CHAPTER XIII

MANCHESTER PEOPLE

If there is one thing more than another that the ordinary person cannot

endure, it is to hear a man from Manchester praising his own city.

Somebody from Leeds may tell him how beautiful a town Leeds is, and

he will not turn a hair; he will listen unruffled to a Liverpudlian

discoursing on the peculiar glories of the great city on the Mersey;

but if the man from Manchester wishes to be tolerated, he must never

let fall a word in praise of the place that witnessed his astounding

birth. Why this is so, I cannot explain. I merely record the fact.

So, for the moment, I will not praise Manchester. I will go even

farther than that. I will agree with you that it rains there every

day, that it is the ugliest city in Britain, that it is cocksure

and conceited, that its politics are damnable, that its free trade

principles are loathsome, and that its public men are aitchless

and gross. I will, I say, agree to all this. You may say anything

disagreeable you like about Manchester, and I shall not care.

Nevertheless, if I could not live in London, Manchester is the city to

which I would go. I have stayed in Athens, and Athens is a marvellous

city; I know my Paris, and Paris is not without fascination; I have

been to Cairo, and the bazaars of Cairo seemed to me so wonderful that

I held my breath as I passed through them; I know Antwerp and some of

the half-dead cities of Belgium, and in Bruges I have felt as decadent

as any nasty Belgian poet. But these places are not Manchester. They

are not so glorious as Manchester, not so vital, not so romantic, not

so adventurous.... But already I have broken my word: I have begun to

praise Manchester in my second paragraph. Let me begin a third.

It might be thought that the centre of Manchester’s intellectual life

is the University, but this is not so. Nor is it the Cathedral, nor

the big technical schools, nor yet the Gaiety Theatre. These things

count, but none of them precisely radiates intellectual energy. You do

not (unless you wish to be disappointed) go to the Bishop for ideas,

or to the man of business for culture, nor to Miss Horniman for a wide

and generous view of life. For these things, and for many other things

besides, you go to _The Manchester Guardian_. In _The Daily Mail Year

Book_, against the entry _Manchester Guardian_, you will find these

words: “The best newspaper in the world.” Now, you would imagine that

if _The Daily Mail_ really believed that, _The Daily Mail_ would strain

every nerve to be as like _The Manchester Guardian_ as possible. But

Lord Northcliffe knows better than that. He knows, we all know, that

the best newspaper in the world is not going to be the best seller

in the world. The word “best,” when applied to a newspaper, does not

signify a newspaper that shrieks louder than any other newspaper, that

has the greatest number of “stunts,” that lays reputations low in

the dust, that holds Cabinet Ministers in the hollow of its hand. It

signifies, among other things, a paper whose editor will not sacrifice

a single ideal in order to increase his circulation, who has the power

of infusing his staff with his own enthusiasms, and who regards the

arts as a necessary part of a decent human existence.

_The Daily Mail_ once upon a time compelled the whole of the British

Isles to start growing sweet-peas. That is one kind of power. That is

the kind of power that _The Manchester Guardian_ does _not_ possess.

Yet, I ask you, is there a more irritating newspaper in the whole of

Christendom than _The Manchester Guardian_? How many times have we

not all thrown it down in disgust and vowed never to read it again,

only to buy it faithfully next morning? It would sometimes appear that

every crank in England is busily engaged in airing his crazy views in

its correspondence columns. It would sometimes appear that the three

greatest highbrows in the country had laid their heads together to

write the leading article. It would sometimes appear that conscientious

objectors were really the only generous, manly and heroic people left

in this mad world.

* * * * *

Let me tell you a true story of a man who for years has been, and

still is, on the staff of _The Manchester Guardian_. I tell this

strange story, partly because it _is_ strange, and partly because it

illustrates so finely the kind of reverence that so many citizens of

Manchester have for the best paper in the world.

