"'This,' said Fausta, 'is the act of a rash and passionate

man. Aurelian, before to-morrow's sun has set, will himself

repent it. What a single night has destroyed, a century could

not restore. This blighted and ruined capital, as long as its

crumbling remains shall attract the gaze of the traveller,

will utter a blasting malediction upon the name and memory

of Aurelian. Hereafter he will be known, not as conqueror of

the East, and the restorer of the Roman Empire, but as the

executioner of Longinus and the ruthless destroyer of Palmyra.'"

After Aurelian has again departed with his army for Rome, the noble

Piso and Fausta re-visit the devoted capital. How horribly graphic

the description of its desolation:

"For more than a mile before we reached the gates, the roads,

and the fields on either hand, were strewed with the bodies

of those who, in their attempts to escape, had been overtaken

by the enemy and slain. Many a group of bodies did we notice,

evidently those of a family, the parents and the children,

who, hoping to reach in company some place of security, had

all--and without resistance apparently--fallen a sacrifice

to the relentless fury of their pursuers. Immediately in the

vicinity of the walls and under them, the earth was concealed

from the eye by the multitudes of the slain, and all objects

were stained with the one hue of blood. Upon passing the gates

and entering within those walls which I had been accustomed to

regard as embracing in their wide and graceful sweep, the most

beautiful city of the world, my eye met naught but black and

smoking ruins, fallen houses and temples, the streets choked

with piles of still blazing timbers and the half-burned bodies

of the dead. As I penetrated farther into the heart of the

city, and to its better built and more spacious quarters, I

found the destruction to be less--that the principal streets

were standing, and many of the more distinguished structures.

But every where--in the streets--upon the porticos of private

and public dwellings--upon the steps and within the very walls

of the temples of every faith--in all places, the most sacred

as well as the most common, lay the mangled carcasses of the

wretched inhabitants. None, apparently, had been spared. The

aged were there, with their bald or silvered heads--little

children and infants--women, the young, the beautiful, the

good--all were there, slaughtered in every imaginable way, and

presenting to the eye spectacles of horror and of grief enough

to break the heart and craze the brain. For one could not but

go back to the day and the hour when they died, and suffer with

these innocent thousands, a part of what they suffered when the

gates of the city giving way, the infuriated soldiery poured

in, and with death written in their faces and clamoring on

their tongues, their quiet houses were invaded, and resisting

or unresisting, they all fell together beneath the murderous

knives of the savage foe. What shrieks then rent and filled

the air--what prayers of agony went up to the gods for life to

those whose ears on mercy's side were adders'--what piercing

supplications that life might be taken and honor spared. The

apartments of the rich and the noble presented the most

harrowing spectacles, where the inmates, delicately nurtured

and knowing of danger, evil, and wrong only by name and report,

had first endured all that nature most abhors, and then

there where their souls had died, were slain by their brutal

violators with every circumstance of most demoniac cruelty.

Happy for those who, like Gracchus, foresaw the tempest and

fled. These calamities have fallen chiefly upon the adherents

of Antiochus; but among them, alas! were some of the noblest

and most honored families of the capital. Their bodies now lie

blackened and bloated upon their door-stones--their own halls

have become their tombs."

The next letter is from Piso, at Rome, to Fausta, at Palmyra,

descriptive of Aurelian's triumphant entry into Rome. We cannot

resist the inclination to place this magnificent picture before our

readers:

"The sun of Italy never poured a flood of more golden light

upon the great capital and its surrounding plains than on the

day of Aurelian's triumph. The airs of Palmyra were never more

soft. The whole city was early abroad, and added to our own

overgrown population, there were the inhabitants of all the

neighboring towns and cities, and strangers from all parts of

the empire, so that it was with difficulty and labor only,

and no little danger too, that the spectacle could be seen. I

obtained a position opposite the capitol, from which I could

observe the whole of this proud display of the power and

greatness of Rome.

