CHAPTER XII.--ON THE WATCH.

It has left off raining down in Lincolnshire, at last, and Chesney

Wold has taken heart. Mrs. Rouncewell is full of hospitable cares, for

Sir Leicester and my Lady are coming home from Paris. The fashionable

intelligence has found it out, and communicates the glad tidings to

benighted England. It has also found out, that they will entertain a

brilliant and distinguished circle of the _élite_ of the _beau monde_

(the fashionable intelligence is weak in English, but a

giant-refreshed in French), at the ancient and hospitable family seat

in Lincolnshire.

For the greater honor of the brilliant and distinguished circle, and

of Chesney Wold into the bargain, the broken arch of the bridge in the

park is mended; and the water, now retired within its proper limits

and again spanned gracefully, makes a figure in the prospect from the

house. The clear cold sunshine glances into the brittle woods, and

approvingly beholds the sharp wind scattering the leaves and drying

the moss. It glides over the park after the moving shadows of the

clouds, and chases them, and never catches them, all day. It looks in

at the windows, and touches the ancestral portraits with bars and

patches of brightness, never contemplated by the painters. Athwart the

picture of my Lady, over the great chimney-piece, it throws a broad

bend-sinister of light that strikes down crookedly into the hearth,

and seems to rend it.

Through the same cold sunshine and the same sharp wind, my Lady and

Sir Leicester, in their traveling chariot (my Lady's woman, and Sir

Leicester's man affectionate in the rumble), start for home. With a

considerable amount of jingling and whip-cracking, and many plunging

demonstrations on the part of two bare-backed horses, and two Centaurs

with glazed hats, jack-boots, and flowing manes and tails, they rattle

out of the yard of the Hôtel Bristol in the Place Vendôme, and canter

between the sun-and-shadow-checkered colonnade of the Rue de Rivoli

and the garden of the ill-fated palace of a headless king and queen,

off by the Place of Concord, and the Elysian Fields, and the Gate of

the Star, out of Paris.

Sooth to say, they can not go away too fast, for, even here, my Lady

Dedlock has been bored to death. Concert, assembly, opera, theatre,

drive, nothing is new to my Lady, under the worn-out heavens. Only

last Sunday, when poor wretches were gay--within the walls, playing

with children among the clipped trees and the statues in the Palace

Garden; walking, a score abreast, in in the Elysian Fields, made more

Elysian by performing dogs and wooden horses; between whiles filtering

(a few) through the gloomy Cathedral of Our Lady, to say a word or two

at the base of a pillar, within flare of a rusty little gridiron-full

of gusty little tapers--without the walls encompassing Paris with

dancing, love-making, wine-drinking, tobacco-smoking, tomb-visiting,

billiard card and domino playing, quack-doctoring, and much murderous

refuse, animate and inanimate--only last Sunday, my Lady in the

desolation of Boredom and the clutch of Giant Despair, almost hated

her own maid for being in spirits.

She can not, therefore, go too fast from Paris. Weariness of soul lies

before her, as it lies behind--her Ariel has put a girdle of it round

the whole earth, and it can not be unclasped--but the imperfect remedy

is always to fly, from the last place where it has been experienced.

Fling Paris back into the distance, then, exchanging it for endless

avenues and cross-avenues of wintry trees! And, when next beheld, let

it be some leagues away, with the Gate of the Star a white speck

glittering in the sun, and the city a mere mound in a plain: two dark

square towers rising out of it, and light and shadow descending on it

aslant, like the angels in Jacob's dream!

Sir Leicester is generally in a complacent state, and rarely bored.

When he has nothing else to do, he can always contemplate his own

greatness. It is a considerable advantage to a man to have so

inexhaustible a subject. After reading his letters, he leans back in

his corner of the carriage, and generally reviews his importance to

society.

"You have an unusual amount of correspondence this morning?" says my

Lady, after a long time. She is fatigued with reading. Has almost read

a page in twenty miles.

"Nothing in it, though. Nothing whatever."

"I saw one of Mr. Tulkinghorn's long effusions, I think?"

"You see every thing," says Sir Leicester, with admiration.