Some thirty years ago a male child was born to a worthy and not

unprosperous man in Manchester. Now this man had one faith, one

gospel, one ambition. His faith was of the Liberal persuasion. (Why,

may I ask in passing, do people refer to Jews as men and women of the

Jewish “persuasion”? Can a man, indeed, be persuaded to Jewry?) But to

resume. His faith, as I said, was Liberal, his gospel _The Manchester

Guardian_, his ambition to have some close connection with that paper.

Being unfitted by the nature of his own talents to join the staff, he

resolved that in the fullness of time that distinction should belong to

his son. So he wrote to the editor, thus:

Sir,—I have the honour to inform you that last night my wife

gave birth to a son. It is my ambition that, when his intellect

is ripe and his powers mature, he shall be chosen by you as a

member of your staff. His education, his whole upbringing, shall

be directed to that end. I shall report to you his progress from

time to time.

I have the honour to be, sir, your obedient servant,

—— ——.

I have not this letter before me; indeed, I have never seen it. But I

am assured it was couched in those or similar terms.

Years passed. Harry—we will call him Harry—survived the perils of

babyhood and was sent to a school for the sons of gentlemen, and the

editor was duly apprised of the fact. Harry studied hard, for his

ambition was even that of his father. Harry took scholarships, Harry

had a private tutor, and, eventually, Harry went to the ’varsity. In

the meantime, reports passed at regular intervals from Harry’s father

to the editor of _The Manchester Guardian_, who now, as nurses say,

began to sit up and take notice. He desired to meet Harry. He did meet

him. Harry took an honours degree, came back to Manchester, and was

duly installed among the blessed, where he still is. Harry’s dream,

Harry’s father’s dream, is fulfilled. But are those reports, I wonder,

still being written. As, for example:

Sir,—I have the honour to inform you that my son, Harold,

contemplates marriage. It has always appeared to me that the

married state is peculiarly useful in developing....

* * * * *

But not all the members of _The Manchester Guardian_ staff are ’varsity

men: for which, indeed, one may be thankful. The men of letters whom

they admire most—Bernard Shaw, H. G. Wells, Joseph Conrad and Arnold

Bennett—never even dimly espied the towers and spires of Oxford and

Cambridge. But the paper has the manner of Oxford, though not Oxford’s

intellectual outlook.

For myself, I have never been on the staff of this paper, though I have

written scores of articles for its commercial pages. Some of the most

distinguished intellects in the country write for it regularly—Allan

Monkhouse, whose play, _Mary Broome_, has not been and scarcely can be

sufficiently praised; C. E. Montague, now in the Army; Professor C. H.

Herford, whose scholarship is in excess of his human feeling; Samuel

Langford, whom I have dealt with elsewhere in this book; J. E. Agate,

whose fastidious style is a pure delight. Indeed, nearly every man who

can write and who has something definitely new to say will find the

columns of this paper open to him.

* * * * *

The drawback to social life in Manchester is that there is no central

meeting-place where kindred spirits can foregather. It is true, there is

the Arts Club, but when you have said the Arts Club is there, you have

said all that it is necessary to say about the Arts Club. It is true,

also, that if you stroll into the American bar of the Midland Hotel

at almost any hour of the day, you are pretty sure to meet someone

amusing; but you really can’t make music, or rehearse plays, or play

the fool (at least, not to any great extent) in an American bar. The

consequence of this lack of a good democratic club is that all kinds

of little coteries are formed, and it is about one of these little

coteries that I wish to tell you.

Of course, Manchester is not London. You know that. In London, if you

don’t like one play, you can go to another. If the music that Sir Henry

J. Wood gives you is not to your taste, you can go to hear Mr Landon

Ronald, or (if truly desperate) join the Philharmonic Society. But in

Manchester this is not so. You have either to like the music or do

without it. Well, some years ago we didn’t like it, and Jack Kahane,

talking to me one day in a mood of disgust, casually remarked:

“I’m going to kick Richter out of Manchester. We’ve had enough of him.”

