Hull Museum.]

[Illustration: Fig. 35.--"Chalk weight, 6" x 4" x 2" (15.2 cm. x 10.2

x 5.1), similar to those found in pits, at Mount Caburn and Cissbury

near Worthing, Sussex. Found with eighteen more in the _filling_ of

pit 7, Winkelbury Hill." _Excavations in Winkelbury Camp_, by

Lieut.-Gen. Pitt-Rivers (_Excavations in Cranbourne Chase_, Vol. II.,

1888). As Pitt-Rivers also found at Winkelbury the fragment of a comb

and a chalk spindle whorl, which are textile tools, we may safely

presume these fashioned pieces of chalk are warp weights.]

In 1875 several flat irregular oblong perforated pieces of soft chalk

were found in enlarging the cattle market in Great Driffield,

Yorkshire; they were found in a hole about three feet deep with

Anglo-Saxon potsherds, animal remains, and bits of iron. They can now

be seen in the Mortimer Collection in the Hull Museum. They consist of

pieces of chalk, similar to those which drop annually in thousands

upon thousands down the cliffs from the boulder clay between

Bridlington and Flamborough. On some a shoulder has been cut, Fig. 34,

most have one perforation, but in a few specimens, where the thin

portion above the hole has been broken off, a second hole has been

made. None of them can stand unsupported. Owing to the soluble nature

of the chalk they could not have been used as net-sinkers in the sea

(about nine miles off) for they would quickly dissolve in salt water,

and the same holds good in regard to fresh water, although in a lesser

degree. But I do not think they were used even in fresh water as

net-sinkers, for it was a characteristic of primitive peoples, with

whom time was of no account, to do their work thoroughly--what they

made was intended to last, and chalk net-sinkers would not have

lasted. That these were found in a limited quantity, I believe about

seventeen in number, tends to show that they are warp weights, for

only a few are required for every loom, in spite of the considerable

number shown in the non-technical illustration of Penelope's loom. Not

being able to find any other use for these pieces of chalk, and

judging that they are suitable for the purpose, I should say they are

warp weights. In this case the weaver has made the most of what nature

has given him; in other parts of England he has had to fashion the

weight out of the rough chalk, Fig. 35.

In the Museum at Devizes there are several hard pieces of perforated

and fashioned chalk which offer more conclusive evidence. Of these

Mrs. M. E. Cunnington, the Curator, writes me: "All the weights here

have holes bored right through. Two large ones stand easily on the

floor. Others are more irregular in form and will not stand upright.

This latter type is, as far as I am aware, the more usual in this part

of the country. They are commonly cut out of the hard chalk, and weigh

about 3 or 4 lbs. (1.5-2 Kilos). We think these weights are loom

weights because we find them with Romano-British remains, as at

Westbury, and late Celtic remains on our chalk uplands, far from water

where fishing could have been carried on. With the same remains we

find weaving combs, numerous spindle whorls and other tools of bone

that were also probably used in weaving operations." The Westbury, in

Wiltshire, referred to, is some thirty miles in a straight line from

the mouth of the Severn, and about forty miles from the English

Channel. These pieces of chalk cannot therefore have been used as

net-sinkers, leaving out of consideration their composition; they were

found with weaving tools and they fit the position. So far the

ingenuity of our ablest archaeologists at home and abroad has not

succeeded in ascribing the use of these objects to anything else than

net-sinking or warp tension. The adaptability of the articles for use

as warp weights, the small groups in which they are found, the

discovery of weaving implements in the closest proximity, our

knowledge of the Greek representations of warp-weighted looms, the

Olafsson illustration, and the loom in the Copenhagen Museum all tend

to prove that these articles are really warp weights.

As regards the practical possibility or impossibility of working a

"Greek" loom, I had a simple frame made in the Museum and showed Mr.

J. Smith, a mill "Overlooker" at Messrs. Wayman and Sons, Ld.,

Halifax, the illustration in Montelius' book already referred to, and

asked him to weave me a small piece of cloth on it. In the course of a

few hours he did the warping, beaming and weaving, making the pick

with his fingers and using a ball of weft thread instead of a spool or

shuttle. The result is shown in the accompanying illustration, Fig.

36, conclusively proving that weaving on such a frame is quite

feasible, and practically proving that Olafsson's and the Copenhagen

warp weighted looms are properly constructed workable looms.

[Illustration: Fig. 36.--A warp weighted loom made at Bankfield

Museum, to show the possibility of weaving by this method. There is no

heddle nor shuttle used. The weaver made the "shed" and pushed the

weft through with his fingers. He naturally worked _down_wards.]

[Illustration: Fig. 37.--Diagram to show how the warp is kept taut on

a Syrian loom.]

Finally, it may not be out of place here to point out that there are

other looms, besides the Greek and Scandinavian, on which the warp is

made taut by means of warp weights. The Rev. Dr. Harvey Porter, of the

American College, Beyrout, Syria, writing about the year 1901, thus

describes the common loom of the country. He says: "Two upright posts

are fixed in the ground, which hold the roller to which the threads of

the warp are fastened, and upon which the cloth is wound as it is

woven. The threads of the warp are carried upward towards the ceiling

at the other end of the room, and pass over rollers, and are gathered

in hanks and weighted to keep them taut (_Dic. of the Bible_,

Edinburgh, 1902, IV., p. 901)." He has kindly sent me an illustration

of this loom, but unfortunately the weights are not clearly shown, and

the same is the case with an illustration of a loom from Cyprus.[J]

The diagram, Fig. 37, shows the principle. In a Shan loom illustrated

by Mrs. Leslie Milne, in _The Shans at Home_, London, 1910, p. 120,

the warp makes a somewhat similar detour over the head of the weaver,

it is, however, not weighted but tied to a beam. The point to be

observed is that these warp-weighted looms are horizontal and not

perpendicular, and also that the weaving is the reverse of that on the

Greek loom but similar to that on our horizontal looms, so that the

present Syrian and Cyprian looms have nothing in common with the old

Greek loom.

[Illustration: Fig. 38.--Hand of Penelope clutching her shuttle. From

a corner of a piece of sculpture discovered by O. Kern and described

by C. Robert, (_The Feet Washing of Odysseus_, fifth Century B.C.,

_Mitt. Kais. Deutsch. Arch. Inst._, Athens, XXV., 1900, pp. 332-3).

The author considers Penelope to be in the act of unravelling what she

has woven: "We see her holding the spool with her right hand, while

the left hand, half closed, is raised to about shoulder high, and the

fingers, if I read the traces correctly, are posed as though she held

a thread."]

The Greeks evidently used a spool in weaving, that is a piece of stick

round which was wound the thread that became the weft, as is shown in

the hand of Penelope, Fig. 38, and in Kirke's loom, Fig. 15.

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