"Ha!" sighs my Lady. "He is the most tiresome of men!"

"He sends--I really beg your pardon--he sends," says Sir Leicester,

selecting the letter, and unfolding it, "a message to you. Our

stopping to change horses, as I came to his postscript, drove it out

of my memory. I beg you'll excuse me. He says--" Sir Leicester is so

long in taking out his eye-glass and adjusting it, that my Lady looks

a little irritated. "He says 'In the matter of the right of way--' I

beg your pardon, that's not the place. He says--yes! Here I have it!

He says, 'I beg my respectful compliments to my Lady, who, I hope, has

benefited by the change. Will you do me the favor to mention (as it

may interest her), that I have something to tell her on her return, in

reference to the person who copied the affidavit in the Chancery suit,

which so powerfully stimulated her curiosity. I have seen him.'"

My Lady, leaning forward, looks out of her window.

"That's the message," observes Sir Leicester.

"I should like to walk a little," says my Lady, still looking out of

her window.

"Walk?" repeats Sir Leicester, in a tone of surprise.

"I should like to walk a little," says my Lady, with unmistakable

distinctness. "Please to stop the carriage."

The carriage is stopped, the affectionate man alights from the rumble,

opens the door, and lets down the steps, obedient to an impatient

motion of my Lady's hand. My Lady alights so quickly, and walks away

so quickly, that Sir Leicester, for all his scrupulous politeness, is

unable to assist her, and is left behind. A space of a minute or two

has elapsed before he comes up with her. She smiles, looks very

handsome, takes his arm, lounges with him for a quarter of a mile, is

very much bored, and resumes her seat in the carriage.

The rattle and clatter continue through the greater part of three

days, with more or less of bell-jingling and whip-cracking, and more

or less plunging of Centaurs and bare-backed horses. Their courtly

politeness to each other, at the Hotels where they tarry, is the theme

of general admiration. Though my Lord is a little aged for my Lady,

says Madame, the hostess of the Golden Ape, and though he might be her

amiable father, one can see at a glance that they love each other.

One observes my Lord with his white hair, standing, hat in hand, to

help my Lady to and from the carriage. One observes my Lady, how

recognizant of my Lord's politeness, with an inclination of her

gracious head, and the concession of her so-genteel fingers! It is

ravishing!

The sea has no appreciation of great men, but knocks them about like

the small fry. It is habitually hard upon Sir Leicester, whose

countenance it greenly mottles in the manner of sage-cheese, and in

whose aristocratic system it effects a dismal revolution. It is the

Radical of Nature to him. Nevertheless, his dignity gets over it,

after stopping to refit; and he goes on with my Lady for Chesney Wold,

lying only one night in London on the way to Lincolnshire.

Through the same cold sunlight--colder as the day declines--and

through the same sharp wind--sharper as the separate shadows of bare

trees gloom together in the woods, and as the Ghost's Walk, touched at

the western corner by a pile of fire in the sky, resigns itself to

coming night--they drive into the park. The Rooks, swinging in their

lofty houses in the elm-tree avenue, seem to discuss the question of

the occupancy of the carriage as it passes underneath; some agreeing

that Sir Leicester and my Lady are come down; some arguing with

malcontents who won't admit it; now, all consenting to consider the

question disposed of; now, all breaking out again in violent debate,

incited by one obstinate and drowsy bird, who will persist in putting

in a last contradictory croak. Leaving them to swing and caw, the

traveling chariot rolls on to the house; where fires gleam warmly

through some of the windows, though not through so many as to give an

inhabited expression to the darkening mass of front. But the brilliant

and distinguished circle will soon do that.

Mrs. Rouncewell is in attendance, and receives Sir Leicester's

customary shake of the hand with a profound courtesy.

"How do you do, Mrs. Rouncewell? I am glad to see you."

"I hope I have the honor of welcoming you in good health, Sir

Leicester?"

"In excellent health, Mrs. Rouncewell."

"My Lady is looking charmingly well," says Mrs. Rouncewell, with

another courtesy.

My Lady signifies, without profuse expenditure of words, that she is

as wearily well as she can hope to be.