With Kahane, to think is to act, and within a week he had formed the

Manchester Musical Society and begun a Press campaign against the

famous old conductor. This Society was Kahane’s new toy, and he played

with it to some purpose. We talked a great deal, gave innumerable

concerts, hired lecturers, wrote articles, and held enormously

thrilling committee meetings. Our programmes consisted almost

exclusively of new and very “modern” music, just the kind of music that

the guarantors of the Hallé Concerts Society detested. We were all

for the new spirit in music, and some of us in our enthusiasm liked

new music just because it _was_ new. In three months Richter began to

totter on his throne and, later on, he resigned his post, and now Sir

Thomas Beecham most fitly reigns in his stead.

This little Society was extremely typical of Manchester. It was typical

because it was enthusiastic, because every member of it worked hard

for no monetary reward, and because it had a definite object in view

and achieved that object. Above all, it was young; the spirit of it

was young. I have never found in London a band of young men and women

putting their noses to the grindstone for months on end with the sole

object of achieving an artistic ideal. People in London exploit art,

but they do not work at art for art’s sake. Manchester is England’s

musical metropolis. Elgar said so ten years ago; Beecham echoed his

words the other day. I claim for Manchester also that the level of

culture is much higher than it is in London. In proportion to its

size Manchester has during the last fifty years given to England more

writers, musicians, politicians, actors, business men, reformers and

social workers of distinction than any other city.... But all this, I

think, is a little offensive——

And yet how difficult it is for the stranger to understand

Manchester!—and difficult in spite of the fact that Manchester loves

being understood.

Mr J. Nicol Dunn, who, as editor of _The Morning Post_ and, later,

of _The Johannesburg Star_, did most brilliant work, utterly failed

to understand Lancashire people when he came to edit _The Manchester

Courier_. I think he regarded them as a peculiar race of savages. “A

wealthy Lancashire manufacturer,” he said to me once, “will ask you to

dinner and will order a bumper of champagne. But if you ask him for a

half-guinea subscription for a political society, he will give you a

curt refusal. What is to be done with such folk?” Dunn thought us hard

and unimaginative, incapable of seeing in what direction lay our best

interests, and utterly childish in our notions of political economy.

“Cumberland,” he said, unexpectedly, one evening, “is your father a

Conservative?”

“He is,” said I.

“What paper does he take?”

“_The Manchester Guardian._”

“I _knew_ he did! Of course he would take _The Manchester Guardian_!

Good Lord! To what a strange set of people have I come!”

And he grunted and went on with his work.

My native town is young and strenuous and guileless. Its vanity is the

vanity of the clever youngster who loves “showing off” in his exuberant

way. So young and guileless is it that it is the easiest thing in

the world to deceive it. How easy it is to deceive Manchester is

illustrated by the case of Captain Schlagintweit, the German consul for

some years in that city.

Schlagintweit was an enormous German whose mission in life it was to

induce Manchester to believe that Germany was our bosom friend, that

Germany’s first thought was to help Great Britain, and that the two

peoples were so closely akin in their spiritual aims that a quarrel

between them, even a temporary misunderstanding, was utterly and for

ever impossible. As I have said, he was enormous: a great man with a

fair round belly: a man who talked a lot and ate a lot, and who, when

he talked even with a solitary companion, spoke as though he were

addressing a huge audience. He “bounded” beautifully and with so much

aplomb and zest that it seemed right he should bound and do nothing

else.

I met him everywhere—in the Press Club, at concerts, at the Schiller

Anstalt, in restaurants; and nine times out of ten he was in the

company either of a journalist, a member of the City Council, or a

Member of Parliament. I never knew any man who worked so hard for his

country as he did. He distilled sweet poison into our ears and we

believed him every time.

I must confess I felt rather flattered by the way in which he

constantly sought my company. I thought for a long time that he

loved me for my own sweet sake, and it was not until the, for him,

tragic _dénouement_ came that I realised that it was because I was a

journalist, and for that reason alone, he dined and wined me and talked

discreetly of Germany’s heartache for Great Britain. As I very rarely

wrote on international politics, I do not think his evil counsel had

any appreciable effect on my work, but it is impossible to imagine that

his overflowing bonhomie, his cleverness, his subtle scheming did not

greatly influence the thought of Manchester. He was made much of by

more than one member of _The Manchester Guardian_ staff.

