Saxon and Billy were gone weeks on the trip south, but in the end they
came back to Carmel. They had stopped with Hafler, the poet in the
Marble House, which he had built with his own hands. This queer dwelling
was all in one room, built almost entirely of white marble. Hafler
cooked, as over a campfire, in the huge marble fireplace, which he used
in all ways as a kitchen. There were divers shelves of books, and the
massive furniture he had made from redwood, as he had made the shakes
for the roof. A blanket, stretched across a corner, gave Saxon privacy.
The poet was on the verge of departing for San Francisco and New York,
but remained a day over with them to explain the country and run over
the government land with Billy. Saxon had wanted to go along that
morning, but Hafler scornfully rejected her, telling her that her legs
were too short. That night, when the men returned, Billy was played out
to exhaustion. He frankly acknowledged that Hafler had walked him into
the ground, and that his tongue had been hanging out from the first
hour. Hafler estimated that they had covered fifty-five miles.
“But such miles!” Billy enlarged. “Half the time up or down, an' 'most
all the time without trails. An' such a pace. He was dead right about
your short legs, Saxon. You wouldn't a-lasted the first mile. An' such
country! We ain't seen anything like it yet.”
Hafler left the next day to catch the train at Monterey. He gave them
the freedom of the Marble House, and told them to stay the whole winter
if they wanted. Billy elected to loaf around and rest up that day.
He was stiff and sore. Moreover, he was stunned by the exhibition of
walking prowess on the part of the poet.
“Everybody can do something top-notch down in this country,” he
marveled. “Now take that Hafler. He's a bigger man than me, an' a
heavier. An' weight's against walkin', too. But not with him. He's done
eighty miles inside twenty-four hours, he told me, an' once a hundred
an' seventy in three days. Why, he made a show outa me. I felt ashamed
as a little kid.”
“Remember, Billy,” Saxon soothed him, “every man to his own game. And
down here you're a top-notcher at your own game. There isn't one you're
not the master of with the gloves.”
“I guess that's right,” he conceded. “But just the same it goes against
the grain to be walked off my legs by a poet--by a poet, mind you.”
They spent days in going over the government land, and in the end
reluctantly decided against taking it up. The redwood canyons and great
cliffs of the Santa Lucia Mountains fascinated Saxon; but she remembered
what Hafler had told her of the summer fogs which hid the sun sometimes
for a week or two at a time, and which lingered for months. Then, too,
there was no access to market. It was many miles to where the nearest
wagon road began, at Post's, and from there on, past Point Sur to
Carmel, it was a weary and perilous way. Billy, with his teamster
judgment, admitted that for heavy hauling it was anything but a picnic.
There was the quarry of perfect marble on Hafler's quarter section. He
had said that it would be worth a fortune if near a railroad; but, as it
was, he'd make them a present of it if they wanted it.
Billy visioned the grassy slopes pastured with his horses and cattle,
and found it hard to turn his back; but he listened with a willing ear
to Saxon's argument in favor of a farm-home like the one they had seen
in the moving pictures in Oakland. Yes, he agreed, what they wanted was
an all-around farm, and an all-around farm they would have if they hiked
forty years to find it.
“But it must have redwoods on it,” Saxon hastened to stipulate. “I've
fallen in love with them. And we can get along without fog. And there
must be good wagon-roads, and a railroad not more than a thousand miles
away.”
Heavy winter rains held them prisoners for two weeks in the Marble
House. Saxon browsed among Hafler's books, though most of them were
depressingly beyond her, while Billy hunted with Hafler's guns. But he
was a poor shot and a worse hunter. His only success was with rabbits,
which he managed to kill on occasions when they stood still. With the
rifle he got nothing, although he fired at half a dozen different deer,
and, once, at a huge cat-creature with a long tail which he was certain
was a mountain lion. Despite the way he grumbled at himself, Saxon could
see the keen joy he was taking. This belated arousal of the hunting
instinct seemed to make almost another man of him. He was out early and
late, compassing prodigious climbs and tramps--once reaching as far as
the gold mines Tom had spoken of, and being away two days.
“Talk about pluggin' away at a job in the city, an' goin' to movie'
pictures and Sunday picnics for amusement!” he would burst out. “I can't
see what was eatin' me that I ever put up with such truck. Here's where
I oughta ben all the time, or some place like it.”
He was filled with this new mode of life, and was continually recalling
old hunting tales of his father and telling them to Saxon.
