CHAPTER XVI -- OLIVIA

It was a trying position in which Olivia found herself when first she

sat at the same table with the stranger whose sense of humour, as she

must always think, was bound to be vastly entertained by her ridiculous

story. Yet she carried off the situation with that triumph that ever

awaits on a frank eye, a good honest heart, and an unfailing trust in

the ultimate sympathy of one's fellow-creatures. There was no _mauvaise

honte_ there, Count Victor saw, and more than ever he admired, if that

were possible. It was the cruel father of the piece who was uneasy. He

it was who must busy himself with the feeding of an appetite whose like

he had not manifested before, either silent altogether or joining in the

conversation with the briefest sentences.

There was never a Montaiglon who would lose such a good occasion, and

Count Victor made the most of it. He was gentle, but not too gentle--for

this was a lady to resent the easy self-effacement with which so many

of her sex are deceived and flattered; he was not unmindful of the

more honest compliments, yet he had the shrewdness to eschew the mere

meaningless _blague_ that no one could better employ with the creatures

of Versailles, who liked their olives well oiled, or the Jeannetons

and Mimis of the Italian comedy and the playhouse. Under his genial and

shining influence Olivia soon forgot the ignominy of these recent days,

and it was something gained in that direction that already she looked

upon him as a confederate.

“I am so glad you like our country, Count Victor,” she said, no way

dubious about his praise of her home hills, those loud impetuous

cataracts, and that alluring coast. “It rains--oh! it rains--”

“_Parfaitement_, mademoiselle, but when it shines!” and up went his

hands in an admiration wherefor words were too little eloquent: at that

moment he was convinced truly that the sun shone nowhere else than in

the Scottish hills.

“Yes, yes, when it shines, as you say, it is the dear land! Then the

woods--the woods gleam and tremble, I always think, like a girl who has

tears in her eyes, the tears of gladness. The hills--let my father tell

you of the hills, Count Victor; I think he must love them more than he

loves his own Olivia--is that not cruel of a man with an only child? He

would die, I am sure, if he could not be seeing them when he liked. But

I cannot be considering the hills so beautiful as my own glens, my own

little glens, that no one, I'll be fancying, is acquainted with to the

heart but me and the red deer, and maybe a hunter or two. Of course, we

have the big glens, too, and I would like it if I could show you Shira

Glen--”

“The best of it was once our own,” said Doom, black at brow.

“--That once was ours, as father says, and is mine yet so long as I can

walk there and be thinking my own thoughts in it when the wood is green,

and the wild ducks are plashing in the lake.”

Doom gave a significant exclamation: he was recalling that rumour had

Shira Glen for his daughter's favourite trysting-place.

“Rain or shine,” said Count Victor, delighting in such whole-souled

rapture, delighting in that bright, unwearied eye, that curious turn of

phrase that made her in English half a foreigner like himself--“Rain or

shine, it is a country of many charms.”

“But now you are too large in your praise,” she said, not quite so

warmly. “I do not expect you to think it is a perfect country-side at

any time and all times; and it is but natural that you should love

the country of France, that I have been told is a brave and beautiful

country, and a country I am sometimes loving myself because of its

hospitality to folk that we know. I know it is a country of brave men,

and sometimes I am wondering if it is the same for beautiful women. Tell

me!” and she leaned on an arm that shone warm, soft, and thrilling from

the short sleeve of her gown, and put the sweetest of chins upon a hand

for the wringing of hearts.

Montaiglon looked into those eyes, so frank and yet profound, and

straight became a rebel. “Mademoiselle Olivia,” said he, indifferently

(oh, Cecile! oh, Cecile!), “they are considered not unpleasing; but for

myself, perhaps acquaintance has spoiled the illusion.”

She did not like that at all; her eyes grew proud and unbelieving.

“When I was speaking of the brave men of France,” said she, “I fancied

perhaps they would tell what they really thought--even to a woman.” And

he felt very much ashamed of himself.

