WITH A RECENT PORTRAIT OF THE AUTHOR

_Nec sine te nec tecum vivere possum._--OVID.

_FIFTH EDITION._

NEW YORK

GEORGE H. RICHMOND & CO.

1897

COPYRIGHT, 1896, BY

GEORGE H. RICHMOND & CO.

*CONTENTS.*

I. THE PAST

II. THE PATERNAL ROOF

III. THE HERMITAGE

IV. THE NEW LIFE

V. TEMPUS DESTRUENDI

VI. THE INVINCIBLE

*I.*

*THE PAST.*

*CHAPTER I.*

When she perceived a group of men leaning against the parapet and

looking down into the street below, Hippolyte stopped and exclaimed:

"What has happened?"

With a slight gesture, betraying fear, she placed her hand involuntarily

on George's arm as if to restrain him.

After watching the men a moment George said: "Someone must have leaped

from off the terrace." Then he added: "Shall we turn back?"

She hesitated a few moments, wavering between curiosity and fear, and

then replied: "No. Let's see what it is."

They advanced along the parapet as far as the end of the walk.

Unconsciously, Hippolyte accelerated her pace towards the small crowd

that had gathered.

On this March afternoon the Pincio was almost deserted. Occasional

sounds died away in the gray and heavy atmosphere.

"That's what it is," said George. "Someone has killed himself."

They stopped close to the crowd. All the spectators had their gaze

intently fixed upon the pavement below. Most of them were workmen

without occupation. Their faces, each different, expressed neither

compassion nor sorrow, and the immobility of the gaze imparted a sort of

bestial dulness to their eyes.

A young lad came up, eager to see; but scarcely had he ensconced himself

in a position satisfactory to himself than he was hailed by one of the

bystanders, in an indefinable tone of jubilation and pleasantry, as if

delighted that no new arrival could enjoy the spectacle. "You're too

late," he cried; "they've taken him away."

"Where to?"

"To the Santa Maria del Popolo."

"Dead?"

"Yes, dead."

Another individual, emaciated and of a greenish complexion, with a large

woollen muffler around his neck, leaned half over; then, removing a pipe

from his mouth, he shouted: "What's that on the ground?"

His mouth was distorted on one side, seamed as if by a burn, and

convulsed as if by an endless flow of bitter saliva. His voice was so

deep that it sounded as if it emerged from a cavern.

"What's that on the ground?" he repeated.

Down in the street below, a wagon-driver was squatting close to the foot

of the wall. So as to hear his answer the better, the spectators became

quiet and motionless. On the pavement could be seen a little blackish

mud.

"It's blood," replied the wagon-driver without rising.

And with the point of a stick he continued his search in the bloody

mire.

"Anything else?" asked the man with the pipe.

The wagon-driver rose. On the end of his stick he held something

extended that could not be identified from above.

"Hair."

"What color?"

"Blond."

The precipice formed by the high walls lent a strange resonance to the

voices.

"Let us go, George!" pleaded Hippolyte.

Disturbed and pale, she shook her lover's arm, as he leaned against the

parapet near the group, fascinated by the horror of the scene.

They silently left the tragic spot. Both were preoccupied with painful

thoughts of this death, and sadness was visible on their features.

"Happy are the dead!" exclaimed George at last. "They have no more

doubts."

"That's true," replied his companion.

The weary tones in which both spoke seemed to indicate boundless

discouragement.

She bent her head and added, with a bitterness mixed with regret: "Poor

love!"

"What love?" asked George, preoccupied.

"Ours."

"Do you feel that it is growing cold?"

"In me, no," replied Hippolyte significantly.

"But you think it is in me?" persisted George.

An ill-concealed irritation lent sharpness to his words. Fixing his gaze

on her, he repeated: "But you think it is in me? Don't you?"

She remained silent, her head drooping still lower.

"You won't answer? You know you're not telling the truth."

There was a pause. Both felt an unspeakable desire to read the other's

heart. Then he continued:

"That is how the agony of love begins. You are not as yet aware of it,

but since your return I have studied you ceaselessly and I daily

discover in you a new symptom."

"What symptom?"

"A bad symptom, Hippolyte." Then, in a burst of mental agony, he

exclaimed: "Oh, how horrible it is to love and yet not lose one's

keenness of perception!"

She shook her head with a gesture of anger, and her face darkened. Once

more, as on many previous occasions, hostility had risen between the two

lovers. Each felt hurt by the injustice of suspicion, and secretly

rebelled with that restrained anger which breaks out, from time to time,

in brutal and irrevocable words, grave accusations and absurd

recriminations. An indescribable fury seized them to torture

themselves, to rend and martyrize their hearts.

Hippolyte became gloomy and silent. Her brows were knit in a frown and

her lips were tightly pressed together. George regarded her with an

irritating smile.

"Yes, that's how it will begin," he repeated, still smiling his

disagreeable smile and fixing her with his keen glance. "You find at

the bottom of your soul an inquietude, a sort of vague impatience which

you cannot repress. When near me, you feel an instinctive repugnance

arise in your breast against me--a repugnance which you cannot subdue.

And then you become taciturn, you're obliged to make an enormous effort

to speak to me at all; you misunderstand everything I say, and, perhaps

unconsciously, you speak crossly even about the most trivial things."

She did not interrupt him even by so much as a gesture. Hurt by this

indifference on her part, he continued to reproach her, spurred on to

torment his companion not only by his sudden fit of temper, but also by

a certain disinterested taste for investigation rendered the keener and

the more literary by culture. He always tried to express himself with

the accuracy and demonstrative precision which the works of the analysts

had taught him; but, in the monologues, the formulas by which he

interpreted his inner inquiry exaggerated and modified the mental

condition under observation, while, in the dialogues, the preoccupation

caused by being perspicacious often obscured the sincerity of his

emotion and led him to err as to the secret motives which he claimed to

discover in others. His brain, encumbered by a mass of psychological

observations, personal or gathered from books, ended by confounding and

confusing everything both as regarded himself and others.

He continued:

"Mind you, I make no reproach. I know it is not your fault. Every

human soul has but a fixed quantity of sensitiveness for passion. It is

inevitable that this quantity is exhausted in time and that no power can

prevent the cessation of passion. Now, you have already loved me for a

long time--almost two years! It will be the second anniversary of our

love on the second of April. Had you thought of it?"

The Triumph of Death · 第 3 / 15 题