XVI

The softened electric light suffused a glamour of glowing color over the

rich brocade of the walls of Marcus Gard's library, catching a glint

here and there on iridescent plaques, or a mellow high light on the

luscious patine of an antique bronze. The stillness, so characteristic

of the place, seemed to isolate it from the whole world, save when a

distant bell musically announced the hour.

Brencherly sat facing his employer, respecting his anxious silence,

while they waited the coming of the district attorney, to whose clemency

they must appeal--surely common humanity would counsel protective

measures, secrecy, in the proceeding of the law. The links in the chain

of evidence were now complete, but more than diplomacy would be required

in order to bring about the legal closing of the affair without

precipitating a scandal. Gard's own hasty actions led back to his fear

for Mrs. Marteen, that in turn involved the cause of that suspicion. To

convince the newsmongers that the crime was one of an almost accidental

nature, he felt would be easy. An escaped lunatic had committed the

murder. That revenge lay behind the insane act would be hidden. If

necessary, the authorities of the asylum could be silenced with a golden

gag--but the law?

Neither of the two men, waiting in the silent house, underestimated the

importance of the coming interview.

The night was already far spent, and the expected visitor still delayed.

At length the pale secretary appeared at the door to announce his

coming.

Gard rose from his seat, and extended a welcoming hand to gray-haired,

sharp-featured District Attorney Field.

Brencherly bowed with awkward diffidence.

Gard's manner was ease and cordiality itself, but his heart misgave him.

So much depended upon the outcome of this meeting. He would not let

himself dwell upon its possibilities, but faced the situation with grim

determination.

"Well, Field," he said genially, "let me thank you for coming. You are

tired, I know. I'm greatly indebted to you, but I'm coming straight to

the point. The fact is, we," and he swept an including gesture toward

his companion, "have the whole story of Victor Mahr's death. Brencherly

is a detective in my personal employ." Field bowed and turned again to

his host. "The person of the murderer is in our care," Gard continued.

"But before we make this public--before we draw in the authorities,

there are things to be considered."

He paused a moment. The district attorney's eyes had snapped with

surprise.

"You don't mean to tell me," he said slowly, "that you have the key to

that mystery! Have you turned detective, Mr. Gard? Well, nothing

surprises me any more. What was the motive? You've learned that, too, I

suppose?"

"Insanity," said Gard shortly.

"Revenge," said the detective.

"Suppose," said Gard, "a crime were committed by a totally irresponsible

person, would it be possible, once that fact was thoroughly established,

to keep investigation from that person; to conduct the matter so quietly

that publicity, which would crush the happiness of innocent persons,

might be avoided?"

"It might," said the lawyer, "but there would have to be very good and

sufficient reasons. Let's have the facts, Mr. Gard. An insane person, I

take it, killed Mahr. Who?"

"His wife." Gard had risen and stood towering above the others, his face

set and hard as if carved in flint.

Field instinctively recoiled. "His wife!" he exclaimed. "Why, man alive,

_you_ are the madman. His wife died years ago."

"No," said Gard. "Teddy Mahr's mother died. His wife is living, and is

in that next room."

"What's the meaning of this?" Field demanded.

"A pretty plain meaning," Gard rejoined. "The woman escaped from the

asylum where she was confined. According to her own story, she had kept

track of her husband from the newspapers. Mahr couldn't divorce her, but

he married again, secure in his belief that his first marriage would

never be discovered. Mad as she was, she knew the situation, and she

planned revenge. Dr. Malky, of the Ottawa Asylum, is here. We sent for

him. The woman has been recognized by Mahr's butler as the one he

admitted. There is no possible doubt. And her own confession, while it

is incomplete in some respects, is nevertheless undoubtedly true.

"But, Field, this woman is hopelessly demented. There is nothing that

can be done for her. She must be returned to the institution. I want to

keep the knowledge of her identity from Mahr's son. Why poison the whole

of his young life; why wreck his trust in his father? Convince yourself

in every way, Mr. Field, but the part of mercy is a conspiracy of

silence. Let it be known that an escaped lunatic did the killing--a

certain unknown Mrs. Welles--and let Brencherly give the reporters all

they want. For them it's a good story, anyway--such facts as these, for

instance: he happened by in time to see an attack upon another woman on

a bench opposite Mahr's house, and to hear her boast of her acts. But I

ask as a personal favor that the scandal be avoided. Brencherly, tell

what happened."

