THE VAGABOND

"There is no essential incongruity between crime and

culture."

--_Oscar Wilde, "The Decay of Lying."_

It was five o'clock, Sunday afternoon, and the slanting sunbeams had

crawled across the bed and up the walls and vanished somehow into the

ceiling when Voltaire McCartney came to himself, kicked off the

patchwork quilt, elevated his torso upon one elbow and took an

observation out of the dingy window. The prospect of the Palisades to

the northwest was undimmed, for the wind was blowing fresh from the sea

and the smoke from the glucose factory on the Jersey side was making

straight up the river in a long, black horizontal bar, behind which the

horizon glowed in a brilliant, translucent mass of cloud. McCartney

swung his thin legs clear of the bed and fumbled with his left hand in

the pocket of a plaid waistcoat dangling from the iron post. The act was

unconscious, equivalent to the automatic groping for one's slippers

which perchance the reader's own well-regulated feet perform on similar

occasions. The pocket in question yielded a square of white tissue,

which the fingers deftly folded, transferred to the other hand, and then

filled with tobacco. Like others nourished upon stimulants and

narcotics, McCartney awoke _absolutely_, without a trace of drowsiness,

nervously ready to do the next thing, whatever that might chance to be.

His first act was to pull on his shoes, the second to slip his

suspenders over his rather narrow shoulders, and the third to light the

cigarette. Then he sauntered across the room to the window sill, upon

which slept profoundly a small tortoise-shell cat, and picked up a

pocket volume, well worn, which he shook open at a point designated by a

safety match. For several moments he devoured the page with his eyes,

his hollow face filled with peculiar exaltation. Then he expelled a

cloud of smoke sucked from the glowing end of his cigarette, tossed away

the butt, and thrust the book into his hip pocket.

"O would there were a heaven to hear!

O would there were a hell to fear!

Ah, welcome fire, eternal fire,

To burn forever and not tire!

"Better Ixion's whirling wheel,

And still at any cost to feel!

Dear Son of God, in mercy give

My soul to flames, but--let me _live_!"

He turned away from the window, and pale against the gaudy west his

profile shone drawn and haggard. Restlessly he filched his pocket for

another cigarette, and tossed himself wearily into a painted rocker. The

cat awakened, elongated herself in a prodigious and voluptuous yawn of

her whole body, dropped to the floor and leaped with a single spring

into her master's lap. He stroked her sadly.

"Isabeau! My poor Isabeau! I envy you--creature perfect in symmetry,

perfect in feeling!"

The cat rubbed her head against the buttons of his coat. McCartney

leaned back his head. The little room was bare of ornament or of

furniture other than the chair, save for a deal table at the foot of the

bed, bearing a litter of newspapers and yellow pad paper.

"I am discouraged by the street,

The pacing of monotonous feet!"

murmured the man in the rocker. The light died out above the Palisades;

the cat snuggled down between her master's legs.

"Dear Son of God, in mercy give

My soul to flames, but let me _live_!"

he added softly. Then he lifted the cat gently to the floor, threw on a

short, faded reefer coat, and opened the door.

"Well, Isabeau, it's time for us to go out and earn our supper!"

* * * * *

McCartney gazed solemnly down from the small rostrum upon which he was

standing at the end of the saloon without so much as a smile in answer

to the roar of appreciation with which his time-worn anecdote had been

received.

"Dot's goot!" shouted an abdominal "Dutchman," pounding the table with

his beer mug. "Gif us 'n odder!"

"Ya!" exclaimed his _confrère_. "Dot feller, he was a corker, eh?" He

put up his hands and making a trumpet of them bawled at McCartney:

"Here, kommen sie unt haf a glass bier mit us!"

Three teamsters, a card sharp, a porter, two cabbies, and a dozen

unclassables nodded their heads and stamped, while the bartender passed

up a foaming stein to the performer. McCartney blew off the froth, bowed

with easy grace to the assembled company, and drank. Then he descended

to the table occupied by the Germans.

"May you all have better luck than the gentleman in my story," he

remarked. "But I for one shall go straight to the other place. Heaven

for climate--hell for society, eh? Hoch der Kaiser!"

The Germans threw back their heads and laughed boisterously.

