CHAPTER XIV

FINN AND THE FENIANS[223]

The epoch of Emain Macha is followed in the annals of ancient Ireland by

a succession of monarchs who, though doubtless as mythical as King

Conchobar and his court, seem to grow gradually more human. Their line

lasts for about two centuries, culminating in a dynasty with which

legend has occupied itself more than with its immediate predecessors.

This is the one which began, according to the annalists, in A.D. 177,

with the famous Conn “the Hundred-Fighter”, and, passing down to the

reign of his even more famous grandson, Cormac “the Magnificent”, is

connected with the third Gaelic cycle—that which relates the exploits of

Finn and the Fenians. All these kings had their dealings with the

national gods. A story contained in a fifteenth-century Irish

manuscript, and called “The Champion’s Prophecy”,[224] tells how Lugh

appeared to Conn, enveloped him in a magic mist, led him away to an

enchanted palace, and there prophesied to him the number of his

descendants, the length of their reigns, and the manner of their deaths.

Another tradition relates how Conn’s son, Connla, was wooed by a goddess

and borne away, like the British Arthur, in a boat of glass to the

Earthly Paradise beyond the sea.[225] Yet another relates Conn’s own

marriage with Becuma of the Fair Skin, wife of that same Labraid of the

Quick Hand on Sword who, in another legend, married Liban, the sister of

Fand, Cuchulainn’s fairy love. Becuma had been discovered in an intrigue

with Gaiar, a son of Manannán, and, banished from the “Land of Promise”,

crossed the sea that sunders mortals and immortals to offer her hand to

Conn. The Irish king wedded her, but evil came of the marriage. She grew

jealous of Conn’s other son, Art, and insisted upon his banishment; but

they agreed to play chess to decide which should go, and Art won. Art,

called “the Lonely” because he had lost his brother Connla, was king

after Conn, but he is chiefly known to legend as the father of Cormac.

Many Irish stories occupy themselves with the fame of Cormac, who is

pictured as a great legislator—a Gaelic Solomon. Certain traditions

credit him with having been the first to believe in a purer doctrine

than the Celtic polytheism, and even with having attempted to put down

druidism, in revenge for which a druid called Maelcen sent an evil

spirit who placed a salmon-bone crossways in the king’s throat, as he

sat at meat, and so compassed his death. Another class of stories,

however, make him an especial favourite with those same heathen deities.

Manannán son of Lêr, was so anxious for his friendship that he decoyed

him into fairyland, and gave him a magic branch. It was of silver, and

bore golden apples, and, when it was shaken, it made such sweet music

that the wounded, the sick, and the sorrowful forgot their pains, and

were lulled into deep sleep. Cormac kept this treasure all his life;

but, at his death, it returned into the hands of the gods.[226]

King Cormac was a contemporary of Finn mac Coul[227], whom he appointed

head of the _Fianna[228] Eirinn_, more generally known as the “Fenians”.

Around Finn and his men have gathered a cycle of legends which were

equally popular with the Gaels of both Scotland and Ireland. We read of

their exploits in stories and poems preserved in the earliest Irish

manuscripts, while among the peasantry both of Ireland and of the West

Highlands their names and the stories connected with them are still

current lore. Upon some of these floating traditions, as preserved in

folk ballads, MacPherson founded his factitious _Ossian_, and the

collection of them from the lips of living men still affords plenty of

employment to Gaelic students.

How far Finn and his followers may have been historical personages it is

impossible to say. The Irish people themselves have always held that the

Fenians were a kind of native militia, and that Finn was their general.

The early historical writers of Ireland supported this view. The

chronicler Tighernach, who died in 1088, believed in him, and the

“Annals of the Four Masters”, compiled between the years 1632 and 1636

from older chronicles, while they ignore King Conchobar and his Red

Branch Champions as unworthy of the serious consideration of historians,

treat Finn as a real person whose death took place in 283 A.D. Even so

great a modern scholar as Eugene O’Curry declared in the clearest

language that Finn, so far from being “a merely imaginary or mythical

character”, was “an undoubtedly historical personage; and that he

existed about the time at which his appearance is recorded in the Annals

is as certain as that Julius Caesar lived and ruled at the time stated

on the authority of the Roman historians”.[229]

