RENUNCIATION: A DRAMA
The words in which Ora declared her intention of recalling Jack Fenning
to her side and of taking up again the burden of married life sounded
like the statement of a firm, unalterable, and independent resolution;
after them it seemed as though Ashley had only to bow his head and go
his ways; his task would be, if not easy, yet plain and simple. But with
the brave sound came the appealing glance; the words were uttered more
like a prayer than a decree. She had thrown herself on his mercy in the
inn parlour on the Sunday; she appeared to throw herself on his mercy
again now, and in reality to await his determination rather than
announce her own. But she was eager to win from him the verdict that she
suggested; she was not hoping for a refusal while she satisfied
appearances by asking. The appeal was full of fear and doubt, but it was
genuine and sincere. Her eyes followed him as he walked to the window
and as he came back and stood again before her; she watched the struggle
in him with anxiety. Once she smiled faintly as though to show her
understanding and her sympathy with what was passing in his mind. "I
feel all that too," she seemed to say.
"Have you quite made up your mind?" he asked her at last. "You've
realised what it means? I don't know him, of course, and you do. Well,
can you do it?"
"I must do it. I ought to do it," she said pathetically. "You know I
ought to do it."
He shrugged his shoulders; probably she was right there, unless Jack
Fenning were a much worse calamity than he had any good reason for
supposing; certainly everybody would hold her right, everybody who had
not queer theories, at least.
"You must help me," she said. He was silent. She rose and came to stand
by him, speaking to him in a low whisper. "Yes, you must help me, you
must make me able to do it. I can do it if you help me, Ashley. It is
right, you know."
A hint of amusement shewed itself in his face.
"Perhaps, but I shouldn't have thought I could help you much," he said.
"Unless you mean by going away and staying away?"
"Oh, no, no," she cried in terror. "You mustn't go away, you mustn't
leave me alone, I should die if you did that now. It's a thing for both
of us to do; we must help one another. We shall make one another
stronger. Don't you see what I mean? You won't go?"
He had not fathomed her mood yet, but only one answer to her prayer was
possible.
"I won't go as long as you want me," he said.
"You promise? You promise me that?" she insisted.
"Yes, I promise," he assured her with another smile.
"And you'll make it easy for me?" She, in her turn, smiled a moment. "I
mean you won't make it too difficult? I must be good, you must let me be
good. Some people say you're happy when you're good. I wonder! I shall
be very miserable, I know."
The tears were standing in her eyes; she looked indeed very miserable;
he kissed her.
"Yes," she murmured, as though he had told her in words that he pitied
her very much; she preserved that childlike sort of attitude towards
caresses; to Ashley it seemed to make kissing her almost meritorious.
She saw no inconsistency between accepting his kisses and holding to her
heroic resolution; it seemed almost as though she must be kissed to
enable her to hold to her resolution; it was the sympathy, or even the
commendation, without which her virtue could not stand.
"I can do it," she said plaintively. Then she drew herself up a little.
"Yes, I can," she repeated proudly, "I'm sure I can. We can do what we
ought, if we try. Oh, but how I shall hate it! If only it had come a
little sooner--before--before our Sunday! It wouldn't have been so bad,
then."
"No, it wouldn't," he said.
"Poor Ashley!" she said, pressing his hand. "Will it be very hard for
you?"
He answered with the shamefaced brevity and reserve with which men,
trained as he had been, confess to emotion.
"I shan't like it, naturally."
"But you must be strong too," she urged. "We must make each other
strong." She returned with evident comfort to this idea of their helping
one another; they were to fight as allies, in a joint battle, not each
to support a solitary unaided struggle. To most people it would have
seemed that they would make one another weak. Ora was sure of the
contrary; they would make one another strong, support one another
against temptation, and applaud one another's successes. She could be
good, could be even heroic, could perform miracles of duty and
resignation, if she had the help of Ashley's sympathy and the comfort of
his presence. And he would feel the same, she thought; she could soften
the trial to which she was obliged to subject him; she could console
him; her tender grief and her love, ardent while renouncing, would
inspire him to the task of duty. She grew eager as this idea took shape
in her mind; she pressed it on him, anxious to make him see it in the
aspect in which she saw it, to understand the truth and to appreciate
the beauty that lay in it. She was sure it was true. It surprised her to
find this beauty also in it. But if they separated now, cut themselves
adrift from one another, and went off their different ways, all that
drew her in the picture would be destroyed, and she would be left
without the balm of its melancholy sweetness. She tried by every means
in her power to enlist him on her side and make him look at the question
as she looked at it.
