CHAPTER I

THE MOVIE BOYS

IN PERIL

OR

Strenuous Days Along

The Panama Canal

BY

VICTOR APPLETON

_Author of “The Movie Boys in the Wild West,” “The

Movie Boys in the Jungle,” “The Movie

Boys in Earthquake Land,” etc._

[Illustration]

GARDEN CITY NEW YORK

GARDEN CITY PUBLISHING COMPANY, INC.

1926

THE FAMOUS MOVIE BOYS

SERIES

BY

VICTOR APPLETON

_See back of book for list of titles_

COPYRIGHT, 1915, 1926, BY

GARDEN CITY PUBLISHING COMPANY, INC.

THE MOVIE BOYS IN PERIL

CHAPTER I

TO THE RESCUE

With a series of puffs and chugs a big, shiny motor cycle turned from

the road into the graveled drive at the side of a white farmhouse. Two

boys sat on the creaking saddles. The one at the front handle bars

threw forward the clutch lever, and then turned on the power sharply to

drive the last of the gases out of the twin cylinders.

The motor cycle came to a stop near a shed, and the two lads, swinging

off, looked at each other for a moment.

“Some ride, that!” observed one. “You had her going then, Blake!”

“Just a little, Joe--yes. It was a nice level stretch, and I wanted to

see what she could do.”

“You didn’t let her out to the full at that; did you?”

“I should say not!” answered the one who had ridden in front, and

guided the steed of steel and gasoline. “She’ll do better than ninety

miles an hour on the level; but _I_ don’t want to ride on her when

she’s doing it.”

“Nor I. Well, it was a nice little run, all right. Funny, though, that

we didn’t get any mail; wasn’t it?”

“It sure was. I think somebody must be robbing the post-office, for we

ought to have had a letter from Mr. Hadley before this,” and he laughed

at his own joke.

“Yes,” agreed Joe, “and I ought to have had one from--”

He stopped suddenly, and a blush suffused the tan of his cheeks.

“Might as well say it as think it,” broke in Blake with another laugh

that showed his white, even teeth. “Hasn’t Mabel written to you this

week?”

“What if she hasn’t?” fired back Joe.

“Oh, nothing. Only--”

“Only I suppose you are put out because you haven’t had a postcard from

Birdie Lee!” challenged Joe.

“Oh, well, have it your own way,” and Blake, with a shrug of his broad

shoulders, began to wheel the motor cycle into the shed.

“No, but it is queer; isn’t it?” went on Joe. “Here we’ve been back

from the flood district over two weeks now, and we haven’t had a line

from Mr. Hadley. He promised to write, too, and let us know what sort

of moving pictures he might be in line for next. Our vacation will soon

be over, and we don’t want to be idle.”

“That’s right,” agreed his chum. “There’s no money in sitting around,

when the film isn’t running. Oh, well, I suppose Mr. Hadley has been so

busy that he hasn’t had time to make his plans.

“Besides,” Blake went on, “you know there was a lot of trouble over

the Mississippi flood pictures--reels of film getting lost, and all

that--to say nothing of the dangers our friends ran. Birdie Lee said

she’d never forget what they suffered.”

“I don’t blame her. Well, maybe they haven’t got straightened out

enough yet to feel like writing. But it sure is nice here, and I don’t

mind if we stay another week or so,” and he looked up the pleasant

valley, on one side of which was perched the farmhouse where the two

moving picture boys had been spending their vacation.

“It sure is nice,” agreed Blake. “And it’s lots more fun since we got

this motor cycle,” for they had lately invested in the powerful vehicle

on which they had made many trips about the surrounding country.

As Blake went to put the machine in the shed, which their

farmer-landlord had allowed them to use, Joe turned to glance back

along the road they had come.

The farmhouse was set up on a little hill, above the road, and a

glimpse of the highway could be had for a long distance. It was the

sight of something coming along this thoroughfare that attracted Joe’s

attention.

“What are you looking at?” asked Blake, returning after having put away

the motor cycle.

“That horse and buggy. Looks to me as though that horse was feeling

his oats, and that the fellow driving him didn’t know any more about

handling the reins than the law allows.”

“That’s right, Joe. If he doesn’t look out he’ll have an upset, or a

runaway.”

The vehicle in question was a light buggy, drawn by a particularly

large and spirited horse. Seated in the carriage, as the boys could

see from their point of vantage, were two men. Who they were could not

be distinguished at that distance, but the carriage was rapidly coming

nearer.

“There he goes!” suddenly cried Joe.

As his chum spoke Blake saw that one of the reins had parted, probably

because the driver pulled on it too hard in trying to bring the

restive steed down to a walk.