The opinion of more recent Celtic scholars, however, is opposed to this

view. Finn’s pedigree, preserved in the Book of Leinster, may seem at

first to give some support to the theory of his real existence, but, on

more careful examination of it, his own name and that of his father

equally bewray him. Finn or Fionn, meaning “fair”, is the name of one of

the mythical ancestors of the Gaels, while his father’s name,

Cumhal[230], signifies the “sky”, and is the same word as _Camulus_, the

Gaulish heaven-god identified by the Romans with Mars. His followers are

as doubtfully human as himself. One may compare them with Cuchulainn and

the rest of the heroes of Emain Macha. Their deeds are not less

marvellous. Like the Ultonian warriors, they move, too, on equal terms

with the gods. “The Fianna of Erin”, says a tract called “The Dialogue

of the Elders”,[231] contained in thirteenth and fourteenth century

manuscripts, “had not more frequent and free intercourse with the men of

settled habitation than with the Tuatha Dé Danann”.[232] Angus, Mider,

Lêr, Manannán, and Bodb the Red, with their countless sons and

daughters, loom as large in the Fenian, or so-called “Ossianic” stories

as do the Fenians themselves. They fight for them, or against them; they

marry them, and are given to them in marriage.

A luminous suggestion of Professor Rhys also hints that the Fenians

inherited the conduct of that ancient war formerly waged between the

Tuatha Dé Danann and the Fomors. The most common antagonists of Finn and

his heroes are tribes of invaders from oversea, called in the stories

the _Lochlannach_. These “Men of Lochlann” are usually identified, by

those who look for history in the stories of the Fenian cycle, with the

invading bands of Norsemen who harried the Irish coasts in the ninth

century. But the nucleus of the Fenian tales antedates these

Scandinavian raids, and mortal foes have probably merely stepped into

the place of those immortal enemies of the gods whose “Lochlann” was a

country, not over the sea—but under it.[233]

The earlier historians of Ireland were as ready with their dates and

facts regarding the Fenian band as an institution as with the

personality of Finn. It was said to have been first organized by a king

called Fiachadh, in 300 B.C., and abolished, or rather, exterminated, by

Cairbré, the son of Cormac mac Art, in 284 _A.D._ We are told that it

consisted of three regiments modelled on the Roman legion; each of these

bodies contained, on a peace footing, three thousand men, but in time of

war could be indefinitely strengthened. Its object was to defend the

coasts of Ireland and the country generally, throwing its weight upon

the side of any prince who happened to be assailed by foreign foes.

During the six months of winter, its members were quartered upon the

population, but during the summer they had to forage for themselves,

which they did by hunting and fishing. Thus they lived in the woods and

on the open moors, hardening themselves for battle by their adventurous

life. The sites of their enormous camp-fires were long pointed out under

the name of the “Fenians’ cooking-places”.

It was not easy to become a member of this famous band. A candidate had

to be not only an expert warrior, but a poet and a man of culture as

well. He had practically to renounce his tribe; at any rate he made oath

that he would neither avenge any of his relatives nor be avenged by

them. He put himself under bonds never to refuse hospitality to anyone

who asked, never to turn his back in battle, never to insult any woman,

and not to accept a dowry with his wife. In addition to all this, he had

to pass successfully through the most stringent physical tests. Indeed,

as these have come down to us, magnified by the perfervid Celtic

imagination, they are of an altogether marvellous and impossible

character. An aspirant to the _Fianna Eirinn_, we are told, had first to

stand up to his knees in a pit dug for him, his only arms being his

shield and a hazel wand, while nine warriors, each with a spear,

standing within the distance of nine ridges of land, all hurled their

weapons at him at once; if he failed to ward them all off, he was

rejected. Should he succeed in this first test, he was given the

distance of one tree-length’s start, and chased through a forest by

armed men; if any of them came up to him and wounded him, he could not

belong to the Fenians. If he escaped unhurt, but had unloosed a single

lock of his braided hair, or had broken a single branch in his flight,

or if, at the end of the run, his weapons trembled in his hands, he was

refused. As, besides these tests, he was obliged to jump over a branch

as high as his forehead, and stoop under one as low as his knee, while

running at full speed, and to pluck a thorn out of his heel without

hindrance to his flight, it is clear that even the rank and file of the

Fenians must have been quite exceptional athletes.[234]

But it is time to pass on to a more detailed description of these

champions.[235] They are a goodly company, not less heroic than the

mighty men of Ulster. First comes Finn himself, not the strongest in

body of the Fenians, but the truest, wisest, and kindest, gentle to

women, generous to men, and trusted by all. If he could help it, he

would never let anyone be in trouble or poverty. “If the dead leaves of

the forest had been gold, and the white foam of the water silver, Finn

would have given it all away.”

Finn had two sons, Fergus and his more famous brother Ossian[236].

Fergus of the sweet speech was the Fenian’s bard, and, also, because of

his honeyed words, their diplomatist and ambassador. Yet, by the irony

of fate, it is to Ossian, who is not mentioned as a poet in the earliest

texts, that the poems concerning the Fenians which are current in

Scotland under the name of “Ossianic Ballads” are attributed. Ossian’s

mother was Sadb, a daughter of Bodb the Red. A rival goddess changed her

into a deer—which explains how Ossian got his name, which means “fawn”.