"Make that beer a sandwich, will you? Here, Bill, bring me a slice of

cold beef and a cheese sandwich!"

The bartender opened a small ice chest and produced the desired edibles,

to which variation in their offered hospitality the two interposed no

objection, being in fact somewhat in awe of their intellectual, if not

distinguished, guest. As McCartney ate he produced a handful of

transparent dice.

"Ever see any dice like those?" he asked, rolling them across the wet

table. The first German examined them with approval.

"Dose is pooty, eh?" he remarked to his neighbor. "I trow you for die

Schnapps, eh?"

McCartney watched them covetously as they emptied the leathern shaker,

solemnly counting the spots at the conclusion of each cast.

"Here, let me show you how," volunteered their guest. "Poker hands." He

rattled the dice and poured them forth. They came up indiscriminately.

"Not so goot, eh?" commented the German. "I'll trow you. I'll trow

ennyboty mit _clear_ dice. Venn dey ain't loated I can trow mit

ennyboty." He held them up to the light. "Dese is clear--goot."

"Three times for a dollar," said McCartney.

"So," answered the German. He threw carefully, and counted two sixes, an

ace, a three, and a five. He left in the sixes and threw the others.

This time he got an ace and two fives. Once more he put them back, but

accomplished no better result.

"Now, I'll show you," said McCartney, and emptied the shaker. The dice

tumbled upon the table to the tune of two aces, two deuces, and a five.

He put back the deuces and the five and threw another ace, a three, and

a five.

"I win," he remarked. "You don't know how!"

"Vat's dot? Don't know how, eh!" roared the other. "I trow you for fife

dollars, see? Gif me dose leetle dice." He threw with a heavy bang that

shook the table. This time he got two sixes, two aces, and a five, and

put back the latter. Securing another ace he leaned back and took a

heavy draught of beer. "Full house! Beat dat eef you can!"

McCartney tossed the dice carelessly upon the board for two fours, one

ace, and two fives. To the amazement of the Germans, he left in the ace

and returned the other four to the shaker. This time he got two more

aces. His last throw gave him another ace and a five.

"Zum teuffel!" growled the German, thrusting his hand into his pocket

and drawing forth a dirty wad of bills. "Here, take your money!" He

handed McCartney six dollars.

"Kind sirs, good night," remarked McCartney, thrusting the bills into

his waistcoat pocket and arising from his place. "I must betake me

hence. Experience is the only teacher. Let me advise you never to play

games of chance with strangers."

The two Germans stared at him stupidly.

"You don't understand? Permit me. You saw the dice were not loaded? Very

good! You examined them? Very good again. Your powers of observation are

uncultivated, merely. The stern mother of invention--that is to say

necessity--has obeyed the law of evolution. Three of the dice in my

pocket bear no even numbers. The information is well worth your six

dollars. Again, good night."

"Betrüger!" cried the loser of the six dollars, arising heavily and

upsetting his beer. "Dot feller skivinded us mit dice geloaded! _Sheet!

Sheet!_"

They blundered toward the side entrance, while McCartney side-stepped

into an adjacent portal. Long Acre Square gleamed from end to end. Above

him an electric display, momentarily vanishing and reappearing, heralded

the attributes of the cigar sacred to the Scottish bard. Peering through

the haze generated by the countless lights a few tiny stars repaid

diligent search. A scanty number of pedestrians was abroad. The pantheon

of delights shone silent save for an occasional clanging car. The

Germans passed in search of an officer, excitedly jabbering about the

"sheet," their angry expressions reverberating along the concrete,

fading gradually into the hum of the lower town.

Then slowly into view crept one of those anachronisms of the

metropolis--a huge, shaggy horse slowly stalking northward, dragging a

rickety express wagon whereon reposed a semisomnolent yokel. Hitched by

its shafts to the tail of the wagon trailed a decrepit brougham

(destined, probably, for country-depot service), behind this a

debilitated Stanhope buggy, followed by a dogcart, a phaeton, a

buckboard, with last of all a hoodless Victoria. This picturesquely

mournful procession of vanished respectability staggered hesitatingly

past our hero, who regarded it with vast amusement. To his fanciful

imagination it appeared like the fleshless vertebræ of a sea serpent

slowly writhing into the obscurity of the night. Occasionally one of the

component dorsals would strike an inequality in the pavement and start

upon a brief frolic of its own, swinging out of line at a tangent until

hauled back into place again by the pull of the shaggy horse. Sometimes

all started in different directions at one and the same time, and the

semblance to a skeleton snake was heightened--even the ominous rattle

was not wanting. The Victoria looked restful to McCartney, whose legs

were always tired.

