A MATER DOLOROSA

Then down the street came Giacomo, flushed

With wine and laughter. I can see him now,

With Giulio, Florian, and young Angelo,

Arms interlaced, hands clasped, a roisterous crew

Of merry, harmless idlers. Ah, so long,

So long ago it was! Yet I can see

Just how the campanile shone that night

Like molten silver, while its carven saints

Prayed in the moonlight. Then a shadow crept

Over the moon’s face; and it grew so dark

That the red star in Giacomo’s cap

Paled and went out, and Giulio’s shoulder-clasp

Lost all the lustre of its burnished gold,

And faded out of sight. Strange, how we lose

So much we would remember, and yet keep

Trifles like this until the day of doom!

They had swept past me where I stood in shade

When Giacomo turned. Just then the moon

Shone out again, illumining the place,

And he paused laughing, catching sight of me

There by the fountain.—Nay, sweet Signor, nay!

I was young then, and some said I was fair;

But I loved not Giacomo, nor he me.—

Back he came crying, “Little one, take heed!

Know you Fra Alessandro? He would have

A model for his picture. Go you then

To-morrow to his studio and say

Giacomo sent you. At the convent there,

Near Santa Croce.”

So I thither went

Early next morning, trembling as I stole

Into the master’s presence. A grave man

Of most unworldly aspect, with bowed head

And pale chin resting on his long, thin hand,

He sat before an easel, lost in thought.

“Giacomo sent me,” said I, creeping in,

And then stood breathless. Swift as light he turned,

But smiled not, spoke not, while his searching eye

For minutes that seemed hours scanned my face,

Reading it line by line. Signor, it seemed

As if the judgment-day had come, and God

Sat on the great white throne! At length he spoke,

Nodding as one content—“To-morrow morn

I pray thee come thou hither. Canst thou bring

A little child with thee—some fair, sweet child

Whose eyes are like the morning?”

Then I said,

Bethinking me of Beppo’s little boy

Whose mother died last week—“Yes, I will come

Surely, my father, and will bring with me

The fairest child in Florence.” “It is well,”

Softly he answered, and a sudden light

Made his pale face all glorious. At the door

I paused, and looking backward saw him bow

Before the easel as before a shrine.

I know not if he prayed, but never saint

Had aspect more divine.

Next day I went

With little Nello to the studio.

Impatiently the Frate greeted us,

Palette in hand. “So!—Thou art come at last?”

But as I drew the cap from Nello’s head

And the moist tendrils of his golden hair

Fell softly on his forehead, he cried out:

“The boy is like an angel! And thy face,

Thy face, my daughter, I have seen in dreams,

But in dreams only. So, then, stand thou there,

And let the boy sit throned upon thine arm,

As thus, or thus.”

The child was half afraid;

And round my neck he clasped his clinging arms,

Lifting his face to mine, a questioning face,

Filled with soft, startled wonder. While I held

Him close and soothed him, Alessandro cried,

“O, hold him thus forever! Do not stir!

I paint a virgin for an altar-piece.

And thou and this fair child——”

Even while he spoke

He turned back to the easel; but I sprang

From the low pedestal, and, with the boy

Still in my arms, I fell down at his feet.

“Not that, not that, my father!” swift I cried,

While my hot forehead touched his garment’s hem;

“Not that, for God’s sake! Paint me otherwise.

Paint me as martyr, or as Magdalen,

As saint, or sibyl—whatsoe’er you will,

Only not that, not that!”

Smiling he stooped

And raised me from the ground, and took the child

In unaccustomed arms all tenderly,

Placing his brown beads in the dimpled hand.

“But why ‘not that,’ my daughter? Nothing else

Ever paint I! Not saint, nor Magdalen,

Only the Virgin and her Holy Child.”

Then suddenly I saw it all—the light

Dim in cathedral aisles, the kneeling crowds,

The swinging censers, candles burning clear,

With flash of jewels, splendor and perfume,

The high white altar, and above a face,

_My_ face, pale shining through the scented gloom

Like a lone star! Then in the hush a voice

Chanted “Hail, Mary”—and my heart stood still.

I who had been a sinner, could I dare

Thus to mock God and man? Low at his feet

Again I fell, and there I told him all

As he had been my soul’s confessor, poured

My very heart out. Signor, life is hard

And cruel to child-women, when the street

Is their sole nursing mother. I had had

No friend, no home, save when old Barbara

In some rare mood of pity let me creep

Under her wing for shelter. Then she died,

And even that poor semblance of a home

Was mine no longer. Yet, as the years went on,

Out of the dust and moil I grew as tall

And fair as lily in a garden plot,

Shut in by ivied cloisters—Let it pass!—

God knows how girls are tempted when false love

Comes with beguiling words and tender lips,

Promising all things, and their barren lives

Break into sudden bloom as when a bud

Unfolds its shining petals in the sun

And joys to be a rose!

No word he spake,

Fra Alessandro, sitting mute and pale.

But Nello, wondering at my sighs and tears,

Dropped the brown rosary and thrust his hands

Into the shining masses of my hair,

Pulling the bodkin out, and lifted up

My wet, wan face to kiss it. God is good;

And even in that dark hour a thrill of joy

Ran through my soul as the pure lips met mine.

Still I knelt, waiting judgment, with the child

Clasped to my bosom, daring not to raise

My eyes to the face above me. Well I knew

It was the priest’s face, not the painter’s, now!

Was it his voice that through the silence stole,

“A little child shall lead them,” murmuring low?

Just for one instant on my head a hand

Fell as in benediction. Then he said

“Arise, my daughter, and come thou with me

Where bide the holy sisters of St. Clare,

Ruled by their abbess, saintliest of all

The saintly sisterhood. By work and prayer,

Fasting and penance, thou shalt purge thy soul

Of all iniquity, and make it clean.”

Startled I answered him—“But who will care

For Nello then? His mother died last week,

And Beppo’s heart is buried in her grave—

He cares not for the child, nor gives him love.”

But with a wide sweep of his beckoning arm

Down the long cloisters strode he, and across

The heated pavement of the market-place,

Nor looked to see if we were following him

Until he paused before the convent gate;

Then rang the bell, and in the pause I heard

The sisters chanting, and grew faint with shame.

“Fear not, my child,” Fra Alessandro said.

“Here comes Jacinta. Go you in with her,

And straightway tell the abbess all the tale

Told unto me this day. Farewell! ”The gate

Swung to with iron clang, and Nello’s arms

Half strangled me as round my neck he clung,

Awed by the holy stillness.

Since that hour

I with the humble sisters of St. Clare

Have given myself to deeds of mercy, works

Meet for repentance, ministering still

Unto all souls that suffer, even as now

I minister to you.

But what, you ask,

Of the boy Nello? Beppo died that year—

God rest his soul!—and the child ’bode with us.

But when the lad drew nigh to man’s estate—

Too old for women’s guidance—he was found

Oftener than elsewhere at the studio

Of old Fra Alessandro. He became

A painter, Signor, and men call him great.

I know not if he is—but you can see

His pictures yonder in San Spirito.

You’ve seen them? seen my face there? now you know

Whence comes the semblance that has puzzled you

Through all these weeks of languor?

It may be.

I am too old to care now, have outlived

Youth and its petty consciousness. My face

Is mine no longer. It is God’s alone.

A Mater Dolorosa?—It is well!

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