CXV.

VENICE, ITALY, _July 1, 1856_.

The Duchies of Modena and Parma (the latter is in a state of siege

since the assassination of the Duke), were among the few points in all

Italy I had never visited; so I was induced to diverge from my route to

this city to look in upon these little courts, whose fortified capitals

contain some forty to fifty thousand inhabitants each, and whose

territories might bear some resemblance in size to the little states of

Rhode Island and Delaware, surrounded by their more opulent neighbors;

but the usual forms of visitation of baggage, examination of passport,

and other annoyances of the police, must be submitted to.

The strict censorship, and tax upon the home press, and the suppression

of liberal foreign journals--even those of patriotic Sardinia, across

the frontier, are forbidden--and keep the people in ignorance. The

country is rich and fertile, closely cultivated from necessity by a

redundant population. The palace of the Duchess Regent of Parma is

strongly guarded by Austrian soldiery, which is also the case in many

parts of the Pope’s dominions.

Strangers are looked upon with suspicion by the authorities, as

they well know the masses are much dissatisfied with the result of

the Peace Congress at Paris, having hoped for reform in Italy; they

fear, therefore, an outbreak of popular resentment. The parade and

pomp observed by the small potentates of Italy and Germany, aping

their superiors in all the forms and etiquette of court life, to the

exhaustion of their subjects, often brings to my mind the burlesque on

royalty of the black emperor Soulouque, before whose palace entrance I

noticed more ebony soldiers than I had ever seen Cossacks before the

winter palace of the late Czar Nicholas.

From Parma I proceeded north-east some forty miles, passing over a

perfectly level agricultural country, with waving fields of wheat,

rye, hemp, hedges of trees, and festoons of climbing grape vines. The

peasantry were picking the leaves of the mulberry for the silkworms,

which are here a great source of revenue.

We crossed the rivers Po and Olio in scow boats, and came to Mantua,

renowned for its gallant defence during several sieges. This Lombardian

city and fortress, which contain some thirty-five thousand inhabitants,

have been much strengthened under Austrian possession, and look

impregnable. There are some objects of interest, but not sufficient to

detain the tourist long.

Crossing a famous stone bridge over a river, seven hundred and eighty

yards in length, at a distance of three miles, one is rejoiced again to

strike a railroad, which conducts to this extraordinary city. Had it

not been for several days’ indisposition, I really think I should have

enjoyed this my third visit to this unique city as much as the first.

After having escaped the noise, bustle, and dust of continental cities,

it is a great relief to get where you are surrounded with comparative

quiet and solitude, away from the rattling of carriages and tread of

horses, with free circulation of salt air from the lagoons of the

Adriatic, and particularly during this season of salt bathing. I am

located on the Grand Canal near the Piazza San Marco, and am annoyed

with the continual chattering of the Gondoliers, whose songs are

inspiriting, but whose noisy disputes are disturbing to the temporary

invalid.

You are aware that Venice is built upon many small islands, mounted

upon piles, and connected by means of bridges and canals in the

lagoons, thus separated from the sea. I will not undertake to describe

this wonder of the world, the seat of the Doges; the vast commerce

of its two hundred thousand inhabitants in the fifteenth century,

now reduced to one hundred and twenty-five thousand; its gorgeous

palaces, its magnificent churches, its narrow streets, its theatres,

its valuable collections of art by the old masters, and its four

hundred and fifty bridges, connecting one hundred and thirty-six

islands with its water communication by one hundred and fifty-four

canals. The natural bubbling of a fountain is unknown, and horses are

objects of curiosity; thousands of gondolas and other craft supply the

places of carriages, both private and public; you step out of your

palace or hotel door into your vehicle to be transported for pleasure

or business, as in a cab. The Grand Canal winds in the form of an S

through the city, and is divided into two parts.

A gay scene presents itself these bright moonlight nights, with the

hundreds of boats, containing families, beautifully dressed ladies,

and a fair share of strangers, floating gracefully along, while the

balconies of the antique marble palaces of Gothic, Byzantine, and other

styles of architecture are filled with their residents. The grateful

and refreshing breeze disperses the smoke of the lovers of good cigars,

and new objects of attraction are continually presented to the eye.

We will here step out for the present and wind our way through the

narrow streets lined with tiny stores and shops filled with all that

art and taste can conceive of, following the multitude like a swarm of

bees through the intricate lanes and alleys from four to twelve feet

in width, in order not to lose our way; we will suppose it is eight

or nine o’clock in the evening, and they are proceeding to the public

square San Marco, which has been lighted with gas since my last visit

here. Venice has some four hundred cafés, and here under the porticos

of the palaces forming the large piazza, or square, are twenty-five of

them, with thousands of chairs and benches for the accommodation of the

immense throng, where fashion and beauty partake of ices, and other

refreshments, listening to the music of the Austrian band, the interim

being filled with the songs and recitations of strolling minstrels.

Baskets of confectionery are moving about in the crowd, and groups of

promenaders saunter along the well-paved and commodious piazza, which

has scarcely a particle of dust to soil their beautiful dresses. There

in front stands the Cathedral San Marco, now nearly eight hundred years

old, with its symmetrical cupolas and façade of porphyry and other

antique marbles, its scriptural figures in golden mosaic, and its four

bronze horses brought from Corinth, taken to Paris by Napoleon, but

afterwards restored.

There stands the Campanilla, three hundred and thirty-four feet in

height, from which a fair view may be obtained by daylight, and near

by is the Doge’s Palace, in all its grandeur, communicating by the

Bridge of Sighs with the prisons. The columns of the Lion of San Marco

and Saint Theodore stand towering in bold relief as you approach the

water’s edge, where hundreds of gondolas are waiting to receive their

precious freight.

This is the bright side of the picture. My letter is now too extended

to give in detail the private communications of those who suffer in

spirit and in purse from the arbitrary exactions of the power which now

gores them.

Twenty years around the world · 第 152 / 203 题