Once the spirited horse felt that he was no longer under control, save

by one line, which was worse than none, he sprang forward, and at once

began to gallop, pulling after him the light carriage, which swayed

from side to side, threatening every moment to collapse, overturn, or

at least be torn loose from the horse.

“There he goes!” yelled Joe again.

“I should say so!” agreed Blake. “There are going to be some doings

soon!”

This was evident, for the horse was running away, a fact not only

apparent in itself, but heralded by the looks on the faces of the two

occupants of the carriage, and by their frightened cries, which the

wind easily carried to the watching Joe Duncan and Blake Stewart.

On the road below them, and past the boys, swept the swaying carriage

in a cloud of dust. As it was momentarily lost to sight behind a grassy

knoll, Blake cried:

“The broken bridge, Joe! The broken bridge! They’re headed right for

it!”

“That’s right!” exclaimed his chum. “How can we stop them?”

Once having recognized the danger, the next thought that came to the

minds of Blake and Joe, trained for emergencies, was how to avert it.

They looked at each other for a second, not to gain a delay, but to

decide on the best possible plan of saving the imperiled men.

“The broken bridge,” murmured Blake again. “That horse will never be

able to make the turn into the temporary road, going at the speed he

is!”

“No, and he’s probably so frightened that he’ll not try it,” agreed

Joe. “He’ll crash right through the barrier fence, and--”

He did not finish his sentence, but Blake knew what his chum meant.

About half a mile beyond the farmhouse the road ran over a bridge that

spanned a deep and rocky ravine. About a week before there had been an

accident. Weakened by the passing of a heavy traction threshing engine,

it had been broken, and was ruled unsafe by the county authorities.

Accordingly the bridge had been condemned and partially torn down, a

new structure being planned to replace it. But this new bridge was

not yet in place, though a frail, temporary span, open only to foot

passengers and very light vehicles, had been thrown across the ravine.

The danger, though, was not so much in the temporary bridge, as in

the fact that the temporary road, connecting with it, left the main

and permanent highway at a sharp curve. Persons knowing of the broken

bridge made allowances for this curve, and approached along the main

road carefully, to make the turn safely into the temporary highway.

But a maddened horse could not be expected to do this. He would dash

along the main road, and would not make the turn. Or, if he did, going

at the speed of this one, he would most certainly overturn the carriage.

The main highway was fenced off a short distance on either side of the

broken bridge, but this barrier was of so frail a nature that it could

not be expected to stop a runaway.

“He’ll crash right through it, run out on the end of the broken bridge

and--”

Once more Joe did not finish.

“We’ve got to do something!” cried Blake.

“Yes, but what?” asked Joe.

“We’ve got to save them!” cried Blake again, as he thought of the

two men in the carriage. He had had a glimpse of their faces as the

vehicle, drawn by the frenzied horse, swept past him on the road below.

One of the men he knew to be employed in the only livery stable of

Central Falls, on the outskirts of which he and Joe were spending their

holiday. The other man was a stranger. Blake had only seen that he was

a young man, rather good-looking, and of a foreign cast of countenance.

Blake had momentarily put him down for an Italian.

“The motor cycle!” suddenly cried Joe.

“What?” asked Blake, only half comprehending.

“We might overtake them on the motor cycle!” repeated his chum.

A look of understanding came into Blake’s eyes.

“That’s right!” he cried. “Why didn’t I think of that before, instead

of standing here mooning? I wonder if we’ve got time?”

“We’ll make time!” cried Joe grimly. “Get her out, and we’ll ride for

all we’re worth. It’ll be a race, Blake!”

“Yes. A race to save a life! Lucky she’s got plenty of gas and oil in

her.”

“Yes, and she hasn’t had a chance to cool down. Run her out.”

Blake fairly leaped toward the shed where he had wheeled the motor

cycle. In another instant he and Joe were trundling it down the gravel

walk to the road.

As they reached the highway they could hear, growing fainter and

fainter, the “thump-thud,” of the hoofs of the runaway horse.

Joe held the machine upright while Blake vaulted to the forward saddle

and began to work the pedals to start the motor. The cylinders were

still hot from the recent run, and at the first revolution the staccato

explosions began.

“Jump up!” yelled Blake in his chum’s ear--shouting above the rattle

and bang of the exhaust, for the muffler was open.

Joe sprang to leather, but before he was in his seat Blake was letting

in the friction clutch, and a moment later, at ever gathering speed,

the shining motor cycle was speeding down the road to the rescue. Would

Joe and Blake be in time?

The movie boys in peril · 第 1 / 25 章