But Rosa is in the distance, behind the housekeeper; and my Lady, who

has not subdued the quickness of her observation, whatever else she

may have conquered, asks:

"Who is that girl?"

"A young scholar of mine, my Lady. Rosa."

"Come here, Rosa!" Lady Dedlock beckons her, with even an appearance

of interest. "Why, do you know how pretty you are, child?" she says,

touching her shoulder with her two forefingers.

Rosa, very much abashed, says "No, if you please, my Lady!" and

glances up, and glances down, and don't know where to look, but looks

all the prettier.

"How old are you?"

"Nineteen, my Lady."

"Nineteen," repeats my Lady, thoughtfully. "Take care they don't spoil

you by flattery."

"Yes, my Lady."

My Lady taps her dimpled cheek with the same delicate gloved fingers,

and goes on to the foot of the oak staircase, where Sir Leicester

pauses for her as her knightly escort. A staring old Dedlock in a

panel, as large as life and as dull, looks as if he didn't know what

to make of it--which was probably his general state of mind in the

days of Queen Elizabeth.

That evening, in the housekeeper's room, Rosa can do nothing but

murmur Lady Dedlock's praises. She is so affable, so graceful, so

beautiful, so elegant; has such a sweet voice, and such a thrilling

touch, that Rosa can feel it yet! Mrs. Rouncewell confirms all this,

not without personal pride, reserving only the one point of

affability. Mrs. Rouncewell is not quite sure as to that. Heaven

forbid that she should say a syllable in dispraise of any member of

that excellent family; above all, of my Lady, whom the whole world

admires; but if my Lady would only be "a little more free," not quite

so cold and distant, Mrs. Rouncewell thinks she would be more affable.

"'Tis almost a pity," Mrs. Rouncewell adds--only "almost," because it

borders on impiety to suppose that any thing could be better than it

is, in such an express dispensation as the Dedlock affairs; "that my

Lady has no family. If she had had a daughter now, a grown young lady,

to interest her, I think she would have had the only kind of

excellence she wants."

"Might not that have made her still more proud, grandmother?" says

Watt; who has been home and come back again, he is such a good

grandson.

"More and most, my dear," returns the housekeeper with dignity, "are

words it's not my place to use--nor so much as to hear--applied to any

drawback on my Lady."

"I beg your pardon, grandmother. But she is proud, is she not?"

"If she is, she has reason to be. The Dedlock family have always

reason to be."

"Well," says Watt, "it's to be hoped they line out of their

Prayer-Books a certain passage for the common people about pride and

vain-glory. Forgive me, grandmother! Only a joke!"

"Sir Leicester and Lady Dedlock, my dear, are not fit subjects for

joking."

"Sir Leicester is no joke, by any means," says Watt; "and I humbly ask

his pardon. I suppose, grandmother, that, even with the family and

their guests down here, there is no objection to my prolonging my stay

at the Dedlock Arms for a day or two, as any other traveler might?"

"Surely, none in the world, child."

"I am glad of that," says Watt, "because I--because I have an

inexpressible desire to extend my knowledge of this beautiful

neighborhood."

He happens to glance at Rosa, who looks down, and is very shy, indeed.

But, according to the old superstition, it should be Rosa's ears that

burn, and not her fresh bright cheeks; for my Lady's maid is holding

forth about her at this moment, with surpassing energy.

My Lady's maid is a Frenchwoman of two-and-thirty, from somewhere in

the Southern country about Avignon and Marseilles--a large-eyed, brown

woman with black hair; who would be handsome, but for a certain feline

mouth, and general uncomfortable tightness of face, rendering the jaws

too eager, and the skull too prominent. There is something indefinably

keen and wan about her anatomy; and she has a watchful way of looking

out of the corners of her eyes without turning her head, which could

be pleasantly dispensed with--especially when she is in an ill-humor

and near knives. Through all the good taste of her dress and little

adornments, these objections so express themselves, that she seems to

go about like a very neat She-Wolf imperfectly tamed. Besides being

accomplished in all the knowledge appertaining to her post,

she is almost an Englishwoman in her acquaintance with the

language--consequently, she is in no want of words to shower upon Rosa

for having attracted my Lady's attention; and she pours them out with

such grim ridicule as she sits at dinner, that her companion, the

affectionate man, is rather relieved when she arrives at the spoon

stage of that performance.

