CHAPTER XXVI.

ORGANIZATION AND METHODS OF GOVERNMENT.

Next in authority to the king are the three chong or high ministers.

The chief of these (Chen-kun) is the greatest dignitary in the kingdom,

and in time of the minority, inability, or imbecility of the king,

wields royal authority in fact if not in name. Another term applied to

him when the king is unable to govern, is “Foundation-stone Minister,”

upon whom the king leans and the state rests as a house upon its

foundation-stone. The title of Tai-wen-kun, which suggests that of the

“Tycoon” of Japan, seems to have been a special one intended for the

emergency. It was given to the Regent who is the father of the present

King, and who ruled with nearly absolute power from 1863 to 1874, when

the king reached his majority. In the troubles in Seoul in July, 1882,

his title, written in Japanese as Tai-in kun, became familiar to

western newspapers.

After the king, and the three prime ministers, come the six ministries

or boards of government, the heads of which rank next to the three

chong or ministers forming the Supreme Council. In the six departments,

the heads are called pan-cho, and these are assisted by two other

associates, the cham-pan, or substitutes, and the cham-é, or

counsellor. These four grades and twenty-one dignitaries constitute the

royal council of dai-jin (great ministers), though the actual authority

is in the supreme council of the three chong. The six boards, or

departments of the government, are: 1, Office and Public Employ; 2,

Finance; 3, Ceremonies; 4, War; 5, Justice; 6, Public Works. The heads

of these tribunals make a daily report of all affairs within their

province, but refer all matters of importance to the Supreme Council.

There are also three chamberlains, each having his assistants, who

record every day the acts and words of the king. A daily government

gazette, called the Chō-po, is issued for information on official

matters. The general cast and method of procedure in the court and

government is copied after the great model in Peking.

Each of the eight provinces is under the direction of a kam-sa, or

governor. The cities are divided into six classes (yin, mu, fu, ki,

ling, and hilu), and are governed by officers of corresponding rank.

The towns are given in charge of the petty magistrates, there being

twelve ranks or dignities in the official class. In theory any male

Corean able to pass the government examinations is eligible to office,

but the greater number of the best positions are secured by nobles and

their friends.

From the sovereign to the beggar, the gate, both figuratively and

actually, is very prominent in the public economy and in family

relationships. A great deal of etiquette is visible in the gates. At

the entrance to the royal palace are, or were formerly, two huge

effigies, in wood, of horses, painted red. Only high officials can pass

these mute guardians. All persons riding past the palace must dismount

and walk. To the houses of men of rank there are usually two, sometimes

three, gates. The magistrate himself enters by the largest, his parents

and nearer friends by the eastern, and servants by the west or

smallest. When a visitor of equal grade calls upon an officer or noble,

the host must come all the way to the great or outer gate to receive

him, and do likewise on dismissing him. If he be of one degree lower

rank, the host comes only to the outside of the middle gate. If of

third or fourth rank, the caller is accompanied only to the space

inside the middle gate. The man of fifth and sixth rank finds that

etiquette has so tapered off that the lord of the mansion walks only to

the piazza. In front of a magistrate’s office, at the gateway, are

ranged the symbols of authority, such as spears and tridents. The gates

are daily opened amid the loud cries of the underlings, and their

opening and closing with a vocal or instrumental blast is a national

custom, illustrated as well at the city as at the office. The porters

who close them at sunset and open them at dawn execute a salvo on their

trumpets, often lasting a quarter of an hour. This acoustic

devastation, so distressing to foreign ears, is considered good music

to the native tympanum.

In sitting, the same iron tongue upon the buckle of custom holds each

man to his right hole in the social strap. People of equal rank sit so

that the guest faces to the east and the host to the west. In ordinary

easy style, the visitor’s nose is to the south, as he sits eastward of

his host. A commoner faces north. In social entertainments, after the

yup, or bows with the head and hands bent together, have been made,

wine is sipped or drunk three or five times, and then follows what the

Coreans call music.

The sumptuary laws of the kingdom are peculiar, at many points amusing

to occidentals. To commit pem-ram is to violate these curious

regulations. What may be worn, or sat upon, is solemnly dictated by

law. Nobles sit on the kan-kio, or better kind of chairs. Below the

third rank, officers rest upon a bench made of ropes. Chairs, however,

are not common articles of use, nor intended to be such. At

entertainments for the aged, in time of rich harvests, local feasts,

archery tournaments, and on public occasions, these luxuries are

oftener used. In short, the chair seems to be an article of ceremony,

rather than a constant means of use or comfort.

Only men above the third rank are allowed to put on silk. Petty

officials must wear cotton. Merchants and farmers may not imitate

official robes, but don tighter or more economical coats and trowsers.

A common term for officials is “blue clouds,” in reference to their

blue-tinted garments. To their assistants, the people apply the

nickname, not sarcastic, but honorable, of “crooked backs,” because

they always bend low in talking to their employers.