The detective looked up. "There was an old story--our office had had

it--that Mahr was a bigamist. In searching for a motive for the crime, I

hit on that. I had all our data on the subject sent up to me. I found

that our informant stated that Mahr had a wife in an asylum somewhere.

That gave me a suspicion. I found from headquarters that there were two

escapes reported, and one was a woman. She had broken out of a private

institution in Ottawa. I got word from there that her bills had been

paid by a lawyer here--Twickenbaur. I already knew that he was Mr.

Mahr's confidential lawyer. But all this I looked up later, after I'd

found the woman. You see, Mr. Gard is employing me on another matter,

and after he returned from Washington, I gave my report to him here.

"Then I went over to Mahr's house. I had a curiosity to go over the

ground. It was quite late at night, and I was standing in the dark,

looking over the location of the windows, when I saw a woman acting

strangely. She was threatening and talking loudly, crying out that she

had a right to kill him. I sneaked up behind just in time to stop her

attack on another woman who was seated on the same bench, and who seemed

too ill to defend herself. Well, sir, I had to give her three hypos

before I could take her along. Then I got her to my rooms, and when she

came around, she told me the story. Of course, sir, you mustn't expect

any coherent narrative, though she is circumstantial enough. Then I

brought over the butler, and he identified her at once. Mr. Gard advised

me not to notify the police until he had seen you. We got the doctor

from the asylum here as quickly as possible. He's with her in there

now."

The attorney sat silent a moment, nodding his head slowly. "I'll see

her, Gard," he said at length. "This is a strange story," he added, as

Brencherly disappeared into the anteroom.

Field's eyes rested on Gard's face with keen questioning, but he said

nothing, for the door opened, admitting the black-clad figure of a

middle-aged woman, escorted by a trained nurse and a heavily built man

of professional aspect.

"This is--" Field asked, as his glance took in every detail of the

woman's appearance.

"Mrs. Welles, as she is known to us," the doctor answered; "but she used

to tell us that that was her maiden name, and she married a man named

Mahr. We didn't pay much attention to what she said, of course, but she

was forever begging old newspapers and pointing out any paragraphs about

Mr. Victor Mahr, saying she was his wife."

Field gazed at the ghastly pallor of the woman's face, the maze of

wrinkles and the twinkling brightness of her shifting eyes, as she stood

staring about her unconcernedly. Her glance happened upon Brencherly.

Her lips began to twitch and her hands to make signals, as if anxious to

attract his attention. She writhed toward him.

"Young man," she whispered audibly, "they've got me--I knew they would.

Even you could not keep me so hidden they couldn't find me." She jerked

an accusing thumb over her shoulder at the corpulent bulk of her

erstwhile jailer. "They've been trying to make me tell how I got out;

but I won't tell. I may want to do it again, you see, and you won't

tell."

"But," said Brencherly soothingly, "you don't want to get out now, you

know. You've no reason to want to get out."

She nodded, as if considering his statement seriously.

"Of course, since I've got Victor out of the way, I don't much care. And

I had awful trouble to steal enough money to get about with. Why, I had

to pick ever so many pockets, and I do hate touching people; you never

can tell what germs they may have." She shook out her rusty black skirt

as if to detach any possible contagion.

"But, why," the incisive voice of the attorney inquired, "did you want

to kill Victor Mahr?"

"Why?" she screamed, her body suddenly stiffening. "Suppose you were his

wife, and he locked you up in places, and made people call you Mrs.

Welles, while he went swelling around everywhere, and making millions!

What'd you do? And besides, it wasn't only _that_, you see. _I_ knew,

being his wife, that he was a devil--oh, yes, he was; you needn't look

as if you didn't believe it. But I soon learned that when I said I was

'Mrs. Victor Mahr' in the places he put me into, they laughed at me, the

way they do at my roommate, who says she's a sideboard and wants to hold

a tea-set."

"Tell these gentlemen how cleverly you traced him," suggested

Brencherly.

