"_... his delights
Were dolphin-like; they showed his back above
The element they lived in._"
"Anthony and Cleopatra," Act v. sc. 2.
As the Lion is the king of beasts, the Eagle the king of birds, so in
similar heraldic sense the Dolphin is king of fishes. His position in
legend is probably due to his being one of the biggest and boldest
creatures of the sea that passed the Pillars of Hercules into the
Mediterranean Sea. Pliny (Book ix. ch. 8) calls it "The swiftest of all
other living creatures whatsoever, and not of sea fish only, is the
dolphin; quicker than any fowle, swifter than the arrow shot from a bow."
The dolphin, of which there are several varieties, enjoys a pretty wide
geographical distribution, being found in the Arctic seas, the Atlantic
Ocean, and indeed of all seas. It was well known to the ancients and
furnished the theme of many a fabulous story.
[Illustration: The Dolphin.]
The common dolphin (_Delphinus Delphis_) the true _hieros ichthus_, is
only rarely met with on the British coast. Its length is usually seven or
eight feet, though some specimens have been found to measure ten feet. Its
back is almost straight, or only slightly elevated; its colour is dusky
black above and whitish beneath. Its pectorals or flappers, which are
placed low in the sides, are well developed, and a dorsal fin, which is
somewhat short, is much elevated. Its tail is broad and notched in the
centre and expanded horizontally--not vertically as in most other
fishes--by the help of which it makes its peculiar leaps over the surface
of the water and at the same time takes its breath.
Unlike its near relatives the porpoises, who haunt the coast, dolphins
live far out at sea, and are generally mistaken for porpoises. The
long-snouted dolphin feeds on pelagic fishes. The short-nosed porpoise
likes salmon and mackerel, robs the fishermen's nets, and even burrows in
the sand in search of odds and ends. The dolphin is the sea-goose. The
porpoise is the sea-pig; he is the _porc-poisson_, the _porc-pois_, or
sea-hog.
The convex snout of the dolphin is separated from the forehead by a deep
furrow; the muzzle is greatly extended, compressed, and much attenuated
especially towards the apex, where it terminates in a rather sharp-pointed
beak. The French name _bec d'oie_, from the great projection of its nose
or beak, has led to its adoption in the arms of English families of the
name of Beck. The dolphin is an elegant and swift swimmer, and capable of
overtaking the swiftest of the finny tribe. Because the creature is noted
for its swiftness it has been adopted in the arms of Fleet.
The dolphin is able to hold his own against nearly all others of his size
and weight, and even some of the larger cetaceans only come off second
best in an encounter with the dolphin. He is voracious, gluttonous, and
ever on the look out for something to turn up, hunting his prey with great
persistency and devouring it with avidity. He has been not inaptly styled
"the plunderer of the deep."
The destructive character of the dolphin amongst the various tribes of
fish is not lessened when we examine its formidable jaws studded with an
immense number of interlocking teeth. Notwithstanding its rapacious habits
and the variety of its diet it was in England formerly regarded as a royal
fish, and its flesh held in high estimation. Old chroniclers have frequent
entries of dolphins being caught in the Thames, thus: "3 Henry V.--Seven
dolphins came up the Thames, whereof four were taken." "14th Richard
II.--On Christmas Day one was taken at London Bridge, being ten feet long,
and a monstrous grown fish." (Delalune's "Present State of London," 1681.)
The early fathers of the Church deemed "all fish that swam in the sea";
the dolphin was therefore eaten in Lent. He is, however, a mammal, not a
fish, and though an air-breathing creature he lives and dies in the ocean.
But one is brought forth at a birth, and between the old and young of
their kind, as in the case of all marine animals, a strong affection
exists.
Travellers' tales are notoriously hard of belief, and must be taken _cum
grano salis_. We learn from Sir Thomas Herbert, an early voyager, that
when he was on the coast of Sanquehar, a large kingdom on the east side of
the Cape of Good Hope, he "saw there great numbers of dolphins," of which
he says: "They much affect the company of men, and are nourished like men;
they are always constant to their mates, tenderly affected to their
parents, feeding and defending them against hungry fishes when they are
old," and much more information equally astonishing.
A story is related of a man who once went to a mufti and asked him whether
the flesh of the sea-pig (the dolphin) was lawful food. Without any
hesitation the mufti declared that pig's flesh was unlawful at all times
and under all circumstances. Some time after another person submitted the
question to the same authority, whether the _fish_ of the sea, called the
sea-pig, was lawful food. The mufti replied: "Fish is lawful food by
whatever name it may be called."