The magistrates lay great stress on the trifles of etiquette, and keep

up an immense amount of fuss and pomp to sustain their dignity, in

order to awe the common folks. Whenever they move abroad, their

servants cry out “chii-wa,” “chii-wa,” “get down off your horse,” “get

down off your horse,” to riders in sight. The Il-san, or large banner

or standard in the form of an umbrella, is borne at the head of the

line. To attempt to cross one of their processions is to be seized and

punished, and anyone refusing to dismount, or who is slow about

slipping off his horse, is at once arrested, to be beaten or mulcted.

When permission is given to kill an ox, the head, hide, and feet

usually become the perquisites of the magistrate or his minions. The

exuberant vocabulary in Corean, for the various taxes, fines, mulcts,

and squeezes of the understrappers of the magistrate, in gross and in

detail, chief and supplementary, testify to the rigors and expenses of

being governed in Chō-sen.

Overreaching magistrates, through whose injustice the people are goaded

into rebellion, are sometimes punished. It seems that one of the

penalties in ancient times was that the culpable official should be

boiled in oil. Now, however, the condemned man is exiled, and only

rarely put to death, while a commutation of justice—equivalent to being

burned in effigy—is made by a pretended boiling in oil. Good and

upright magistrates are often remembered by mok-pi, or inscribed

columns of wood, erected on the public road by the grateful people. In

many instances, this testimonial takes the form of sculptured stone. A

number of the public highways are thus adorned. These, with the tol-pi,

or monumental bourne, which marks distances or points out the paths to

places of resort, are interesting features of travel in the peninsula,

and more pleasant to the horseman than the posts near temples and

offices on which one may read “Dismount.” At the funeral of great

dignitaries of the realm, a life-sized figure of a horse, made of

bamboo, dragged before the coffin, is burned along with the clothes of

the deceased, and the ashes laid beside his remains.

As the magistrates are literary men, their official residences often

receive poetic or suggestive names, which, in most cases, reflect the

natural scenery surrounding them. “Little Flowery House,” “Rising

Cloud,” “Sun-greeting,” “Sheet of Resplendent Water,”

“Water-that-slides-as-straight-as-a-sword Dwelling,” “Gate of

Lapis-lazuli,” “Mansion near the Whirlpool,” are some of these names,

while, into the composition of others, the Morning-star, the

Heaven-touching, the Cave-spirit, and the Changing-cloud Mountain, or

the Falling-snow Cataract may enter. Passionately fond of nature, the

Corean gentleman will erect a tablet in praise of the scenery that

charms his eye. One such reads, “The beauty of its rivers, and of its

mountains, make this district the first in the country.”

If, as the French say, “Paris is France,” then Seoul is Corea. An

apparently disproportionate interest centres in the capital, if one may

judge from the vast and varied vocabulary relating to Seoul, its people

and things, which differentiate all else outside its wall. Three

thousand official dignitaries are said to reside in the capital, and

only eight hundred in all the other cities and provinces. Seoul is “the

city,” and all the rest of the peninsula is “the country.” A provincial

having cultivated manners is called “a man of the capital.” “Capital

and province” means the realm.

The rule of the local authorities is very minute in all its

ramifications. The system of making every five houses a social unit is

universal. When a crime is committed, it is easy to locate the group in

which the offender dwells, and responsibility is fixed at once. Every

subject of the sovereign except nobles of rank, must possess a passport

or ticket testifying to his personality, and all must “show their

tickets” on demand. For the people, this certificate of identity is a

piece of branded or inscribed wood, for the soldiers of horn, for the

literary class and government officials of bone. Often, the tablet is

in halves, the individual having one-half, and the government keeping

its tally. The people who cannot read or write have their labels

carefully tied to their clothing. When called upon to sign important

documents, or bear witness on trial, they make a blood-signature, by

rudely tracing the signs set before them in their own blood. The name,

residence of the holder, and the number of the group of houses in which

he lives, are branded or inscribed on the ho-pai, or passport.

The actual workings of Corean justice will be better understood when

treating of Christianity—an element of social life which gave the pagan

tribunals plenty of work. Civil matters are decided by the ordinary

civil magistrate, who is judge and jury at once; criminal cases are

tried by the military commandant. Very important cases are referred to

the governor of the province. The highest court of appeal is in the

capital. Cases of treason and rebellion, and charges against high

dignitaries, are tried in the capital before a special tribunal

instituted by the king.

The two classes of assistants to the magistrate, who are called

respectively hai-seik and a-chen, act as constables or sheriffs, police

messengers, and jailers. French writers term them “pretorians” and

“satellites.” These men have practically the administration of justice,

and the details and spirit of local authority are in their power. The

hai-seik, or constables, form a distinct class in the community, rarely

intermarrying with the people, and handing down their offices,

implements, and arts from father to son. The a-chen, who are the

inferior police, jailers, and torturers, are from the very lowest

classes, and usually of brutal life and temper.