“Say, I don't get stiffened any more after an all-day tramp,” he
exulted. “I'm broke in. An' some day, if I meet up with that Hafler,
I'll challenge'm to a tramp that'll break his heart.”
“Foolish boy, always wanting to play everybody's game and beat them at
it,” Saxon laughed delightedly.
“Aw, I guess you're right,” he growled. “Hafler can always out-walk me.
He's made that way. But some day, just the same, if I ever see 'm again,
I'll invite 'm to put on the gloves.. .. though I won't be mean enough
to make 'm as sore as he made me.”
After they left Post's on the way back to Carmel, the condition of the
road proved the wisdom of their rejection of the government land. They
passed a rancher's wagon overturned, a second wagon with a broken
axle, and the stage a hundred yards down the mountainside, where it had
fallen, passengers, horses, road, and all.
“I guess they just about quit tryin' to use this road in the winter,”
Billy said. “It's horse-killin' an' man-killin', an' I can just see 'm
freightin' that marble out over it I don't think.”
Settling down at Carmel was an easy matter. The Iron Man had already
departed to his Catholic college, and the “shack” turned out to be a
three-roomed house comfortably furnished for housekeeping. Hall put
Billy to work on the potato patch--a matter of three acres which the
poet farmed erratically to the huge delight of his crowd. He planted at
all seasons, and it was accepted by the community that what did not rot
in the ground was evenly divided between the gophers and trespassing
cows. A plow was borrowed, a team of horses hired, and Billy took
hold. Also he built a fence around the patch, and after that was set
to staining the shingled roof of the bungalow. Hall climbed to the
ridge-pole to repeat his warning that Billy must keep away from his
wood-pile. One morning Hall came over and watched Billy chopping wood
for Saxon. The poet looked on covetously as long as he could restrain
himself.
“It's plain you don't know how to use an axe,” he sneered. “Here, let me
show you.”
He worked away for an hour, all the while delivering an exposition on
the art of chopping wood.
“Here,” Billy expostulated at last, taking hold of the axe. “I'll have
to chop a cord of yours now in order to make this up to you.”
Hall surrendered the axe reluctantly.
“Don't let me catch you around my wood-pile, that's all,” he threatened.
“My wood-pile is my castle, and you've got to understand that.”
From a financial standpoint, Saxon and Billy were putting aside much
money. They paid no rent, their simple living was cheap, and Billy had
all the work he cared to accept. The various members of the crowd seemed
in a conspiracy to keep him busy. It was all odd jobs, but he preferred
it so, for it enabled him to suit his time to Jim Hazard's. Each day
they boxed and took a long swim through the surf. When Hazard finished
his morning's writing, he would whoop through the pines to Billy, who
dropped whatever work he was doing. After the swim, they would take a
fresh shower at Hazard's house, rub each other down in training camp
style, and be ready for the noon meal. In the afternoon Hazard returned
to his desk, and Billy to his outdoor work, although, still later, they
often met for a few miles' run over the hills. Training was a matter
of habit to both men. Hazard, when he had finished with seven years of
football, knowing the dire death that awaits the big-muscled athlete who
ceases training abruptly, had been compelled to keep it up. Not only was
it a necessity, but he had grown to like it. Billy also liked it, for he
took great delight in the silk of his body.
Often, in the early morning, gun in hand, he was off with Mark Hall, who
taught him to shoot and hunt. Hall had dragged a shotgun around from the
days when he wore knee pants, and his keen observing eyes and knowledge
of the habits of wild life were a revelation to Billy. This part of the
country was too settled for large game, but Billy kept Saxon supplied
with squirrels and quail, cottontails and jackrabbits, snipe and wild
ducks. And they learned to eat roasted mallard and canvasback in the
California style of sixteen minutes in a hot oven. As he became expert
with shotgun and rifle, he began to regret the deer and the mountain
lion he had missed down below the Sur; and to the requirements of the
farm he and Saxon sought he added plenty of game.
But it was not all play in Carmel. That portion of the community which
Saxon and Billy came to know, “the crowd,” was hard-working. Some worked
regularly, in the morning or late at night. Others worked spasmodically,
like the wild Irish playwright, who would shut himself up for a week at
a time, then emerge, pale and drawn, to play like a madman against the
time of his next retirement. The pale and youthful father of a family,
with the face of Shelley, who wrote vaudeville turns for a living and
blank verse tragedies and sonnet cycles for the despair of managers and
publishers, hid himself in a concrete cell with three-foot walls, so
piped, that, by turning a lever, the whole structure spouted water upon
the impending intruder. But in the main, they respected each other's
work-time. They drifted into one another's houses as the spirit
prompted, but if they found a man at work they went their way. This
obtained to all except Mark Hall, who did not have to work for a living;
and he climbed trees to get away from popularity and compose in peace.
