"Sometimes," continued the lobster-moth-to-be, "they are, like myself,

really worth eating. Then, mere vulgar imitation bluff is of little avail.

To be a withered leaf is my first line of defence; if the ichneumon

buzzes nearer, I shift my ground and become a spider. I am the only

caterpillar in the country with spider-legs; when they are stretched to

their full length and quivering, they are worse to look at than the real

thing. Should even this fail me, I show the imitation scar on my fourth

body-ring. That usually clinches the matter. The ichneumon fondly imagines

that I am already occupied. So, if I am lucky, I turn at length to dingy

pupa, and thus preserve my race."

[Illustration: NOT REAL EYES BUT MARKINGS WHICH SERVE AS SUCH.]

[Illustration: EACH BRANCH OF THE OAK HAD ITS LOOPERS.]

"Will you hear an amphibian?" said the toad. He came from the centre of a

grass-tuft, and spoke with solemn deliberation. "Not one of you is more

persecuted than I. From time immemorial I have been the loadstone of

credulity, and--I am altogether defenceless. I am never worth eating, for

the shock of capture opens every pore on my skin, drenching me with what

the poets class as venom. So I am usually thrown aside with a broken back.

For centuries I was thought to have a jewel in my head. How many of my

hapless ancestors were tortured for that jewel! With the toad's death,

the jewel was believed to vanish. How many have been 'larned to be a toad'

by baffled, disappointed rustics! That is what puts the sad expression in

my eye. How have I survived it all? By dogged perseverance. I lay so many

eggs that one at least _must_ survive. Thus is the balance of the race

preserved. I myself was one of five hundred, the only one that reached

maturity. Yet all were in the same long ribbon coil. The swan that gulped

the coil, gulped all but me. I dropped into the brook alone, and there I

quietly passed through my novitiate, egg to tadpole, tadpole to toadling,

toadling to toad. When my tail was absorbed into my body, I sought a

land-retreat. There I have spent my time for twenty years. None of you

know it, and none ever will. I leave it only at twilight, and, as you

pass, I shield my face with my fore feet. Froggin is much the same;

nothing but his prolific quality saves him."

[Illustration: "WILL YOU HEAR AN AMPHIBIAN?" SAID THE TOAD.]

[Illustration: "FROGGIN IS AT LEAST WORTH EATING," SAID THE GRASS-SNAKE.]

"Froggin is at least worth eating," said the grass-snake. He lay with

all his four-foot length displayed in graceful sinuous curves, and was

listened to in silence. Nothing loves a snake, however harmless. "With me,

as with the caterpillars, it is mostly bluff. I can swing back my head,

and flatten the nape of my neck, as well as any deadly adder. I can also

strike, but there is no poison behind the blow. My only weapon of offence

is smell, a sickening musty smell, that makes the enemy loose his hold.

Once I am halfway down a hole, I'm safe. I set my ratchet scales against

the sides, and nothing can dislodge me. Only a jerk is dangerous, and that

must be accomplished before I am fairly fixed."

[Illustration: "I AM ARMOUR-CLAD," SAID THE STAG-BEETLE.]

"I am armour-clad," said the stag-beetle. "Could there be better method

of defence? Look at the sliding joints of my breastplate. Human skill has

copied it, but never has surpassed it. My horns look formidable, but for

offence are useless. They are far from my eyes, and move but slowly. Give

me time, and I can crush a tender twig between them, and suck its juices.

That is all the purpose they serve me, yet they look like branching

antlers, and that also is something."

"I have heard you all," said the hedgehog. "I have heard the flier's point

of view from the bat, the gymnast's point of view from the squirrel, the

swimmer's point of view from the water-rat, and the assassin's point of

view from the stoat." For a moment he coiled himself up with a snap, but

the stoat made no remark, so he slowly uncoiled himself, and resumed. "Yet

I maintain my original contention, there is nothing like spines. 'The

fox's tricks are many; one is enough for the urchin.' What is the one

unfailing, all-sufficing trick? The proper and judicious use of spines.

All of you would use spines if you could. Most of you do. Think of the

bramble-thickets, think of the furze, the last resort of valiant stoat

and viper, think of the holly, where the sparrows roost.

"Spines are the proved asylum of the spineless. Nature has flung them

broadcast. She starts low down among the plants, thorn and thistle,

gorse and cactus. Then she turns to the sea-urchins and caterpillars and

beetles, then she fashions the globe-fish and thorny devil-lizard, then

she comes to the birds--spikes are their only weapons--lastly, in me and

mine, she reaches the fulness of perfection.

"Think of the purposes spines serve me. Which of you defies the fox or

terrier in the open? I leave the fliers out--running away is not defence.

To me a fight is child's play. The more inquisitive my foe, the tighter

do I clinch myself together. They get more harm than I do."

The last few words were spoken from within. The stoat approached gingerly,

and turned the hedgehog over, seeking for a place to jump at. The bat

wheeled across him, and swerved at the suspicion of those rigid spears.

The caterpillars betook themselves once more to feeding. The water-rat

slipped quietly down the stream,--she still feared the stoat. The squirrel

ran openly down his tree-trunk, and secretly up the far side of it. The

fear of the stoat was on him too. So the moon rose, and, for most, the

chance of sport that night passed away.

The hedgehog remained coiled for an hour. Then he shambled away, well

satisfied. First he eat two pheasant eggs, then a belated frog, and then a

nestling blackbird. As the sun mounted the eastern sky he once more sought

the pile of leaves that lay against the hen-house.

THE END

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End of Project Gutenberg's "Wee Tim'rous Beasties", by Douglas English

"Wee Tim'rous Beasties": Studies of Animal life and Character · 第 7 / 7 段