"Oh, I knew where he lived and what he was doing well enough." She

bridled with conscious conceit; "I read the papers and I had it all

written down. So when I got out and stole the money, I knew just where

to go. But he's foxy, too. I knew I'd have to _make_ him see me. So I

stole some of the doctor's letterhead paper, and I wrote on it,

'Important news from the Institution'--that's what he likes to call his

boarding house--an institution." She laughed. "It worked!" she went on

as she regained her breath. "I just sent that message, and they let me

go right in. 'Well, what is it--what is it?' Victor said, just like

that." Her tones of mimicry were ghastly. She paused a moment, then

broke out:

"Now you won't believe it, but I hadn't the slightest idea what I was

going to kill him with when I went in there--I really didn't. The doctor

will tell you himself that I'm awfully forgetful. But there, spread out

before him, he had a whole collection of weapons, just as if he should

say, 'Mamie, which'll you have?' I couldn't believe my eyes; so I said

first thing, 'Why, you were expecting me!' He heard my voice, and his

eyes opened wide; and I thought: 'If I don't do it now, he'll raise the

house.' So I grabbed the big pistol and hit him! I'm telling you

gentlemen all this, because I don't want anyone else to get the credit.

There was a woman I met on a bench, and I just was sure she was going to

take all the credit, but I told her that was _my_ business. I hate

people who think they can do everything. There's a woman across my hall

who says she can make stars--" She broke off abruptly as for the first

time she became aware of Gard's presence in the room. "Why, there you

are!" she exclaimed delightedly. "Now, that's good! You can tell these

people what _you_ found."

"But Mr. Mahr was stabbed, Mrs. Welles," Gard interrupted. "You said you

struck him with a pistol."

"Oh, I did _that_ afterward." She took up the thread of her narrative.

"I selected the place very carefully, and pushed the knife way in tight.

I hate the sight of blood, and I sort of thought that'd stop it, and it

did. Then, dear me, I had a scare. There's a picture in that room as

live as life, and I looked up, and saw it looking at me. So I started to

run out, but somebody was coming, so in the little room off the big one

I got behind a curtain. Then this gentleman went through the room where

I was, and into the room where _he_ was. But he shut the door, and I

couldn't see what he thought of it. After a while he came out and said

'good-night' to me, though how he knew I was there I can't guess. So I

waited a very long time, till everything was quiet, and then I went back

and sat with him. It did me good just to sit and look at him; and every

little while I'd lift his coat to see if the little sword was still

there. The room was awful messy, and I tidied it up a bit. Then when

dawn about came, I got up and walked out. I had a sort of idea of

getting back to the institution without saying anything, because I was

afraid they'd punish me."

"Why did you rob Mr. Mahr?" asked Mr. Field.

"Rob nothing!" she retorted.

"But his jewels, his watch," the attorney continued, his eyes riveted on

her face with compelling earnestness. The woman gave an inarticulate

growl. "But," interposed Brencherly, "I found his wallet in your

package." He took from his pocket a worn and battered leather pocketbook

and held it toward her.

"Oh," she answered indifferently, "I just took it for a souvenir. In

fact, I came back for it--last thing."

Brencherly shrugged his shoulders expressively. Gard sat far back in his

chair, his face in shadow.

"How long has it been, Mrs. Welles, since you--accomplished your

purpose?" he asked slowly.

"You know as well as I do," she cried angrily.

"You were there. It was yesterday--no, the day before."

"It was just a week ago we found her," Brencherly said in a low voice.

"I had to look up everything and verify everything."

"You don't think I did it?" she burst out angrily. "Well, I'll prove it.

I tell you I did, and I thought it all out carefully, although the

doctor says I can't think connectedly. I'll show him." She fumbled in

the breast of her dress for a moment, and brought out her cherished

handful of newspaper clippings, which she cast triumphantly upon the

table. "There's all about him from the papers, and a picture of the

house. Why, I'd 'a' been a fool not to find him, and I had to. Oh, yes,

I suppose, as the doctor says, I'm queer; but I wasn't when he first

began sending me away--no, indeed. I wasn't good enough for him, that

was all; and I was far from home, and hadn't a friend, and he had money.

