After a half-hour of soft rain, accompanied by three sharp thunder-claps,

the climate had done its perfect work; every tree, bird, flower, and

insect rejoiced, and all nature literally sang. The warm red earth

breathed pleasant fragrance, every tree had its aroma, and the perfumed

flowers were overpowering with fresh sweetness. Then the master led

the house party for a long walk, first through the oldest tea-gardens,

where every leaf on every plant was erect, shining, as if ready for

dress-parade, and more intensely, softly green than ever after the daily

shower-bath and wind toilet. We strolled on through a toy village under

a kanari avenue, where all the avocations and industries of Javanese

life were on view, and the little people, smiling their welcome, dropped

on their heels in the permanent courtesy of the _dodok_, the squatting

attitude of humility common to all Asiatics. The servants who had brought

notes to the master, as he sat on the porch, crouched on their heels

as they offered them, and remained in that position until dismissed;

and the villagers and wayfarers, hastily dropping on their haunches,

maintained that lowly, reverent attitude until we had passed—an attitude

and a degree of deference not at all comfortable for an American to

contemplate, ineradicable old Javanese custom as it may be. The tiny

brown babies, exactly matching the brown earth in tone, crawled over the

warm lap of nature, crowing and gurgling their pleasure, their plump

little bodies free from all garments, and equally free from any danger of

croups or colds from exposure to the weather. We took a turn through the

great cement-floored _fabrik_, with its ingenious machines all silent for

that night, and only the electric-light dynamos whirling to illuminate

the great settlement of outbuildings around the residence. The stables

were another great establishment by themselves, and fifty odd Arabian and

Australian thoroughbreds, housed in a long, open-fronted stable, were

receiving their evening rub and fare from a legion of grooms. Morphine,

Malaria, Quinine, Moses, and Aaron, and other cup-winners, arched their

shining necks, pawed to us, and nibbled their reward of tasseled

rice-heads, brought on carrying-poles from the granaries, where legions

of rice-sparrows twittered in perpetual residence. We sat on a bank near

the little race-course, or manège, where the colts are trained, and the

favorites were led past and put through their paces and accomplishments

one by one. It was almost dusk, with the swiftness with which day closes

in the tropics, when the banteng, or wild cow (_Bos sondaicus_), was

trotted out—a clumsy, dun-colored creature, with a strange, musky odor,

that was brought as a calf from the wild south-coast country, and was at

once mothered and protected by a fussy little sheep, “the European goat,”

as the natives call the woolly animal from abroad, that was still guiding

and driving it with all the intelligence of a collie.

The bachelor planter partner showed us his bungalow, full of

hunting-trophies—skulls and skins of panthers, tigers, and wild dogs;

tables made of rhinoceros-hide resting on rhinoceros and elephant skulls,

and tables made of mammoth turtle-shells resting on deer-antlers. The

great prizes were the nine huge banteng skulls, trophies of hunting-trips

to the South Preanger, the lone region bordering on the Indian Ocean.

There were also chandeliers of deer-antlers, and a frieze-like

wall-bordering of python-skins, strange tusks and teeth, wings and

feathers galore, and dozens of kodak pictures as witnesses and records of

the many camps and battues of this sportsman—all gathered in that same

wild region of big game, as much as fifty or a hundred miles away, but

referred to in the Buitenzorg neighborhood as New York sportsmen used to

speak of the buffalo country—“the south coast” and “out West,” equally

synonyms for all untamed, far-away wildness. Elephant-hunting must be

enjoyed in Sumatra, since that animal has never existed in a wild state

in Java.

With the younger people of the master’s family, his young managers and

assistants, fresh from Amsterdam schools and European universities,

speaking English and several other languages, _au courant_ with all the

latest in the world’s music, art, literature, and drama, plantation life

and table-talk were full of interest and varied amusements. By a whir of

the telephone, two of the assistants were bidden ride over from their far

corner of the estate for dinner, and afterward a quartet of voices and

instruments made the marble-floored music-room ring, while the elder men

smoked meditatively, or clicked the billiard-balls in their deliberate,

long-running tourney. The latest books and the familiar American

magazines strewed boudoir and portico tables, and naturally there was

talk of them.

“Ah, we like so much your American magazines—the ‘Century’ and the

others. We admire so much the pictures. And then all those stories of the

early Dutch colonists at Manhattan! We like, too, your great American

novelists—Savage, Howells, Gunter—‘The Rise of Silas Lapham,’ ‘Mr. Potter

of Texas,’ and all those. We read them so much.”

