CHAPTER II.

THE DOVE-COT.

The old town of Sorrento is situated on an elevated plateau, which

stretches into the sunny waters of the Mediterranean, guarded on all

sides by a barrier of mountains which defend it from bleak winds and

serve to it the purpose of walls to a garden. Here, groves of oranges

and lemons,--with their almost fabulous coincidence of fruitage with

flowers, fill the air with perfume, which blends with that of roses and

jessamines; and the fields are so starred and enamelled with flowers

that they might have served as the type for those Elysian realms sung by

ancient poets. The fervid air is fanned by continual sea-breezes, which

give a delightful elasticity to the otherwise languid climate. Under

all these cherishing influences, the human being develops a wealth and

luxuriance of physical beauty unknown in less favored regions. In the

region about Sorrento one may be said to have found the land where

beauty is the rule and not the exception. The singularity there is not

to see handsome points of physical proportion, but rather to see those

who are without them. Scarce a man, woman, or child you meet who has not

some personal advantage to be commended, while even striking beauty is

common. Also, under these kindly skies, a native courtesy and gentleness

of manner make themselves felt. It would seem as if humanity, rocked

in this flowery cradle, and soothed by so many daily caresses and

appliances of nursing Nature, grew up with all that is kindliest on the

outward,--not repressed and beat in, as under the inclement atmosphere

and stormy skies of the North.

The town of Sorrento itself overhangs the sea, skirting along rocky

shores, which, hollowed here and there into picturesque grottoes, and

fledged with a wild plumage of brilliant flowers and trailing vines,

descend in steep precipices to the water. Along the shelly beach, at

the bottom, one can wander to look out on the loveliest prospect in the

world. Vesuvius rises with its two peaks softly clouded in blue and

purple mists, which blend with its ascending vapors,--Naples and the

adjoining villages at its base gleaming in the distance like a fringe

of pearls on a regal mantle. Nearer by, the picturesque rocky shores of

the island of Capri seem to pulsate through the dreamy, shifting mists

that veil its sides; and the sea shimmers and glitters like the neck

of a peacock with an iridescent mingling of colors: the whole air is a

glorifying medium, rich in prismatic hues of enchantment.

The town on three sides is severed from the main land by a gorge two

hundred feet in depth and forty or fifty in breadth, crossed by a bridge

resting on double arches, the construction of which dates back to

the time of the ancient Romans. This bridge affords a favorite

lounging-place for the inhabitants, and at evening a motley assemblage

may be seen lolling over its moss-grown sides,--men with their

picturesque knit caps of scarlet or brown falling gracefully on one

shoulder, and women with their shining black hair and the enormous pearl

earrings which are the pride and heirlooms of every family. The present

traveller at Sorrento may remember standing on this bridge and looking

down the gloomy depths of the gorge, to where a fair villa, with its

groves of orange-trees and gardens, overhangs the tremendous depths

below.

Hundreds of years since, where this villa now stands was the simple

dwelling of the two women whose history we have begun to tell you. There

you might have seen a small stone cottage with a two-arched arcade

in front, gleaming brilliantly white out of the dusky foliage of an

orange-orchard. The dwelling was wedged like a bird-box between two

fragments of rock, and behind it the land rose rocky, high, and steep,

so as to form a natural wall. A small ledge or terrace of cultivated

land here hung in air,--below it, a precipice of two hundred feet down

into the Gorge of Sorrento. A couple of dozen orange-trees, straight

and tall, with healthy, shining bark, here shot up from the fine black

volcanic soil, and made with their foliage a twilight shadow on the

ground, so deep that no vegetation, save a fine velvet moss, could

dispute their claim to its entire nutritious offices. These trees were

the sole wealth of the women and the sole ornament of the garden; but,

as they stood there, not only laden with golden fruit, but fragrant with

pearly blossoms, they made the little rocky platform seem a perfect

Garden of the Hesperides. The stone cottage, as we have said, had an

open, whitewashed arcade in front, from which one could look down into

the gloomy depths of the gorge, as into some mysterious underworld.

