CHAPTER IV.

THE REUNION.

Children are like grown people,—the experiences of others are never of

any use to them.

Jack had been terrified by Mâdou’s story, but he thought of it only as

a frightful tale, or a bloody battle seen at the theatre. The first

months were so happy at the academy, every one was so kind, that he

forgot that Mâdou for a time had been equally happy.

At table he occupied the next seat to Moronval, drank his wine, shared

his dessert; while the other children, as soon as the cakes and fruit

appeared, rose abruptly from the table. Opposite Jack sat Dr. Hirsch,

whose finances, to judge from his appearance, were in a most deplorable

condition. He enlivened the repast by all sorts of scientific jokes, by

descriptions of surgical operations, by accounts of infectious

diseases, and, in fact, kept his hearers _au courant_ with all the

ailments of the day; and, if he heard of a case of leprosy, of

elephantiasis, or of the plague, in any quarter of the globe, he would

nod his head with delight, and say, “It will be here before long—before

long!”

As a neighbor at the table he was not altogether satisfactory: first,

his near-sightedness made him very awkward; and, next, he had a way of

dropping into your plate, or glass, a pinch of powder, or a few drops

from a vial in his pocket. The contents of this vial were never the

same, for the doctor made new scientific discoveries each week, but in

general bicarbonate, alkalies, and arsenic (in infinitesimal doses

fortunately) made the base of these medicaments. Jack submitted to

these preventives, and did not venture to say that he thought they

tasted very badly. Occasionally the other professors were invited, and

everybody drank the health of the little De Barancy, every one was

enthusiastic over his sweetness and cleverness. The singing teacher,

Labassandre, at the least joke made by the child, threw himself back in

his chair with a loud laugh, pounded the table with his fist, and wiped

his eyes with a corner of his napkin.

Even D’Argenton, the handsome D’Argenton, relaxed, a pale smile crossed

his big moustache, and his cold blue eyes were turned on the child with

haughty approval. Jack was delighted. He did not understand, nor did he

wish to understand, the signs made to him by Mâdou, as he waited upon

the table, with a napkin in one hand and a plate in the other. Mâdou

knew better than any one else the real value of these exaggerated

praises and the vanity of human greatness.

He too had occupied the seat of honor, had drunk of his master’s wine,

flavored by the powder from the doctor’s bottle; and the tunic, with

its silver chevrons, was it not too large for Jack only because it had

been made for Mâdou? The story of the little negro should have been a

warning to the small De Barancy against the sin of pride, for the

installation of both boys in the Moronval Academy had been precisely of

the same character.

The holiday instituted in honor of Jack was insensibly prolonged into

weeks. Lessons were few and far between, except from Madame Moronval,

who snatched every opportunity of testing her method.

As to Moronval himself, he professed a great weakness for his new

pupil. He had made inquiries in regard to the little hotel on the

Boulevard Hauss-mann, and had fully acquainted himself with the

resources of the lady there. When, therefore, Madame de Barancy came to

see Jack, which was very often, she met with a warm reception, and had

an attentive audience for all the vain and foolish stories she saw fit

to tell. At first Madame Moronval wished to preserve a certain

dignified coolness toward such a person, but her husband soon changed

that idea, and she saw herself obliged to lay aside her womanly

scruples in favor of her interests.

“Jack! Jack! here comes your mother,” some one would cry as the door

opened, and Ida would sail in beautifully dressed, with packages of

cakes and bonbons in her hands and her muff. It was a festival for

every one; they all shared the delicacies, and Madame de Barancy

ungloved her hand, the one on which were the most rings, and

condescended to take a portion. The poor creature was so generous, and

money slipped so easily through her fingers, that she generally brought

with her cakes all sorts of presents, playthings, &c., which she

distributed as the fancy struck her. It is easy to imagine the

enthusiastic praises lavished upon this inconsiderate, reckless

generosity. Moronval alone had a smile of pity and of envy at seeing

money so wasted, which should have gone to the assistance of some

brave, generous soul like himself, for example. This was his fixed

idea. And as he sat looking at Ida and gnawing his finger-nails, he had

an absent, anxious air like that of a man who comes to ask a loan, and

has his petition on the end of his lips. Moronval’s dream for some time

had been to establish a Review consecrated to colonial interests, in

this way hoping to satisfy his political aspirations by recalling

himself regularly to his compatriots; and, finally, who knows he might

be elected deputy. But, as a commencement, the journal seemed

indispensable, and he had a vague notion that the mother of his new

pupil might be induced to defray the expenses of this Review, but he

did not wish to move too rapidly lest he should frighten the lady away;

he intended to prepare the way gently. Unfortunately, Madame de

Barancy, on account of her very fickleness of nature, was difficult to

reach. She would continually change the conversation just at the

important point, because she found it very uninteresting.