Ha, ha, ha! She, Hortense, been in my Lady's service since five years,

and always kept at the distance, and this doll, this puppet,

caressed--absolutely caressed--by my Lady on the moment of her

arriving at the house! Ha! ha! ha! "And do you know how pretty you

are, child?"--"No, my Lady."--You are right there! "And how old are

you, child? And take care they do not spoil you by flattery, child!" O

how droll! It is the _best_ thing altogether.

In short, it is such an admirable thing, that Mademoiselle Hortense

can't forget it; but at meals for days afterward, even among her

countrywomen and others attached in like capacity to the troop of

visitors, relapses into silent enjoyment of the joke--an enjoyment

expressed in her own convivial manner, by an additional tightness of

face, thin elongation of compressed lips, and sidewise look: which

intense appreciation of humor is frequently reflected in my Lady's

mirrors, when my Lady is not among them.

All the mirrors in the house are brought into action now: many of them

after a long blank. They reflect handsome faces, simpering faces,

youthful faces, faces of threescore-and-ten that will not submit to be

old; the entire collection of faces that have come to pass a January

week or two at Chesney Wold, and which the fashionable intelligence, a

mighty hunter before the Lord, hunts with a keen scent, from their

breaking cover at the Court of St. James's to their being run down to

Death. The place in Lincolnshire is all alive. By day guns and voices

are heard ringing in the woods, horsemen and carriages enliven the

park-roads, servants and hangers-on pervade the Village and the

Dedlock Arms. Seen by night, from distant openings in the trees, the

row of windows in the long drawing-room, where my Lady's picture hangs

over the great chimney-piece, is like a row of jewels set in a black

frame. On Sunday, the chill little church is almost warmed by so much

gallant company, and the general flavor of the Dedlock dust is

quenched in delicate perfumes.

The brilliant and distinguished circle comprehends within it, no

contracted amount of education, sense, courage, honor, beauty, and

virtue. Yet there is something a little wrong about it, in despite of

its immense advantages. What can it be?

Dandyism? There is no King George the Fourth now (more's the pity!) to

set the dandy fashion; there are no clear-starched jack-towel

neckcloths, no short-waisted coats, no false calves, no stays. There

are no caricatures, now, of effeminite Exquisites so arrayed, swooning

in opera boxes with excess of delight, and being revived by other

dainty creatures, poking long-necked scent-bottles at their noses.

There is no beau whom it takes four men at once to shake into his

buckskins, or who goes to see all the Executions, or who is troubled

with the self-reproach of having once consumed a pea. But is there

Dandyism in the brilliant and distinguished circle notwithstanding,

Dandyism of a more mischievous sort, that has got below the surface

and is doing less harmless things than jack-toweling itself and

stopping its own digestion, to which no rational person need

particularly object!

Why, yes. It can not be disguised. There _are_ at Chesney Wold this

January week, some ladies and gentlemen of the newest fashion, who

have set up a Dandyism--in Religion, for instance. Who, in mere

lackadaisical want of an emotion, have agreed upon a little dandy talk

about the Vulgar wanting faith in things in general; meaning, in the

things that have been tried and found wanting, as though a low fellow

should unaccountably lose faith in a bad shilling, after finding it

out! Who would make the Vulgar very picturesque and faithful, by

putting back the hands upon the Clock of Time, and canceling a few

hundred years of history.

There are also ladies and gentlemen of another fashion, not so new,

but very elegant, who have agreed to put a smooth glaze on the world,

and to keep down all its relations. For whom every thing must be

languid and pretty. Who have found out the perpetual stoppage. Who are

to rejoice at nothing, and be sorry for nothing. Who are not to be

disturbed by ideas. On whom even the Fine Arts, attending in powder

and walking backward like the Lord Chamberlain, must array themselves

in the milliners' and tailors' patterns of past generations, and be

particularly careful not to be in earnest, or to receive any impress

from the moving age.

