ENGLISH AND FRENCH INFLUENCES

In essentials America is American, but when it comes to inessentials, to

trimmings, her dependence on old England was noticeable again and again

as I walked about New York. The fashion which, at the moment, the print

shops were fostering was for our racing, hunting and coaching coloured

prints of a century ago, while in the gallery of the distinguished

little Grolier Club I found an exhibition of the work of Randolph

Caldecott and Kate Greenaway. In such old bookshops as I visited all

the emphasis was--just then--laid upon Keats and Lamb and Shelley, whose

first editions and presentation copies seem to be continually making the

westward journey. I had not been in New York twenty-four hours before

Keats' "Lamia," 1820--with an inscription from the author to Charles

Lamb--the very copy from which, I imagine, Lamb wrote his review, was in

my hands; but it would have been far beyond my means even if the pound

were not standing at 3.83. These "association" books, in which American

collectors take especial pleasure, can be very costly. At a sale soon

after I left New York, seven presentation copies of Dickens' books,

containing merely the author's signed inscription, realised 4870

dollars. To continue, in Wanamaker's old curiosity department I found

little but English furniture and odds and ends, at prices which in their

own country would have been fantastically high. In the "Vanity Fair"

department, however (as I think it is called), the source was French. I

suppose that French influence must be at the back of all the costumiers

and jewellers of New York, but the shops themselves are far more

spacious than those in Paris and not less well-appointed. Tiffany's is

a palace; all it lacks is a name, but its splendid anonymity is, I take

it, a point of honour.

It used to be said that good Americans when they died went to Paris. The

Parisian lure no doubt is still powerful; but every day I should guess

that more of Paris comes to America. The upper parts of New York have

boulevards and apartment houses very like the real thing, and I noticed

that the architecture of France exerts a special attraction for the

rich man decreeing himself a pleasure dome. There are millionaires'

residences in New York that might have been transplanted not only from

the Avenue du Bois de Boulogne, but from Touraine itself; while when I

made my pilgrimage to Mr. Widener's, just outside Philadelphia, I found

Rembrandt's "Mill," and Manet's dead bull-fighter, and a Vermeer, and

a little meadow painted divinely by Corot, and El Greco's family group,

and Donatello's St. George, and one of the most lovely scenes that ever

was created by Turner's enchanted brush, all enshrined in a palace which

Louis Seize might have built.

But America is even more French than this. Her women can be not less

_soignées_ than those of France, although they suggest a cooler blood

and less dependence on male society; her bread and coffee are better

than France's best. Moreover, when it comes to night and the Broadway

constellations challenge the darkness, New York leaves Paris far behind.

For every cabaret and supper resort that Paris can provide, New York has

three; and for every dancing floor in Paris, New York has thirty. Good

Americans, however, will still remain faithful to their old posthumous

love, if only for her wine.

Apropos of American women, their position struck me as very different

from the position of women with us. English women are deferential to

their husbands; they are content to be relegated to the background on

all occasions when they are not wanted. They are dependent. They seldom

wear an air of triumph and rarely take the lead. But American women are

complacent and assured, they do most of the talking, make most of the

plans: if they are not seen, it is because they are in the background;

they are either active prominently elsewhere or are high on pedestals.

With each other they are mostly or often humorously direct, whereas with

men they seem to adopt an ironical or patronising attitude. American

women seem also to have a curious power of attracting to themselves

other women who admire them and foster their self-esteem. And, for all

that I know, these satellites have satellites too. Their federacy almost

amounts to a solid secret society; not so much against men, for men

must provide the sinews of war and other comforts, but for their own

satisfaction. Both sexes appear not to languish when alone.

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