The vocabulary of torture is sufficiently copious to stamp Chō-sen as

still a semi-civilized nation. The inventory of the court and prison

comprises iron chains, bamboos for beating the back, a paddle-shaped

implement for inflicting blows upon the buttocks, switches for whipping

the calves till the flesh is ravelled, ropes for sawing the flesh and

bodily organs, manacles, stocks, and boards to strike against the knees

and shin-bones. Other punishments are suspension by the arms, tying the

hands in front of the knees, between which and the elbows is inserted a

stick, while the human ball is rolled about. An ancient but now

obsolete mode of torture was to tie the four limbs of a man to the

horns of as many oxen, and then to madden the beasts by fire, so that

they tore the victim to fragments. The punishment of beating with

paddles often leaves scars for life, and causes ulcers not easily

healed. One hundred strokes cause death in most cases, and many die

under forty or fifty blows. For some crimes the knees and shin-bones

are battered. A woman is allowed to have on one garment, which is

wetted to make it cling to the skin and increase the pain. The chief of

the lictors, or public spanker, is called siu-kiō. With the long,

flexible handle swung over his head, he plies the resounding blows,

planting them on the bare skin just above the knee-joint, the victim

being held down by four gaolers. The method of correction is quite

characteristic of paternal government, and is often inflicted upon the

people openly and in public, at the whim of the magistrate. The

bastinado was formerly, like hundreds of other customs common to both

countries, in vogue in Japan. As in many other instances, this has

survived in the less civilized nation.

When an offender in the military or literary class is sentenced to

death, decapitation is the rather honorable method employed. The

executioner uses either a sort of native iron hatchet-sword or cleaver,

or one of the imported Japanese steel-edged blades, which have an

excellent reputation in the peninsula.

Undoubtedly the severity of the Corean code has been mitigated since

Hamel’s time. According to his observations, husbands usually killed

their wives who had committed adultery. A wife murdering her husband

was buried to the shoulders in the earth at the road side, and all

might strike or mutilate her with axe or sword. A serf who murdered his

master was tortured, and a thief might be trampled to death. The acme

of cruelty was produced, as in old Japan, by pouring vinegar down the

criminal’s throat, and then beating him till he burst. The criminal

code now in force is, in the main, that revised and published by the

king in 1785, which greatly mitigated the one formerly used. One

disgraceful, but not very severe, mode of correction is to tie a drum

to the back of the offender and publicly proclaim his transgression,

while the drum is beaten as he walks through the streets. Amid many

improvements on the old barbarous system of aggravating the misery of

the condemned, there still survives a disgraceful form of capital

punishment, in which the cruelty takes on the air of savage refinement.

The cho-reni-to-ta appears only in extreme cases. The criminal’s face

is smeared with chalk, his hands are tied behind him, a gong is tied on

his back, and an arrow is thrust through either ear. The executioner

makes the victim march round before the spectators, while he strikes

the gong, crying out, “This fellow has committed [adultery, murder,

treason, etc.]. Avoid his crime.” The French missionaries executed near

Seoul were all put to death in this barbarous manner.

Officials often receive furloughs to return home and visit their

parents, for filial piety is the supreme virtue in Chinese Asia. The

richest rewards on earth and brightest heaven hereafter await the

filial child. Curses and disgrace in this life and the hottest hell in

the world hereafter are the penalties of the disobedient or neglectful

child. The man who strikes his father is beheaded. The parricide is

burned to death. Not to mourn long and faithfully, by retiring from

office for months, is an incredible iniquity.

Coreans, like Japanese, argue that, if the law punishes crime, it ought

also to reward virtue. Hence the system which prevails in the mikado’s

empire and in Chō-sen of publicly awarding prizes to signal exemplars

of filial piety. These in Japan may be in the form of money, silver

cups, rolls of silk, or gewgaws. In Corea, they are shown in monumental

columns, or dedicatory temples, or by public honors and promotion to

office. Less often are the rewarded instances of devotion to the mother

than to the father.

Official life has its sunshine and shadows in this land as elsewhere,

but perhaps one of the hardest tasks before the Corean ruling classes

of this and the next generation is the duty of diligently eating their

words. Accustomed for centuries to decry and belittle the foreigner

from Christendom, they must now, as the people discern the superiority

of westerners, “rise to explain” in a manner highly embarrassing. In

intellect, government, science, social customs, manual skill,

refinement, and possession of the arts and comforts of life, the

foreigner will soon be discovered to be superior. At the same time the

intelligent native will behold with how little wisdom, and how much

needless cruelty, Chō-sen is governed. The Japanese official world has

passed through such an experience. If we may argue from a common

ancestry and hereditary race traits, we may forecast the probability

that to Corea, as to Japan, may come the same marvellous revolution in

ideas and customs.

Corea: The Hermit Nation · 第 26 / 54 章