Then there is my Lord Boodle, of considerable reputation with his

party, who has known what office is, and who tells Sir Leicester

Dedlock with much gravity, after dinner, that he really does not see

to what the present age is tending. A debate is not what a debate used

to be; the House is not what the House used to be; even a Cabinet is

not what it formerly was. He perceives with astonishment, that

supposing the present Government to be overthrown, the limited choice

of the Crown, in the formation of a new Ministry, would lie between

Lord Coddle and Sir Thomas Doodle--supposing it to be impossible for

the Duke of Foodle to act with Goodle, which may be assumed to be the

case in consequence of the breach arising out of that affair with

Hoodle. Then, giving the Home Department and the Leadership of the

House of Commons to Joodle, the Exchequer to Koodle, the Colonies to

Loodle, and the Foreign Office to Moodle, what are you to do with

Noodle? You can't offer him the Presidency of the Council; that is

reserved for Poodle. You can't put him in the Woods and Forests; that

is hardly good enough for Quoodle. What follows? That the country is

shipwrecked, lost, and gone to pieces (as is made manifest to the

patriotism of Sir Leicester Dedlock), because you can't provide for

Noodle!

On the other hand, the Right Honorable William Buffy, M.P., contends

across the table with some one else, that the shipwreck of the

country--about which there is no doubt; it is only the manner of it

that is in question--is attributable to Cuffy. If you had done with

Cuffy what you ought to have done when he first came into Parliament,

and had prevented him from going over to Duffy, you would have got him

into an alliance with Fuffy, you would have had with you the weight

attaching as a smart debater to Guffy, you would have brought to bear

upon the elections the wealth of Huffy, you would have got in for

three counties Juffy, Kuffy, and Luffy; and you would have

strengthened your administration by the official knowledge and the

business habits of Muffy. All this, instead of being, as you now are,

dependent on the mere caprice of Puffy!

As to this point, and as to some minor topics, there are differences

of opinion; but it is perfectly clear to the brilliant and

distinguished circle, all round, that nobody is in question but Boodle

and his retinue, and Buffy and _his_ retinue. These are the great

actors for whom the stage is reserved. A People there are, no doubt--a

certain large number of supernumeraries, who are to be occasionally

addressed, and relied upon for shouts and choruses, as on the

theatrical stage; but Boodle and Buffy, their followers and families,

their heirs, executors, administrators, and assigns, are the born

first-actors, managers, and leaders, and no others can appear upon the

scene for ever and ever.

In this, too, there is perhaps more dandyism at Chesney Wold than the

brilliant and distinguished circle will find good for itself in the

long run. For it is, even with the stillest and politest circles, as

with the circle the necromancer draws around him--very strange

appearances may be seen in active motion outside. With this

difference; that, being realities and not phantoms, there is the

greater danger of their breaking in.

Chesney Wold is quite full, any how; so full, that a burning sense of

injury arises in the breasts of ill-lodged ladies' maids, and is not

to be extinguished. Only one room is empty. It is a turret chamber of

the third order of merit, plainly but comfortably furnished, and

having an old-fashioned business air. It is Mr. Tulkinghorn's room,

and is never bestowed on any body else, for he may come at any time.

He is not come yet. It is his quiet habit to walk across the park from

the village, in fine weather; to drop into this room, as if he had

never been out of it since he was last seen there; to request a

servant to inform Sir Leicester that he is arrived, in case he should

be wanted; and to appear ten minutes before dinner, in the shadow of

the library door. He sleeps in his turret, with a complaining

flag-staff over his head; and has some leads outside, on which, any

fine morning when he is down here, his black figure may be seen

walking before breakfast like a larger species of rook.

Every day before dinner, my Lady looks for him in the dusk of the

library, but he is not there. Every day at dinner, my Lady glances

down the table for the vacant place, that would be waiting to receive

him if he had just arrived; but there is no vacant place. Every night,

my Lady casually asks her maid:

"Is Mr. Tulkinghorn come?"

Every night the answer is: "No my Lady, not yet."

One night, while having her hair undressed, my Lady loses herself in

deep thought after this reply, until she sees her own brooding face in

the opposite glass, and a pair of black eyes curiously observing her.

