I laughed, and told her, comfortably, that she was talking nonsense.

"What did you think of me, when you first knew me?" I inquired.

"Well," she answered, with the courage that characterized her, "I thought

you were rather calculating, that you put too high a price on success. Of

course you attracted me. I own it."

"You hid your opinions rather well," I retorted, somewhat discomfited.

She flushed.

"Have you changed them?" I demanded.

"I think you have that side, and I think it a weak side, Hugh. It's hard

to tell you this, but it's better to say so now, since you ask me. I do

think you set too high a value on success.'

"Well, now that I know what success really is, perhaps I shall reform," I

told her.

"I don't like to think that you fool yourself," she replied, with a

perspicacity I should have found extraordinary.

Throughout my life there have been days and incidents, some trivial, some

important, that linger in my memory because they are saturated with

"atmosphere." I recall, for instance, a gala occasion in youth when my

mother gave one of her luncheon parties; on my return from school, the

house and its surroundings wore a mysterious, exciting and unfamiliar

look, somehow changed by the simple fact that guests sat decorously

chatting in a dining-room shining with my mother's best linen and

treasured family silver and china. The atmosphere of my wedding-day is no

less vivid. The house of Ezra Hutchins was scarcely recognizable: its

doors and windows were opened wide, and all the morning people were being

escorted upstairs to an all-significant room that contained a collection

like a jeweller's exhibit,--a bewildering display. There was a massive

punch-bowl from which dangled the card of Mr. and Mrs. Adolf Scherer, a

really wonderful tea set of old English silver given by Senator and Mrs.

Watling, and Nancy Willett, with her certainty of good taste, had sent an

old English tankard of the time of the second Charles. The secret was in

that room. And it magically transformed for me (as I stood, momentarily

alone, in the doorway where I had first beheld Maude) the accustomed

scene, and charged with undivined significance the blue shadows under the

heavy foliage of the maples. The September sunlight was heavy, tinged

with gold....

So fragmentary and confused are the events of that day that a cubist

literature were necessary to convey the impressions left upon me. I had

something of the feeling of a recruit who for the first time is taking

part in a brilliant and complicated manoeuvre. Tom and Susan Peters flit

across the view, and Gene Hollister and Perry Blackwood and the

Ewanses,--all of whom had come up in a special car; Ralph Hambleton was

"best man," looking preternaturally tall in his frock-coat: and his

manner, throughout the whole proceeding, was one of good-natured

tolerance toward a folly none but he might escape.

"If you must do it, Hughie, I suppose you must," he had said to me. "I'll

see you through, of course. But don't blame me afterwards."

Maude was a little afraid of him....

I dressed at George's; then, like one of those bewildering shifts of a

cinematograph, comes the scene in church, the glimpse of my mother's

wistful face in the front pew; and I found myself in front of the austere

Mr. Doddridge standing beside Maude--or rather beside a woman I tried

hard to believe was Maude--so veiled and generally encased was she. I was

thinking of this all the time I was mechanically answering Mr. Doddridge,

and even when the wedding march burst forth and I led her out of the

church. It was as though they had done their best to disguise her, to put

our union on the other-worldly plane that was deemed to be its only

justification, to neutralize her sex at the very moment it should have

been most enhanced. Well, they succeeded. If I had not been as

conventional as the rest, I should have preferred to have run away with

her in the lavender dress she wore when I first proposed to her. It was

only when we had got into the carriage and started for the house and she

turned to me her face from which the veil had been thrown back that I

realized what a sublime meaning it all had for her. Her eyes were wet.

Once more I was acutely conscious of my inability to feel deeply at

supreme moments. For months I had looked forward with anticipation and

impatience to my wedding-day.

I kissed her gently. But I felt as though she had gone to heaven, and

that the face I beheld enshrouded were merely her effigy. Commonplace

words were inappropriate, yet it was to these I resorted.

"Well--it wasn't so bad after all! Was it?"

She smiled at me.

"You don't want to take it back?"

She shook her head.

"I think it was a beautiful wedding, Hugh. I'm so glad we had a good

day."...

She seemed shy, at once very near and very remote. I held her hand

awkwardly until the carriage stopped.

A little later we were standing in a corner of the parlour, the

atmosphere of which was heavy with the scent of flowers, submitting to

the onslaught of relatives. Then came the wedding breakfast: croquettes,

champagne, chicken salad, ice-cream, the wedding-cake, speeches and more

kisses.... I remember Tom Peters holding on to both my hands.

"Good-bye, and God bless you, old boy," he was saying. Susan, in view of

the occasion, had allowed him a little more champagne than usual--enough

to betray his feelings, and I knew that these had not changed since our

college days. I resolved to see more of him. I had neglected him and

undervalued his loyalty.... He had followed me to my room in George's

house where I was dressing for the journey, and he gave it as his

deliberate judgment that in Maude I had "struck gold."

"She's just the girl for you, Hughie," he declared. "Susan thinks so,

too."

Later in the afternoon, as we sat in the state-room of the car that was

bearing us eastward, Maude began to cry. I sat looking at her helplessly,

unable to enter into her emotion, resenting it a little. Yet I tried

awkwardly to comfort her.

"I can't bear to leave them," she said.

"But you will see them often, when we come back," I reassured her. It was

scarcely the moment for reminding her of what she was getting in return.