With such advantages of birth, naturally he was speedy enough to run

down a red deer hind and catch her by the ear, though far less

swift-footed than his cousin Caoilte[237], the “Thin Man”. Neither was

he so strong as his own son Oscar, the mightiest of all the Fenians,

yet, in his youth, so clumsy that the rest of the band refused to take

him with them on their warlike expeditions. They changed their minds,

however, when, one day, he followed them unawares, found them giving way

before an enemy, and, rushing to their help, armed only with a great log

of wood which lay handy on the ground, turned the fortunes of the fight.

After this, Oscar was hailed the best warrior of all the Fianna; he was

given command of a battalion, and its banner, called the “Terrible

Broom”, was regarded as the centre of every battle, for it was never

known to retreat a foot. Other prominent Fenians were Goll[238], son of

Morna, at first Finn’s enemy but afterwards his follower, a man skilled

alike in war and learning. Even though he was one-eyed, we are told that

he was much loved by women, but not so much as Finn’s cousin, Diarmait

O’Duibhne[239], whose fatal beauty ensnared even Finn’s betrothed bride,

Grainne[240]. Their comic character was Conan, who is represented as an

old, bald, vain, irritable man, as great a braggart as ancient Pistol

and as foul-mouthed as Thersites, and yet, after he had once been shamed

into activity, a true man of his hands. These are the prime Fenian

heroes, the chief actors in its stories.

The Fenian epic begins, before the birth of its hero, with the struggle

of two rival clans, each of whom claimed to be the real and only Fianna

Eirinn. They were called the Clann Morna, of which Goll mac Morna was

head, and the Clann Baoisgne[241], commanded by Finn’s father, Cumhal. A

battle was fought at Cnucha[242], in which Goll killed Cumhal, and the

Clann Baoisgne was scattered. Cumhal’s wife, however, bore a posthumous

son, who was brought up among the Slieve Bloom Mountains secretly, for

fear his father’s enemies should find and kill him. The boy, who was at

first called Deimne[243], grew up to be an expert hurler, swimmer,

runner, and hunter. Later, like Cuchulainn, and indeed many modern

savages, he took a second, more personal name. Those who saw him asked

who was the “fair” youth. He accepted the omen, and called himself

Deimne Finn.

At length, he wandered to the banks of the Boyne, where he found a

soothsayer called Finn the Seer living beside a deep pool near Slane,

named “Fec’s Pool”, in hope of catching one of the “salmons of

knowledge”, and, by eating it, obtaining universal wisdom. He had been

there seven years without result, though success had been prophesied to

one named “Finn”. When the wandering son of Cumhal appeared, Finn the

Seer engaged him as his servant. Shortly afterwards, he caught the

coveted fish, and handed it over to our Finn to cook, warning him to eat

no portion of it. “Have you eaten any of it?” he asked the boy, as he

brought it up ready boiled. “No indeed,” replied Finn; “but, while I was

cooking it, a blister rose upon the skin, and, laying my thumb down upon

the blister, I scalded it, and so I put it into my mouth to ease the

pain.” The man was perplexed. “You told me your name was Deimne,” he

said; “but have you any other name?” “Yes, I am also called Finn.” “It

is enough,” replied his disappointed master. “Eat the salmon yourself,

for you must be the one of whom the prophecy told.” Finn ate the “salmon

of knowledge”, and thereafter he had only to put his thumb under his

tooth, as he had done when he scalded it, to receive fore-knowledge and

magic counsel.[244]

Thus armed, Finn was more than a match for the Clann Morna. Curious

legends tell how he discovered himself to his father’s old followers,

confounded his enemies with his magic, and turned them into faithful

servants.[245] Even Goll of the Blows had to submit to his sway.

Gradually he welded the two opposing clans into one Fianna, over which

he ruled, taking tribute from the kings of Ireland, warring against the

Fomorian “Lochlannach”, destroying every kind of giant, serpent, or

monster that infested the land, and at last carrying his mythical

conquests over all Europe.

