I gently prompted.

She erected herself in the chair, threw back her shoulders, and her wide

mouth curved and lifted at the corners with the humour that never long

deserts this woman.

"Yep! That light flooded out its golden rays on the reprehensible person

of C. Wilbur Todd," she crisply announced. "And like they say in the

stories, little remains to be told.

"I let out a kind of strangled yell, and Wilbur beat it right across my

new lawn, and I beat it downstairs. But that girl was like a

sleepwalker--not to be talked to, I mean, like you could talk to

persons.

"'Aunty,' she says in creepy tones, 'I have brought myself to the

ultimate surrender. I know the chains are about me, already I feel the

shackles, but I glory in them.' She kind of gasped and shivered in

horrible delight. 'I've kissed the cross at last,' she mutters.

"I was so weak I dropped into a chair and I just looked at her. At first

I couldn't speak, then I saw it was no good speaking. She was free,

white, and twenty-one. So I never let on. I've had to take a jolt or two

in my time. I've learned how. But finally I did manage to ask how about

Chet Timmins.

"'I wronged dear Chester,' she says. 'I admit it freely. He has a heart

of gold and a nature in a thousand. But, of course, there could never be

anything between him and a nature like mine; our egos function on

different planes,' she says. 'Dear Chester came to see it, too. It's

only in the last week we've come to understand each other. It was really

that wonderful song that brought us to our mutual knowledge. It helped

us to understand our mutual depths better than all the ages of eternity

could have achieved.' On she goes with this mutual stuff, till you'd

have thought she was reading a composition or something. 'And dear

Chester is so radiant in his own new-found happiness,' she says. 'What!'

I yells, for this was indeed some jolt.

"'He has come into his own,' she says. 'They have eloped to Spokane,

though I promised to observe secrecy until the train had gone. A very

worthy creature I gather from what Chester tells me, a Miss

Macgillicuddy--'

"'Not the manicure party?' I yells again.

"'I believe she has been a wage-earner,' says Nettie. 'And dear Chester

is so grateful about that song. It was her favourite song, too, and it

seemed to bring them together, just as it opened my own soul to Wilbur.

He says she sings the song very charmingly herself, and he thought it

preferable that they be wed in Spokane before his father objected. And

oh, aunty, I do see how blind I was to my destiny, and how kind you were

to me in my blindness--you who had led the fuller life as I shall lead

it at Wilbur's side.'

"'You beat it to your room,' I orders her, very savage and disorganized.

For I had stood about all the jolts in one day that God had meant me

to. And so they was married, Chester and his bride attending the

ceremony and Oscar Teetz' five-piece orchestra playing the--" She

broke off, with a suddenly blazing glance at the disk, and seized it

from the table rather purposefully. With a hand firmly at both edges she

stared inscrutably at it a long moment.

"I hate to break the darned thing," she said musingly at last. "I guess

I'll just lock it up. Maybe some time I'll be feeling the need to hear

it again. I know I can still be had by it if all the circumstances is

right."

Still she stared at the thing curiously.

"Gee! It was hot getting them calves out to-day, and old Safety First

moaning about all over the place how he's being stuck with 'em, till

more than once I come near forgetting I was a lady--and, oh, yes"--she

brightened--"I was going to tell you. After it was all over, Wilbur, the

gallant young tone poet, comes gushing up to me and says, 'Now, aunty,

always when you are in town you must drop round and break bread with

us.' Aunty, mind you, right off the reel. 'Well,' I says, 'if I drop

round to break any bread your wife bakes I'll be sure to bring a

hammer.' I couldn't help it. He'll make a home for the girl all right,

but he does something sinful to my nerves every time he opens his face.

And then coming back here, where I looked for God's peace and quiet, and

being made to hear that darned song every time I turned round!

"I give orders plain enough, but say, it's like a brush fire--you never

know when you got it stamped out."

From the kitchen came the sound of a dropped armful of stove wood. Hard

upon this, the unctuous whining tenor of Jimmie Time:

Oh-h-h mem-o-reez thu-hat blu-hess and bu-hurn!

"You, Jimmie Time!" It is a voice meant for Greek tragedy and a theatre

open to the heavens. I could feel the terror of the aged vassal.

"Yes, ma'am!" The tone crawled abasingly. "I forgot myself."

I was glad, and I dare say he had the wit to be, that he had not to face

the menace of her glare.

Somewhere in Red Gap · 第 11 / 30 题