This peculiar family affection she evinced was beyond me; I had never

experienced it in any poignant degree since I had gone as a freshman to

Harvard, and yet I was struck by the fact that her emotions were so

rightly placed. It was natural to love one's family. I began to feel,

vaguely, as I watched her, that the new relationship into which I had

entered was to be much more complicated than I had imagined. Twilight was

coming on, the train was winding through the mountain passes, crossing

and re-crossing a swift little stream whose banks were massed with alder;

here and there, on the steep hillsides, blazed the goldenrod....

Presently I turned, to surprise in her eyes a wide, questioning

look,--the look of a child. Even in this irrevocable hour she sought to

grasp what manner of being was this to whom she had confided her life,

and with whom she was faring forth into the unknown. The experience was

utterly unlike my anticipation. Yet I responded. The kiss I gave her had

no passion in it.

"I'll take good care of you, Maude," I said.

Suddenly, in the fading light, she flung her arms around me, pressing me

tightly, desperately.

"Oh, I know you will, Hugh, dear. And you'll forgive me, won't you, for

being so horrid to-day, of all days? I do love you!"

Neither of us had ever been abroad. And although it was before the days

of swimming-pools and gymnasiums and a la carte cafes on ocean liners,

the Atlantic was imposing enough. Maude had a more lasting capacity for

pleasure than I, a keener enjoyment of new experiences, and as she lay

beside me in the steamer-chair where I had carefully tucked her she would

exclaim:

"I simply can't believe it, Hugh! It seems so unreal. I'm sure I shall

wake up and find myself back in Elkington."

"Don't speak so loud, my dear," I cautioned her. There were some very

formal-looking New Yorkers next us.

"No, I won't," she whispered. "But I'm so happy I feel as though I should

like to tell everyone."

"There's no need," I answered smiling.

"Oh, Hugh, I don't want to disgrace you!" she exclaimed, in real alarm.

"Otherwise, so far as I am concerned, I shouldn't care who knew."

People smiled at her. Women came up and took her hands. And on the fourth

day the formidable New Yorkers unexpectedly thawed.

I had once thought of Maude as plastic. Then I had discovered she had a

mind and will of her own. Once more she seemed plastic; her love had made

her so. Was it not what I had desired? I had only to express a wish, and

it became her law. Nay, she appealed to me many times a day to know

whether she had made any mistakes, and I began to drill her in my silly

traditions,--gently, very gently.

"Well, I shouldn't be quite so familiar with people, quite so ready to

make acquaintances, Maude. You have no idea who they may be. Some of

them, of course, like the Sardells, I know by reputation."

The Sardells were the New Yorkers who sat next us.

"I'll try, Hugh, to be more reserved, more like the wife of an important

man." She smiled.

"It isn't that you're not reserved," I replied, ignoring the latter half

of her remark. "Nor that I want you to change," I said. "I only want to

teach you what little of the world I know myself."

"And I want to learn, Hugh. You don't know how I want to learn!"

The sight of mist-ridden Liverpool is not a cheering one for the American

who first puts foot on the mother country's soil, a Liverpool of

yellow-browns and dingy blacks, of tilted funnels pouring out smoke into

an atmosphere already charged with it. The long wharves and shed roofs

glistened with moisture.

"Just think, Hugh, it's actually England!" she cried, as we stood on the

wet deck. But I felt as though I'd been there before.

"No wonder they're addicted to cold baths," I replied. "They must feel

perfectly at home in them, especially if they put a little lampblack in

the water."

Maude laughed.

"You grumpy old thing!" she exclaimed.

Nothing could dampen her ardour, not the sight of the rain-soaked stone

houses when we got ashore, nor even the frigid luncheon we ate in the

lugubrious hotel. For her it was all quaint and new. Finally we found

ourselves established in a compartment upholstered in light grey, with

tassels and arm-supporters, on the window of which was pasted a poster

with the word reserved in large, red letters. The guard inquired

respectfully, as the porter put our new luggage in the racks, whether we

had everything we wanted. The toy locomotive blew its toy whistle, and we

were off for the north; past dingy, yellow tenements of the smoking

factory towns, and stretches of orderly, hedge-spaced rain-swept country.

The quaint cottages we glimpsed, the sight of distant, stately mansions

on green slopes caused Maude to cry out with rapture:--"Oh, Hugh, there's

a manor-house!"

More vivid than were the experiences themselves of that journey are the

memories of them. We went to windswept, Sabbath-keeping Edinburgh, to

high Stirling and dark Holyrood, and to Abbotsford. It was through Sir

Walter's eyes we beheld Melrose bathed in autumn light, by his aid

repeopled it with forgotten monks eating their fast-day kale.

And as we sat reading and dreaming in the still, sunny corners I forgot,

that struggle for power in which I had been so furiously engaged since

leaving Cambridge. Legislatures, politicians and capitalists receded into

a dim background; and the gift I had possessed, in youth, of living in a

realm of fancy showed astonishing signs of revival.

"Why, Hugh," Maude exclaimed, "you ought to have been a writer!"

"You've only just begun to fathom my talents," I replied laughingly. "Did

you think you'd married just a dry old lawyer?"

"I believe you capable of anything," she said....

A Far Country — Volume 2 · 第 22 / 40 题