“If she could be inspired with an idea of writing!” said Moronval to

himself, and immediately insinuated to her that between Madame de

Sévigné and George Sand there was a vacant niche to fill; but he might

as well have attempted to carry on a conversation with a bird that was

fluttering about his head.

“I am not strong-minded nor literary,” said Ida, with a half yawn, one

day when he had been speaking with feverish impatience for a long time.

Moronval finally concluded that a creature so inconsequent must be

dazzled, not led.

One day, when Ida was holding audience in the parlor, telling wonderful

tales of her various acquaintances to whose often plebeian names she

added the _de_ as she pleased, Madame Moronval said, timidly,—

“M. Moronval would like to ask you something, but he dares not.”

“O, tell me, tell me!” said the silly little woman, with a sincere wish

to oblige.

The principal was sorely tempted to ask her at once for funds for the

Review, but being himself very distrustful, he thought it wiser to act

with great prudence; so he contented himself with asking Madame de

Barancy to be present at one of their literary reunions on the

following Saturday. Formerly these little fêtes took place every week,

but since Mâdou’s fall they had been very infrequent. It was in vain

that Moronval had extinguished a candle with every guest that left, in

vain had he dried the tea-leaves from the teapot in the sun on the

window-sill, and served it again the following week, the expense still

was too great. But now he determined to hazard another attempt in that

direction. Madame de Barancy accepted the invitation with eagerness.

The idea of making her appearance in the salon as a married woman of

position was very attractive to her, for it was one round of the ladder

conquered, on which she hoped to ascend from her irregular and

unsatisfactory life.

This was a most splendid fête at which she assisted. In the memory of

all beholders no such entertainment had taken place. Two colored

lanterns hung on the acacias at the entrance, the vestibule was

lighted, and at least thirty candles were burning in the salon, the

floor of which Mâdou had so waxed and rubbed for the occasion that it

was as brilliant and as dangerous as ice. The negro boy had surpassed

himself; and here let me say that Moronval was in a great state of

perplexity as to the part that the prince should take at the soirée.

Should he be withdrawn from his domestic duties and restored for one

day only to his title and ancient splendor? This idea was very

tempting; but, then, who would hand the plates and announce the guests?

Who could replace him? No one of the other scholars, for each had some

one in Paris who might not be pleased with this system of education;

and finally it was decided that the soirée must be deprived of the

presence and prestige of his royal Highness. At eight o’clock, “the

children of the sun” took their seats on the benches, and among them

the blonde head of little De Barancy glittered like a star on the dark

background.

Moronval had issued numerous invitations among the artistic and

literary world—the one at least which he frequented—and the

representatives of art, literature, and architecture appeared in large

delegations. They arrived in squads, cold and shivering, coming from

the depths of _Montparnasse_ on the tops of omnibuses, ill dressed and

poor, unknown, but full of genius, drawn from their obscurity by the

longing to be seen, to sing or to recite something, to prove to

themselves that they were still alive. Then, after this breath of pure

air, this glimpse of the heavens above, comforted by a semblance of

glory and success, they returned to their squalid apartments, having

gained a little strength to vegetate. There were philosophers wiser

than Leibnitz; there were painters longing for fame, but whose pictures

looked as if an earthquake had shaken everything from its

perpendicular; musicians—inventors of new instruments; savans in the

style of Dr. Hirsch, whose brains contained a little of everything, but

where nothing could be found by reason of the disorder and the dust. It

was sad to see them; and if their insatiate pretensions, as obtrusive

as their bushy heads, their offensive pride and pompous manners, had

not given one an inclination to laugh, their half-starved air and the

feverish glitter of eyes that had wept over so many lost illusions and

disappointed hopes, would have awakened profound compassion in the

hearts of lookers-on.

Besides these there were others, who, finding art too hard a

taskmistress and too niggardly in her rewards, sought other

employment.. For example, a lyric poet kept an intelligence office, a

sculptor was an agent for a wine merchant, and a violinist was in a

gas-office.

Others less worthy allowed themselves to be supported by their wives.

These couples came together, and the poor women bore on their brave,

worn faces the stamp of the penalty they paid for the companionship of

men of genius. Proud of being allowed to accompany their husbands, they

smiled upon them with an air of gratified maternal vanity. Then there

were the habitués of the house, the three professors; Labassandre in

gala costume, exercising his lungs at intervals by tremendous

inspirations; and D’Argenton, the handsome D’Argenton, curled and

pomaded, wearing light gloves, and his manners a charming mixture of

authority, geniality, and condescension.