Out of the numberless stories of the Fenian exploits it is hard to

choose examples. All are heroic, romantic, wild, fantastic. In many of

them the Tuatha Dé Danann play prominent parts. One such story connects

itself with an earlier mythological episode already related. The reader

will remember[246] how, when the Dagda gave up the kingship of the

immortals, five aspirants appeared to claim it; how of these five—Angus,

Mider, Lêr, Ilbhreach son of Manannán, and Bodb the Red—the latter was

chosen; how Lêr refused to acknowledge him, but was reconciled later;

how Mider, equally rebellious, fled to “desert country round Mount

Leinster” in County Carlow; and how a yearly war was waged upon him and

his people by the rest of the gods to bring them to subjection. This war

was still raging in the time of Finn, and Mider was not too proud to

seek his help. One day that Finn was hunting in Donegal, with Ossian,

Oscar, Caoilte, and Diarmait, their hounds roused a beautiful fawn,

which, although at every moment apparently nearly overtaken, led them in

full chase as far as Mount Leinster. Here it suddenly disappeared into a

cleft in the hillside. Heavy snow, “making the forest’s branches as it

were a withe-twist”, now fell, forcing the Fenians to seek for some

shelter, and they therefore explored the place into which the fawn had

vanished. It led to a splendid _sídh_ in the hollow of the hill.

Entering it, they were greeted by a beautiful goddess-maiden, who told

them that it was she, Mider’s daughter, who had been the fawn, and that

she had taken that shape purposely to lead them there, in the hope of

getting their help against the army that was coming to attack the

_sídh_. Finn asked who the assailants would be, and was told that they

were Bodb the Red with his seven sons, Angus “Son of the Young” with his

seven sons, Lêr of Sídh Fionnechaidh with his twenty-seven sons, and

Fionnbharr of Sídh Meadha with his seventeen sons, as well as numberless

gods of lesser fame drawn from _sídhe_ not only over all Ireland, but

from Scotland and the islands as well. Finn promised his aid, and, with

the twilight of that same day, the attacking forces appeared, and made

their annual assault. They were beaten off, after a battle that lasted

all night, with the loss of “ten men, ten score, and ten hundred”. Finn,

Oscar, and Diarmait, as well as most of Mider’s many sons, were sorely

wounded, but the leech Labhra healed all their wounds.[247]

Sooth to say, the Fenians did not always require the excuse of fairy

alliance to start them making war on the race of the hills. One of the

so-called “Ossianic ballads” is entitled “The Chase of the Enchanted

Pigs of Angus of the Brugh[248]”. This Angus is, of course, the “Son of

the Young”, and the Brugh that famous _sídh_ beside the Boyne out of

which he cheated his father, the Dagda. After the friendly manner of

gods towards heroes, he invited Finn and a picked thousand of his

followers to a banquet at the Brugh. They came to it in their finest

clothes, “goblets went from hand to hand, and waiters were kept in

motion”. At last conversation fell upon the comparative merits of the

pleasures of the table and of the chase, Angus stoutly contending that

“the gods’ life of perpetual feasting” was better than all the Fenian

huntings, and Finn as stoutly denying it. Finn boasted of his hounds,

and Angus said that the best of them could not kill one of his pigs.

Finn angrily replied that his two hounds, Bran[249] and Sgeolan[250],

would kill any pig that trod on dry land. Angus answered that he could

show Finn a pig that none of his hounds or huntsmen could catch or kill.

Here were the makings of a pretty quarrel among such inflammable

creatures as gods and heroes, but the steward of the feast interposed

and sent everyone to bed. The next morning, Finn left the Brugh, for he

did not want to fight all Angus’s fairies with his handful of a thousand

men. A year passed before he heard more of it; then came a messenger

from Angus, reminding Finn of his promise to pit his men and hounds

against Angus’s pigs. The Fenians seated themselves on the tops of the

hills, each with his favourite hound in leash, and they had not been

there long before there appeared on the eastern plain a hundred and one

such pigs as no Fenian had ever seen before. Each was as tall as a deer,

and blacker than a smith’s coals, having hair like a thicket and

bristles like ships’ masts. Yet such was the prowess of the Fenians that

they killed them all, though each of the pigs slew ten men and many

hounds. Then Angus complained that the Fenians had murdered his son and

many others of the Tuatha Dé Danann, who, indeed, were none other than

the pigs whose forms they had taken. There were mighty recriminations on

both sides, and, in the end, the enraged Fenians prepared to attack the

Brugh on the Boyne. Then only did Angus begin to yield, and, by the

advice of Ossian, Finn made peace with him and his fairy folk.

Such are specimens of the tales which go to make up the Fenian cycle of

sagas. Hunting is the most prominent feature of them, for the Fenians

were essentially a race of mighty hunters. But the creatures of their

chase were not always flesh and blood. Enchanters who wished the Fenians

ill could always lure them into danger by taking the shape of boar or

deer, and many a story begins with an innocent chase and ends with a

murderous battle. But out of such struggles the Fenians always emerge

successfully, as Ossian is represented proudly boasting, “through

truthfulness and the might of their hands”.