"Why should we fret that others ride?

Perhaps dull care sits by their side,

And leaves us foot-men free!"

he hummed to himself, recollecting an old college glee.

"All the same that old bandbox looks not uncomfortable. How long is it

since I have used a cushion! Poverty makes a poor bedfellow!"

As the last equipage swung by, McCartney took a few steps in the same

direction and clambered in. He had become a "foot-man" in fact, but a

very undignified and luxurious one, who lay back with his feet crossed

against the box in front of him. Of all the lights on Broadway none

glowed so comfortingly for McCartney as the tip of his cigarette.

"My prayer is answered," he remarked softly to himself. "Thus do I

escape the 'monotonous feet.' Had I only Isabeau I should have attained

the height of human happiness--to have dined, to smoke, to ride on

cushions under the starlight, to have six dollars, and not to know

where one is going--a plethora of gifts. So I can spare Isabeau for the

nonce. Doubtless she would not particularly care for the delights of

locomotion."

Thus Voltaire sailed northward, noticed only by solitary policemen and

lonely wayfarers. Near Eightieth Street his eye caught the burning

circle of a clock pointing at half-past nine, and he stretched himself

and yawned again. They were passing the vestibule of an old church which

contrasted quaintly with the more ambitious modern architecture of the

neighborhood. From the interior floated out the gray unison of a hymn.

McCartney swung himself to the ground and listened while the skeleton

rattled up the avenue.

"Egad!" thought he, "yon prayerful folk are not troubled with my

disorder. Hell is for them what Jersey City is for me--a vital reality."

A woman, her head shrouded in a worn gray shawl, approached timidly and

stationed herself near the door. McCartney could see that she was

weeping and that she had a baby in her arms. He grumbled a bit to

himself at this business. It did not suit his fancy--his scheme. Having

planned a continuation of this night of comedy so auspiciously begun, he

disliked any incongruity.

"Broke?" he inquired without rising. The woman nodded.

"What's the matter?"

"Dan cleared out the flat and skipped yesterday afternoon. We've had

nothing to eat--me and the kid--all day."

"Let's look at your hands."

The woman held out a thin, rough, red hand. McCartney gave it a glance

and continued:

"What's your kid's name?"

"Catherine."

McCartney gazed at her intently.

"Look here, do you think those folks in there would help you?"

"I don't know. It's better than the Island."

"Don't try it," advised McCartney. "They'd think you were working some

game on 'em. Leave this graft to me."

The woman started back, half frightened, but McCartney's smile reassured

her.

"Here's yours on account." He handed her the five-dollar bill he had

secured from the Germans. "_I_ know how. _You_ don't. _You_ need it. _I_

don't." He waved aside her thanks. "Now go home, and, listen to me,

don't take Dan back--he's no good."

The woman hurried away, and with her departure silence fell again.

McCartney seated himself upon the curb and lit still another cigarette,

eying the door expectantly. Once he arose and dropped a piece of silver

into the poorbox inside the porch, listening intently to the loud rattle

it made in falling. It was clearly the sole occupant, for no answering

clink came in response.

"Alas for the rarity

Of Christian charity

Under the sun,"

softly murmured McCartney.

"You will be lonely in there all by yourself, little one. Here's a

brother to keep you company," said he, pushing in another.

The hymn ceased and the congregation began to pass out. McCartney

retired into the darkness of a corner, scrutinizing every face among the

worshipers. Last of all came a little old man scuffling along with the

aid of a cane. His snowy beard gave him an aspect singularly benign.

McCartney laughed to himself.

"Grandpapa, I trust we shall become better acquainted," he remarked

under his breath, as he followed the old fellow down the street.

