III. Why this Book is

I was viciously prodding up bindweed out of the cottage garden, with

the steel kitchen poker, when the telegraph boy opened the gate.

Unhinging my back, and inducing it into the upright with painful care,

I read a message from my office to the effect that there was some hitch

in regard to the American copyright of a certain article I had passed

for press before leaving; this would necessitate it being thrown out of

the magazine that month. Would I wire back what should go in its place,

as the machines were at a standstill?

Under ordinary circumstances I should merely have waved a hand, and

instantly a suitable substitute would have been on the machines with

scarcely a perceptible pause—that is, if I had been in London. But such

is the witchery of the Flower-patch, that no sooner do I get inside the

gate than I forget every mortal thing connected with my office. And try

how I would, I couldn’t recall what possible articles I had already in

hand that would make exactly six pages and a quarter—the length of the

one held over.

And because I could think of nothing else on the spur of the moment, I

threw down the poker (it was red-rust, alas, when I chanced upon it a

week later) and went indoors and wrote about the cottage and the hills.

When it was published in the magazine, readers very kindly wrote by

the bagful begging for a continuation. It has been continuing—with

perennial requests for more—for some time now. This only shows how

generously tolerant of editors are the readers of periodical literature.

Virginia merely sniffs, “What won’t people buy!”

The Flower-Patch Among the Hills · 第 5 / 50 题