The most famous chase of all is, however, not that of deer or boar, but

of a woman and a man, Finn’s betrothed wife and his nephew

Diarmait.[251] Ever fortunate in war, the Fenian leader found disaster

in his love. Wishing for a wife in his old age, he sent to seek Grainne,

the daughter of Cormac, the High-King of Ireland. Both King Cormac and

his daughter consented, and Finn’s ambassadors returned with an

invitation to the suitor to come in a fortnight’s time to claim his

bride. He arrived with his picked band, and was received in state in the

great banqueting-hall of Tara. There they feasted, and there Grainne,

the king’s daughter, casting her eyes over the assembled Fenian heroes,

saw Diarmait O’Duibhne.

This Fenian Adonis had a beauty-spot upon his cheek which no woman could

see without falling instantly in love with him. Grainne, for all her

royal birth, was no exception to this rule. She asked a druid to point

her out the principal guests. The druid told her all their names and

exploits. Then she called for a jewelled drinking-horn, and, filling it

with a drugged wine, sent it round to each in turn, except to Diarmait.

None could be so discourteous as to refuse wine from the hand of a

princess. All drank, and fell into deep sleep.

Then, rising, she came to Diarmait, told him her passion for him, and

asked for its return. “I will not love the betrothed of my chief,” he

replied, “and, even if I wished, I dare not.” And he praised Finn’s

virtues, and decried his own fame. But Grainne merely answered that she

put him under _geasa_ (bonds which no hero could refuse to redeem) to

flee with her; and at once went back to her chair before the rest of the

company awoke from their slumber.

After the feast, Diarmait went round to his comrades, one by one, and

told them of Grainne’s love for him, and of the _geasa_ she had placed

upon him to take her from Tara. He asked each of them what he ought to

do. All answered that no hero could break a _geis_ put upon him by a

woman. He even asked Finn, concealing Grainne’s name, and Finn gave him

the same counsel as the others. That night, the lovers fled from Tara to

the ford of the Shannon at Athlone, crossed it, and came to a place

called the “Wood of the Two Tents”, where Diarmait wove a hut of

branches for Grainne to shelter in.

Meanwhile Finn had discovered their flight, and his rage knew no bounds.

He sent his trackers, the Clann Neamhuain[252], to follow them. They

tracked them to the wood, and one of them climbed a tree, and, looking

down, saw the hut, with a strong seven-doored fence built round it, and

Diarmait and Grainne inside. When the news came to the Fenians, they

were sorry, for their sympathies were with Diarmait and not with Finn.

They tried to warn him, but he took no heed; for he had determined to

fight and not to flee. Indeed, when Finn himself came to the fence, and

called over it to Diarmait, asking if he and Grainne were within, he

replied that they were, but that none should enter unless he gave

permission.

So Diarmait, like Cuchulainn in the war of Ulster against Ireland, found

himself matched single-handed against a host. But, also like Cuchulainn,

he had a divine helper. The favourite of the Tuatha Dé Danann, he had

been the pupil of Manannán son of Lêr in the “Land of Promise”, and had

been fostered by Angus of the Brugh. Manannán had given him his two

spears, the “Red Javelin” and the “Yellow Javelin”, and his two swords,

the “Great Fury” and the “Little Fury”. And now Angus came to look for

his foster-son, and brought with him the magic mantle of invisibility

used by the gods. He advised Diarmait and Grainne to come out wrapped in

the cloak, and thus rendered invisible. Diarmait still refused to flee,

but asked Angus to protect Grainne. Wrapping the magic mantle round her,

the god led the princess away unseen by any of the Fenians.

By this time, Finn had posted men outside all the seven doors in the

fence. Diarmait went to each of them in turn. At the first, were Ossian

and Oscar with the Clann Baoisgne. They offered him their protection. At

the second, were Caoilte and the Clann Ronan, who said they would fight

to the death for him. At the third, were Conan and the Clann Morna, also

his friends. At the fourth, stood Cuan with the Fenians of Munster,

Diarmait’s native province. At the fifth, were the Ulster Fenians, who

also promised him protection against Finn. But at the sixth, were the

Clann Neamhuain, who hated him; and at the seventh, was Finn himself.

“It is by your door that I will pass out, O Finn,” cried Diarmait. Finn

charged his men to surround Diarmait as he came out, and kill him. But

he leaped the fence, passing clean over their heads, and fled away so

swiftly that they could not follow him. He never halted till he reached

the place to which he knew Angus had taken Grainne. The friendly god

left them with a little sage advice: never to hide in a tree with only

one trunk; never to rest in a cave with only one entrance; never to land

on an island with only one channel of approach; not to eat their supper

where they had cooked it, nor to sleep where they had supped, and, where

they had slept once, never to sleep again. With these Red-Indian-like

tactics, it was some time before Finn discovered them.

However, he found out at last where they were, and sent champions with

venomous hounds to take or kill them. But Diarmait conquered all who

were sent against him.