"A long train of elephants opened the show, their huge sides

and limbs hung with cloth of gold and scarlet, some having upon

their backs military towers or other fanciful structures, which

were filled with the natives of Asia or Africa, all arrayed in

the richest costumes of their countries. These were followed

by wild animals, and those remarkable for their beauty, from

every part of the world, either led, as in the case of lions,

tigers, leopards, by those who from long management of them,

possessed the same power over them as the groom over his horse,

or else drawn along upon low platforms, upon which they were

made to perform a thousand antic tricks for the amusement of

the gaping and wondering crowds. Then came not many fewer than

two thousand gladiators in pairs, all arranged in such a manner

as to display to the greatest advantage their well knit joints,

and projecting and swollen muscles. Of these a great number

have already perished on the arena of the Flavian, and in the

sea fights in Domitian's theatre. Next upon gilded wagons,

and arrayed so as to produce the most dazzling effect, came

the spoils of the wars of Aurelian--treasures of art, rich

cloths and embroideries, utensils of gold and silver, pictures,

statues, and works in brass, from the cities of Gaul, from

Asia and from Egypt. Conspicuous here over all were the rich

and gorgeous contents of the palace of Zenobia. The huge wains

groaned under the weight of vessels of gold and silver, of

ivory, and the most precious woods of India. The jewelled wine

cups, vases, and golden statuary of Demetrius attracted the

gaze and excited the admiration of every beholder. Immediately

after these came a crowd of youths richly habited in the

costumes of a thousand different tribes, bearing in their hands

upon cushions of silk, crowns of gold and precious stones, the

offerings of the cities and kingdoms of all the world, as it

were, to the power and fame of Aurelian. Following these, came

the ambassadors of all nations, sumptuously arrayed in the

habits of their respective countries. Then an innumerable train

of captives, showing plainly in their downcast eyes, in their

fixed and melancholy gaze, that hope had taken its departure

from their breasts. Among these were many women from the shores

of the Danube, taken in arms fighting for their country, of

enormous stature, and clothed in the warlike costume of their

tribes.

"But why do I detain you with these things, when it is of

one only that you wish to hear. I cannot tell you with what

impatience I waited for that part of the procession to approach

where were Zenobia and Julia. I thought its line would stretch

on for ever. And it was the ninth hour before the alternate

shouts and deep silence of the multitudes announced that

the conqueror was drawing near the capitol. As the first

shout arose, I turned toward the quarter whence it came, and

beheld, not Aurelian as I expected, but the Gallic Emperor

Tetricus--yet slave of his army and of Victoria--accompanied

by the prince his son, and followed by other illustrious

captives from Gaul. All eyes were turned with pity upon him,

and with indignation too that Aurelian should thus treat a

Roman and once--a Senator. But sympathy for him was instantly

lost in a stronger feeling of the same kind for Zenobia,

who came immediately after. You can imagine, Fausta, better

than I describe them, my sensations, when I saw our beloved

friend--her whom I had seen treated never otherwise than as a

sovereign Queen, and with all the imposing pomp of the Persian

ceremonial--now on foot, and exposed to the rude gaze of the

Roman populace--toiling beneath the rays of a hot sun, and

the weight of jewels, such as both for richness and beauty,

were never before seen in Rome--and of chains of gold, which

first passing around her neck and arms, were then borne up by

attendant slaves. I could have wept to see her so--yes and

did. My impulse was to break through the crowd and support

her almost fainting form--but I well knew that my life would

answer for the rashness on the spot. I could only, therefore,

like the rest, wonder and gaze. And never did she seem to me,

not even in the midst of her own court, to blaze forth with

such transcendant beauty--yet touched with grief. Her look was

not that of dejection--of one who was broken and crushed by

misfortune--there was no blush of shame. It was rather one of

profound, heart-breaking melancholy. Her full eyes looked as

if privacy only was wanted for them to overflow with floods of

tears. But they fell not. Her gaze was fixed on vacancy, or

else cast toward the ground. She seemed like one unobservant

of all around her, and buried in thoughts to which all else

were strangers, and had nothing in common with. They were in

Palmyra, and with her slaughtered multitudes. Yet though she

wept not, others did; and one could see all along, wherever

she moved, the Roman hardness yielding to pity, and melting

down before the all-subduing presence of this wonderful woman.