They were undoubtedly disappointed that we did not speak Dutch, or at

least read it, since all Hollanders know that Dutch is the language of

the best families in New York, of the cultivated classes and all polite

society in the United States, since from the mynheers of Manhattan came

the first examples of refined living in the New World. “The English

colonists were of all sorts, you know, like in Australia,” said our

informants at Buitenzorg and everywhere else on the island, “and that is

why you Americans are all so proud of your Dutch descent.”

XI

PLANTATION LIFE

After the sunrise cup of coffee at Sinagar—such coffee as we had dreamed

of and confidently expected to enjoy, but never did encounter anywhere

else in Java—all the men of the household appeared in riding-gear, and

were off to inspect and direct work in the many gardens and sections of

the estate. The ladies took us for a walk across the tea-fields to the

great landmark of a Sinagar palm, which gave the name to the estate, and

from which lookout we could view the miles of luxuriant fields between

it and Parakan Salak’s group of white houses, and also, chief feature

in every view, the splendid blue slopes and summit of Salak clear cut

against a sky of the palest, most heavenly turquoise. It was a very dream

of a tropic morning, and a Java tea-garden seemed more than ever an

earthly paradise.

Tea-bushes covered thousands of acres around and below us, as the ground

dropped away from that commanding ridge, their formal rows decreasing in

perspective until they shaded the landscape like a fine line-engraving.

For mile after mile one could walk in direct line between soldierly files

of tea-bushes—Chinese, Assam, and hybrids. The Chinese plant, descended

by generations from that same wild bush discovered in Assam near the

Yunnan frontier by English botanists in 1834, has, by centuries of

cultivation, been brought to grow in low, compact little mats, or mere

rosettes of bushes. It has a thick, woody stem, gnarled and twisted like

any dwarf tree, and some of the Chinese tea-bushes at Sinagar are fifty

or sixty years of age, the pioneers and patriarchs of their kind in Java,

original seedlings and first importations from China. The Assam or wild

Himalayan tea-plant is a tall spindling bush with large, thin leaves, and

grafted on Chinese stock produces the tall hybrid commonly grown in the

tea-gardens of Java. The red soil of these gardens is always being raked

loose around the tea-plants, and at every dozen or twenty feet a deep

hole, or trench, is dug to admit air and water more freely to the roots.

Constant care is given lest these little open graves, or air-holes,

fill up after heavy rains, and not a weed nor a stray blade of grass is

allowed to invade these prim, orderly gardens and rob the soil of any of

its virtues. Each particular bush is tended and guarded as if it were the

rarest ornamental exotic, and the tea-gardens, with their broad stripings

of green upon the red ground, and skeleton lines of palms outlining the

footpaths and the divisional limits of each garden, are like a formal

exhibit of tea-growing, an exposition model on gigantic scale, a fancy

farmer’s experimental show-place.

In the unending summer of the hill-country there is no “tea season,”

no “spring leaf,” “first pickings,” or “fire-fly crop,” as in China and

Japan. Two years after the young seedling has been transplanted to the

formal garden rows its leaves may be gathered; and there are new leaves

every day, so that picking, curing, firing, and packing continue the

year round. The tea-pickers, mostly women, gather the leaves only when

the plants are free from dew or rain. They pick with the lightest touch

of thumb and finger, heaping the leaves on a square cloth spread on the

ground, and then tying up the bundle and “toting” it off on their heads,

for all the world like the colored aunties of our southern states. The

bright colors of their jackets and sarongs, and of their bundles, that

look like exaggerated bandana turbans, give gay and picturesque relief to

the green-striped gardens, whose exact lines converge in long, monotonous

perspective whichever way one looks. There is great fascination in

watching these bobbing figures among the bushes gradually converge to

single lines, and the procession of lank, slender sarongs file through

the gardens, down the avenues of palm and tamarind, to the fabrik.

[Illustration: JAVANESE DANCING-GIRL.]