The crowd was unique in its democracy and solidarity. It had little
intercourse with the sober and conventional part of Carmel. This section
constituted the aristocracy of art and letters, and was sneered at as
bourgeois. In return, it looked askance at the crowd with its rampant
bohemianism. The taboo extended to Billy and Saxon. Billy took up the
attitude of the clan and sought no work from the other camp. Nor was
work offered him.
Hall kept open house. The big living room, with its huge fireplace,
divans, shelves and tables of books and magazines, was the center of
things. Here, Billy and Saxon were expected to be, and in truth
found themselves to be, as much at home as anybody. Here, when wordy
discussions on all subjects under the sun were not being waged, Billy
played at cut-throat Pedro, horrible fives, bridge, and pinochle. Saxon,
a favorite of the young women, sewed with them, teaching them pretties
and being taught in fair measure in return.
It was Billy, before they had been in Carmel a week, who said shyly to
Saxon:
“Say, you can't guess how I'm missin' all your nice things. What's
the matter with writin' Tom to express 'm down? When we start trampin'
again, we'll express 'm back.”
Saxon wrote the letter, and all that day her heart was singing. Her man
was still her lover. And there were in his eyes all the old lights which
had been blotted out during the nightmare period of the strike.
“Some pretty nifty skirts around here, but you've got 'em all beat, or
I'm no judge,” he told her. And again: “Oh, I love you to death anyway.
But if them things ain't shipped down there'll be a funeral.”
Hall and his wife owned a pair of saddle horses which were kept at the
livery stable, and here Billy naturally gravitated. The stable operated
the stage and carried the mails between Carmel and Monterey. Also, it
rented out carriages and mountain wagons that seated nine persons.
With carriages and wagons a driver was furnished. The stable often found
itself short a driver, and Billy was quickly called upon. He became an
extra man at the stable. He received three dollars a day at such times,
and drove many parties around the Seventeen Mile Drive, up Carmel
Valley, and down the coast to the various points and beaches.
“But they're a pretty uppish sort, most of 'em,” he said to Saxon,
referring to the persons he drove. “Always MISTER Roberts this, an'
MISTER Roberts that--all kinds of ceremony so as to make me not forget
they consider themselves better 'n me. You see, I ain't exactly a
servant, an' yet I ain't good enough for them. I'm the driver--something
half way between a hired man and a chauffeur. Huh! When they eat they
give me my lunch off to one side, or afterward. No family party like
with Hall an' HIS kind. An' that crowd to-day, why, they just naturally
didn't have no lunch for me at all. After this, always, you make me
up my own lunch. I won't be be holdin' to 'em for nothin', the damned
geezers. An' you'd a-died to seen one of 'em try to give me a tip. I
didn't say nothin'. I just looked at 'm like I didn't see 'm, an' turned
away casual-like after a moment, leavin' him as embarrassed as hell.”
Nevertheless, Billy enjoyed the driving, never more so than when he held
the reins, not of four plodding workhorses, but of four fast driving
animals, his foot on the powerful brake, and swung around curves and
along dizzy cliff-rims to a frightened chorus of women passengers. And
when it came to horse judgment and treatment of sick and injured horses
even the owner of the stable yielded place to Billy.
“I could get a regular job there any time,” he boasted quietly to Saxon.
“Why, the country's just sproutin' with jobs for any so-so sort of a
fellow. I bet anything, right now, if I said to the boss that I'd
take sixty dollars an' work regular, he'd jump for me. He's hinted as
much.--And, say! Are you onta the fact that yours truly has learnt a new
trade. Well he has. He could take a job stage-drivin' anywheres. They
drive six on some of the stages up in Lake County. If we ever get there,
I'll get thick with some driver, just to get the reins of six in my
hands. An' I'll have you on the box beside me. Some goin' that! Some
goin'!”
Billy took little interest in the many discussions waged in Hall's big
living room. “Wind-chewin',” was his term for it. To him it was so much
good time wasted that might be employed at a game of Pedro, or going
swimming, or wrestling in the sand. Saxon, on the contrary, delighted
in the logomachy, though little enough she understood of it, following
mainly by feeling, and once in a while catching a high light.
But what she could never comprehend was the pessimism that so often
cropped up. The wild Irish playwright had terrible spells of depression.
