CHAPTER 3

_The Kindly Darkness_

Buried between two layers of soil the little pine-kernel woke from

its inactivity. Underground was warm and moist; and therefore the

seed swelled up with comfort, and relaxed itself with pleasure. The

damp crept through it, right through it, with a gentle persistence in

marked contrast with the brutal attack of the flood which had swept

it away but had not broken down its stubborn defence. The heat of

the subsoil made the seed ferment, and summoned it to live; but the

mysterious centre of life in it found a fellow-feeling in the equally

mysterious darkness which wrapped it about, full of the unaccountable

impalpable emanations of all life upon earth.

For this dark we have an unreasonable fear, and it is curious to

inquire into the causes of the horror of blackness which fixes itself

in our hearts at the moment of their first pulsations. The black is

soothing, whence therefore our agony at thought of it? Why do our

heads swim when we look at a graveyard and reckon the darkness of the

tomb; and the nothingness, in its grip, of things which have been but

will be no more? Half-stifled we read a name inscribed on the marble

slab, and imagine the unknown dead man as he lived--what he did, whom

he loved, how he suffered--and we conjure up in our minds the poor

blank wraith, now for ever departed from the light of day.

We can go further, and from the one build up the army of those who

have lived, of those alive, of those who will live after us: and

these unknown shadows press about our familiar faces, flutter and

crowd in and out of the stage-properties of our own existence--like

dead leaves in the autumn winds. Particular shapes haunt us with

disquieting persistency. We find ourselves in streets, or at shows,

or in public parks in the midst of a mob of people whom we do not

know, but who live beside us; and we hear them speaking, and can

picture to ourselves what they care about. They are of all ages, old

and young, men, women, children, black-eyed, blue-eyed, grey-eyed,

with fair or dark hair or hair withered white, full-lipped, or with

lips shrivelled by passing time; but all of them are living, are

there, glad or sorry, before our eyes. An idea takes possession of

us and strengthens in us till we tremble with it. We think--"All

these individuals about us, whom we could touch as they move, and

whom we know to have feelings and hopes and preoccupations, all these

beings are destined to disappear one day, whatever they do, wherever

they may be, no matter how strong, how well-founded, how firm. In a

hundred years they will just have existed, will be nowhere

discoverable. What will have become of them?" And again we see the

cold, forbidding cemeteries, with the ranked and serried silent tombs

all shut fast among their flowers. We shiver at the thought that

there, under the cover-stones, beneath the turf, below thick layers

of soil, are only blanched bones scattered through that dark which

makes us tremble with the notion that it is in some strange fashion

our enemy.

Such is the common mistake of reason when imagination has taken

charge of a mind; and in combating it we must first distinguish

between its cause and its effects. These shadows which we fear only

have power upon us after we have irrevocably ceased to exist. It is

not the darkness which destroys us; on the contrary, it is profoundly

creative, doing its work, with that odd prudishness of creation, by

choice out of sight.

It was in such a blank darkness underground that the sequoia seed

germinated and burst open under the life-impulse. The cotyledons,

rich in vivifying substances, gave a beginning of nourishment to the

seedling until it was able itself to select the elements which would

assist its growth. The darkness cradled the budding plant, and would

continue to prove its definite base after it had grown up to

strength. In all these functions there was no destructiveness,

nothing to excuse our fear of it. The shades stand attentive about

the seeds of plants, as they surround the young of birds in the

hatching egg, as they contain the foetus in its mother's womb. In

the dark is the beginning of nearly all creative processes: even the

diamond forms itself so, in the very bowels of the earth, remote from

us--there, in a solid blackness, it takes to itself that faceted

shape which later will reflect the light from its every point. These

unfortunate shadows for which we harbour so unjust a fear!--and so

illogical a fear, for when our cells are worn out by the strain and

stridency of life and day it is to darkness that we turn for the

renewal of our vital force; and when our hearts and spirits demand

either calm in which to rest after the blows of misfortune, or

mending after the shock of disillusion, again it is to the shadows

that we have recourse, and among them that we find hope--which is

either the salve of fresh illusions or the satisfaction of reviewing

our obtained petitions.

In this shadow-land our pine-microcosm accumulated the strength which

enabled it to make an essay at living. First it absorbed the starchy

liquid which the cotyledons had prepared for it; then it began itself

to hunt in plant fashion for its own necessary sustenance. Through

all its pores the tiny rootlet sucked up the particular juices and

essences it needed. It grew, and divided itself into branches that

it might tap more sub-soil with these many extensions. It is warm

down there underground, and the soil was wet, for it was spring-time

outside. The earth was pulsating mightily with the sense of new

movement, was transmitting its excitement to the air. The light of

day and the darkness of the pit communicate with one another by

exchanging invisible and indescribable rays. The decaying bodies of

men, animals, and vegetable growths affect and influence their

corresponding numbers at the moment of conception and during

growth--reaching them as freely through the pellucid air as through

the solid layers of the soil. Life and death everywhere run into one

another: every beginning is an end, and everything ends only to begin

again. Innumerable unknown forces come down from heaven to earth,

and as many shoot up from earth into the blue sky, all crossing one

another, tangled together. Some are destructive, some productive.

We cannot classify or estimate these millions of indiscoverable

elements. Most of them never enter our orbit; for we must remind

ourselves that there are an infinity of creations, of every sort and

kind and lot and fate in our universe, ranging from suns to

microscopic cells, each subject to tens of thousands of varying

conditions, and tending towards an incalculable number of predestined

ends--and it is vain for our curious but purblind spirits to try to

estimate separately or to distinguish these appalling problems, for

our limitations in kind forbid us ever to know the infinity of

evolutions in earth and heaven, in the depths of the seas, in the

depths of the earth. It is impossible that we should ever learn what

are the hidden powers which sway our courses, what are the unknown

and unsearchable emanations which breathe around us, or over us, and

give us in hardly perceptible fashion a sense of confused joy, a

vague sadness, or some heedless inexplicable fear.

The Forest Giant · 第 3 / 14 章