CHAPTER XVI.

A TRIAL OF PATIENCE.

Two more years passed over Hetty's head. She had grown tall and looked

old for her age, her large gray eyes were full of serious thought, her

brow was grave, and the expression of her mouth touched with sadness.

The haughtiness and mirth of her childhood were alike gone. Earnest

desire to attain to a difficult end was the one force that moved her,

and this had become visible in her every word and glance. She was

painfully aware that the time was approaching when she must go forth to

battle with the world for herself, and that on her own qualifications

for fighting that battle her position in the world must depend. That she

had not sufficient aptitude for learning out of books, or for

remembering readily all that she gathered from them, she greatly feared.

Her memory gave her back in pictures whatever had engaged her

imagination; but much that was useful and necessary was wont to pass

away out of her grasp. Thorough determination, close application, did

not remove this difficulty, and she was warned by those around her that

unless she could make better use for study of the three years yet before

her than she had made of those that lay behind her, she could never be a

teacher of a very high order. Of all that this failure meant, Hetty

understood more clearly now than when she had wished to live with Mrs.

Kane and be the village schoolmistress. Loving all that was beautiful

and refined in life, she had learned to dread, from another motive than

pride, the fate of being thrown upon a lower social level. And yet this

was a fate which seemed now to stare her in the face.

Mr. Enderby, who had of late taken a personal interest in her studies,

examining her from time to time on various subjects, said to her:

"My little girl, if you do not wake up and work harder I fear you will

have to take an inferior position in life to that which I desired for

you."

Poor Hetty! Was she not wide awake? So wide awake that when he and all

the household were asleep she lay staring her misfortune in the face.

And how could she work harder than she did, weeping in secret over the

dry facts that would not leave their mark upon her brain? Thus it was

that life looked dreary to her, and her face was grave and pale. Phyllis

and Nell, who were three and two years older than herself, had begun to

talk of the joys which the magic age of eighteen had in store for them.

They would leave off study and go forth into the enjoyment of their

youth in a flattering world. Idleness, pleasure, happiness awaited them.

No one could say they were not sufficiently well educated to take that

graceful place in life which Providence had assigned to them; Hetty was

rebuked for being less learned than she ought to be, because for her

there was no graceful place prepared; only a difficult and narrow path

leading away she knew not where.

Of the difference between their position and hers she could not help

thinking, but she had been so long accustomed to realize it that she did

not dwell upon it much. Miss Davis was the person on whom her eyes were

fixed as an image of what she ought to hope to become.

To be exactly like Miss Davis. To look like her, think like her, be as

well informed, as independent, as much respected; to teach as well,

speak as wisely, be called an admirable woman who had fought her own way

against poverty in the world, this was what Hetty had been assured by

Mr. and Mrs. Enderby ought to be the object of her ambition and the end

of all her hopes. And Hetty tried honestly to will as they willed for

her good. But her face was not less sad on that account.

