I later adopted “Earl” primarily because it rhymes with “girl”, the

creature of enchantment that I longed to be, and secondarily because it

arouses noble ideas. I adopted “Lind” after Jennie Lind, one of my

models.

Perhaps these fancies about names are proof of insanity. A medical

reviewer of my AUTOBIOGRAPHY OF AN ANDROGYNE, who devoted only five

minutes to the 70,000 words, declared me “clearly insane.”

When I transferred my female-impersonations from Mulberry Street to the

Fourteenth Street Rialto, incredulity occasioned my transliterating the

fancy “Raphael” to prosaic “Ralph.”

As a result of my 1905 court martial making the names “Ralph Werther”

and “Jennie June” known to some army heads, I found it advisable, when

in 1907 renewing my kind of army life for seven years, to choose new

masculine and feminine names. I feared it might become known to the army

heads that the fairie “Jennie June” had transferred “her” stage for

female-impersonations to a distant military post. Hence the

substitutions of “Earl Lind” and “Pussie.”

On a single day I have had to sign myself with four different names.

Always after writing my signature, I must review it painstakingly to

make sure I have put down the proper one. Only once I have made

[Sidenote: _Two Handwritings._] a mistake. In receipting for a

registered letter addressed “Earl Lind, General Delivery,” I signed my

legal name. To the clerk’s inquiry I replied that I had been authorized

by Lind. He sent word to Lind for written authorization, which was

promptly despatched.

I have had to acquire two entirely distinct handwritings—the second for

my numerous love letters.[25] None were ever written more mushy than

those of “Jennie June” and I guarded against their ever being traceable

to the intellectual and puritan “Ralph Werther” (by which name I refer

to my every-day self in my books). I have often, within an hour, written

letters in the two different hands.

CONFIDANTS: Throughout the three decades of my double life, I have,

outside several physicians, disclosed it only to nine confidants of my

every-day circle. One expressed his amazement that I should disclose it

at all, affirming that even my best friend would be likely to get me

thrown out of my economic and social position. All my lay confidants,

however, proved helpful and compassionate excepting one, who, while

never disclosing my secret, dropped me from his friendship, although we

had been the very closest of Platonic friends. One physician brought

about my expulsion from the university and made me a Bowery outcast and

fairie.

Because of the terrible persecutions inflicted by the criminally-minded

“saints” who happened to be born sexually full-fledged, hardly a single

cultured androgyne ever betrays his bisexuality to a single confidant

[Sidenote: _Author’s Contribution to Sociology._] of his every-day

circle excepting the tremendously virile bachelor whom he may have

chosen as soul-mate. I am an exception in outspokenness. Decades ago I

rose above the prudery and bias with which most leaders of thought are

to-day bound hand and foot. I desire that men interested in the

improvement of the human race, and in the question of justice to all

classes, have the opportunity of getting at the facts concerning the

atypic and atavic types with whom I have been intimately thrown through

having been foreordained to pass a large part of my life in the

Underworld.

Part Three:

The Fairie Boy

I. Female-Impersonation.

In PART THREE, I shall outline what kind of adult career is the natural

sequel of the childhood and adolescence described in PART TWO; what kind

of adult career is bound up with the physique and psyche with which I am

endowed. I shall disclose what Providence had in store for the youthful

religious prodigy of the Connecticut hills—the delicate, lilliputian,

chicken-hearted girl-boy—after he had been swallowed up in New York’s

millions.

Since ultra-androgynes are, in a sense, instances of dual personality—a

male soul and a female soul inhabiting the same brain and body—it is

natural for them to live a double life.

Moreover, as the “classy,” hypocritical, and bigoted Overworld considers

a bisexual as monster and outcast, I was _driven_ to a career in the

democratic, frank, and liberal-minded Underworld. While my male soul was

a leader in scholarship at the university uptown, my female soul, one

evening a week, flaunted itself as a French doll-baby in the shadowy

haunts of night life downtown.

Since my student and subsequent professional career were prosaic, I

leave them almost unmentioned [Sidenote: _The Fourth Sex._] throughout

PART THREE. I, however, always gave them first place in my life. But I

here confine myself to what I experienced and learned while

impersonating a French doll-baby because it constitutes something novel

to most readers.