CLASSIC FABLE AND MEDIÆVAL LEGEND have shed a halo of romantic interest
around the dolphin which cleaves to it even to the present hour; the rare
event of a dolphin being caught in British waters revives with a thrill
all the old-world stories and historic associations of this famous fish as
if it were a veritable relic of the golden age. The dolphin of fact we
have found to be quite a different creature from what he is pictured by
the ancients. The mariner may be engulfed by "the yawning, dashing,
furious sea," but no generous dolphin now watches with tender eye,
solicitous for his safety, nor offers his ready back to speed him to the
shore.
The dolphin of our modern poets and sailors--the swift swimmer that leaps
after the flying-fish and frolics in front of the vessel's prow until he
is caught by the glittering tin--is the _Coryphæna hippurus_, the species
famed for its changing tints when taken from the water. During a calm,
these fishes, when swimming about a ship, appear of a brilliant blue or
purple, shining with a metallic lustre in every change of reflected light.
On being captured and brought on deck, the variety of these tints is very
beautiful. The bright purple and golden yellow hues change to brilliant
silver, varying back again into the original colours, purple and gold.
This alteration of tints continues for some time, diminishing in
intensity, and at last settles down into a dull leaden hue. The
iridescent lines which play along its elegant curves as he lies on deck
has awakened the enthusiasm of many a writer. Byron tells us in a
beautiful simile:
"Parting day
Dies like the dolphin, whom each pang imbues
With a new lustre, as it gasps away,
The last still loveliest, till 'tis gone--and all is grey."
[Illustration: Dolphin of classic art.]
It is needless to say that the legendary dolphin is not to be confounded
with the gay and graceful _coryphæna_ to whom alone belong those rainbow
flashes of colour in dying. The common dolphin (_Delphinus delphis_) is
dark on the back and satiny white beneath but not even in the agonies of
death does he change colour, though like all dead things the body becomes
slightly phosphorescent during decomposition. There are two curious fresh
water dolphins, the Sooloo of the Ganges and the Inia of the Amazon, which
form the connecting-link between the herbaceous and carnivorous cetacea.
The dolphin (δελφίν) may be considered an accessory symbol of Apollo, who,
as we read in the Homeric hymns, once took the form of a dolphin when he
guided the Cretan ship to Crissa, whence, after commanding the crew to
burn the ship and erect an altar to him as Apollo Delphinios, he led them
to Delphi, and appointed them to be the first priests of his temple.
The dolphin is the most classic of fishes, the favourite of Apollo, and
sacred to that bright divinity, deriving his name from the oracular
Delphi, that mysterious spot, "the earth's umbilicus," the very centre of
the world, Delphi or Delphos, a town in Phocis, famous for its oracle in
the Temple of Apollo, upon the walls of which were sculptured the _Helios
ichthus_, Apollo's fish.
In the legend of Tarento, Phalantus, heading the Patheniæ, was driven from
Sparta and shipwrecked off the coast of Italy, and escaped on a friendly
dolphin's back to Tarentum. We learn from Aristotle that the youthful
figure seated on the dolphin, which is the most common type on the coins
of this city, was intended for Taras, a son of Poseidon, from whom the
city is said to have derived its name.
The dolphins, "the arrows of the sea," were the great carriers of ancient
times. Not only did they bear the Nereides safely on their backs, but
Arion, the sweet singer, when forced to leap into the sea to escape the
mariners who would have murdered him, had previously so charmed the
dolphins by his playing that they gathered round the ship and one of them
bore Arion safely to Tænarus, whilst the musician
"with harmonious strains
Requites his bearer for his friendly pains."
The classic myth of Arion and the dolphin, like many other pagan
fictions, was invested by the early Christians with an entirely different
signification, and in the sculptures and frescoes of the catacombs and
other symbolic representations of the Christian converts, the frequent
introduction of the dolphin "points not to the deliverer of Arion, but to
Him who through the waters of baptism opens to mankind the paths of
deliverance, causing them to so pass the waves of this troublesome world
that finally they may come to the land of everlasting life."