The most touching phrases of compassion fell constantly

upon my ear. And ever and anon as in the road there would

happen some rough or damp place, the kind souls would throw

down upon it whatever of their garments they could quickest

divest themselves of, that those feet little used to such

encounters, might receive no harm. And as when other parts of

the procession were passing by, shouts of triumph and vulgar

joy frequently arose from the motley crowds, yet when Zenobia

appeared, a death-like silence prevailed, or it was interrupted

only by exclamations of admiration or pity, or of indignation

at Aurelian for so using her. But this happened not long. For

when the Emperor's pride had been sufficiently gratified, and

just there where he came over against the steps of the capitol,

he himself, crowned as he was with the diadem of universal

empire, descended from his chariot, and unlocking the chains of

gold that bound the limbs of the Queen, led and placed her in

her own chariot--that chariot in which she had hoped herself to

enter Rome in triumph--between Julia and Livia. Upon this the

air was rent with the grateful acclamations of the countless

multitudes. The Queen's countenance brightened for a moment, as

if with the expressive sentiment, 'The gods bless you!' and was

then buried in the folds of her robe. And when, after the lapse

of many minutes, it was again raised and turned toward the

people, every one might see that tears burning hot had coursed

her cheeks, and relieved a heart which else might well have

burst with its restrained emotion. Soon as the chariot which

held her had disappeared upon the other side of the capitol,

I extricated myself from the crowd, and returned home. It was

not till the shades of evening had fallen, that the last of the

procession had passed the front of the capitol, and the Emperor

reposed within the walls of his palace. The evening was devoted

to the shows of the theatres."

In the letter which closes the volumes, Piso, who is now married to

the noble Fausta, describes a visit to Zenobia, at a magnificent

villa on the Tiber, to which Aurelian has humanely caused to be

brought and arranged every article of use or luxury found in the

palace at Palmyra, which was capable of transportation. The exiled

Queen, however, dwells sadly 'upon glories that are departed for

ever; and is able to anticipate no other, or greater, in this world:

"She is silent and solitary. Her thoughts are evidently never

with the present, but far back among the scenes of her former

life. To converse is an effort. The lines of grief have fixed

themselves upon her countenance; her very form and manner are

expressive of a soul bowed and subdued by misfortune. Her

pride seems no longer, as on the day of the triumph, to bear

her up. It is Zenobia before me, but--like her own beautiful

capital--it is Zenobia in ruins. That she suffers, too, from

the reproaches of a mind now conscious of its errors, I cannot

doubt. She blames Aurelian, but I am persuaded, she blames

with no less severity herself. It is, I doubt not, the image

of her desolated country rising before her, that causes her so

often, in the midst of discourse with us, or when she has been

sitting long silent, suddenly to start and clasp her hands, and

withdraw weeping to her apartments, or the seclusion of the

garden."

Let no reader be tempted, from the copiousness of our extracts, to

forego the pleasure of perusing these volumes in their entire form.

We have given but the outline, merely, of that portion which has not

appeared at large in our pages; preserving, indeed, the main events,

but leaving untouched the delightful under-current of tributary

incidents, and that vein of calm philosophical and moral reasoning,

which every where pervade the work.

In conclusion, we cordially and confidently commend these volumes to

our readers, with the hope soon again to find the writer gleaning in

the great vineyard of the past; for surely, his mind is not of so

light a soil as to be exhausted by one crop, how rich soever that

product may be.

* * * * *

NATIONAL STANDARD OF COSTUME.--A Lecture on the Changes of

Fashion. Delivered before the Portsmouth (N. H.) Lyceum, By

CHARLES W. BREWSTER.

OUR thanks are due to the Portsmouth Lyceum for a copy of this very

entertaining and instructive pamphlet, in which an important topic is

ably discussed. The writer came to his task well prepared, by a great

number of facts, pertinent illustrative incidents, and anecdotes,

to do it full justice; and he has amply succeeded. Although we have

little hope that the crying evil which he exposes will ever cease to

be injuriously operative on all classes in America, we cannot refrain

from yielding our tribute of praise and admiration to the good sense

and sound reasoning of the first pioneer in a cause so commendable.