Standing near the door of the salon, Moronval received every one,

shaking hands with all, but growing very anxious as the hour grew later

and the countess did not appear; for Ida de Barancy was called the

countess under that roof. Every one was uncomfortable. Little Madame de

Moronval went from group to group, saying, with an amiable air, “We

will wait a few moments, the countess has not yet arrived!”

The piano was open, the pupils were ranged against the wall; a small

green table, on which stood a glass of _eau-sucré_ and a reading-lamp,

was in readiness. M. Moronval, imposing in his white vest; Madame, red

and oppressed by all the worry of the evening; and Mâdotu, shivering in

the wind from the door,—all are waiting for the countess. Meanwhile, as

she came not, D’Argenton consented to recite a poem that all his

assistants knew, for they had heard it a dozen times before. Standing

in front of the chimney, with his hair thrown back from his wide

forehead, the poet declaimed, in a coarse, vulgar voice, what he called

his poem.

His friends were not sparing in their praises.

“Magnificent!” said one. “Sublime!” exclaimed another; and the most

amazing criticism came from yet another,—“Goethe with a heart?”

Here Ida entered. The poet did not see her, for his eyes were lifted to

the ceiling. But she saw him, poor woman; and from that moment her

heart was gone. She had never seen him, save in the street wearing his

hat: now she beheld him in the mellow light which softened still more

his pale face, wearing a dress-coat and evening gloves, reciting a love

poem, and, believing in love as he did in God, he produced an

extraordinary effect upon her.

He was the hero of her dreams, and corresponded with all the foolish

sentimental ideas that lie hidden very often in the hearts of such

women.

From that very moment she was his, and he took exclusive possession of

her heart. She paid no attention to her little Jack, who made frantic

signs to her as he threw her kiss after kiss; nor had she eyes for

Moronval, who bowed to the ground; nor for the curious glances that

examined her from head to foot, as she stood before them in her black

velvet dress and her little white opera hat, trimmed with black roses

and ornamented with tulle strings which wrapped about her like a scarf.

Years after she recalled the profound impression of that evening, and

saw as in a dream her poet as she saw him first in that salon, which

seemed to her, seen through the vista of years, immense and superb. The

future might heap misery upon her; her past could humiliate and wound

her, crush her life, and something more precious than life itself; but

the recollection of that brief moment of ecstasy could never be

effaced.

“You see, madame,” said Moronval, with his most insinuating smile,

“that we made a beginning before your arrival. M. le Vicomte Amaury

d’Argenton was reciting his magnificent poem.”

“Vicomte!” He was noble, then!

She turned toward him, timid and blushing as a young girl.

“Continue, sir, I beg of you,” she said.

But D’Argenton did not care to do so. The arrival of the countess had

injured the effect of his poem—destroyed its point; and such things are

not easily pardoned. He bowed, and answered with cold haughtiness that

he had finished. Then he turned away without troubling himself more

about her. The poor woman felt a strange pang at her heart. She had

displeased him, and the very thought was unendurable. It needed all

little Jack’s tender caresses and outspoken joy—all his delight at the

admiration expressed for her, the attentions of everybody, the idea

that she was queen of the fete—to efface the sorrow she felt, and which

she showed by a silence of at least five minutes, which silence for a

nature like hers was something as extraordinary as restful. The

disturbance of her entrance being at last over, every one seated

himself to await the next recitation.

Mademoiselle Constant, who had accompanied her mistress, took her seat

majestically on the front bench next the pupils. Jack swung himself on

the arm of his mother’s chair, between her and M. Moronval, who

smoothed the lad’s hair in the most paternal way.

The assemblage was really quite imposing, and Madame Moronval took

dignified possession of the little table and the shaded lamp, and

proceeded to read an ethnographic composition of her husband’s on the

Mongolian races. It was long and tedious—one of those lucubrations that

are delivered before certain scientific societies, and succeed in

lulling the members to sleep. Madame Moronval took this opportunity of

demonstrating the peculiarities of her method, which had the merit—if

merit it were—of holding the attention as in a vice, and the words and

syllables seemed to reverberate through your own brain. To see Madame

Moronval open her mouth to sound her o’s, to hear the r’s rattle in her

throat, was more edifying than agreeable. The mouths of the eight

children opposite mechanically followed each one of her gestures,

producing a most extraordinary effect; one absolutely fascinating to

Mademoiselle Constant.

But the countess saw nothing of all this; she had eyes but for her poet

leaning against the door of the drawing-room, with arms folded and eyes

moodily cast down. In vain did Ida seek to attract his attention; he

glanced occasionally about the salon, but her arm-chair might as well

have been vacant; he did not appear to see her, and the poor woman was

rendered so utterly miserable by this neglect and indifference, that

she forgot to congratulate Moronval on the brilliant success of his

essay, which concluded amid great applause and universal relief.

Then followed another brief poem by Argenton, to which Ida listened

breathlessly.