The poet Licophron says Ulysses bore a dolphin on his shield, on the
pommel of his sword, as well as on his ring, in commemoration of the
extraordinary escape of his son Telemachus, who when young fell into the
sea and was taken up by a dolphin and safely brought on shore. Pliny and
others relate a story of one of these fishes which frequented the Lake
Lucrin: "A boy who went every day to school from Baia to Puzzoli used to
feed this dolphin with bread, and it became at last so familiar with the
boy that it carried him often on its back over the bay."
The dolphins were early symbols on the coins of Ægina, and though
abandoned for a time were afterwards resumed; and they appear upon later
and well-known coins of that State accompanied by the wolf and other
national devices. Argos had anciently two dolphins; Syracuse, a winged
sea-dog, a dolphin, &c.; Teneos (Cyclades) two dolphins and a trident. The
dolphin and trident figures also upon coins of the ancient city of
Byzantium, signifying probably the sovereignty of the seas. It is even
figured by the ancients as a constellation in the heraldry of the heavens.
In botany it lives in larkspurs called delphiniums, from their curious
petals and the slender segments of their leaves.
[Illustration: Coin of Ægina.]
The dolphin and anchor is a famous historic symbol. Titus, Emperor of
Rome, took the device of a dolphin twisted round an anchor, to imply, like
the emblem of Augustus, the medium between haste and slowness, the anchor
being the symbol of delay, as it is also of firmness and security, while
the dolphin is the swiftest of fish. This device appears also upon the
coins of Vespasian, the father of Titus. The anchor was also used as a
signet ring by Seleneus, King of Syria. The dolphin and anchor was also
used, with the motto "Festina lente" ("Hasten slowly"), by the Emperor
Adolphus of Nassau, and by Admiral Chabot. The family of Onslow bear the
same for crest and motto.
Aldus Manutius, the celebrated Venetian printer, adopted this well-known
device from a silver medal presented to him by Cardinal Bembo, with the
motto in Greek "hasten slowly." Camerarius describes this sign in his book
of symbols "to represent that maturity in business which is the medium
between too great haste and slowness." "When violent winds disturb the sea
the anchor is cast by seamen, the dolphin winds herself round it out of a
particular love for mankind, and directs it as with a human intellect so
that it may more safely take hold of the ground; for dolphins have this
peculiar property that they can, as it were, foretell storms. The anchor
then signifies a stay and security whilst the dolphin is a hieroglyphic
for philanthropy and safety."
[Illustration]
This sign was afterwards adopted by William Pickering, a worthy
"Discipulus Aldi" as he styles himself. Sir Egerton Bridges has some
verses upon it, amongst which occur the following:
"Would thou still be safely landed,
On the Aldine anchor ride;
Never yet was vessel stranded,
With the dolphin by its side.
* * * * *
"Nor time nor envy shall ever canker,
The sign which is my lasting pride;
Joy then to the Aldus anchor
And the dolphin at its side.
"To the dolphin as we're drinking,
Life and health and joy we send;
A poet once he saved from sinking,
And still he lives the poet's friend."
The dolphin was the insignia of the Eastern Empire--the Empire of
Constantinople. The Courteneys, a noble Devonshire family, still bear the
dolphin as crest and badge, and the melancholy motto, "Ubi lapsus? Quid
feci?" ("Whither have I fallen? What have I done?"), "a touching
allusion," says Miss Millington ("Heraldry in History and Romance"), "to
the misfortunes of their race, three of whom filled the imperial throne of
Constantinople during the time that city was in possession of the Latins
after the siege of 1204. Expelled at length by the Greeks, Baldwin, the
last of the three, wandered from Court to Court throughout Europe vainly
seeking aid to replace him upon the throne."
A branch of the imperial Courteneys settled in England during the reign of
Henry II., and their descendants were among the principal Barons of the
realm. Three Earls of Courteney perished on the scaffold during the Wars
of the Roses; the family was restored to favour by Henry VII. Another
Courteney, the Marquis of Exeter, became first the favourite, and
subsequently the victim of the brutal tyrant Henry VIII. His son Edward,
after being long a prisoner in the tower, ended his days in exile, and the
family estates passed into other hands.
Sir William Courteney, of Powderham Castle, Devon (_temp._ Edw. IV.),
bore emblazoned on his standard three dolphins in reference to the purple
of three Emperors.
The Arms of Peter Courteney, Bishop of Exeter, 1478, is still to be seen
in the episcopal palace environed with the dolphins of Constantinople.