Strange and weird it seemed, with its fathomless shadows and its wild

grottoes, over which hung, silently waving, long pendants of ivy, while

dusky gray aloes uplifted their horned heads from great rock-rifts, like

elfin spirits struggling upward out of the shade. Nor was wanting the

usual gentle poetry of flowers; for white iris leaned its fairy pavilion

over the black void like a pale-cheeked princess from the window of some

dark enchanted castle, and scarlet geranium and golden broom and crimson

gladiolus waved and glowed in the shifting beams of the sunlight. Also

there was in this little spot what forms the charm of Italian gardens

always,--the sweet song and prattle of waters. A clear mountain-spring

burst through the rock on one side of the little cottage, and fell with

a lulling noise into a quaint moss-grown water-trough, which had been in

former times the sarcophagus of some old Roman sepulchre. Its sides were

richly sculptured with figures and leafy scrolls and arabesques, into

which the sly-footed lichens with quiet growth had so insinuated

themselves as in some places almost to obliterate the original design;

while, round the place where the water fell, a veil of ferns and

maiden's-hair, studded with tremulous silver drops, vibrated to its

soothing murmur. The superfluous waters, drained off by a little channel

on one side, were conducted through the rocky parapet of the garden,

whence they trickled and tinkled from rock to rock, falling with a

continual drip among the swaying ferns and pendent ivy-wreaths, till

they reached the little stream at the bottom of the gorge. This parapet

or garden-wall was formed of blocks or fragments of what had once been

white marble, the probable remains of the ancient tomb from which the

sarcophagus was taken. Here and there a marble acanthus-leaf, or the

capital of an old column, or a fragment of sculpture jutted from under

the mosses, ferns, and grasses with which prodigal Nature had filled

every interstice and carpeted the whole. These sculptured fragments

everywhere in Italy seem to whisper from the dust, of past life and

death, of a cycle of human existence forever gone, over whose tomb the

life of to-day is built.

"Sit down and rest, my dove," said Dame Elsie to her little charge, as

they entered their little inclosure.

Here she saw for the first time, what she had not noticed in the heat

and hurry of her ascent, that the girl was panting and her gentle bosom

rising and falling in thick heart-beats, occasioned by the haste with

which she had drawn her onward.

"Sit down, dearie, and I will get you a bit of supper."

"Yes, grandmother, I will. I must tell my beads once for the soul of the

handsome gentleman that kissed my forehead to-night."

"How did you know that he was handsome, child?" said the old dame, with

some sharpness in her voice.

"He bade me look on him, grandmother, and I saw it."

"You must put such thoughts away, child," said the old dame.

"Why must I?" said the girl, looking up with an eye as clear and

unconscious as that of a three-year old child.

"If she does not think, why should I tell her?" said Dame Elsie, as she

turned to go into the house, and left the child sitting on the mossy

parapet that overlooked the gorge. Thence she could see far off, not

only down the dim, sombre abyss, but out to the blue Mediterranean

beyond, now calmly lying in swathing-bands of purple, gold, and orange,

while the smoky cloud that overhung Vesuvius became silver and rose in

the evening light.

There is always something of elevation and parity that seems to come

over one from being in an elevated region. One feels morally as well as

physically above the world, and from that clearer air able to look down

on it calmly with disengaged freedom. Our little maiden, sat for a few

moments gazing, her large brown eyes dilating with a tremulous lustre,

as if tears were half of a mind to start in them, and her lips apart

with a delicate earnestness, like one who is pursuing some pleasing

inner thought. Suddenly rousing herself, she began by breaking the

freshest orange-blossoms from the golden-fruited trees, and, kissing and

pressing them to her bosom, she proceeded to remove the faded flowers of

the morning from before a little rude shrine in the rock, where, in a

sculptured niche, was a picture of the Madonna and Child, with a locked

glass door in front of it. The picture was a happy transcript of one of

the fairest creations of the religious school of Florence, done by one

of those rustic copyists of whom Italy is full, who appear to possess

the instinct of painting, and to whom we owe many of those sweet

faces which sometimes look down on us by the way-side from rudest and

homeliest shrines.

The poor fellow by whom it had been painted was one to whom years before

Dame Elsie had given food and shelter for many months during a lingering

illness; and he had painted so much of his dying heart and hopes into it

that it had a peculiar and vital vividness in its power of affecting the

feelings. Agnes had been familiar with this picture from early infancy.

No day of her life had the flowers failed to be freshly placed before

it. It had seemed to smile down sympathy on her childish joys, and to

cloud over with her childish sorrows. It was less a picture to her than

a presence; and the whole air of the little orange-garden seemed to be

made sacred by it. When she had arranged her flowers, she kneeled down

and began to say prayers for the soul of the young gallant.

"Holy Jesus," she said, "he is young, rich, handsome, and a king's

brother; and for all these things the Fiend may tempt him to forget his

God and throw away his soul. Holy Mother, give him good counsel!"

"Come, child, to your supper," said Dame Elsie. "I have milked the

goats, and everything is ready."

The Atlantic Monthly, Volume 07, No. 43, May, 1861 A Magazine of Literature, Art, and Politics · 第 2 / 7 章