MICKLEGATE BAR]

After the Restoration, Charles II. was royally welcomed. James II.

aroused public indignation by attempting to introduce Roman Catholicism

at York, which only led to the persecution of the followers of that

religion. Subsequent events have been principally the visits of royalty.

In 1829 terrible consternation arose at the sight of smoke issuing from

the roof of the Cathedral. The act was afterwards proved to have been

that of a madman who had secreted himself for that purpose in the

Cathedral after the evening service was over. The whole of the choir was

gutted by the flames. The Cathedral, after Sweyn's visitation, had been

rebuilt by Archbishop Thomas of Bayeux.

It was commenced in 1070 and finished by 1100. Of this building little

now remains, it having been destroyed by an accidental fire in 1137. It

remained in a desolate state till Archbishop Roger rebuilt the apsidal

choir and crypt (1154-1191). To this was added the south transept by

Archbishop Walter de Grey (1215-1255) in the reign of Henry III., whilst

the north transept and the central tower were erected by John le

Romaine, who was at that time treasurer of the Cathedral. The two

transepts, besides the crypt, are the oldest portions of the present

building. They belong to the best years of the Early English style. The

south transept has a distinctive feature in its magnificent rose window,

whilst the north transept is adorned with a series of beautiful worked

lancet windows, known as the Five Sisters. The son of the treasurer, who

became also Archbishop, laid the foundation of the nave about 1290,

which was completed about forty years later by Archbishop Melton, who

also built the west front and the two western towers. The Chapter House

also belongs to the same period. In 1361 Archbishop Thoresby commenced

to erect the Lady Chapel and presbytery after the Early Perpendicular

style. He also in eight years completed the central tower, which he had

taken down in 1370, whilst previous to this he had started to rebuild

the choir in 1361 to render it more in accordance with the character of

the nave, though it was not finished till about 1400. It is a very fine

example of the Late Perpendicular style. By this time all traces of the

ancient Norman architecture, with the exception of the eastern portion

of the crypt by Archbishop Roger, which still remains, had been

eliminated. To keep in character it was decided to recase the central

tower and alter it into a perpendicular tower with a lantern, which was

completed in 1444. With the erection of the south-west tower in 1432,

and the north-west tower in 1470, the church was completed, and two

years later was reconsecrated. Besides the fire of the madman in 1829,

when the woodwork was entirely destroyed, another one broke out in 1840

in the south-west tower, reducing it to a wreck. Since then it has

undergone the usual restoration. The whole resembles a Latin cross, and

constitutes a glorious minster, the beauty of which can be more readily

appreciated by a glance at Mr. Collins' work than by any amount of

word-painting. The other illustrations give also a faithful description

of the old gateways. They are the four principal gates or "bars" to the

walls of the city--walls which contain Norman and Early English work,

but principally belong to the Decorative style. Micklegate Bar is the

south entrance, upon which were exposed the heads of traitors, and is

Norman. Monk Bar leads on to the Scarborough Road, and probably belongs

to the fourteenth century. It was formerly called Goodramgate, which was

changed after the Restoration to Monk Bar, in honour of General Monk.

Walmgate Bar dates from the reign of Edward I., and still retains the

barbican rebuilt in 1648, whilst Bootham Bar, with a Norman arch, is the

main entrance from the north. Stonegate is situated practically in the

heart of the city, not far from the minster. It is a curious piece of

architecture. York has been most happy with regard to the birth of men

who have distinguished themselves. It has yielded to the Church of Rome

eight saints and three cardinals, and to England no less than twelve

lord chancellors, two lord treasurers and lord presidents of the north.

But the earliest recorded birth of an eminent native takes us out of the

ordinary ranks of men. If any name is well known it is certainly that of

the first Roman emperor who embraced Christianity. He is Constantine the

Great. Flaccus Albanus was also born here. He was a pupil of the great

ecclesiastical historian, the Venerable Bede. Waltheof, Earl of

Northumberland and son of Siward; Thomas Morton, in turn Bishop of

Chester, Lichfield, Coventry, and Durham, first came into the world at

York; whilst of more recent times there was Gent, an eminent painter and

historian; Swinburn, a distinguished lawyer; and Flaxman, one of

England's most celebrated sculptors, who is perhaps as well known by his

beautiful designs for the Wedgwood pottery as by any other work of his.

Not to know who Flaxman was is almost as bad as to admit ignorance of

the existence of Michael Angelo.

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