After showing that in the early days of the Jews, the fashion of

garments was fixed, and that the costumes of the Chinese, the Turks,

and the Moors, are the same now that they have been for centuries,

the writer observes:

"How would a Chinese be surprised, on a visit to the Republic,

who had formed his ideas of our costume from a picture drawn

from life only half a century since! He contemplates the

picture, and in his imagination he sees the American beaux with

their tri-cornered hats, flowing wigs, broad-skirted coats,

leather small clothes, pointed shoes, and broad bright buckles;

and the beautiful belles by their side, with the long waists

of their dresses, sleeves closely attached to their arms,

the ample skirts distended by a butt hoop, and their heels

elevated in such shoes as the fair heroines wore in '76, when

they slept up bravely in the world, by adding four inches to

their heel-taps! With this picture full before him, the Chinese

arrives on our shore, and in vain seeks for a single article of

dress the picture represented. He fancies the treacherous ship

has borne him to a wrong country, or becomes distrustful of the

painter's veracity. When told, that the _fashions change_ among

us, the Chinese hears with wonder, and in admiration of the

stability of his own celestial empire, exclaims: Is this the

effect of your liberal government? If the fickle nature of your

customs has been interwoven into your political institutions,

while China will live for ever, the _Republic_ itself will ere

long be laid aside as a thing _out of fashion_."

The following anecdote is given, as illustrative of the supremacy of

fashion:

"In 1813, Sir Humphrey Davy was permitted by Napoleon to visit

Paris. At that time it will be recollected, that every movement

of citizens was carefully watched, and that every assemblage

of people in public places was speedily dispersed by military

power, to prevent riots and revolutionary proceedings. While

the distinguished philosopher was attending the meeting of

the Institute, Lady Davy, attended by her maid, walked in

the public garden. She wore a very small hat, of a simple

cockleshell form, such as was fashionable in London at the

time; while the Parisian ladies wore bonnets of most voluminous

dimensions. It happened to be a saint's day, on which, the

shops being closed, the citizens repaired in crowds to the

garden. On seeing the diminutive bonnet of Lady Davy, the

Parisians felt little less surprise than did the inhabitants

of Brobdignag on beholding the hat of Gulliver; and a crowd

of persons soon assembled around the unknown exotic; in

consequence of which, one of the Inspectors of the Garden

immediately presented himself and informed her ladyship that no

cause for assemblage could be suffered, and therefore requested

her to retire. Some officers of the Imperial Guard, to whom

she appealed, replied, that however much they might regret the

circumstance, they were unable to afford her any redress, as

the order was peremptory. She then requested to be conducted

to her carriage; an officer immediately offered his arm; but

the crowd had by this time so greatly increased, that it became

necessary to send for a corporal's guard; and the party quitted

the garden, surrounded by fixed bayonets!"

To the justice of the subjoined, all reflecting minds will yield

ready assent. We would make a reservation, however, in the article of

_stocks_--a truly excellent and most comfortable invention:

"Paris is the fantastical seat of the fashions. The models

there formed are followed in England, where they are sometimes

improved upon--and are transferred, as regularly as articles of

merchandise, across the Atlantic. From the principal cities,

plates of the latest fashions, regulated by those prevailing in

the foreign courts, are transmitted at regular intervals, by

mail, to the principal towns throughout the United States, and

from these towns all the neighboring villages take their newest

fashions.

"The immediate adoption of the French fashions by other

nations, is not unfrequently a source of much merriment to the

inventors of them, and is a standing topic of amusement and

ridicule to the ladies of Paris; for it is not unfrequently the

case, that while the prints of costume, as they are prepared by

the French milliners and dress-makers, of the most absurd and

fantastical models, are seized upon and imitated in the dresses

of the English and Americans--these very prints are subjects of

sport to the Parisian ladies for their fantastical absurdity.

They regard them in the same light that we do the beads and

baubles which are sent to savage nations. With such worthless

trinkets we obtain from the savages their valuable furs, and

with trinkets of no greater real value, do the French extract

the hard earnings from the pockets of the American citizens.