“Ah! well, to tell the truth, mademoiselle,” he confessed, “I have known

very beautiful ones among them, and many that I liked, and still must

think of with affection. _Mort de ma vie!_ am I not the very slave of

your sex, that for all the charms, the goodness, the kindnesses and

purities, is a continual reproach to mine? In the least perfect of them

I have never failed to find something to remind me of my little mother.”

“And now I think that is much better,” said Olivia, heartily, her eyes

sparkling at that concluding filial note. “I would not care at all for a

man to come from his own land and pretend to me that he had no mind for

the beautiful women and the good women he had seen there. No; it would

not deceive me, that; it would not give me any pleasure. We have a

proverb in the Highlands, that Annapla will often be saying, that the

rook thinks the pigeon hen would be bonny if her wings were black; and

that is a _seanfhacal_--that is an old-word that is true.”

“If I seemed to forget France and what I have seen there of Youth and

Beauty,” said Count Victor, “it is, I swear it is--it is--”

“It is because you would be pleasant to a simple Highland girl,” said

Olivia, with just a hint of laughter in her eyes.

“No, no, _par ma foi!_ not wholly that. But yes, I love my country--ah!

the happy days I have known there, the sunny weather, the friends so

good, the comradeship so true. Your land is beautiful--it is even more

beautiful than the exiles in Paris told me; but I was not born here, and

there are times when your mountains seem to crush my heart.”

“Is it so, indeed?” said Doom. “As for me, I would not change the

bleakest of them for the province of Champagne.” And he beat an

impulsive hand upon the table.

“Yes, yes, I understand that,” cried Olivia. “I understand it very well.

It is the sorrow of the hills and woods you mean; ah! do I not know it,

too? It is only in my own little wee glens among the rowans that I can

feel careless like the birds, and sing; when I walk the woods or stand

upon the shore and see the hills without a tree or tenant, when the land

is white with the snow and the mist is trailing, Olivia Lamond is not

very cheery. What it is I do not know--that influence of my country; it

is sad, but it is good and wholesome, I can tell you; it is then I

think that the bards make songs, and those who are not bards, like poor

myself, must just be feeling the songs there are no words for.”

At this did Doom sit mighty pleased and humming to himself a bar of

minstrelsy.

“Look at my father there!” said Olivia; “he would like you to be

thinking that he does not care a great deal for the Highlands of

Scotland.”

“Indeed, and that is not fair, Olivia; I never made pretence of that,”

said Doom. “Never to such as understand; Montaiglon knows the Highlands

are at my heart, and that the look of the hills is my evening prayer.”

“Isn't that a father, Count Victor?” cried Olivia, quite proud of the

confession. “But he is the strange father, too, that will be pretending

that he has forgotten the old times and the old customs of our dear

people. We are the children of the hills and of the mists; the hills

make no change, the mists are always coming back, and the deer is in the

corrie yet, and when you will hear one that is of the Highland blood say

he does not care any more for the old times, and preferring the

English tongue to his own, and making a boast of his patience when the

Government of England robs him of his plaid, you must be watchful of

that man, Count Victor. For there is something wrong. Is it not true,

that I am saying, father?” She turned a questioning gaze to Doom, who

had no answer but a sigh.

“You will have perhaps heard my father miscall the _breacan_, miscall

the tartan, and--”

“Not at all,” cried the Baron. “There is a great difference between

condemning and showing an indifference.”

“I think, father,” said Olivia, “we are among friends. Count Victor, as

you say, could understand about our fancies for the hills, and it would

be droll indeed if he smiled at us for making a treasure of the tartan.

Whatever my father, the stupid man, the darling, may be telling you of

the tartan and the sword, Count Victor, do not believe that we are such

poor souls as to forget them. Though we must be wearing the Saxon in our

clothes and in our speech, there are many like me--and my dear father

there--who will not forget.”

It was a curious speech all that, not without a problem, as well as the

charm of the unexpected and the novel, to Count Victor. For, somehow

or other, there seemed to be an under meaning in the words; Olivia was

engaged upon the womanly task--he thought--of lecturing some one. If he

had any doubt about that, there was Mungo behind the Baron's chair, his

face just showing over his shoulder, seamed with smiles that spoke of

some common understanding between him and the daughter of his master;

and once, when she thrust more directly at her father, the little

servitor deliberately winked to the back of his master's head--a very

gnome of slyness.