* * * * *

The loud vibrations of the bell in the deserted rooms of the floor below

brought no immediate response, and instead of a brighter blaze of

hospitality, the light in the hall was hurriedly extinguished. McCartney

only pressed his thumb to the round receptacle of the bell the more

assiduously, repeating the process at varying intervals until the light

again illumined the door. A shadow hesitated upon the lace curtain, then

the door itself was slowly, doubtfully opened, and the old man shuffled

into the vestibule, peering suspiciously through the iron fretwork.

McCartney, without going too close--he knew well the dread of human

eyes, face to face--looked nonchalantly up and down the street,

realizing that he must give his quarry time to regain the

self-possession this midnight visit had shattered. After a pause the

bolt was shot and the door opened upon its chain.

"Was that you ringing? What do you want?"

"Yes, it was I who rang. I trust you'll excuse the lateness of my call.

It's imperative for me to see you."

"Who are you? And what do you want to see me about?"

"My name is Blake. Blake of the _Daily Dial_. It is a personal matter."

"Don't know you. Don't know any Blake. Don't read the _Dial_. What is

the personal matter?"

"For God's sake, sir, let me speak with you! It's a matter of life and

death. Don't deny me, sir. Hear me first."

The little old man closed the door a couple of inches.

"Want money, eh?"

"Help, sir. Only a word of sympathy. I've a dying child----"

"Can't you come round in the morning?"

"It will be too late then. I implore you to listen to me for only a few

moments. I've been waiting two hours upon the sidewalk for you to

return, and it's too late for me to go elsewhere."

The door opened sufficiently for the old man to thrust his face close to

the crack and inspect his visitor from head to heels. Evidently

McCartney's appearance and the manner of his speech had made an

impression which was now struggling with prudence and common sense. The

deacon, moreover, had a reputation to support. It would not do to turn

an applicant away who might be in dire extremity--and who might go

elsewhere and carry the tale with him.

"Won't a bed ticket do you, eh? And come in the morning?"

McCartney saw the vacillation in the other's mind.

"I'm sorry, but I must see you now, if at all. To-morrow might be too

late."

The owner of the house closed the door, unslipped the chain and

retreated inside the hall to the foot of the stairs, leaving the way

free for his visitor to follow. McCartney entered, hat in hand, and

shut the door behind him, catching at a glance the austerity of the

furniture and walls. To him every inch of the Brussels carpet, the

ponderous, polished walnut hatrack, the massive blue china stand with

its lonely umbrella and stout bamboo cane, and the heavily framed oil

copy of St. John spoke eloquently.

"I must ask your pardon again, sir, for disturbing you. But a man of

your character, as you have no doubt discovered, must suffer for the

sake of his reputation. I----"

McCartney swayed and seized a yellow-plush _portière_ for support. In a

moment he had regained control of himself--apparently.

"A touch of faintness. I haven't eaten since morning." He looked around

for a chair. The old man made a show of concern.

"Nothing to eat! Dear me! Well, well! Come in and sit down. Perhaps I

can find something."

Deacon Andrews led the way past the stairs and swung open the door to

the dining room. It had a musty smell, just a hint of the prison pen at

noon time, and McCartney shuddered. The old man disappeared into the

darkness, struck a sulphur match, a fact noted by his guest, and with

some difficulty lighted a gas jet in a grotesquely proportioned

chandelier. The gas, which had blazed up, he turned down to half its

original volume.

"There, sit down," said he, pointing to a mahogany chair shrouded in a

ticking cover, and settled himself in another on the opposite side of a

great desert of table. McCartney did as he was bidden, mentally

tabulating the additional facts offered to his observation by the

remainder of the room. There was evident the same bare vastness as in

the outer hall. Two more oils, one of mythological, the other of

religious purport, balanced each other over the wings of a huge black

carven sideboard. For the rest the yellow and brown wall paper repeated

itself interminably into the shadow.

"Feel better?" asked the deacon.

"Yes, much," answered McCartney. "I'm used to going without food. The

body can stand suffering better than the mind--and the heart."

"Let's try and fix up the body first," remarked the deacon, opening a

compartment beneath the sideboard. "Here, try some of these," and he

placed a plate of water biscuits upon the table.