Indeed PARTS THREE, FOUR, and FIVE portray the social life and

diversions of the most cultured New York coterie of THE THIRD SEX during

the last decade of the nineteenth century. For, while little has yet

been published about instinctive female-impersonators because of the

prudery of the sexually full-fledged, they form (necessarily _sub rosa_)

quite a large class of society—about one out of every three hundred

physical males. During the last decade of the nineteenth century, the

Fourteenth Street Rialto was their chief stamping-ground in the New York

metropolitan district. I became acquainted with them because during the

decade indicated, I was myself in my prime as a female-impersonator in

two out of the three principal bright-light quarters of the metropolitan

district.

[There exists also A FOURTH SEX, the gynanders. But experience has not

qualified me to describe them in detail. That task awaits some brave,

high-minded, and brilliant _physical_ female. See, however, chapter on

GYNANDERS in my RIDDLE OF THE UNDERWORLD.]

The Overworld has enjoined complete silence about female-impersonators

because of their thoroughly false view that any adolescent adopting the

role must do so from moral depravity. They argue: “If I myself adopted

the role, it could only be through unspeakable depravity. Ergo, the same

is true for every male.” They overlook the fact that Nature did not

[Sidenote: _Female-Impersonation Instinctive._] make all anatomical

males of like passions. What would be moral depravity for one is not for

another.

Instinctive female-impersonators are sexual cripples from their mother’s

womb. They had no choice in the matter. Thus they merit pity rather than

scorn. Further, since their impersonations occasion no detriment to any

one, but are a source of much entertainment to their sexually

full-fledged associates, they are a positive ethical good. All

beneficent talents that the Creator has distributed among mankind must

have been meant for use—not for strangling.

As to the ethical question, I myself, who from the age of nineteen to

thirty-one had an intensive career as fairie—female-impersonator, can

truthfully state, on arrival in my late forties, that I was not once,

during that career, guilty of an irreligious or unethical act—excepting

alone that I seriously impaired my own health. But it is doubtful

whether the impairment was permanent. In my late forties, my physical

vigor is not at a lower level compared with males of my own age than it

was during my childhood. My health has always been delicate.

Numerous wives and mothers suffer in health from the sex passion as much

as I. If my having had my health wrecked by it proves it immoral for me

and to be legally repressed, then the yielding to it by wedded pairs is

equally immoral and to be interdicted. If it be objected that the human

race is perpetuated by the latter, I answer that this consideration

would only permit to married couples a sex-union when offspring was the

object—that is, for a cultured couple, from one to three times

throughout their married life.

[Sidenote: _Depilation._]

In the description of my own physique and psyche, I have indicated the

general characteristics of the extreme type of androgynes foreordained

to become quasi-public female-impersonators. But the outstanding

feminesque physical stigmata of each “fairie” (as they are commonly

called in the United States) tend to be _sui generis_. In one it is

natural beardlessness alone. In another, the possession of female

breasts alone. In a third, the female skeletal shape, particularly an

over-long spine, short legs, and broad pelvis. In a fourth, natural

soprano voice. Etc.

Whoever has beheld an instinctive female-impersonator when keyed up,

must confess that this type are _born_ actors—or “actresses,” as they

prefer to be called. Their histrionic skill is not primarily the result

of practice or instruction.

Their audiences have marvelled because the impersonators’ faces are

devoid of any sign of beardal hair. Usually the beard is eradicated. It

is allowed to grow for a full week in seclusion. By means of a mask of

depilatory wax, every hair is then pulled out by the roots, the outer

portion having become embedded, like hair in wall-plaster. For three

weeks, the face is as glabrous as a baby’s. Then the week’s seclusion

and the final excruciatingly painful yank of the wax mask all over

again. The process has no permanent effect, either good or bad.

All the impersonators adopt a fancy feminine name, as Pansy, Daisy, and

Lily. Often the names of living star actresses are adopted and “dragged

into the mud,” as people say. For while the career of a

female-impersonator is a purely physiological and [Sidenote: _Obedience

to Nature Gave Peace._] psychological phenomenon, it is incorrectly

regarded as deepdyed immorality.

All impersonators belonging to the middle and upper classes also choose

a masculine alias, represented in the Underworld to be their legal name.