Always obedient to her pleading orders, never able openly to reject what
she prayed him to accept, Ashley feigned to fall in with an idea which
his clearsightedness shewed very much in its real colours and traced to
its true origin. It had begun in the instinctive desire not to lose him
yet, to put off the day of sacrifice, to reconcile, so far as might be
possible, two inconsistent courses, to pay duty its lawful tribute and
yet keep a secret dole for the rebel emotion which she loved. Up to this
point she was on ground common enough, and did only what many men and
women seek and strive to do. Her individual nature shewed itself in the
next step, when the idea that she had made began to attract her, to grow
beautiful, to shape itself into a picture of renunciatory passion,
moving and appealing in her eyes. But there must be other eyes; he too
must see; by interchange of glances they must share and heighten their
appreciation of what they were engaged on. Her morality, her effort to
be, as she put it, good, must not only be liberally touched by emotion;
it must be supported and stimulated by sympathetic applause. Reluctantly
and almost with a sense of ungenerousness, as though he were
criticising her ill-naturedly, he found himself applying to her the
terms of her own art, beginning to see her in effective scenes, to
detect an element of the theatrical in her mood. This notion came to him
without bringing with it any repugnance and without making him impute to
her any insincerity. She was sincere enough, indeed absolutely engrossed
in her emotion and in the picture her emotion made. But the sincerity
was more of emotion than of purpose, and the emotion demanded applause
for the splendid feat of self-abnegation which it was to enable her and
him to achieve. He was quite incapable of casting this glamour round his
own share in the matter, but he strove to feel and perceive it in hers
as she pleaded softly with him that he should not leave her to struggle
in grim solitude. And he was glad of any excuse for not leaving her.
"I can't think yet of what it will be like when he's come," she said. "I
mustn't think of that, or--or I couldn't go on. I must just do it now;
that's what we've got to do, isn't it? We must get it done, Ashley, and
leave all the rest. We must just do what's right without looking beyond
it."
"There's no particular good in looking forward," he admitted ruefully.
"You're quite clear about it?"
"Oh, yes, aren't you? I'm sure you are." She looked at him
apprehensively. "You mustn't turn against me. I can be strong with you
to help me; I couldn't be strong against you." Her voice fell even
lower. "Not for an hour," she ended in a whisper.
Again she threw herself on his mercy; again he could not fail her or be
deaf to her prayer.
"If you think it right, I can say nothing against it," he said.
"No. You wouldn't be happy if you did; I mean if you did persuade me to
anything else. I know there aren't many men like you, capable of doing
what you're going to do for me. But you can do it."
He perceived the glamour encircling him now as well as her; quarrelling
with his own words, still he said to himself that his part also was to
be an effective one; she was liberal to him and shewed no desire to
occupy all the stage; her eyes would be as much for him as for herself.
"And because you're strong, I can be strong," she went on. "We shall
both be glad afterwards, shan't we?"
"Let's rest in the consciousness of virtue, and never mind the
gladness," he suggested.
Ora discarded the gladness almost eagerly.
"Yes," she said. "Because we shall both be terribly unhappy. We've got
to face that. We aren't doing it blindly. We know what it means."
He doubted greatly whether she knew what it meant; she could not realise
its meaning so long as she refused to look forward or to consider the
actual state of things when Jack Fenning had arrived, so long as she
preferred to concentrate all her gaze on the drama of renunciation which
was to precede and bring about his coming. But in all this there was
only an added pathos to him, a stronger appeal to his compassion, and an
insuperable difficulty in the way of even trying to make her understand;
such an attempt seemed brutal in his eyes. He could comfort her now; he
could not tell her that when the moving scene ended with the entrance of
Jack Fenning he would be able to comfort her no more.