McCartney essayed more or less successfully to eat one, while the old

man retreated into the pantry and, after a hollow ringing of water upon

an empty sink, returned with a thick tumbler of Croton.

"Good, eh? Nothing like plain flour food and Adam's ale! Now, what is it

you want to say? I must be getting to bed."

McCartney hastily swallowed the last of the biscuit and leaned forward.

"If I could be sure my dear wife and child could have this to-night, I

should be happy indeed. Oh, sir, poverty can be borne--but to see those

whom we love suffer and be powerless to help them--I can hardly address

myself to you, sir. I have never asked for charity before. I'm a

hard-working man. I had a good position, a little home of my own, and a

wife and child whom I loved devotedly. I care for nothing else in the

world. Then came the chance that ended so disastrously for us. I thought

it was the tide in my affairs, you know, that might lead on to fortune.

My wife was offered a position in a traveling company at sixteen

dollars a week, and they agreed to take me with them as press agent at

thirty-five--fifty dollars a week all told. Can you blame us?"

"I don't approve of play acting," said the deacon.

"Don't think the less of my wife for that. She meant it for the best."

McCartney's face worked and he brushed his eyes with the back of his

hand.

"Look here, what's the use wasting time," interrupted the deacon. "How

do I know who you are?"

"You have only my word, sir, that is true."

"What did you say you did for a living?"

"I'm a reporter. I live by my pen, sir, and I write articles on various

subjects for the newspapers. I have even written a very modest book. But

the modern public has crude taste in literature," sighed McCartney.

"Well, go on, now, and tell me about your trip or whatever it was," said

the deacon.

"I gave up for the time, as I said, the precarious livelihood of a space

writer. We sublet our rooms. I spent what little money I had saved upon

a costume for my wife, and we started out making one-night stands."

"What was the name of your play?" inquired the deacon abruptly.

"'The two Orphans,'" replied McCartney without hesitation. "We got along

well enough until we reached Rochester, and there the show broke

down--went to the wall. We were stranded, without a cent, in a

theatrical boarding house. My wife was taken down with pneumonia and

little Cathie----"

"Little what?" asked the deacon.

"Short for Catherine--caught the croup. We had nowhere to turn. I pawned

my watch to pay our board bill. We were sleeping in a single room--the

three of us. For days I tramped the streets of Rochester looking for

some work to do, but I was absolutely friendless and could find nothing.

My wife got a little better, but little Catherine seemed to grow worse.

I pawned my wife's wedding ring, all my clothes but those I have on,

even my baby's tiny little bracelet we bought for her on her second

birthday--O God, how I suffered! We talked it all over and decided that

as New York was the only place where I was known, I had better return

and earn enough money to send for them as soon as I could. The manager

let me use his pass back to the city. I reached here three days ago, but

I have found no work of any sort. Some of the press boys have shared

their meals with me, but for the moment I'm penniless. Meantime my wife

is lying sick in a strange household and my little girl may be dying!"

McCartney sobbed brokenly. "I'm at my last gasp. I've nowhere to sleep

to-night. No money to buy breakfast. I can't even pay for a postage

stamp to write to them!"

"What street did you stay in at Rochester?"

"1421 Maple Avenue," shot back McCartney. "I wish you could see my

little Catherine--she's such a tiny ball of sunshine. Every morning she

used to come and wake me, and say, 'Come, daddy, come to breaf-crust!'

She couldn't pronounce the word right--I hope she never will. She called

the little dog I gave her a fox 'terrial' dog. Some people say children

are all alike. If they could only see _her_--if she's still alive. Why

_I_ wouldn't give ten cents to live if I could only make sure Edith

would have enough to get along on and give Catherine a decent education.

I want that girl to grow up into a fine noble woman like her mother. And

to think the last time I saw her she was lying in a stuffy hall bedroom

in a third-class lodging house, her little forehead burning with fever,

with my poor sick wife stretched beside her, fearing to move lest she

should wake the child. She may be dead by this time, for I've had no

work for three days, and I've been able to send them nothing--nothing!

They may have been turned out into the streets, for the board bill was a

week overdue when I left them. Don't you see it drives me nearly mad?