His daughter came to sing at a concert I organised, and it was after

this concert that he so overwhelmed me with flattery that I looked at

him in amazement. I said to myself: “You are a humbug.” But on looking

at him again, I said: “No; you’re not a humbug: you’re a fool.” A third

scrutiny, however, left me in doubt, and I said: “I’m damned if I know

what you are.” Certainly I never suspected he was first cousin to a

spy, that he was paid handsomely by his Government for his propaganda

work in Manchester, and that he secretly despised and hated us.

Shortly after war broke out, many things were discovered about

Schlagintweit that had hitherto been unknown, and he was led,

handcuffed, to Knutsford gaol, but not before he had broken through the

five-mile radius to which, as a German, he was confined, and not before

he had motored through a far-off district where tens of thousands of

our soldiers were encamped.

I do not believe London would have been deceived by him, and I am sure

that Ecclefechan wouldn’t. Yet Manchester was.

Manchester is young, ingenuous, trusting, guileless.

* * * * *

Have you ever noticed (but you must have done!) that the self-made

man—and half the prosperous men in Manchester are self-made—will

frequently part with a ten-pound note much more readily than he will

with a few pence? The economical habits of his youth still cling to and

dominate him, and he counts the halfpence and is careless of the pounds.

One Saturday night in the summer, I was taking a walk with a friend in

the country ten or twelve miles from Manchester. Our talk was of County

cricket, in which my companion—a most magnificent person, with ships

sailing on half the oceans of the world—was greatly interested. For

three days Lancashire had been playing Yorkshire a very close match,

and we knew that by now the game would be over.

“We sha’n’t know the result till we get _The Sunday Chronicle_

to-morrow,” said X. regretfully.

But, five minutes later, we met, most miraculously, a newsboy with a

bundle of papers under his arm.

X. took a penny from his pocket, handed it to the boy, and received

_The Evening News_ in exchange.

“Very sorry, sir,” said the boy, “but I’ve got no change. I’ve got no

halfpennies.”

X. turned to me.

“Oh, I’ve no change either,” said I, amused.

With an exclamation of annoyance, X. handed the paper back to the boy

and pocketed his penny.

After we had proceeded a few paces:

“Lancashire has won by two wickets,” he said. “I saw it in the corner

in the Stop Press news.”

Now, X. had great riches.

An incredible story, isn’t it? But it is true, and it gives you the

self-made Manchester man—at least, one side of him—in a nutshell.

* * * * *

It used to be a great delight to me to see Dr J. Kendrick Pyne walking

near the Cathedral or in Albert Square, for he used to suggest to me

a bygone age and a remote place. His short, thick-set figure used to

move with the utmost precision, unhurried, unperturbed. His plump,

clean-shaven face, his well-shaped head, surmounted by a new silk hat

of old-fashioned shape, his gold-rimmed spectacles with the peering

eyes behind them, his inevitable umbrella, and his correct dress—all

these conspired to make a figure of great dignity, a figure that always

seemed to carry about with it the atmosphere of the Cathedral whose

organ he played for so many smooth years. There hung about him the

tradition of the famous Dr Wesley.

In character and disposition also he belonged to a different era. He

never underestimated the importance of the position he held in the city

as Cathedral organist, City organist, and Professor at the Manchester

Royal College of Music, and wherever he went and in the execution of

whatever work to which he set his mind, his word was law. A very fine

type of Englishman. He would brook no interference from Bishop or

Dean, and his combative, upright spirit fought unceasingly to uphold

the dignity of his art.

His childlike vanity was most alluring, and I used to love him for it

and respect him for the way he clung to his belief in himself.

One day he took me to the town hall to look once more at the wonderful

series of frescoes that Ford Madox Brown painted in the great hall.