The same mood which prevented her from looking forward made her
reluctant to talk of her husband as he actually was. Under pressure of
Ashley's questions she told him that she had begun by loving Jack and
had gone on liking him for some little while; but that he bore poverty
badly and yet was indolent; that he often neglected her and sometimes
had been unkind; that he was very extravagant, got into terrible money
difficulties, and had been known to turn to the bottle for relief from
his self-created troubles. But she became very distressed with the
subject and obviously preferred to leave Jack Fenning vague, to keep him
to the part of a husband in the abstract. This was all the drama
needed--a husband accepted in duty but no longer loved or desired; the
personal characteristics or peculiarities of the particular husband were
unessential and unimportant. Ashley was surprised to find how little he
had learnt about Mr. Fenning. But he was learning more about Mr.
Fenning's wife.
"It's not what he is," urged Ora, "it's what we've got to do."
By now Ashley felt irrevocably coupled with her in a common task; and to
him at least the precise character of the husband was not important.
They were to act on the high plane of duty; Jack's past misdeeds or
present defects were to be of no moment except in so far as they might
intensify the struggle and enhance the beauty of renunciation. Ashley
was so far infected with her spirit that he was glad to be left with a
number of impressions of Jack Fenning all vaguely unfavourable.
"Nothing will ever alter or spoil the memory of our Sunday," she said.
"It'll be there always, the one sweet and perfect thing in life. I think
we shall find it even more perfect because of what we're going to do. I
shall think about it every day as long as I live. I think it helps to
have been happy just once, don't you? It'll never be as if we hadn't
known we loved one another."
With the dismissal of the topic of Jack Fenning's character and the
acceptance of the position that they were not to look forward beyond the
act of renunciation, Ora had grown composed, cheerful, and at moments
almost gay. Already she seemed to have triumphed in her struggle, or
their struggle as she always called it; already she was minded to
exchange congratulations with her ally. Her mere presence was such a
charm to him as to win him to happiness, even while they were agreeing
that happiness was impossible; the sense of loss, of deprivation, and of
emptiness was postponed and could not assert itself while she moved
before his eyes in the variety of her beauty and grace. Though he could
accord but a very half-hearted adhesion to the scheme she had planned,
again he welcomed it, because for the time at least it left her to him;
nor could he be altogether sorrowful when she made her great and
confessed love for him the basis on which the whole plan rested, the
postulate that gave to the drama all its point and to the sacrifice all
its merit. If she were triumphing in renunciation, he triumphed in a
victory no less great, and hardly less sweet because the fruits of it
were denied to him, because it was to rank as a memory, and not to
become a perpetual joy. At least she loved him, trusted him, depended on
him; he was to her more than any man; he was her choice. He would not
have changed parts with Jack Fenning although he had to go out of her
life and Jack was coming into it again. Surely to be desired is more
than to possess?
"I suppose people suspect about us," she said. "I'm sure Irene does, and
I think Miss Muddock does. But we've nothing to be ashamed of; we can't
help loving one another and we're going to do right." She paused a
moment, and then, looking at him with a timid smile, added, "How
awfully surprised everybody will be when they hear that Jack's coming
back! I think a lot of them hardly believed in him."
No doubt she divined accurately the nature of a considerable body of
opinion.
"I daresay not," said Ashley. "You'll tell people what's going to
happen?"
"Just my friends. It would look so odd if he came without any warning."
It could not be denied that she was interested in thinking of the effect
which her news would create. She saw herself telling it to people.
"Of course I shall announce it as if it was the most ordinary thing,"
she went on. "You must do the same; say I told you about it. They'll be
rather puzzled, won't they?"
"Oh, my dear!" said he, half laughing, half groaning, as he took her
hand for a moment and pressed it lightly. "Yes, I daresay they'll be
puzzled," he added with a rueful smile.
"We mustn't shew we notice anything of that sort," pursued Ora. "Nobody
must see what it is we're really doing. They won't know anything about
it." Her eyes fixed themselves on his. "I daresay they'll suspect," she
ended. "We can't help that, can we?"