"Had we the capacity of vision at one view to look

throughout the Union, and trace the course of fashion and

its metamorphosing effects upon society, the view would be

ludicrous indeed, and the changes no less unmeaning than

ridiculous. At one time we should see thousands of tri-cornered

hats thrown off, and as many heads covered with round ones--and

their places supplied in turn with the cap maker's fabric: at

another season, we should see a million half-worn coats laid

aside for moths to feed upon, to give place to some fashion

which has no higher merit than the sanction of some foreign

court: with another breeze across the Atlantic, another slight

commotion is seen throughout the land; and millions of cravats

are removed from their wonted location, that the willing necks

of American freemen, may be bound in the foreign _stocks_!

"We will, however, give you one fact, which has no imagination

about it. It is illustrative of what has been previously

stated, that the villages look for their fashions to the

principal towns in their neighborhoods, and that, however

independent they may feel of foreign political sway, few

Americans have ever yet had the bravery to declare independence

of foreign fashions, but meekly submit to what is _said_ to be

the _latest fashions_ in the place to which they look as their

emporium--whether such fashions indeed exist, or are imposed

upon them by cunning individuals, who 'by such craft do get

their wealth.'

"A few years since, a country trader in New-Hampshire, in

making purchases of a little of every thing for his store,

was offered, at a very low rate, a lot of coat buttons of the

fashion of half a century since, about the size of a dollar.

The keen-sighted trader, by the tailor's assistance, soon had

his own coat decorated with them. At home the lads needed no

better evidence of its being the latest fashion, than that

the trader had just come from the metropolis. The old buttons

went off at a great advance, and the village soon shone in

Revolutionary splendor! If the shining beaux _thought_ they

were dressed in the latest Parisian style, did they not feel as

well as though they really were so? And did the supercilious

eye with which they regarded the poor fellows who could not

afford buttons larger than a cent, beam less with aristocracy

than the exalted courtier's?

"One other illustrative anecdote occurs to us, which we cannot

forbear giving. A few years since, two young milliners, located

in a town in the interior of New-Hampshire, found it necessary

for their reputation to follow the example of almost every

milliner within fifty miles of the metropolis, and to go once a

year to Boston for the latest fashions. Among the thrown-aside

articles in a dry goods store, worthless from being out of

date, were about one hundred and fifty bonnets. The calculating

damsels, who had seen enough of the world to know that any

fashion would go with a proper introduction, and knowing

no good reason why they should remain useless in Boston,

kindly took them off the merchant's hands for _six cents_ per

bonnet. Arrived at home with their large stock of the '_latest

fashions_,' they were careful to finish and decorate a couple

in good style, and the next Sunday, (the day on which new

fashions are generally displayed,) the 'Boston fashion' was

whispered through the village--and not in vain; for it was not

long, before the whole stock was disposed of, at from nine

shillings to two dollars apiece! The distressing epidemic of a

_new fashion_ thus speedily swept off nearly every bonnet in

the village, of one year old and upwards--although many were in

good health, and showed no signs of decay, till the pestilence

began to rage."

Mr. Brewster cites numerous instances of ridiculous aping of foreign

fashions, by Americans, such as wearing in winter the summer hats of

Paris, because they were the '_latest_ fashion,' and, while laughing

at the folly of a hump-backed court around Richard the Third,

donning the '_bustle_,' and appearing as if broken-backed! Our author

talks of the large sleeves supping libations from tea-cups, and

revelling in sauces at the table. Bless his simple heart! Does he not

know that there are no large sleeves now? Would that he could see, of

a windy day, in Broadway, a tall and lank but _fashionable_ 'olden

maiden,'

'With form full lean and sum dele pyned away,

And eke with arms consuméd to the bone!'

He would find another evidence, that adaptation of dress to person

and figure is of slight moment to the follower of fashion, in

comparison with being in the mode.

In reply to the objection that permanency in fashion would tend to

throw thousands of _artistes_ and artizans out of employment, our

author observes:

The Knickerbocker, Vol. 10, No. 1, July 1837 · 第 11 / 14 段