OUR BOOKING-OFFICE.

(_By Mr. Punch's Staff of Learned Clerks._)

There has recently been a notable output of books of "personalities"

and critical appreciations, contemporary, historical and (for the

most part) iconoclastic. One may therefore say that Mr. HORACE G.

HUTCHINSON is distinctly of the movement in compiling his _Portraits

of the 'Eighties_ (UNWIN). This is certainly a volume that anyone

can dip into with instruction and entertainment, even if (to be quite

honest) the former is likely to predominate. The fact is that one has

become so used to the satirical method in portraiture, in which the

attack is all and the subject emerges only as a beriddled target, that

an ordinary pen-picture, however faithful, is apt to seem heavy by

contrast. Mr. HUTCHINSON certainly is not of the slingers; he will

just "tell you about" the notable persons of his period, setting down

nothing in malice, omitting little however banal, and rejecting no

aphorism or anecdote as outworn. Perhaps his nearest approach to the

popular method is a very occasional touch of gentle irony, as when he

permits himself to say of G. W. E. RUSSELL (to whose _Portraits of the

Seventies_ the present volume is intended as a sequel) that he "used

to drive about London in a carriage picked out in colours that did not

suggest that he sought seclusion." I have no space for the barest list

of the sitters in Mr. HUTCHINSON'S crowded picture of a time rich

in character, his treatment of which aims rather at covering a

wide ground than at intimacy of detail. To mention but one, it is

interesting to compare his General GORDON with the recent presentment

of him by another hand. If the result is more creditable to Mr.

HUTCHINSON'S kindliness than to his wit, it may serve as an apt

comment on the whole book.

* * * * *

_Beauty and Bands_ (CONSTABLE) is not, as you might excusably suppose,

a treatise on syncopation or the decline of Jazz, but takes its title

from a verse in the Book of Proverbs. Really what the story most

illustrates is the extent to which a clever and experienced writer

can clothe a wildly impossible plot with some aspect of reality. Miss

ELLEN THORNEYCROFT FOWLER assuredly does not lack courage; having

thought out a "good situation" (which it certainly is) she was not

going to be put off by any considerations of probability. I can't

resist some sketch of it, even at the risk of spoiling your pleasure.

Suppose a lovely but selfish wife, bored to the point of flight from

a well-intentioned husband, then involved in a railway smash which

disfigures her beauty, destroys her memory and incidentally reforms

her character; let her by plausible circumstance be mistaken for

another traveller in the wrecked train and under a new name and

personality meet her husband, fall in love with him, but be compelled

to reject his suit by the presumption that his vanished wife may still

be living--as I hinted, the result in situations is enough to satisfy

the most exacting, the only real drawback being that not all Miss

FOWLER'S pleasantly persuasive efforts can make me believe a word of

it. If she had dared a little more, and inflicted the husband with

blindness, impaired hearing and slight mental decay, I would have

stretched a point and supposed that, during a protracted courtship, he

might never have recognised his own wife. Lacking these concessions I

can only report an entertaining but preposterous absurdity.

* * * * *

Those of us who read _With the Persian Expedition_ know something

about the Hush-Hush Army; enough, at any rate, to whet our appetites

for more. Let me then recommend _The Adventures of Dunsterforce_

(ARNOLD) to your notice, and assure you that it is a most lively

account of as strange an enterprise as any that the War brought forth.

Briefly, the object of General DUNSTERVILLE'S mission was to prevent

German and Turkish penetration in the area of the Caucasus, Baku and

the Caspian Sea. In January, 1918, he set out from Baghdad with what

he calls "the leading party." Continually hampered by lack of men,

the mission failed to achieve its original object; but what it

accomplished in most difficult circumstances was of great value to the

Allies. The conditions at the time when the author sailed from Enzeli

with his "Dunsterforce" to raise the siege of Baku were delightfully

cosmopolitan. He describes himself as "a British General on the

Caspian, the only sea unploughed before by British keels, on board

a ship named after a South African Dutch President and whilom enemy,

sailing from a Persian port under the Serbian flag to relieve from the

Turks a body of Armenians in a revolutionary Russian town." "Let the

reader," he adds, "pick his way through that delirious tangle, and

envy us our task who may." After pursuing the tricky course of this

astounding adventure I confess myself lost, not in its mazes, thanks

to an excellent map, but in profound admiration for "Dunsterforce" and

its leader.

[Illustration: WHEN PEOPLE DO POSTERS--

Punch, or the London Charivari, Vol. 158, May 26, 1920 · 第 36 / 39 题