"Be so good as to attend," says my Lady then, addressing the

reflection of Hortense, "to your business. You can contemplate your

beauty at another time."

"Pardon! It was your Ladyship's beauty."

"That," says my Lady, "you needn't contemplate at all."

At length, one afternoon a little before sunset, when the bright

groups of figures, which have for the last hour or two enlivened the

Ghost's Walk, are all dispersed, and only Sir Leicester and my Lady

remain upon the terrace, Mr. Tulkinghorn appears. He comes toward them

at his usual methodical pace, which is never quickened, never

slackened. He wears his usual expressionless mask--if it be a

mask--and carries family secrets in every limb of his body, and every

crease of his dress. Whether his whole soul is devoted to the great,

or whether he yields them nothing beyond the services he sells, is

his personal secret. He keeps it, as he keeps the secrets of his

clients; he is his own client in that matter, and will never betray

himself.

"How do you do, Mr. Tulkinghorn?" says Sir Leicester, giving him his

hand.

Mr. Tulkinghorn is quite well. Sir Leicester is quite well. My Lady is

quite well. All highly satisfactory. The lawyer, with his hands behind

him, walks, at Sir Leicester's side, along the terrace. My Lady walks

upon the other side.

"We expected you before," says Sir Leicester. A gracious observation.

As much as to say, "Mr. Tulkinghorn, we remember your existence when

you are not here to remind us of it by your presence. We bestow a

fragment of our minds upon you, sir, you see!"

Mr. Tulkinghorn, comprehending it, inclines his head, and says he is

much obliged.

"I should have come down sooner," he explains, "but that I have been

much engaged with those matters in the several suits between yourself

and Boythorn."

"A man of a very ill-regulated mind," observes Sir Leicester, with

severity. "An extremely dangerous person in any community. A man of a

very low character of mind."

"He is obstinate," says Mr. Tulkinghorn.

"It is natural to such a man to be so," says Sir Leicester, looking

most profoundly obstinate himself. "I am not at all surprised to hear

it."

"The only question is," pursues the lawyer, "whether you will give up

anything."

"No, sir," replies Sir Leicester. "Nothing. _I_ give up?"

"I don't mean any thing of importance; that, of course, I know you

would not abandon. I mean any minor point."

"Mr. Tulkinghorn," returns Sir Leicester, "there can be no minor point

between myself and Mr. Boythorn. If I go farther, and observe that I

can not readily conceive how _any_ right of mine can be a minor point,

I speak not so much in reference to myself as an individual, as in

reference to the family position I have it in charge to maintain."

Mr. Tulkinghorn inclines his head again. "I have now my instructions,"

he says. "Mr. Boythorn will give us a good deal of trouble--"

"It is the character of such a mind, Mr. Tulkinghorn," Sir Leicester

interrupts him, "_to_ give trouble. An exceedingly ill-conditioned,

leveling person. A person who, fifty years ago, would probably have

been tried at the Old Bailey for some demagogue proceeding, and

severely punished--if not," adds Sir Leicester, after a moment's

pause, "if not hanged, drawn, and quartered."

Sir Leicester appears to discharge his stately breast of a burden, in

passing this capital sentence; as if it were the next satisfactory

thing to having the sentence executed.

"But night is coming on," says he, "and my Lady will take cold. My

dear, let us go in."

As they turned toward the hall-door, Lady Dedlock addresses Mr.

Tulkinghorn for the first time.

"You sent me a message respecting the person whose writing I happened

to inquire about. It was like you to remember the circumstance; I had

quite forgotten it. Your message reminded me of it again. I can't

imagine what association I had with a hand like that; but I surely had

some."

"You had some?" Mr. Tulkinghorn repeats.

"Oh, yes!" returns my Lady, carelessly. "I think I must have had some.

And did you really take the trouble to find out the writer of that

actual thing--what is it!--Affidavit?"

"Yes."

"How very odd!"

They pass into a sombre breakfast-room on the ground-floor, lighted in

the day by two deep windows. It is now twilight. The fire glows

brightly on the paneled wall, and palely on the window-glass, where,

through the cold reflection of the blaze, the colder landscape

shudders in the wind, and a gray mist creeps along: the only traveler

besides the waste of clouds.