“Ah, how beautiful!” she cried; “how beautiful!” and she turned to

Moronval, who sat with a forced smile on his lips. “Present me to M.

d’Argenton, if you please.”

She spoke to the poet in a low voice and with great courtesy. He,

however, bowed very coldly, apparently careless of her implied

admiration.

“How happy you are,” she said, “in the possession of such a talent!”

Then she asked where she could obtain his poems.

“They are not to be procured, madame,” answered D’Argenton, gravely.

Without knowing it, she had again wounded his sensitive pride, and he

turned away without vouchsafing another syllable.

But Moronval profited by this opening. “Think of it!” he said; “think

that such verses as those cannot find a publisher! That such genius as

that is buried in obscurity! If we only could publish a magazine!”

“And why can you not?” asked Ida, quickly.

“Because we have not the funds.”

“But they can easily be procured. Such talent should not be allowed to

languish!”

She spoke with great earnestness; and Moronval saw at once that he had

played his cards well, and proceeded to take advantage of the lady’s

weakness by talking to her of D’Argenton, whom he painted in glowing

colors.

He spoke of him as Lara, or Manifred, a proud and independent nature,

one which could not be conquered by the hardships of his lot.

Here Ida interrupted him to ask if the poet was not of noble birth.

“Most assuredly, madame. He is a viscount, and descended from one of

the noblest families in Auvergne. His father was ruined by the

dishonesty of an agent.”

This was his text, which he proceeded to enlarge upon, and illustrate

by many romantic incidents. Ida drank in the whole story; and while

these two were absorbed in earnest conversation, Jack grew jealous, and

made various efforts to attract his mother’s attention. “Jack, do be

quiet!” and “Jack, you are insufferable!” finally sent him off, with

tearful eyes and swollen lips, to sulk in the corner of the salon.

Meanwhile the literary entertainments of the evening went on, and

finally Labassandre, after numerous entreaties, was induced to sing.

His voice was so powerful, and so pervaded the house, that Mâdou, who

was in the kitchen preparing tea, replied by a frightful war-cry. The

poor fellow worshipped noise of all kinds and at all times.

Moronval and the comtesse continued their conversation; and D’Argenton,

who by this time understood that he was the subject, stood in front of

them, apparently absorbed in conversation with one of the professors.

He appeared to be out of temper—and with whom? With the whole world;

for he was one of that very large class who are at war against society,

and against the manners and customs of their day.

At this very moment he was declaiming violently, “You have all the

vices of the last century, and none of its amenities. Honor is a mere

name. Love is a farce. You have accomplished nothing intellectually.”

“Pardon me, sir,” interrupted his hearer. But the other went on more

vehemently and more aggressively. He wished, he said, that all France

could hear what he thought. The nation was abased, crushed beyond all

hope of recuperation. As for himself, he had determined to emigrate to

America.

All this time the poet was vaguely conscious of the admiring gaze that

was bent upon him. He experienced something of the same sensation that

one has in the fields in the early evening, when the moon suddenly

rises behind you and compels you to turn toward its silent presence.

The eyes of this woman magnetized him in the same way. The words she

caught in regard to leaving France struck a chill to her heart. A

funereal gloom settled over the room. Additional dismay overwhelmed her

as D’Argenton wound up with a vigorous tirade against French

women,—their lightness and coquetry, the insincerity of their smiles,

and the venality of their love.

The poet no longer conversed; he declaimed, leaning against the

chimney, and careless who heard either his voice or his words.

Poor Ida, intensely absorbed as she was in him, could not realize that

he was indifferent, and fancied that his invectives were addressed to

herself.

“He knows who I am,” she said, and bowed her head in shame.

Moronval said aloud, “What a genius!” and in a lower voice to himself,

“What a boaster!” But Ida needed nothing more; her heart was gone. Had

Dr. Hirsch, who was always so interested in pathological singularities,

been then at leisure, he might have made a curious study of this case

of instantaneous combustion.

An hour before, Madame Moronval had dispatched Jack to bed, with two or

three of the younger children; the others were gaping in silent

wretchedness, stupefied by all they saw and heard. The Chinese lanterns

swung in the wind each side of the garden-gate; the lane was unlighted,

and not even a policeman enlivened its muddy sidewalk; but the

disputative little group that left the Moronval Academy cared little

for the gloom, the cold, or the dampness.

When they reached the avenue they found that the hour for the omnibus

had passed. They accepted this as they did the other disagreeables of

life—in the same brave spirit.

Art is a great magician. It creates a sunshine from which its devotees,

as well as the poor and the ugly, the sick and the sorry, can each

borrow a little, and with it gain a grace to suffer, and a calm

serenity that may well be envied.

Jack 1877 · 第 4 / 24 章