"We must keep our own counsel."
"Yes. If they like to talk, they must, that's all."
She had more to say of this secret of theirs, talked about, guessed at,
canvassed, but not fully understood and never betrayed; it was to be
something exclusively their own, hidden and sacred, a memory for ever
between them, a puzzle to all the rest of the world.
"I daresay they'll guess that we care for one another," she said, "but
they'll never know the whole truth. I expect they wouldn't believe in
it if they did. They wouldn't think we could do what we're going to."
Not till he prepared to go did her sorrow and desolation again become
acutely felt. She held his arms and prayed him not to leave her.
"You must rest a little while and eat something before you go to the
theatre," he reminded her.
"No, no, don't leave me. Stay with me, do stay with me. Why can't I
always have you with me? Why shouldn't I? How cruel it is!" She was
almost sobbing. "Ashley, don't go," she whispered.
"Well, I won't go," he said. "I'll stay and dine with you and take you
to the theatre."
"And fetch me home afterwards?"
"No, I don't think I'll do that as well."
"Why not?" she asked resentfully. Ashley shook his head. After a long
look at him Ora sighed deeply. "I suppose you'd better not," she
admitted. "But you'll stay now, won't you?" She ran across to the bell
and rang it; her tone was gay as she told Janet that Mr. Mead would dine
with her; between being left now and being left two hours hence a gulf
of difference yawned.
"I'm afraid there's not much dinner, ma'am," said Janet in a
discouraging, perhaps a disapproving, way.
"Oh, you won't mind that, will you?" she cried to Ashley, and when Janet
went out she sighed, "It's so nice to have you." His smile had mockery
in it as well as love. "It's for such a little while too," she went on.
"Presently I shan't have you at all."
The little meal that they took together--Ashley ignoring an engagement
to dine with friends, Ora seeming unmindful of things much harder to
forget--was not a sorrowful feast. The shadow of the great renunciation
did not eclipse Ora's gaiety, but tempered it with a soft tenderness.
None of her many phases had charmed her friend more; never had she
seemed stronger in her claim on his service, more irresistible in the
weakness with which she rested her life on his. His taste, his
theoretical taste, had not been for women of this type, but rather, as
he used to put it, for a woman with a backbone, a woman like Alice
Muddock; theoretical preferences exist to be overthrown.
The unpretentious "jobbed" victoria was waiting at the door, and at last
Ora made up her mind to start. It was but a little after seven, the
streets were still light and full. The beginning of the renunciation
might have seemed a strange one to the passer-by who recognised the
occupants of the victoria. Many looked at Ora, thinking they had seen
her before; some certainly knew her, some also knew Ashley. In reply to
a not very serious expostulation from her companion Ora declared that it
did not matter if people gossipped a little, because her announcement
would put an end to it all directly; meanwhile shouldn't they enjoy
themselves while they could? "If you hadn't taken me to the theatre
to-night, I could never have got there," she declared with conviction.
Ashley knew quite well that this was not literal truth and that she
would have gone anyhow; whatever had happened to her, her instinct would
have taken her; but the untruth had a truth in it and she thought it all
true. It was an instance of the way in which she had put herself in his
hands, had told him what she wanted him to do with her, and was now
leaving him to do it. He had, in a slang phrase which came into his
mind, "to see her through;" he had to ensure that the great renunciation
should be properly carried out. It was consoling, although no doubt
somewhat whimsical, that the renunciation should seem to excuse what
but for it would have been condemned as an imprudence, and, while
dooming them to ultimate separation, should excuse or justify them in
being as much together as they could in the present. It was "only for a
little while;" the coming of Jack Fenning would end their pleasant hours
and silence those who cavilled at them. The consciousness of their
approaching virtue bred in Ora, and even in Ashley to some degree, both
a sense of security and a tendency to recklessness; it seemed as though
they had had no reason to fear either themselves or other people.
"You might come and fetch me afterwards," she said coaxingly.
But here he stood firm and repeated his refusal. She seemed surprised
and a little hurt. But at the moment Babba Flint lifted his hat and
bowed from the pavement with much _empressement_.