Things were in this state when one day, a day never to be forgotten by

her, Hetty was feeling more than usually unhappy. Only the evening

before Mr. Enderby had examined her on several subjects, and had found

her wanting. He had spoken to her with a little severity, and at the

same time looked at her pityingly, and the girl had felt more miserable

than can be told at having disappointed him. To-day she was left to

spend a long afternoon by herself, as Miss Davis had taken Phyllis and

Nell to visit some friends, and, though her morning's work ought to have

been over, she still sat at her lessons, labouring diligently. At last

becoming thoroughly tired she closed her book and raised her eyes

wearily, when they fell on a jar of wild flowers which yesterday she had

arranged and placed upon a bracket against the wall. It was spring, and

in the jar was a cluster of pale wood-anemones with some sprays of

bramble newly leafed. Hetty's eyes brightened at the sight of these

flowers, and noted keenly every exquisite outline and delicate hue of

the group. It seemed to her at the moment that she had never seen

anything so beautiful before. Mechanically she took up her pencil and

began to imitate on a piece of paper the waving line of the bramble

wreath, and the graceful curves of the leaves. To her own great surprise

something very like the bramble soon began to appear upon the paper. A

sharp touch here, a little shadow there, and her drawing looked vigorous

and true. After working in great excitement for some time Hetty got up

and pinned her drawing to the wall, and stood some way off looking at

it. Where had it come from? she asked herself. She had never learned to

draw. She had not known that she could draw. Oh, how delightful it would

be if she could reproduce the flowers as they grew! Not quite able to

believe in the new power she had discovered in herself, she set again to

work, altering the arrangement of the flowers in the jar, and taking a

larger sheet of paper. It was only ruled exercise paper, but that did

not seem to matter when the flowers blossomed all over it. The second

drawing was even better than the first; and Hetty stood looking at it

with flushed cheeks and throbbing heart, wondering what was this new

rapture that had suddenly sprung up in her life.

As her work was done, and the afternoon was all her own, she was able to

give herself up to this unexpected delight, and spent many hours

composing new groups of flowers, and arranging them in fanciful designs.

When a maid brought up her solitary tea she lifted her flushed face and

murmured, "Oh, can it be tea-time?" and then spread out all her

drawings against the wall, and stared at them while she ate her bread

and butter.

She felt nervous at the thought of letting anybody see them, and locked

them up in her desk before Miss Davis and the other girls came home.

In earliest dawn of the next morning, however, she was out of bed and

studying the drawings as she stood in her night-dress and with bare

feet. Were they really good, she asked herself, or were her eyes

bewitched; and would Mr. Enderby laugh at them if he saw them? Anguish

seized on her at the thought, and she dressed herself with trembling

hands. A new idea, striving in her mind, seemed to set all nature

thrilling with a meaning it had never borne for her before. There had

been great painters on the earth, as she knew full well, whose existence

had been made beautiful and glorious by their genius; and there were

artists living in the present day, small and great, who must surely be

the happiest beings in the world. Their days were spent, not in

drudgery, and lecturing, and primness, but in the study and reproduction

of the beauty lying round them. Oh, if God should have intended her to

be one of these!

When the maids came to dust the school-room they found Hetty hard at

work upon a new wreath of ivy which she had hastily snatched from the

garden wall and hung against the curtain, and they thought she was

doing some penance at Miss Davis's bidding. By eight o'clock the

drawings were hid away, the flowers and wreaths disposed of in the jars,

and Hetty was sitting at the table with a book in her hand. No one need

know, she thought, of how she spent those early hours when everybody

else was in bed. And so day after day she worked on steadily with her

pencil, and there was a strange and unutterable hope in her heart, and a

new light of happiness in her eyes.

After some time she became more daring and attempted to bring colour

into her designs. Using her school-room box of paints, the paints

intended only for the drawing of maps, she placed washes of colour on

her leaves and along her stems, making the whole composition more

effective and complete. Day by day she improved on her first ideas, till

she had stored up a collection of really beautiful sketches.

With this new joy tingling through her young veins from morning till

night, and from night till morning again, Hetty began to look so glad

and bright that everyone remarked it. Miss Davis looked on approvingly,

thinking that her own excellent discipline of the girl was having an

effect she had scarcely dared to hope for. Nell was full of curiosity to

know why Hetty had become so gay.

"May I not have the liberty to be gay as well as you?" said Hetty

laughing.

"Of course; but then you are so suddenly changed. Miss Davis says it is

only because you are growing good. But I think there must be something

that is making you good."

"I am glad to hear I am growing good. Something is making me very happy,

but I cannot tell you what it is."

Nell, always on the look-out for a secret, opened her eyes very wide,

but could get no further satisfaction from Hetty, who only laughed at

her appeals to be taken into confidence. That evening, however, she told

Miss Davis that Hetty had admitted that there was _something_ that was

making her so happy.

"I knew she had a secret," said Nell mysteriously.

"Then it is the secret of doing her duty," said Miss Davis. "She has

made great improvement in every respect during the last few weeks."

"I know she gets up earlier in the mornings than she used to do," said

Nell, "and I don't think she is at her lessons all the time."

"I hope she has not been making any more friends in the village," said

Phyllis.