They do not wish to risk disgrace to their family name. Moreover, on

their sprees in the bright-light districts, they are careful to wear

nothing containing their every-day initials.

Except for a few weeks, I myself was only an avocational

impersonator. I gave to it only three hours a week, as compared with

109 waking hours to my student (or later, professional) life. I did

not adopt the avocation until near the close of my sophomore year.

Almost throughout the preceding twenty-four months, however, I had

fought violently against almost irresistible tendencies to disappear

for an evening in the Underworld on a female-impersonation spree.

But my ultra-puritan education had injected into me such a moral

horror of female-impersonation that I was able to resist the

tendencies for two whole years after the date that Nature ordained

them to begin.

The “French doll-baby” spirit had dwelt in my brain since birth.

Throughout my life down to nineteen, it had manifested itself strongly,

although after fourteen I had struggled to crucify it. At nineteen, it

refused longer to be suppressed. I (the puritan, book-worm spirit in me)

had to arrange a compromise. I promised to yield my physical and mental

powers to it only one evening each week. And the doll-baby spirit was

satisfied. Previously I had been the most melancholy person in the

university. But dating from the [Sidenote: _My Dual Personality._]

compromise, my life flowed on peacefully and blissfully. Only

occasionally—moments while suffused with ambition to make a name for

myself in the intellectual and philanthropic world—would I turn against

the doll-baby spirit with abhorrence, and ask myself how I could ever

give place to it.

For the serious work of life, I realized that I must practically

strangle the feminine side of my duality outside the three hours a week

during which I conceded to it full possession of my personality. While

at my every-day tasks, I sought to forget the doll-baby spirit that

dwelt in my brain side by side with the scholar spirit.

[Sidenote: _The Fairie Boy._]

II. A Typical Female-Impersonation Spree.

The one evening a week on which I (the scholar spirit) surrendered, I

called “going on a female-impersonation spree.” The typical spree did

not occur until the December (1894) of my senior year. I had become

somewhat adept in the art of impersonation through a year’s

apprenticeship in the Mulberry Street Italian quarter. As that training

has been detailed in my AUTOBIOGRAPHY OF AN ANDROGYNE and THE RIDDLE OF

THE UNDERWORLD, I omit it here.

On the afternoon preceding a spree, I would be overwhelmed with dread

and melancholia. I dreaded disclosure, which I realized would mean

expulsion from the university because of the full-fledged man’s horror

of a sexual cripple. I dreaded possible disfigurement by blows—or even

murder—by one of the numerous prudes who detest extreme effeminacy in a

male (supposed). I was melancholy because about to embark on something

that my puritan training had impressed me as in the highest degree

disgraceful, and that I secretly wished I did not have to undertake. But

to be contented and even happy for the following week and to guarantee

that tranquillity necessary for the best scholarly success, the weekly

spree was unavoidable.

Only a handful of upper-class female-impersonators adopt feminine attire

for street wear. For myself (being a university student, and

subsequently an honored member of a learned profession) it was too

[Sidenote: _Fairies Are Extreme Dressers._] risky. I merely kept some

feminine finery locked up in my room for occasional decoration of my

person while I gazed in the mirror. But during the eighteen months that

my sprees were staged in the Fourteenth Street Rialto and the six years

on or near military reservations in New York’s suburbs, my attire was as

fancy and flashy as a youth dare adopt. Fairies are extreme dressers and

excessively vain. To strange adolescents whom I passed on the street I

proclaimed myself as a female-impersonator through always wearing white

kids and large red neck-bow with fringed ends hanging down over my

lapels.

I would set out from my lodgings with the feelings of a soldier entering

a terrific battle from which he realizes he may never return. As the car

carried me farther and farther from where I staged the puritan student

life and nearer and nearer to where I staged the “French doll-baby”

life, my overwhelming melancholia would gradually give way to a sense of

gladness that in a few minutes I would find myself again on “Jennie

June’s” stamping-ground. I had left at home all my masculinity (a very

poor variety). The innate feminine, strangled for a week in order that I

might climb, round by round, the ladder to an honored place in the

learned world, now held complete sway.