Yet still Finn pursued, until Diarmait, as a last hope of escape, took

refuge under a magic quicken-tree[253], which bore scarlet fruit, the

ambrosia of the gods. It had grown from a single berry dropped by one of

the Tuatha Dé Danann, who, when they found that they had carelessly

endowed mortals with celestial and immortal food, had sent a huge,

one-eyed Fomor called Sharvan the Surly to guard it, so that no man

might eat of its fruit. All day, this Fomor sat at the foot of the tree,

and, all night, he slept among its branches, and so terrible was his

appearance that neither the Fenians nor any other people dared to come

within several miles of him.

But Diarmait was willing to brave the Fomor in the hope of getting a

safe hiding-place for Grainne. He came boldly up to him, and asked leave

to camp and hunt in his neighbourhood. The Fomor told him surlily that

he might camp and hunt where he pleased, so long as he refrained from

taking any of the scarlet berries. So Diarmait built a hut near a

spring; and he and Grainne lived there, killing the wild animals for

food.

But, unhappily, Grainne conceived so strong a desire to eat the quicken

berries that she felt that she must die unless her wish could be

gratified. At first she tried to hide this longing, but in the end she

was forced to tell her companion. Diarmait had no desire to quarrel with

the Fomor; so he went to him and told the plight that Grainne was in,

and asked for a handful of the berries as a gift.

But the Fomor merely answered: “I swear to you that if nothing would

save the princess and her unborn child except my berries, and if she

were the last woman upon the earth, she should not have any of them.”

Whereupon Diarmait fought the Fomor, and, after much trouble, killed

him.

It was reported to Finn that the guardian of the magic quicken-tree

lived no longer, and he guessed that Diarmait must have killed him; so

he came down to the place with seven battalions of the Fenians to look

for him. By this time, Diarmait had abandoned his own hut and taken

possession of that built by the Fomor among the branches of the magic

quicken. He was sitting in it with Grainne when Finn and his men came

and camped at the foot of the tree, to wait till the heat of noon had

passed before beginning their search.

To beguile the time, Finn called for his chess-board and challenged his

son Ossian to a game. They played until Ossian had only one more move.

“One move would make you a winner,” said Finn to him, “but I challenge

you and all the Fenians to guess it.”

Only Diarmait, who had been looking down through the branches upon the

players, knew the move. He could not resist dropping a berry on to the

board, so deftly that it hit the very chess-man which Ossian ought to

move in order to win. Ossian took the hint, moved it, and won. A second

and a third game were played; and in each case the same thing happened.

Then Finn felt sure that the berries that had prompted Ossian must have

been thrown by Diarmait.

He called out, asking Diarmait if he were there, and the Fenian hero,

who never spoke an untruth, answered that he was. So the quicken-tree

was surrounded by armed men, just as the fenced hut in the woods had

been. But, again, things happened in the same way; for Angus of the

Brugh took away Grainne wrapped in the invisible magic cloak, while

Diarmait, walking to the end of a thick branch, cleared the circle of

Fenians at a bound, and escaped untouched.

This was the end of the famous “Pursuit”; for Angus came as ambassador

to Finn, urging him to become reconciled to the fugitives, and all the

best of the Fenians begged Finn to consent. So Diarmait and Grainne were

allowed to return in peace.

But Finn never really forgave, and, soon after, he urged Diarmait to go

out to the chase of the wild boar of Benn Gulban[254]. Diarmait killed

the boar without getting any hurt; for, like the Greek Achilles, he was

invulnerable, save in his heel alone. Finn, who knew this, told him to

measure out the length of the skin with his bare feet. Diarmait did so.

Then Finn, declaring that he had measured it wrongly, ordered him to

tread it again in the opposite direction. This was against the lie of

the bristles; and one of them pierced Diarmait’s heel, and inflicted a

poisoned and mortal wound.

This “Pursuit of Diarmait and Grainne”, which has been told at such

length, marks in some degree the climax of the Fenian power, after which

it began to decline towards its end. The friends of Diarmait never

forgave the treachery with which Finn had compassed his death. The

ever-slumbering rivalry between Goll and his Clann Morna and Finn and

his Clann Baoisgne began to show itself as open enmity. Quarrels arose,

too, between the Fenians and the High-Kings of Ireland, which culminated

at last in the annihilation of the Fianna at the battle of Gabhra[255].

This is said to have been fought in A.D. 284. Finn himself had perished

a year before it, in a skirmish with rebellious Fenians at the Ford of

Brea on the Boyne. King Cormac the Magnificent, Grainne’s father, was

also dead. It was between Finn’s grandson Oscar and Cormac’s son Cairbré

that war broke out. This mythical battle was as fiercely waged as that

of Arthur’s last fight at Camlan. Oscar slew Cairbré, and was slain by

him. Almost all the Fenians fell, as well as all Cairbré’s forces.