"I am sorry such thoughts have come into your minds, children," said

Miss Davis; "I see nothing amiss about Hetty. If she is happier than she

used to be, we ought all to feel glad."

Phyllis did not like the implied rebuke, and at once began to hope that

she might be able to prove Miss Davis in the wrong. If Hetty could be

found to have a secret, as Nell supposed, Phyllis decided that it ought

to be found out. Her mother did not approve of children having secrets.

Even if there was no harm in a thing in itself, there was a certain harm

in making a mystery of it. So, having arranged her motive satisfactorily

in her mind, Phyllis, feeling more virtuous than ever, resolved to

observe what Hetty was about. The next morning she got up early and came

down to the school-room an hour before her usual time. And there was

Hetty working away at her drawing with a wreath of flowers pinned before

her on the wall.

Phyllis came behind her and was astonished to see what she had

accomplished with her pencil; and Hetty started and coloured up to her

hair, as if she had been caught in a fault.

"Well, you are a strange girl," said Phyllis; "I did not know drawing

was a sin, that you should make such a mystery over it."

"I hope it is not a sin," said Hetty in a low voice. She felt grieved at

having her efforts discovered in this way. She wished now that she had

told Miss Davis all about it. Phyllis opened the piano and began to

practise without having said one word of praise of Hetty's work; and the

poor little artist felt her heart sink like lead. Perhaps the beauty

that she saw in her designs existed only in her own foolish eyes.

She worked on silently for about half an hour, and then put away her

drawing materials and her flowers, and began to study her lessons for

the day.

"Of course you do not expect me to keep your secret from Miss Davis,"

said Phyllis, looking over her shoulder. "I have been always taught to

hate secrets, and my conscience will not allow me to encourage you in

this."

"Do exactly as you please," said Hetty; "I shall be quite satisfied to

let Miss Davis know what I have been doing."

"Then why did you not tell her before?" asked Phyllis.

"I am not bound to explain that to you," said Hetty; but finding her

temper was rising she added more gently, "I am willing to give an

account of my conduct to any one who may be scandalized by it"; and

then, fearing to trust herself further, she went out of the room.

On the stairs she met Miss Davis, and stopped her, saying:

"Phyllis has a complaint to make of me. I shall be back in the

school-room presently after she has made it."

"What is it about, my dear?"

"She can tell you better than I can," said Hetty. "Please go down now,

Miss Davis, and then we can have it over before breakfast."

"Miss Davis, I find Nell was right in thinking that Hetty was doing

something sly," began Phyllis, as the governess entered the school-room.

"I am sorry to hear it. What can it be?"

"Nothing very dreadful in itself perhaps. It is the secrecy that is so

ugly, especially as there was no reason for it in the world."

"What has Hetty done?" repeated Miss Davis.

"Why, she has been getting up early in the mornings to draw flowers,"

said Phyllis, unwillingly perceiving that the fault seemed a very small

one when plainly described.

"I did not know she could draw," said Miss Davis; "but, if she can, I

see no harm in her doing it."

"I think she ought to spend the time at the studies father is so anxious

she should improve in," said Phyllis; "and I imagine she knows it too,

or she would not have been so secret."

"There is something in that, Phyllis; though I would rather you had not

been so quick to perceive it."

Phyllis curled her lip slightly. "Intelligence is given us that we may

use it, I suppose," she said coldly; "but I have done my duty, and I

have nothing more to say in the matter."

Breakfast passed over without anything being said on the subject of the

great discovery; but after the meal was finished, Miss Davis desired

Hetty to fetch her her drawings that she might see them. Hetty went to

her own room immediately, and returned bringing about a dozen drawings

in a very primitive portfolio made of several newspapers gummed

together.

Miss Davis was no artist, but she felt that the designs were good, and

remarkable as having been executed by a girl so untaught as Hetty. They

increased her opinion of her pupil's abilities, yet she looked on them

chiefly from the point of view Phyllis had suggested to her, and

considered them in the light of follies upon which valuable time had

been expended.