During the last decade of the 19th century, the Fourteenth Street Rialto

ranked second only to the “Tenderloin” as an amusement center in the

entire metropolitan district. While it still holds the same rank in

1921, its present night life is only a shadow of what it was. A quarter

of a century ago, New York was wide-open, whereas for more than a

decade, the lid has been down tight. Promenading the Rialto on

[Sidenote: _The Fourteenth Street Rialto._] an evening of 1921, the

pedestrian would conclude that no such phenomenon as sex attraction

existed. But during the period that I was an habitué, the Fourteenth

Street Rialto was as gay as European bright-light districts, which I was

fated to explore.

[Illustration:

Fourteenth Street Rialto, Stamping-Ground of the Hermaphroditoi

]

[Illustration:

Stuyvesant Square, One of Jennie June’s Stamping Grounds

(Usually the evening was spent on the bench where two girls are seated

in picture.)

]

The Rialto is confined principally between Third Avenue and Broadway.

While I was an habitué, theatres, museums for men only, drinking

palaces, gambling joints, and worse abounded.

On pleasant evenings, when the sidewalks were thronged with smartly

dressed adolescent pleasure seekers, I would promenade—up and down, up

and down—until I chanced to meet a coterie of young bloods who invited

me to join them. Our evenings would be spent in pool-rooms, gambling

joints, beer gardens of ill repute, or worse resorts. Nature made me

proof against the vices I there witnessed. My only weakness was the

craze for female-impersonation. My greatest joy was to flaunt myself as

a bisexual before those who did not know my identity. I realized that

every soul among my Rialto associates was turning his or her back on the

Creator. But I was always determined to give Him first place in my

affections. However, for fear of bringing reproach on religion if _I_

made myself its representative—_I_, a misunderstood female-impersonator,

whom even the Underworld in general regarded as one of the most impious

of humans—I never mentioned the theme except under extraordinary

circumstances.

If the weather were bad, I would immediately enter a beer-garden and

call for sarsaparilla. I would consume it in driblets while watching for

the opportunity [Sidenote: _Female-Impersonators Popular._] to join some

tremendously virile bachelors out for a lark.

On the typical evening I have chosen to describe of my many passed in

the Rialto, I happened to run across several youthful Lotharios waiting

in front of a theatre for something “to turn up”. Only one adolescent

“male” out of three thousand in New York City adopts the role of

quasi-public female-impersonator. A Rialto habitué therefore does not

often run up against one. Judging by my own experience, a

female-impersonator proves an attraction of the first order for young

bloods having time hanging heavy on their hands. Thus this coterie—as

many others have done—called out jubilantly on catching sight of me:

“Hello Jennie June!” ... “Hello sweetheart! That is what you want us to

call you, isn’t it?” ... “Let me introduce you to Mr. A and Mr. B. They

have never met a female-impersonator, and are dead anxious to see you

take off a girl.”

“And you are Jennie June, are you?” A and B exclaimed. “We have heard a

lot about you and longed to meet you.”

“Bon soir, messieurs,” I replied. I had a liking for addressing

chance-met beaux in a foreign tongue. I happened to be the foremost

linguist among the university students.

“Bon soir, Jennie, bon soir!”

“Meine sehr geliebten junge Herren, wie geht’s bei Ihnen?” I continued

with a twinkle in my eye.

“Ganz gut,” sounded the reply. New York is a Babel. On an hour’s

promenade in the Rialto, conversation in a score of languages would

impinge on one’s [Sidenote: _Female-Impersonators Gifted._] ear. Bright

young men brought up in a New York foreign colony acquire a score of the

commonest expressions in several languages.

“I miei amici, siete amati da me,” I next declared in a third language.

“Pee-an-gou, savez? We don’t understand Dago, Jennie. Tell us in

American how much you love us.”

I reply in Spanish: “Esto es lo mejor que podemos hacer. Hablemos

ingles.”

“Bert, Jennie seems to be a bright fellow—or girl—doesn’t she? All these

impersonators seem to be brainy. Jennie, I don’t know whether to call

you a fellow or a girl. Which is proper?”

“Girl, of course,” I replied with a smile.

“Well, fellows, Jennie June is part _he_ and part _she_. _He_ wears

trousers, but _she_ has breasts just like a woman and wants us fellows

to regard her as a girl.”

“Well, Jennie, if you are a girl, why do you wear breeches? And why

don’t you let your hair grow long?”