The long, red-tiled buildings of the fabrik, in their order and speckless

neatness, with the array of ingenious and intelligent machines, seem yet

more like part of an exposition exhibit—a small machinery hall of some

great international industrial aggregation. The picking and the processes

of converting the tea-leaves into the green, oolong, and black teas of

commerce, and of packing them into large and small, air-tight, leaded

packages for export, occupy, at the most, but two days in ordinary

working seasons. Less green tea is sold each year, and soon the entire

Java crop of tea will be cured to the half black, or oolong, and the

standard black tea, which alone can find sale in England or in Russia,

the largest and most critical tea-consuming countries of Europe. An

especially fine black tea is made at these Preanger tea-fabriks, and for

this the green leaves are first exposed to the sun in wicker trays for

wilting, then rolled by machinery to free the juices in the leaf-cells,

and fermented in heaps for four or eight hours, until by their turning

a dark reddish brown there is evidence that the rank theine, the active

principle or stimulating alkaloid in the leaves, has been oxidized,

and so modified into something less injurious to human nerves and the

digestive system. The bruised red leaves are dried in a machine where hot

blasts and revolving fans make quick, clean work of the “firing,” that

perspiring coolies do by hand over charcoal pans in China and Japan. All

the sifting, sorting, packing, and labeling, the pressing of the broken

leaves and dust into bricks, go on as neatly, swiftly, and surely; and

the cases are hauled away to the railway-station and shipped from Batavia

to their special markets. The leaves to be made into green teas are given

a first toasting, almost as they come in from the bushes, are rolled on

great trays ranged on tables in an open court, and fired again, and more

thoroughly, before packing. As the taste of the world’s tea-drinkers

becomes more cultivated, green tea will lose favor, and the Java

tea-fabriks will be employed in directly competing with the factories of

India and Ceylon, from whose culture experiments they have profited,

and whose ingenious machines they have so generally adopted for curing

and preparing black teas. Often the profuse “flushing” of the tea-bushes

forces the fabrik to run all night to dispose of the quantity of fresh

leaves; and one gets an idea of the world’s increasing consumption of tea

in this quarter of a century since Java, India, and Ceylon entered into

competition in the tea-trade with China and Japan. Parakan Salak teas are

advertised and sold in Shanghai and Yokohama, and the appeal to those

great tea-marts is significant of a progressive spirit in Java trade,

that is matched by the threat that petroleum from Java’s oil-wells will

soon compete seriously with American and Russian oil.

The coffee harvest is a fixed event in the plantation’s calendar, and

occurs regularly in April and May, at the close of the rainy season. Now

that the finer Arabian shrub has been so largely replaced by the hardy

Liberian tree, coffee-culture is a little less arduous than before. The

berries are brought to the mill, husked by machinery, washed, dried

on concrete platforms in the sun, sacked, and shipped to Batavia, and

nothing more is heard of that crop until the next spring comes around.

The trees are carefully tended and watched, of course, throughout the

year, and scrutinized closely for any sign of scale or worm, bug or

blight. The glowing red volcanic soil is always being weeded and raked

and loosened, the trees trimmed, young plants from the great nursery of

seedlings set out in place of the old trees, and the coffee area extended

annually by clearings.

The Sundanese who live in their ornamental little fancy baskets of

houses beneath Sinagar’s tall tamarinds and kanari-trees are much to

be envied by their people. The great estate is a world of its own, an

agricultural Arcadia, where life goes on so happily that it is most

appropriate that they should have presented model Javanese village life

at the Chicago Exposition in 1893. These little Sinagar villagers have

their frequent passers on one side or the other of the demesne by turn,

with theater and _wayang-wayang_, or puppet-shows, lasting far into the

night. Professional raconteurs thrill them with classic tales of their

glorious past, while musicians make sweet, sad melodies to rise from

_gamelan_, or _gambang kayu_, from fiddle, drum, bowls, bells, and the

sonorous _alang-alang_—a rude instrument of most ancient origin, made

of five or eight graduated bamboo tubes, cut like organ-pipes, and hung

loosely in a frame, which, shaken by a master hand, or swinging in the

breeze from some tree-branch, produces the strangest, most weird and

fascinating melodies in all the East.

The play of village life about Sinagar is so prettily picturesque,

so well presented and carried out, that it seems only a theatrical

representation—a Petit Trianon sort of affair at the least. The smiling

little women, who rub and toss tea-leaves over the wilting-trays at the

fabrik, seem only to be playing with the loose leaves like a larger

sort of intelligent, careful children. In the same way the plucking

in the tea-gardens and the march to the fabrik in long, single file,

with bundles balanced on their heads, are mere kindergarten exercises

to develop the muscles of the back and secure an erect and graceful

carriage—the secret, perhaps, of their splendid bearing, although all

Javanese walk as kings and queens are supposed to walk, as the result of

not being hampered by useless garments, and thus having control of every

member and muscle of the body from earliest years. The same supple ease

and grace distinguish their manners too, and one young planter said:

“After living a few years among these gentle, graceful, winning natives,

you cannot know how Europe jarred upon me. All the hard, sad, scowling

faces and the harsh, angry voices oppressed me and made me so homesick

for Java that I was really glad to turn away from it. I never before was

so aware of the poverty, misery, distress, and vice of Europe.”