Oh, he was clever--but he's the devil. He used to file his horns off so

people wouldn't see, but I know. So, I'll tell you everything, except

how I got away. There's somebody else I may want to find." She glanced

with infinite cunning at Brencherly, and began her finger signals as if

practicing a dumb alphabet of which he alone knew the key.

"Where did you receive her from, Doctor?" Field asked.

"From Ogdensburg, sir. Before that they told me she was found wandering,

and put under observation in Troy. All I knew was that somebody wanted

her kept in a private institution. She'd always been in one, I fancy."

There was a pause as Field seemed lost in thought. Then he turned to

Gard.

"May I ask you to clear one point?" he asked "You gave evidence that he

was alive when you entered the room. According to her story--"

"I lied," said Gard, his pale face suffused with color. "I had to--I was

most urgently needed in Washington. I would have been detained, perhaps

prevented altogether from leaving. Who knows--I might even have been

accused. I plead guilty of suppressing the facts."

There was silence in the room. The attorney's eyes were turned upon the

self-confessed perjurer. In them was a question. Gard met their gaze

gravely, without flinching. Field nodded slowly.

"You're right; publicity can only harm," he said at last. "We will see

what can be done. I'll take the proper steps. It can be done legally and

verified by the other witnesses. The butler identifies her, you say.

It's a curious case of retribution. I can't help imagining Mahr's

feelings when he recognized her voice. Is your patient at all dangerous

otherwise?" He addressed himself to the nurse.

"No," she answered. "We've never seen it. Irritable, of course, but not

vicious. I can't imagine her doing such a thing. But you never can tell,

sir--not with this sort."

Field again addressed Gard, whose admission seemed to have exhausted

him. "And the son--knows nothing?"

"Nothing," answered Gard. "He worships his father's memory. He is

engaged, also, to--a very dear little friend of mine--the child of an

old colleague. I want to shield them--both."

"I understand." He nodded his head slowly, lost in thought.

The woman, childishly interested in the grotesque inkwells on the table,

stepped forward and raised one curiously. Her bony hands, of almost

transparent thinness, seemed hardly able to sustain the weight of the

cast bronze. It was hard to believe such a birdlike claw capable of

delivering a stunning blow, or forcibly wielding the deadly knife. She

babbled for a moment in a gentle, not unpleasant voice, while they

watched her, fascinated.

"She's that way most of the time," said the nurse softly. "Just like a

ten-year-old girl--plays with dolls, sir, all day long."

Suddenly her expression changed. Over her smiling wrinkles crept the

whiteness of death. Her eyes seemed to start from her head, her lips

drew back, while her fingers tightened convulsively on the metal

inkstand. The nurse, with an exclamation, stepped forward and caught

her.

There was a gleam of such maniacal fury in the woman's face that Mr.

Field shuddered. "Hardly a safe child to trust even with a doll," he

said. "I fancy the recital has excited her. Hadn't you better take her

away and keep her quiet? And don't let anyone unauthorized by Mr. Gard

or myself have access to her. It will not be wise to allow her delusion

that she was the wife of Victor Mahr to become known--you understand?"

Mr. Gard rose stiffly. "I will assume the expense of her care in future.

Let her have every comfort your institution affords, Dr. Malky. I will

see you to-morrow."

"Thank you, sir." The physician bowed. "Good night. Come, Mrs. Welles."

Obediently the withered little woman turned and suffered herself to be

led away.

As the door closed, Field came forward and grasped Gard's hand warmly.

"It is necessary for the general good," he said, his kindly face grown

grave, "that this matter be kept as quiet as possible. Believe me, I

understand, old friend; and, as always, I admire you."

Gard's weary face relaxed its strain. "Thanks," he said hoarsely. "We

can safely trust the press to Brencherly. He," and he smiled wanly,

"deserves great credit for his work. I'm thinking, Field, I need that

young man in my business."

Field nodded. "I was thinking I needed him in mine; but yours is the

prior claim. And now I'm off. Mr. Brencherly, can I set you down

anywhere?"

Confusedly the young man accepted the offer, hesitated and blushed as he

held out his hand. "May I?"

Gard read the good-will in his face, the congratulation in the tone, and

grasped the extended hand with a warm feeling of friendly regard.

"Good-night--and, thank you both," he said.

* * * * *

Out of the Ashes · 第 27 / 32 题