“Because I have the misfortune to be only part girl. I am only a girl

incarnated in a boy’s body. But besides my girl’s mind, my entire body

is shaped very much like a girl’s and I possess her bone and muscular

systems. Because I am part boy, the law prohibits to me my natural or

instinctive apparel. But you will be so kind as to overlook my not

appearing before you in gown and picture hat, won’t you? I will make up

for that lack by out-womaning woman in my actions. It is my nature to

give up all I have, and do all I can, for the entertainment of

_heroes_—as you manly fellows seem to be.”

[Sidenote: _The Hotel Comfort._]

“Jennie, let’s walk around to the ladies’ parlor of the Hotel

Comfort[26] and have a few drinks.”

We arrived in an artistically furnished room 25 feet by 75. At one side

was a bar from which waiters continuously carried drinks to the

fifty-odd couples seated around the small ornamental tables which

occupied most of the floor. Nearly all the patrons were under thirty,

and absolutely all, highfliers sexually. The vast bulk merely smoked,

drank, and “chinned.” Only a few were playing cards for money. All were

refined and orderly. I have never circulated among more delightful

people than I met frequently at the Hotel Comfort.

I had become well acquainted with the proprietor and all his employees.

For more than a year the “hotel” was substantially the home of my

feminine personality, “Jennie June.” But this refined and luxurious

“hotel” would have tolerated only a cultured and outwardly modest

female-impersonator. Most examples of that biological sport were far

below the standards of the Hotel Comfort, and would have been barred.

But I was looked upon as a personality likely to attract a pecuniarily

desirable class of patronage.

My five companions and I spent an hour sipping beverages.

[While during my twelve years as quasi-public female-impersonator, my

companions always drank intoxicants, I always called for non-alcoholics.

The latter’s price was double in order to discourage the consumption of

temperance drinks. I had been brought up to loathe alcoholics, and

during my twelve years intimacy with heavy drinkers, came to a more and

more rational loathing.

[Sidenote: _No Alcohol, No Venereal Disease._]

Alcoholics are by far the greatest curse of the Caucasian race. I have

had almost unequalled opportunities for studying venereal diseases. My

twelve years of having roues and _filles de joies_ for bosom friends

taught me that the presence of alcohol in the blood is the _sine qua

non_ of venereal disease. Perhaps my greatest contribution to the

betterment and happiness of humanity is the epigram original with

myself: NO ALCOHOL, NO VENEREAL DISEASE. But it is necessary to be a

TOTAL ABSTAINER. Mere moderation does not confer immunity. The total

abstainer may possibly contract venereal disease, but it is sure to be

benign, almost negligible, and inflicting no permanent injury. Dr.

Robert W. Shufeldt, who as army surgeon had extensive experience in the

treatment of venereal disease, wrote in the JOURNAL OF UROLOGY AND

SEXOLOGY, 1917, page 458: “In my opinion, alcohol bears the

responsibility more than any other single agent—indeed more than all the

others put together—for ensuring venereal infection.”]

“Jennie, why not take a cocktail instead of a lemonade? We want to warm

you up. Then you will give us some of your recitations and songs. Won’t

you drink a few cocktails for my sake?”

“I would not put the poison into my system for anybody! I do not need

that kind of stimulant. You know what kind I need to get warmed up to

declaiming and singing!

[Sidenote: _Female-Impersonate Intoxication._]

“‘I am a-thirst, but not for wine;

The stimulant I long for is divine;

Poured only from your eyes in mine!

I am a-cold, and lagging lame;

Life creeps along my chilled frame;

Your love will fan it into flame.

I am a-hungered, but the bread I want;

The food that e’er my thoughts doth haunt;

Is your sweet speech, for which I pant!’”[27]

“If that is all the stimulant you need, Jennie, it can easily be

supplied.”

We were the merriest party in the parlor. The attentions of my beaux

were having their usual effect. To achieve my best success at

female-impersonation, the stimulus of an appreciative and responsive

audience of youthful Lotharios was necessary. Our hilarity was more and

more attracting the eyes and ears of all other guests. Some recognized

me as a female-impersonator. Calls began to reach me: “O you Jennie

June, give us an impersonation of a prima donna!” The old-timers were

remarking to new patrons of the “hostelry”: “The little fellow with the

red bow is a fairie!”

The female-impersonators · 第 6 / 20 段