Visitors to the Paris Exposition of 1889 and the Chicago Exposition of

1893 had a typical model Javanese village set before them, and all were

unstinted in their praises of the _mise en scène_ and the human features

of the exhibit. The Chicago village was peopled by families from the

Sinagar and Parakan Salak estates, and, as a purely ethnological exhibit,

was the one success of that kind among the many trifling side-shows that

detracted from the character of the Midway Plaisance. The trip to America

was the prize and reward allotted to the most industrious and deserving

villagers, who with their properties and industrial accessories filled

two sailing-ships from Batavia to Hong Kong, whence they took steamer

to San Francisco and railway across the continent to Chicago. There was

a large outlay required at the start, and the best workmen were away

from the estates for a year; and between a dishonest shipping-agent

at Batavia and the heavy commissions upon all receipts levied by the

exposition’s managers at Chicago, and the free admissions which those

same generous American managers bestowed so widely, the village did not

nearly pay its current expenses, and the venture stands as an entire

loss, or a gift to the American people from the two public-spirited

Preanger planters who paid for it.

The good little Javanese who went to Chicago returned from their great

outing as simple and unspoiled as before, settled down contentedly

under their kanari-trees, and resumed their routine life in field and

fabrik. And what tales they had to tell to open-mouthed villagers

and neighbors, who sat around the traveled ones, to the neglect of

wayang-wayang and provincial professional story-tellers, listening to

their accounts of the very remarkable things on that other side of the

world! For the first time ever in their lives these Javanese saw white

men at work in the fields, drudging in city streets, and doing every

kind of menial, coolie labor. They saw a few black men, blacker than

Moormen, but they were great personages, wearing fine uniforms and having

command of the railway-trains, and riding in the most magnificently

gilded cars—individuals treated always with great respect, who came to

the Midway Plaisance in rich clothing, with gold watch-chains, jeweled

scarf-pins, and much loose money in their pockets—a superior and a

moneyed, if not the ruling class, in that topsy-turvy country, America.

A striped cat of the common roof-and-fence variety was given to one of

the village managers, and made the journey back to Java with the party.

Everything else in Chicago had been paid for so dearly that this tabby

could be fairly said to represent the entire profit and result of the

Chicago village venture. The cat was named “Chicago,” and soon became the

pet of the whole plantation, roaming freely everywhere, and feasting on

small rice-mice and tropical birds. “Chicago” came to us on our arrival,

rubbed in friendly fashion against one and another American knee,

and purred loudly, as if recognizing us for compatriots. The morning

we left Sinagar there was hubbub and running to and fro in the great

quadrangle of the residence. “Chicago,” while walking the well-curb with

gesticulating tail, had lost her balance, and with frightful cries and

a splash ended her existence—by unpleasant coincidence, just as we were

making our farewells to our kindly host. “In despair at being unable to

return to America with you,” said one mourner, “she has thrown herself

in the well. It is plainly suicide.” And this domestic tragedy saddened

our leave-taking from those charming people, the fine flavor of whose

hospitality, courtesy and kindliness took the edge from many of our

disagreeable experiences in Java, and gave us pleasant memories with

which to offset those of the other kind.

XII

ACROSS THE PREANGER REGENCIES

One may ride all day by train from Buitenzorg before reaching the limits

of the Preanger regencies, where native princes still hold pretended

sway; and it is a continuous landscape feast from the sunrise start to

the sunset halt of the through-train. The railway line, after curving

around the shoulder of Salak, runs through the vaunted hill-country, the

region of the great tea, coffee, and kina estates; and from Soekaboemi to

Bandong, the two great headquarters for planters, one perceives that the

planter is paramount, the cultivator is king. The new cultures have not

dispossessed the old, however, and the _sawas_, or flooded rice-fields,

break the level of plain and valley floor with their myriad waving lines

of division, and climb by terraces to the very hilltops—a system of

cultivation and irrigation as old as the human race, and followed in

these same valleys by these same Sundanese since the beginning of their

recorded time. To them rice is a holy grain, the offspring of a god, and

the gods’ best gift to man; a grain both cultivated and worshiped. It

argues for the industry of a tropical race that they should grow this

troublesome grain at all, the grain that demands more back-breaking toil

and constant attention from planting to harvest-time than any other

grain which grows. It would seem discouraging to rice-cultivation,

too, when in old times the natives were taxed according to the area of

their rice-lands only, and mulcted of a fifth of their rice when it

was harvested—all in this happy land, where they might sit under the

breadfruit- and banana-trees and doze at their ease, while those kindly

fruits dropped in their laps. These picturesque rice-fields have won for

Java the name of “the granary of the East,” and enabled it to export

that grain in quantities, besides supporting its own great population,

one of the densest in the world, and averaging four hundred and fifty

inhabitants to each square mile. No fertilizer of any kind is applied to

these irrigated rice-fields, save to burn over and plow under the rich

stubble, after the _padi_, or ripe ears of grain, have been cut singly

with a knife and borne away in miniature sheaves strung on carrying-poles

across the peasants’ shoulders.