Only two of the greater Fenian figures survived. One was Caoilte, whose

swiftness of foot saved him at the end when all was lost. The famous

story, called the “Dialogue of the Elders”, represents him discoursing

to St. Patrick, centuries after, of the Fenians’ wonderful deeds. Having

lost his friends of the heroic age, he is said to have cast in his lot

with the Tuatha Dé Danann. He fought in a battle, with Ilbhreach son of

Manannán, against Lêr himself, and killed the ancient sea-god with his

own hand.[256] The tale represents him taking possession of Lêr’s fairy

palace of Sídh Fionnechaidh, after which we know no more of him, except

that he has taken rank in the minds of the Irish peasantry as one of,

and a ruler among, the Sídhe.

The other was Ossian, who did not fight at Gabhra, for, long before, he

had taken the great journey which most heroes of mythology take, to that

bourne from which no ordinary mortal ever returns. Like Cuchulainn, it

was upon the invitation of a goddess that he went. The Fenians were

hunting near Lake Killarney when a lady of more than human beauty came

to them, and told them that her name was Niamh[257], daughter of the Son

of the Sea. The Gaelic poet, Michael Comyn, who, in the eighteenth

century, rewove the ancient story into his own words,[258] describes her

in just the same way as one of the old bards would have done:

“A royal crown was on her head;

And a brown mantle of precious silk,

Spangled with stars of red gold,

Covering her shoes down to the grass.

“A gold ring was hanging down

From each yellow curl of her golden hair;

Her eyes, blue, clear, and cloudless,

Like a dew-drop on the top of the grass.

“Redder were her cheeks than the rose,

Fairer was her visage than the swan upon the wave,

And more sweet was the taste of her balsam lips

Than honey mingled thro’ red wine.

“A garment, wide, long, and smooth

Covered the white steed,

There was a comely saddle of red gold,

And her right hand held a bridle with a golden bit.

“Four shoes well-shaped were under him,

Of the yellow gold of the purest quality;

A silver wreath was on the back of his head,

And there was not in the world a steed better.”

Such was Niamh of the Golden Hair, Manannán’s daughter; and it is small

wonder that, when she chose Ossian from among the sons of men to be her

lover, all Finn’s supplications could not keep him. He mounted behind

her on her fairy horse, and they rode across the land to the sea-shore,

and then over the tops of the waves. As they went, she described the

country of the gods to him in just the same terms as Manannán himself

had pictured it to Bran, son of Febal, as Mider had painted it to Etain,

and as everyone that went there limned it to those that stayed at home

on earth.

“It is the most delightful country to be found

Of greatest repute under the sun;

Trees drooping with fruit and blossom,

And foliage growing on the tops of boughs.

“Abundant, there, are honey and wine,

And everything that eye has beheld,

There will not come decline on thee with lapse of time.

Death or decay thou wilt not see.”

As they went they saw wonders. Fairy palaces with bright sun-bowers and

lime-white walls appeared on the surface of the sea. At one of these

they halted, and Ossian, at Niamh’s request, attacked a fierce Fomor who

lived there, and set free a damsel of the Tuatha Dé Danann whom he kept

imprisoned. He saw a hornless fawn leap from wave to wave, chased by one

of those strange hounds of Celtic myth which are pure white, with red

ears. At last they reached the “Land of the Young”, and there Ossian

dwelt with Niamh for three hundred years before he remembered Erin and

the Fenians. Then a great wish came upon him to see his own country and

his own people again, and Niamh gave him leave to go, and mounted him

upon a fairy steed for the journey. One thing alone she made him

swear—not to let his feet touch earthly soil. Ossian promised, and

reached Ireland on the wings of the wind. But, like the children of Lêr

at the end of their penance, he found all changed. He asked for Finn and

the Fenians, and was told that they were the names of people who had

lived long ago, and whose deeds were written of in old books. The Battle

of Gabhra had been fought, and St. Patrick had come to Ireland, and made

all things new. The very forms of men had altered; they seemed dwarfs

compared with the giants of his day. Seeing three hundred of them trying

in vain to raise a marble slab, he rode up to them in contemptuous

kindness, and lifted it with one hand. But, as he did so, the golden

saddle-girth broke with the strain, and he touched the earth with his

feet. The fairy horse vanished, and Ossian rose from the ground, no

longer divinely young and fair and strong, but a blind, gray-haired,

withered old man.

