, in march fourteen stewards, each with a long wand in

his hand, like the evil genius in a pantomime; then the chairman, then

the titled visitors; they all make their way up the room, as fast as

they can, bowing, and smiling, and smirking, and looking remarkably

amiable. The applause ceases, grace is said, the clatter of plates and

dishes begins; and every one appears highly gratified, either with the

presence of the distinguished visitors, or the commencement of the

anxiously-expected dinner.

As to the dinner itself—the mere dinner—it goes off much the same

everywhere. Tureens of soup are emptied with awful rapidity—waiters

take plates of turbot away, to get lobster-sauce, and bring back plates

of lobster-sauce without turbot; people who can carve poultry, are

great fools if they own it, and people who can’t have no wish to learn.

The knives and forks form a pleasing accompaniment to Auber’s music,

and Auber’s music would form a pleasing accompaniment to the dinner, if

you could hear anything besides the cymbals. The substantials

disappear—moulds of jelly vanish like lightning—hearty eaters wipe

their foreheads, and appear rather overcome by their recent

exertions—people who have looked very cross hitherto, become remarkably

bland, and ask you to take wine in the most friendly manner

possible—old gentlemen direct your attention to the ladies’ gallery,

and take great pains to impress you with the fact that the charity is

always peculiarly favoured in this respect—every one appears disposed

to become talkative—and the hum of conversation is loud and general.

‘Pray, silence, gentlemen, if you please, for _Non nobis_!’ shouts the

toast-master with stentorian lungs—a toast-master’s shirt-front,

waistcoat, and neckerchief, by-the-bye, always exhibit three distinct

shades of cloudy-white.—‘Pray, silence, gentlemen, for _Non nobis_!’

The singers, whom you discover to be no other than the very party that

excited your curiosity at first, after ‘pitching’ their voices

immediately begin _too-too_ing most dismally, on which the regular old

stagers burst into occasional cries of—‘Sh—Sh—waiters!—Silence,

waiters—stand still, waiters—keep back, waiters,’ and other exorcisms,

delivered in a tone of indignant remonstrance. The grace is soon

concluded, and the company resume their seats. The uninitiated portion

of the guests applaud _Non nobis_ as vehemently as if it were a capital

comic song, greatly to the scandal and indignation of the regular

diners, who immediately attempt to quell this sacrilegious approbation,

by cries of ‘Hush, hush!’ whereupon the others, mistaking these sounds

for hisses, applaud more tumultuously than before, and, by way of

placing their approval beyond the possibility of doubt, shout

‘_Encore_!’ most vociferously.

The moment the noise ceases, up starts the toast-master:—‘Gentlemen,

charge your glasses, if you please!’ Decanters having been handed

about, and glasses filled, the toast-master proceeds, in a regular

ascending

scale:—‘Gentlemen—_air_—you—all charged? Pray—silence—gentlemen—for—the

cha-i-r!’ The chairman rises, and, after stating that he feels it quite

unnecessary to preface the toast he is about to propose, with any

observations whatever, wanders into a maze of sentences, and flounders

about in the most extraordinary manner, presenting a lamentable

spectacle of mystified humanity, until he arrives at the words,

‘constitutional sovereign of these realms,’ at which elderly gentlemen

exclaim ‘Bravo!’ and hammer the table tremendously with their

knife-handles. ‘Under any circumstances, it would give him the greatest

pride, it would give him the greatest pleasure—he might almost say, it

would afford him satisfaction [cheers] to propose that toast. What must

be his feelings, then, when he has the gratification of announcing,

that he has received her Majesty’s commands to apply to the Treasurer

of her Majesty’s Household, for her Majesty’s annual donation of 25_l._

in aid of the funds of this charity!’ This announcement (which has been

regularly made by every chairman, since the first foundation of the

charity, forty-two years ago) calls forth the most vociferous applause;

the toast is drunk with a great deal of cheering and knocking; and ‘God

save the Queen’ is sung by the ‘professional gentlemen;’ the

unprofessional gentlemen joining in the chorus, and giving the national

anthem an effect which the newspapers, with great justice, describe as

‘perfectly electrical.’

The other ‘loyal and patriotic’ toasts having been drunk with all due

enthusiasm, a comic song having been well sung by the gentleman with

the small neckerchief, and a sentimental one by the second of the

party, we come to the most important toast of the evening—‘Prosperity

to the charity.’ Here again we are compelled to adopt newspaper

phraseology, and to express our regret at being ‘precluded from giving

even the substance of the noble lord’s observations.’ Suffice it to

say, that the speech, which is somewhat of the longest, is rapturously

received; and the toast having been drunk, the stewards (looking more

important than ever) leave the room, and presently return, heading a

procession of indigent orphans, boys and girls, who walk round the

room, curtseying, and bowing, and treading on each other’s heels, and

looking very much as if they would like a glass of wine apiece, to the

high gratification of the company generally, and especially of the lady

patronesses in the gallery. _Exeunt_ children, and re-enter stewards,

each with a blue plate in his hand. The band plays a lively air; the

majority of the company put their hands in their pockets and look

rather serious; and the noise of sovereigns, rattling on crockery, is

heard from all parts of the room.

After a short interval, occupied in singing and toasting, the secretary

puts on his spectacles, and proceeds to read the report and list of

subscriptions, the latter being listened to with great attention. ‘Mr.

Smith, one guinea—Mr. Tompkins, one guinea—Mr. Wilson, one guinea—Mr.

Hickson, one guinea—Mr. Nixon, one guinea—Mr. Charles Nixon, one

guinea—[hear, hear!]—Mr. James Nixon, one guinea—Mr. Thomas Nixon, one

pound one [tremendous applause]. Lord Fitz Binkle, the chairman of the

day, in addition to an annual donation of fifteen pounds—thirty guineas

[prolonged knocking: several gentlemen knock the stems off their

wine-glasses, in the vehemence of their approbation]. Lady, Fitz

Binkle, in addition to an annual donation of ten pound—twenty pound’

[protracted knocking and shouts of ‘Bravo!’] The list being at length

concluded, the chairman rises, and proposes the health of the

secretary, than whom he knows no more zealous or estimable individual.

The secretary, in returning thanks, observes that _he_ knows no more

excellent individual than the chairman—except the senior officer of the

charity, whose health _he_ begs to propose. The senior officer, in

returning thanks, observes that _he_ knows no more worthy man than the

secretary—except Mr. Walker, the auditor, whose health _he_ begs to

propose. Mr. Walker, in returning thanks, discovers some other

estimable individual, to whom alone the senior officer is inferior—and

so they go on toasting and lauding and thanking: the only other toast

of importance being ‘The Lady Patronesses now present!’ on which all

the gentlemen turn their faces towards the ladies’ gallery, shouting

tremendously; and little priggish men, who have imbibed more wine than

usual, kiss their hands and exhibit distressing contortions of visage.

We have protracted our dinner to so great a length, that we have hardly

time to add one word by way of grace. We can only entreat our readers

not to imagine, because we have attempted to extract some amusement

from a charity dinner, that we are at all disposed to underrate, either

the excellence of the benevolent institutions with which London

abounds, or the estimable motives of those who support them.

Sketches by Boz, Illustrative of Every-Day Life and Every-Day People · 第 19 / 33 章