"The story of our drive will be half over London by midnight," said
Ashley.
"It doesn't matter now," she assured him, lightly touching his hand.
"Shall you write soon?" he asked.
"Yes, to-morrow," she said. An idea seemed to strike her. "Hadn't I
better telegraph?" she asked.
"Wouldn't that look unnecessarily eager?" he suggested. The notion of a
telegram stirred a jealousy, not of any real fact, but of the impression
that it might convey to Mr. Fenning. He did not wish Jack Fenning to
suppose that his home-coming was joyously awaited. Ora had been caught
with the attraction of a telegram; it would emphasise the renunciation;
but she understood the objection.
"No," she said, "I'd better write. Because I shall have to explain the
reasons for what I'm doing and tell him how--how we're to be to one
another." She glanced at Ashley. He was looking straight in front of
him. "I'll shew you the letter," she said in a low voice.
"I don't want to see the letter; I won't see it," he returned.
"Oh, it is hard for both of us!" she sighed. "But you know, dear, you
know so well what you are to me; nobody ever has been or ever will be
what you are. Won't you see the letter?"
"No, I won't see the letter."
Ora was disappointed; she would have liked sympathy and appreciation for
the letter. Since these were not to be had, she determined to send quite
a short business-like letter.
"No," she said. "I won't enter on any sort of discussion. I shall just
tell him that I don't feel justified in refusing him leave to come.
That'll be best; afterwards we must be guided by circumstances."
The "we" amused Ashley, for undoubtedly it served to couple Ora and
himself, not Ora and her husband; from time to time he awoke for a
moment to the queer humour of the situation.
"We must see how he behaves himself," he said,--smiling.
"Yes," she assented gravely, but a moment later, seeing his amusement,
she broke into a responsive laugh, "I know why you're smiling," she said
with a little nod, "but it is like that, isn't it?"
Perhaps for the time it was, but it was very clear to him that it could
not go on being. Professing to think of nothing but the renunciation,
she had begun to construct an entirely impossible fabric of life on the
basis of it. In this fabric Ashley played a large part; but no fabric
could stand in which both he and Jack Fenning played large parts; and
Jack's part was necessarily large in any fabric built with the
renunciation for its cornerstone. Else where was the renunciation, where
its virtue and its beauty?
To see the impossibility of a situation and its necessary tendency to
run into an _impasse_ is logically the forerunner to taking some step to
end it. Since, however, logic is but one of several equal combatants in
human hearts, men often do not act in accordance with its rules. They
wait to have the situation ended for them from without; a sort of
fatalism gains sway over them and is intensified by every growth of the
difficulty in which they find themselves. Unconvinced by Ora's scheme
and not thoroughly in harmony with her mood, Ashley acted as though the
one satisfied and the other entirely dominated him. When they parted at
the theatre door there were two understandings arrived at between them,
both suggested by her, both accepted obediently by him. One was that he
should not fail to come and see her next day, and the day after, and the
day following on that; to this he pledged himself under sanction of his
promise to be her ally in the struggle and not to forsake her. The other
arrangement was that the letter of recall should be written and
despatched to Jack Fenning within twenty-four hours. Ora reluctantly
agreed that Ashley should not have any hand in its composition or even
see it before it was sent, but she was sure that she not only must but
also ought to render to him a very clear and full account of all that it
did and did not contain.
"Because," she said, as she gave him her hand in unwilling farewell,
"we're going to fight this battle together, aren't we?" He nodded. "I
couldn't fight it without you, indeed I couldn't," were the last words
she spoke to him; they came with all the added force of the last
imploring look from her eyes and the last pleading smile on her lips.
Then the theatre swallowed her up, and he was left to walk home, to
remember his neglected engagement, to telegraph excuses in regard to it,
then speedily again to forget it, and to spend an evening in which
despair, wonder, tenderness, and amusement each had their turn with him.
He had not lost her yet, but he must lose her; this idea of hers was
absurd, ludicrous, impossible, yet it was also sweet, persuasive, above
all expressive of her in her mingled power and weakness. It was herself;
and from it, therefore, he could no more escape than he could from her.