“But you have not told me about the ladies of France,” said she. “Stay!

you will be telling me that again; it is not likely my father would be

caring to hear about them so much as about the folk we know that have

gone there from Scotland. They are telling me that many good, brave men

are there wearing their hearts out, and that is the sore enough trial.”

Count Victor thought of Barisdale and his cousin-german, young

Glengarry, gambling in that frowsiest boozing-ken in the Rue Tarane--the

Café de la Paix--without credit for a _louis d'or_; he thought of James

Mor Drummond and the day he came to him behind the Tuileries stable

clad in rags of tartan to beg a loan; none of these was the picturesque

figure of loyalty in exile that he should care to paint for this young

woman.

But he remembered also Cameron, Macleod, Traquair, a score of gallant

hearts, of handsome gentlemen, and Lochiel, true chevalier--perhaps a

better than his king!

It was of these Count Victor spoke--of their faith, their valiancies,

their shifts of penury and pride. He had used often to consort with them

at Cammercy, and later on in Paris. If the truth were to be told, they

had made a man of him, and now he was generous enough to confess it.

“I owe them much, your exiles, Mademoiselle Olivia,” said he. “When

first I met with them I was a man without an ideal or a name, without a

scrap of faith or a cause to quarrel for. It is not good for the young,

that, Baron, is it? To be passing the days in an _ennui_ and the nights

below the lamps? Well, I met your Scots after Dettingen, renewed the old

acquaintance I had made at Cam-mercy, and found the later exiles better

than the first--than the Balhaldies, the Glengarries, Mur-rays,

and Sullivans. They were different, _ces gens-là_. Ordinarily they

rendezvoused in the Taverne Tourtel of St. Germains, and that gloomy

palace shared their devotions with Scotland, whence they came and of

which they were eternally talking, like men in a nostalgia. James and

his Jacquette were within these walls, often indifferent enough, I fear,

about the cause our friends were exiled there for; and Charles, between

Luneville and Liege or Poland and London, was not at the time an

inspiring object of veneration, if you will permit me to says so, M. le

Baron. But what does it matter? the cause was there, an image to keep

the good hearts strong, unselfish, and expectant. Ah! the songs they

sang, so full of that hopeful melancholy of the glens you speak of,

mademoiselle; the stories they told of Tearlach's Year; the hopes that

bound them in a brotherhood--and binds them yet, praise _le bon Dieu!_

That was good for me. Yes; I like your exiled compatriots very much,

Mademoiselle Olivia. And yet there was a _maraud_ or two among them; no

fate could be too hard for the spies who would betray them.”

For the first time in many hours Count Victor remembered that he had an

object in Scotland, but with it somehow Cecile was not associated.

“Mungo has been telling me about the spy, Count Victor. Oh, the

wickedness of it! I feel black, burning shame that one with a Highland

name and a Highland mother would take a part like yon. I would not think

there could be men in the world so bad. They must have wicked mothers to

make such sons; the ghost of a good mother would cry from her grave to

check her child in such a villany.” Olivia spoke with intense feeling,

her eyes lambent and her lips quivering.

“Drimdarroch's mother must have been a rock,” said Count Victor.

“And to take what was my father's name!” cried Olivia; “Mungo has been

telling me that. Though I am a woman, I could be killing him myself.”

“And here we're in our flights, sure enough!” broke in the father, as he

left them with a humorousous pretence at terror.

“Now you must tell me about the women of France,” said Olivia. “I have

a friend who was there once, and tells me, like you, he was indifferent;

but I am doubting that he must have seen some there that were worth his

fancy.”

“Is it there sits the wind?” thought Montaiglon. “Our serene angel is

not immune against the customary passions.” An unreasonable envy of

the diplomatist who had been indifferent to the ladies of France took

possession of him; still, he might have gratified her curiosity about

his fair compatriots had not Doom returned, and then Olivia's interest

in the subject oddly ceased.

Doom Castle · 第 16 / 41 章