I'm worse off a thousand times than if I stayed there with them.

Sometimes I think there can't be any God, for if there was He'd never

let me suffer so. And all for a little money--just because I can't pay

the fare back to my sick wife and dying baby--my poor, sweet, little

baby!"

McCartney's voice broke and he buried his haggard face on his arms. For

a moment or two neither spoke, then the deacon sighed deeply.

"You do seem to have had hard luck," he remarked awkwardly. McCartney

was still too overcome with emotion to reply.

"I reckon I'll have to break my rule and help you without references. I

don't believe in giving, as a rule, unless you know who you are giving

to."

He put his hand in his pocket.

"But I'll do it this time." He placed two quarters upon the table.

"There, half a dollar'll keep you nicely for a while. Of course, there's

no use sendin' money to Rochester. Your landlady can't turn sick folks

into the street, and if she does they can go to the hospital----"

He paused, startled by the look on McCartney's face, for the latter had

risen like an avenging angel, white and trembling. Pointing at the two

harmless coins, he cried:

"Is that your answer to the appeal of a starving man? Is that all your

religion has done for you? Is that how you obey your Lord's teachings?

'Cup of cold water' indeed! Cold water! Cold water! That's what you've

got instead of blood; you withered old epidermis! You miserable,

dried-up apology for a human being!" He paused for breath, sweeping the

room with indignant scorn.

"I know your kind! You old Christian Shylock! You bought those chromos

at an auction! You took that old sideboard for a debt--yes, a debt at

eighteen per cent interest. You don't pay a cent of taxes. You sing

psalms and bag your trousers with kneeling on the platforms at prayer

meetings and then loan out the church's money to yourself on worthless

securities. You're too mean to keep a cat, for the cost of her milk. You

read a penny newspaper and take books out of a circulating library. You

put a petticoat on these chairs so your miserly little body won't wear

out the seats."

The lean vagabond half shouted his anathema, the pallor of his face and

brow darkening red from the violence of his passion. It was the very

ecstasy of anger. Before it the little man with the white hair shrank

into himself, diminishing into his chair, seeking moral opportunity of

escape.

McCartney looked at the two coins contemptuously.

"Bah!" he exclaimed in disgust. "Half a dollar for a dying child and a

starving woman, to say nothing of a shelterless man!" He broke into a

mirthless laugh. "Allow me to return your generous answer to my

application for assistance. A code of morals of my own, which doubtless

you would not appreciate, compels me to restore what is obviously ten

times more precious to the donor than to the recipient."

He filliped the two coins across the table into the lap of his host, who

still crouched furtively with his head near the table.

"It makes me sick to look at you! Who could gaze without disgust upon

the spectacle of an ossified creature like yourself, creeping through

bare, deserted old age toward a grave mortgaged to the devil? Ugh! It is

the horridest spectacle I have seen in a month."

"You're mad!" muttered the old man with hoarse fearfulness.

"Sometimes, but not now!" retorted McCartney. "I'll hold my evening

session for Misers a moment longer. I pity you, Lord Pinhead Penurious!

I pity you that you should have gone through life, a small term of say

sixty years, in such stupidity. Sixty years of grubbing, of weighing

meat and adding figures, of watching the prices fools pay for stocks,

and how many days of _life_? How many good deeds? Oh, marvelous lack of

wit! What know you of real happiness? Let me introduce myself, since

you're so blind. What do you think I am, my good old Noddy Numbskull?"

"Crazy!" gasped the old man. "Do be quiet! Let me get you something more

to eat."

"A thief, at your service. Oh, don't start! I'll not carry away your

mahogany sideboard nor your bronze chandelier. I steal only to keep

myself in purse--to eat. You dig to add to the column of figures in your

pass book. I walk among the gods. My brain is worth twenty gray bags

like yours. I have thoughts and dreams in terms to you unintelligible. I

can live more in a week than haply you have done in the course of your

whole crawling existence. What do you know of the spirit? Behind your

altar sits a calf of gold. You grovel before it and slip out at the

bottom the shekels you drop in at the top. To you the moon will always

be made of green cheese, that 'orbed maiden with white fire laden'! Your

hands are callous from counting money, your brain is----"

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