A number of spirited ballads[259] tell how Ossian, stranded in his old

age upon earthly soil, unable to help himself or find his own food, is

taken by St. Patrick into his house to be converted. The saint paints to

him in the brightest colours the heaven which may be his own if he will

but repent, and in the darkest the hell in which he tells him his old

comrades now lie in anguish. Ossian replies to the saint’s arguments,

entreaties, and threats in language which is extraordinarily frank. He

will not believe that heaven could be closed to the Fenians if they

wished to enter it, or that God himself would not be proud to claim

friendship with Finn. And if it be not so, what is the use to him of

eternal life where there is no hunting, or wooing fair women, or

listening to the songs and tales of bards? No, he will go to the

Fenians, whether they sit at the feast or in the fire; and so he dies as

he had lived.

-----

Footnote 223:

The translations of Fenian stories are numerous. The reader will find

many of them popularly retold in Lady Gregory’s _Gods and Fighting

Men_. Thence he may pass on to Mr. Standish Hayes O’Grady’s _Silva

Gadelica_; the _Waifs and Strays of Celtic Tradition_, especially Vol.

IV; Mr. J. G. Campbell’s _The Fians_; as well as the volumes of the

_Revue Celtique_ and the _Transactions of the Ossianic Society_.

Footnote 224:

See O’Curry’s translation in Appendix CXXVIII to his _MS. Materials_.

Footnote 225:

The story, found in the Book of the Dun Cow, appears in French in De

Jubainville’s _Épopée Celtique_.

Footnote 226:

This famous story is told in several MSS. of the fourteenth and

fifteenth centuries. For translations see Dr. Whitley Stokes, _Irische

Texte_, and Standish Hayes O’Grady, _Transactions of the Ossianic

Society_, Vol. III.

Footnote 227:

In Gaelic spelling, Fionn mac Cumhail.

Footnote 228:

Pronounced _Fēna_.

Footnote 229:

O’Curry: _MS. Materials_, Lecture XIV, p. 303.

Footnote 230:

Pronounced _Coul_ or _Cooal_.

Footnote 231:

_Agalamh na Senórach._ Under the title _The Colloquy of the Ancients_,

there is an excellent translation of it, from the Book of Lismore, in

Standish Hayes O’Grady’s _Silva Gadelica_.

Footnote 232:

O’Grady: _Silva Gadelica_.

Footnote 233:

_Hibbert Lectures_, p. 355.

Footnote 234:

See _The Enumeration of Finn’s Household_, translated by O’Grady in

_Silva Gadelica_.

Footnote 235:

For a good account, see J. G. Campbell’s _The Fians_, pp. 10-80.

Footnote 236:

In more correct spelling, _Oisin_, and pronounced _Usheen_ or

_Isheen_.

Footnote 237:

Pronounced _Kylta_ or _Cweeltia_.

Footnote 238:

Pronounced _Gaul_.

Footnote 239:

Pronounced _Dermat O’Dyna_.

Footnote 240:

Pronounced _Grania_.

Footnote 241:

Pronounced _Baskin_.

Footnote 242:

Now Castleknock, near Dublin.

Footnote 243:

Pronounced _Demna_.

Footnote 244:

This and other “boy-exploits” of Finn mac Cumhail are contained in a

little tract written upon a fragment of the ninth century Psalter of

Cashel. It is translated in Vol. IV of the _Transactions of the

Ossianic Society_.

Footnote 245:

Campbell’s _Fians_, p. 22.

Footnote 246:

See chap. XI—“The Gods in Exile”.

Footnote 247:

From the _Colloquy of the Ancients_ in O’Grady’s _Silva Gadelica_.

Footnote 248:

It is translated in Vol. VI of the _Transactions of the Ossianic

Society_.

Footnote 249:

Pronounced _Brăn_, not _Brān_.

Footnote 250:

Pronounced _Skōlaun_ or _Scolaing_.

Footnote 251:

A fine translation of the _Pursuit of Diarmait and Grainne_ has been

published by S. H. O’Grady in Vol. III of the _Transactions of the

Ossianic Society_.

Footnote 252:

Pronounced _Navin_ or _Nowin_.

Footnote 253:

The mountain-ash, or rowan.

Footnote 254:

Now called Benbulben. It is near Sligo.

Footnote 255:

Pronounced _Gavra_.

Footnote 256:

See O’Grady’s _Silva Gadelica_.

Footnote 257:

Pronounced _Nee-av_.

Footnote 258:

_The Lay of Oisin in the Land of Youth_, translated by Brian O’Looney

for the Ossianic Society—_Transactions_, Vol. IV. A fine modern poem

on the same subject is W. B. Yeats’ _Wanderings of Oisin_.

Footnote 259:

See the _Transactions of the Ossianic Society_. They are generally

called the _Dialogues of Oisin and Patrick_.

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The Mythology of the British Islands An Introduction to Celtic Myth, Legend, Poetry, and Romance · 第 11 / 22 章