My Lady lounges in a great chair in the chimney-corner, and Sir

Leicester takes another great chair opposite. The lawyer stands before

the fire, with his hand out at arm's length, shading his face. He

looks across his arm at my Lady.

"Yes," he says, "I inquired about the man, and found him. And, what is

very strange, I found him--"

"Not to be any out-of-the-way person, I am afraid!" Lady Dedlock

languidly anticipates.

"I found him dead."

"Oh, dear me!" remonstrated Sir Leicester. Not so much shocked by the

fact, as by the fact of the fact being mentioned.

"I was directed to his lodging--a miserable, poverty-stricken

place--and I found him dead."

"You will excuse me, Mr. Tulkinghorn," observes Sir Leicester. "I

think the less said--"

"Pray, Sir Leicester, let me hear the story out;" (it is my Lady

speaking.) "It is quite a story for twilight. How very shocking!

Dead?"

Mr. Tulkinghorn re-asserts it by another inclination of his head.

"Whether by his own hand--"

"Upon my honor!" cries Sir Leicester. "Really!"

"Do let me hear the story!" says my Lady.

"Whatever you desire, my dear. But, I must say--"

"No, you mustn't say! Go on, Mr. Tulkinghorn."

Sir Leicester's gallantry concedes the point; though he still feels

that to bring this sort of squalor among the upper classes is

really--really--

"I was about to say," resumes the lawyer, with undisturbed calmness,

"that whether he had died by his own hand or not, it was beyond my

power to tell you. I should amend that phrase, however, by saying that

he had unquestionably died of his own act; though whether by his own

deliberate intention, or by mischance, can never certainly be known.

The coroner's jury found that he took the poison accidentally."

"And what kind of man," my Lady asks, "was this deplorable creature?"

"Very difficult to say," returns the lawyer, shaking his head. "He had

lived so wretchedly, and was so neglected, with his gipsy color, and

his wild black hair and beard, that I should have considered him the

commonest of the common. The surgeon had a notion that he had once

been something better, both in appearance and condition."

"What did they call the wretched being?"

"They called him what he had called himself, but no one knew his

name."

"Not even any one who had attended on him?"

"No one had attended on him. He was found dead. In fact, I found him."

"Without any clew to any thing more?"

"Without any; there was," says the lawyer, meditatively, "an old

portmanteau; but--No, there were no papers."

During the utterance of every word of this short dialogue, Lady

Dedlock and Mr. Tulkinghorn, without any other alteration in their

customary deportment, have looked very steadily at one another--as was

natural, perhaps, in the discussion of so unusual a subject. Sir

Leicester has looked at the fire, with the general expression of the

Dedlock on the staircase. The story being told, he renews his stately

protest, saying, that as it is quite clear that no association in my

Lady's mind can possibly be traceable to this poor wretch (unless he

was a begging-letter writer), he trusts to hear no more about a

subject so far removed from my Lady's station.

"Certainly, a collection of horrors," says my Lady, gathering up her

mantles and furs; "but they interest one for the moment! Have the

kindness, Mr. Tulkinghorn, to open the door for me."

Mr. Tulkinghorn does so with deference, and holds it open while she

passes out. She passes close to him, with her usual fatigued manner,

and insolent grace. They meet again at dinner--again, next day--again,

for many days in succession. Lady Dedlock is always the same exhausted

deity, surrounded by worshipers, and terribly liable to be bored to

death, even while presiding at her own shrine. Mr. Tulkinghorn is

always the same speechless repository of noble confidences: so oddly

out of place, and yet so perfectly at home. They appear to take as

little note of one another, as any two people, inclosed within the

same walls, could. But, whether each evermore watches and suspects the

other, evermore mistrustful of some great reservation; whether each is

evermore prepared at all points for the other, and never to be taken

unawares; what each would give to know how much the other knows--all

this is hidden, for the time, in their own hearts.

Harper's New Monthly Magazine, No. XXVI, July 1852, Vol. V · 第 2 / 5 章