When he came to the fresco picturing the Duke of Bridgewater at the

ceremonial “opening” of the Bridgewater Canal, he pointed to the

features of the Duke, and inquired:

“Whom do you think he resembles?”

There was just a note of anxiety in his voice as though he were afraid

I should not be able to answer his question. For the life of me I could

not think of anyone who resembled Madox Brown’s Duke, and I stood

silent. Pyne then turned his face full upon me, and again inquired,

somewhat imperiously:

“Whom do you think he resembles?”

“Why,” exclaimed I, guessing wildly, “it is a portrait of you!”

“Yes,” said he, with naïve satisfaction, “it is. I sat to Madox Brown

for the great Duke. The portrait is immortal.”

But whether the portrait was immortal because Kendrick Pyne had sat for

it, or Madox Brown had painted it, I did not gather.

On another occasion he again used the word “immortal,” but this time it

was in reference to one of his own works.

“You know,” said he, apropos of something I have forgotten, “I should

have made a name as a writer if I had gone in for literature, but I

felt that music had stronger claims upon me. My organ-playing will not,

so to speak, live, because the art of the executant necessarily dies

with him. But my Mass in A flat is, in itself, enough to keep my name

immortal.”

There was such innocent satisfaction in his tone, such a bland look

upon his face, that he seemed to me like a delicious grown-up child.

But have not all men of genius this superb confidence in themselves? I

am convinced they have. Could they possibly “carry on” without it? But

only a few men of genius have the courage, or the artlessness, to speak

what is really in their hearts.

* * * * *

One of the “characters” of Manchester, a man who loves being a

character, is Mr Charles Rowley, who for an unconscionable number

of years has been doing splendid educational and recreative work

in Ancoats, a congeries of slums, a district of appalling poverty.

Here, in the Islington Hall, on most Sunday afternoons, one can hear

first-rate chamber music and, as a rule, a lecture delivered by some

local or London celebrity. I myself have heard Bernard Shaw and Hilaire

Belloc lecture there and, after the lectures, I have gone to the clean

little cottage where Mr Rowley occasionally entertains a few chosen

friends to tea and talk.

I do not know if Mr Rowley is a Manchester man, but he is of a type

that I have found only in that city. He is combative and energetic;

he is a little red flame of enthusiasm. Though, no doubt, interested

in and pleased with himself, he is equally interested in local public

affairs and equally pleased with the people for whom he works. His

broad and pungent humour is just the kind of humour the so-called

lower classes understand, and his energy of mind and readiness of wit

are remarkable. I have seen him on several occasions talking to—or,

perhaps, talking _with_ is what I really mean—a huge audience in order

to keep them in good humour until the arrival of the lecturer of the

afternoon. He bandies jokes with anybody who cares to shout to him, and

he has the true democrat’s gift—he never by a look, a word or a gesture

implies that he is in any way superior to the meanest member of his

audience. These rough people love him, admire him and laugh at him.

And, of course, he is able to laugh at himself. Perhaps, all things

considered, he is the most human man I have met, and I like to think

that in him the spirit of Manchester is embodied. I do not mean you to

infer that I think the spirit of Manchester is the finest spirit in the

world, but I do believe that it is a spirit that might well be emulated

by many other towns.

What is that spirit? Well, Manchester has a sincere and very proper

respect for success, and particularly for success that has been won

in the face of great difficulties. Manchester loves education and

knowledge, not only because these things are useful in achieving

success, but also for their own sake. Manchester is public-spirited,

proud of its traditions, loyal to its principles. It is cultured—not in

the super-refined, lily-fingered sense, but in the sense that it loves

literature, music, art. It is enthusiastic about these things; it works

hard to come by them and treasures them when they are obtained.

One could, of course, say many disagreeable and true things about

Manchester, but as these have been said frequently by other people, I

refrain from repeating what is already known.

Set Down in Malice: A Book of Reminiscences · 第 13 / 23 章