EDMONDO DE AMICIS

In leaving Madrid by the southern route, you traverse an uninhabited

country that recalls the poorest provinces of Aragon and old Castile,

just as happened on your arrival by the northern. These are vast,

yellowish, and dried-up plains; you would say that if you beat upon it,

the earth would resound like an empty box, or crumble away like the

crust of a burnt tart; occasionally you see miserable villages, of the

same colour as the land, which look as if they would ignite like a heap

of dry leaves, if any one were to bring a match to the roof of one of

the houses. After an hour’s travel, my shoulder sought the side of the

carriage, my elbow a leaning-place, and I fell into a profound sleep,

like a member of Leopardi’s _Ateneo d’ Ascoltazione_.

I looked around me: the vast deserted plain was transformed as if by

enchantment into an immense garden full of delightful groves, crossed

in every direction by great avenues, dotted with little country houses

and rustic cabins covered with vines; and, here and there were tossing

fountains, shady nooks, flowery meadows, vineyards, little footpaths,

and a greenness, a freshness, an odour of spring, a breath of joy and

delight that wafted your soul to paradise. We had arrived at Aranjuez.

I left the train, threaded my way down a beautiful avenue shaded by

two rows of gigantic trees, and in an instant found myself opposite the

royal palace.

[Illustration: ARANJUEZ, SPAIN.]

Castelar, the minister, wrote recently in his _memorandum_ that

the fall of the ancient Spanish monarchy was foreseen on the day that

a herd of populace with abuse on their lips and anger in their hearts,

invaded the palace of Aranjuez to disturb the tranquil majesty of its

sovereigns. I was precisely on that spot, where, on March 17, 1808,

occurred the events that formed the prologue to the national war

and the first word of the sentence, as it were, that condemned the

ancient monarchy to death. I immediately looked for the windows of the

apartment of the Prince of Peace; I pictured him, fleeing from hall

to hall, pale and dishevelled, hunting for a hiding-place, amidst the

echoing cries of the multitude that mounted the stairway; I saw poor

Charles IV. place the crown on the head of the Prince of the Asturias

with trembling hands; all the scenes of that terrible drama passed

before my eyes; and the deep silence of this place and the sight of

that shut and abandoned palace chilled me to the heart.

The palace is built like a castle; it is of brick with corners of white

marble, and covered with a slate roof. Every one knows that Philip

II. had it built by the celebrated architect Herrera, and that nearly

all his successors embellished it, and lived there during the summer

season. I entered: the interior is splendid; there is a resplendent

hall for the reception of ambassadors, a beautiful Chinese cabinet of

Charles III., a superb dressing-room of Isabella II., and a profusion

of precious ornaments. But all the riches of the palace are not worth

the view of the gardens. Expectations are not deceived. The gardens

of Aranjuez (Aranjuez is the name of the little town situate a short

distance from the palace) seem to have been laid out for the family

of Titan Kings, to whom the parks and gardens of our Kings would have

appeared like terrace parterres and sheep-folds. Avenues, extending

as far as the eye can reach and bordered by trees of an inordinate

height uniting their branches and leaning towards us as if bent by

two contrary winds, in every direction cross a forest the boundaries

of which one cannot see; and through this forest the wide and rapid

Tagus describes a majestic curve, forming here and there cascades

and basins; a luxuriant and flourishing vegetation abounds amid a

labyrinth of little avenues and cross-roads; everywhere is seen the

whiteness of statues, fountains, columns and high jets of water that

fall in sheets and rain and spray on all the flowers known to Europe

and America; and to the majestic sound of the cascade of the Tagus is

joined the song of innumerable nightingales that pour their trills into

the mysterious shade of the lonely paths. Beyond the gardens, rises

a little marble palace, modest in appearance, which contains all the

marvels of the most magnificent royal residence, and where one still

breathes the atmosphere of the life of the Kings of Spain. Here are

the little secret chambers the ceilings of which may be touched by the

hand, the billiard-room of Charles IV., cushions embroidered by the

hands of queens, musical clocks that amused the idle children, little

stairways, tiny windows that preserve a hundred little traditions

of the caprice of princes: and, finally, the richest toilet-room in

Europe, due to a whim of Charles IV., and which contains in itself

so much wealth that one could draw enough from it to build a palace,

without depriving it of the noble pre-eminence it boasts above all

rooms appropriated to the same use.

Beyond this palace, and around the woodlands, extend vineyards,

olive-trees, plantations of fruit-trees and smiling meadows. It is a

veritable oasis surrounded by a desert which Philip II. chose in a day

of good humour, as if to alleviate the black melancholy of the Escurial

with a gay picture. On returning from the little marble palace to the

great palace of the Escurial down these long avenues, beneath the shade

of these large trees, in this profound peace of the forest, I thought

of the splendid pageants of ladies and cavaliers that formerly followed

the steps of the gay young monarchs and capricious and unrestrained

queens to the sound of love-songs and hymns, celebrating the grandeur

and the glory of unvanquished Spain, and I repeated sadly with the poet

of Recanati:

“... All is peace and silence,

And one speaks no longer of them....”

Romantic castles and palaces · 第 92 / 116 题