Shelley, who wrote vaudeville turns in the concrete cell, was a chronic
pessimist. St. John, a young magazine writer, was an anarchic disciple
of Nietzsche. Masson, a painter, held to a doctrine of eternal
recurrence that was petrifying. And Hall, usually so merry, could
outfoot them all when he once got started on the cosmic pathos of
religion and the gibbering anthropomorphisms of those who loved not to
die. At such times Saxon was oppressed by these sad children of art. It
was inconceivable that they, of all people, should be so forlorn.
One night Hall turned suddenly upon Billy, who had been following dimly
and who only comprehended that to them everything in life was rotten and
wrong.
“Here, you pagan, you, you stolid and flesh-fettered ox, you monstrosity
of over-weening and perennial health and joy, what do you think of it?”
Hall demanded.
“Oh, I've had my troubles,” Billy answered, speaking in his wonted slow
way. “I've had my hard times, an' fought a losin' strike, an' soaked my
watch, an' ben unable to pay my rent or buy grub, an' slugged scabs, an'
ben slugged, and ben thrown into jail for makin' a fool of myself. If
I get you, I'd be a whole lot better to be a swell hog fattenin' for
market an' nothin' worryin', than to be a guy sick to his stomach from
not savvyin' how the world is made or from wonderin' what's the good of
anything.”
“That's good, that prize hog,” the poet laughed. “Least irritation,
least effort--a compromise of Nirvana and life. Least irritation, least
effort, the ideal existence: a jellyfish floating in a tideless, tepid,
twilight sea.”
“But you're missin' all the good things,” Billy objected.
“Name them,” came the challenge.
Billy was silent a moment. To him life seemed a large and generous
thing. He felt as if his arms ached from inability to compass it all,
and he began, haltingly at first, to put his feeling into speech.
“If you'd ever stood up in the ring an' out-gamed an' out-fought a man
as good as yourself for twenty rounds, you'd get what I'm drivin' at.
Jim Hazard an' I get it when we swim out through the surf an' laugh in
the teeth of the biggest breakers that ever pounded the beach, an'
when we come out from the shower, rubbed down and dressed, our skin an'
muscles like silk, our bodies an' brains all a-tinglin' like silk.. ..”
He paused and gave up from sheer inability to express ideas that were
nebulous at best and that in reality were remembered sensations.
“Silk of the body, can you beat it?” he concluded lamely, feeling that
he had failed to make his point, embarrassed by the circle of listeners.
“We know all that,” Hall retorted. “The lies of the flesh. Afterward
come rheumatism and diabetes. The wine of life is heady, but all too
quickly it turns to--”
“Uric acid,” interpolated the wild Irish playwright.
“They's plenty more of the good things,” Billy took up with a sudden
rush of words. “Good things all the way up from juicy porterhouse and
the kind of coffee Mrs. Hall makes to....” He hesitated at what he was
about to say, then took it at a plunge. “To a woman you can love an'
that loves you. Just take a look at Saxon there with the ukulele in her
lap. There's where I got the jellyfish in the dishwater an' the prize
hog skinned to death.”
A shout of applause and great hand-clapping went up from the girls, and
Billy looked painfully uncomfortable.
“But suppose the silk goes out of your body till you creak like a rusty
wheelbarrow?” Hall pursued. “Suppose, just suppose, Saxon went away with
another man. What then?”
Billy considered a space.
“Then it'd be me for the dishwater an' the jellyfish, I guess.” He
straightened up in his chair and threw back his shoulders unconsciously
as he ran a hand over his biceps and swelled it. Then he took another
look at Saxon. “But thank the Lord I still got a wallop in both my arms
an' a wife to fill 'em with love.”
Again the girls applauded, and Mrs. Hall cried:
“Look at Saxon! She blushing! What have you to say for yourself?”
“That no woman could be happier,” she stammered, “and no queen as proud.
And that--”
She completed the thought by strumming on the ukulele and singing:
“De Lawd move in er mischievous way His blunders to perform.”
“I give you best,” Hall grinned to Billy.
“Oh, I don't know,” Billy disclaimed modestly. “You've read so much I
guess you know more about everything than I do.”
“Oh! Oh!” “Traitor!” “Taking it all back!” the girls cried variously.
Billy took heart of courage, reassured them with a slow smile, and said:
“Just the same I'd sooner be myself than have book indigestion. An' as
for Saxon, why, one kiss of her lips is worth more'n all the libraries
in the world.”