"My dear," she said, "these are really very pretty, and I am sure they

have given you a great deal of pleasure. But I cannot countenance your

going on with this sort of employment. Think of how usefully you might

have employed at your books the hours you have spent upon these trifles.

I presume you were aware of this from the first yourself, and that this

is why you have been so silent as to your new accomplishment."

"No," said Hetty decidedly; "I did not feel that I was wasting time. On

the contrary, my drawing gave me better courage to work at my lessons.

The hours I spent were taken from my sleep. I was always at my books

before Phyllis was at hers."

"Phyllis is not to be made a rule for you, my dear. She has not the same

necessity to exert her powers to the utmost. If you can do without part

of your sleeping time, you ought to devote it to your books. And pray,

if you did not think you were committing some fault, why did you say

nothing to anyone of what you were about?"

"I cannot tell you that, Miss Davis," said Hetty, her eyes filling with

tears; "I mean I cannot explain it properly. I could not bring myself to

show what I had done; but I had no idea of _wrongness_ about the

matter."

"Well, my dear, we will say no more about it. Take the drawings away;

and in future work at your lessons every moment of your time. I will put

you on your word of honour, Hetty, not to do any more of this kind of

thing."

"Do not ask me to give you such a promise, Miss Davis."

"But Hetty, I must, and I do."

"Then, Miss Davis, I will speak to Mr. Enderby."

The governess and her two pupils gazed at Hetty in amazement.

"I mean," Hetty went on, "that I hope he will think drawing a useful

study for me. Will you allow me to speak to him this evening, Miss

Davis?"

"Certainly, my dear," said Miss Davis stiffly. "There is nothing to

hinder you from consulting Mr. Enderby on any subject. I am sure he will

be kind enough to give you his advice. Only I think I know what it will

be beforehand; and I would rather you had shown more confidence in me."

Hetty could not give her mind to her lessons that day, nor get rid of

the feeling that she was in disgrace. When evening came, the hour when

Mr. Enderby was usually to be found in his study, she asked Miss Davis's

permission to go to him, and with her portfolio in her hand presented

herself at his door.

"Come in, Hetty," said Mr. Enderby; "what is this you have got to show

me? Maps, plans, or what? Why, drawings!"

Hetty's mouth grew dry, and her heart beat violently. The tone of his

voice betrayed that the master of Wavertree had no more sympathy for

art, or anything connected with it, than had Miss Davis. He was an

accurate methodical man with a taste for mathematics, who believed in

the power conferred by knowledge on man and woman; but who had little

respect for those who concerned themselves with only the beauties and

graces of life. Art was to him a trifle, and devotion to it a folly.

Therefore Hetty with her trembling hopes was not likely to find favour

at his hands.

"My child, I am sure they are very pretty; but this sort of thing will

not advance you in the world."

"But, Mr. Enderby,--I have been thinking--artists get on as well as

governesses. I do these more easily than I learn my dates. If I could

only learn to be an artist."

Mr. Enderby put his eye-glass to his eye, and gazed at her a little

pityingly, a little severely, with a look that Hetty knew.

"You would like to become an artist? Well, my girl, I must tell you to

put that foolish idea out of your head. In the first place, you are not

to imagine that because you can sketch a flower prettily, you have

therefore a genius for painting; and such fancies are only calculated to

distract your mind from the real business of your life. Besides,

remember this, I have given, am giving, you a good education as a means

of providing for you in life. Having bestowed one profession upon you

already, I am not prepared to enter into the expense and inconvenience

of a second. So run away like a sensible girl and stick to your books.

You had better leave these drawings with me and think no more about

them."

Saying this, Mr. Enderby opened a drawer and locked up Hetty's designs

within it; and, humbled and despairing, Hetty returned to the

school-room.

Her face of grief and her empty hands told sufficiently what the result

of her errand had been. No remark was made by Miss Davis or the girls,

though Nell, who thought the drawings wonderfully pretty, was impatient

to know what her papa had said of them. She was too much in awe of Miss

Davis to seek to have her curiosity gratified just then; and the evening

study went on as if nothing had happened.

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