Beyond the region of the great plantations, where every hillside is

cleared and planted up to the kina limit, and only the summits and

steepest slopes are left to primeval jungle, there succeed great

stretches of wild country, where remarkable engineering feats were

required of the railway-builders. With two heavy engines the train climbs

to Tjandjoer station, sixteen hundred feet above the sea; and there,

if one has telegraphed the order ahead, he may lunch at ease in his

compartment as the train goes on. He may draw from the three-storied

lunch-basket handed in either a substantial riz tavel, consisting of

a little of everything heaped upon a day’s ration of boiled rice, or

a “tiffin,” whose _pièce de résistance_ is a huge _bifstek mit ard

appelen_, that would satisfy the cravings of any three dragoons. Either

feast is followed by bread or bananas, with a generous section of a

cheese, with mangosteens or other fruits, and one feels that he has

surely reached the land of plenty and solid, solid comforts, where fate

cannot harm him—when all this may be handed in to fleeting tourists at a

florin and a half apiece.

After this station of abundant rations, all signs of cultivation

and occupancy disappear, and the station buildings and the endless

lantana-hedges along the railway-track are the only signs of human

habitation or energy in the wilderness of hills covered with alang-alang

or bamboo-grass, and the coarse _glagah_ reeds which cattle will not

touch. The banteng, the one-horned rhinoceros, and the tigers that used

to roam these moors, fled when the shriek of the locomotive was heard in

the cañons, and the sportsmen have to seek such big game in the jungles

and grass-lands of the south coast. The streams that come cascading down

from all these green heights have carved out some beautiful scenery,

and the Tjitaroem River, foaming in sight for a while, disappears, runs

through a mountain by a natural tunnel, and reappears in a deep gorge, of

which one has an all-too-exciting view as the train crosses on a spidery

viaduct high in air.

A great, fertile green plain surrounds the native capital of Bandong,

and on its confines rises the Tangkoeban-Praoe, the Ararat of the

natives, who see in its square summit-lines the reversed _praoe_ in

which their ancestors survived the flood, and, turning their boat over

carefully to dry, descended, as the waters fell, to people the Malay

universe. One may ascend the butte-like peak, passing up first through a

belt of old coffee-plantations, whose product ranked first in the good

old days before the blight, and by the villa and experimental grounds of

Herr Junghuhn, the botanist, who first succeeded with the kina-culture

and introduced so many other economic plants and trees to the island.

At Lembang, ten miles from Bandong, the mountain-climber gives up his

pony or carriage, and is carried in a _djoelie_, or sedan-chair, through

a magnificent jungle to the edge of the open crater, where bubbling

sulphur-pools in an ashy floor, and a wide view over the fertile valley,

are sufficient reward for all exertion on the climber’s part.

Bandong itself, as the capital of the Preanger regencies and the home of

the native regent and the Dutch resident, is a place of great importance

to both races. The regent, as a mere puppet and pensioner of the colonial

government, supports the shadow of his old state and splendor in a large

_dalem_, or palace, in the heart of the town. He has also a suburban

villa in European style, to which are attached large racing-stables,

and this progressive regent is a regular cup-winner at the Buitenzorg

and Bandong races at every summer, or dry-season, meet, when the “good

monsoon” inspires all the islanders to their greatest social exertions.

As one gets farther into the center of the island, native life becomes

more picturesque, and every station platform offers one more diverting

study. There is more color in costume, and the wayside and platform

groups are kaleidoscopic with their gay sarongs and kerchiefs. More men

are seen wearing the military jacket of rank with the native sarong,

and the boat-handled kris thrust in the belt at the back. The little

children, who ride astride of their mothers’ hips and cling and cuddle

so confidingly in the slandang’s folds, seem of finer mold, and their

deep, dark Hindu eyes tell of a different strain in the Malay blood

than we had seen on the coast—these the Javanese, as distinguished from

the Sundanese. The clumsy buffalo, or water-ox, is everywhere, plowing

the fields, wallowing in mud, or browsing the stubble patch after the

gleaners, always with a patient, statuesque, nude little brown boy on his

blue-gray back, the fine, polished skins of these small herders glowing

in the sun as if they were inanimate bronze figurines.

Java · 第 7 / 17 段