CHAPTER XX

AN INN PARLOUR

"O princesso di Baus! Ugueto,

Sibilo, Blanco-Flour, Bausseto,

Que trounavais amount sus li roucas aurin,

Cors subre-bèu, amo galoio,

Dounant l'amour, largant la joio

E la lumiero, li mount-joio

De Mount-Pavoun, de Crau li trescamp azurin

Encaro vuei dins soun mirage

Se representon voste oumbrage....

Li ferigoulo meme an counserva l'óudour

De vòsti piado; e m'es vejaire

Que vese encaro,--galejaire,

Gentiéu, courriòu e guerrejaire,--

Que vese à vòsti pèd canta li troubadour."

"O princesses des Baux! Huguette,--Sibylle, Blanchefleur,

Baussette--vous qui là-haut pour trône aviez les rochers

d'or,--corps exquis en beauté, âmes allègres,--donnant l'amour,

versant la joie,--et la lumière, les monticules--de Mont-Pahon,

les landes azurées de la Crau,

"Dans leur mirage d'aujourd'hui--reproduisent encore votre

image....--Les thyms eux-mêmes ont conservé l'odeur--de

vos traces; et il me semble--que je vois encore,

guillerets,--courtois, coureurs et guerroyeurs,--que je vois

à vos pieds chanter les troubadours."

MISTRAL.

After dinner--which by the way was of extraordinary excellence--we were

invited to the parlour of mine host, and felt like travellers in some

old romance on the eve of antique adventures. Nothing antique, however,

happened, except, indeed, the odd gathering of the family and the guests

of the hotel, and the talk that went circling cheerfully round the fire

in the little dull-tinted room. The dulness of colouring was the result

of long use; everything having faded into harmony and grown together

through long and affectionate association.

Besides Madame and a pretty niece who was staying with her, there were

two youths employed in the seed industry, who lived in the town and

came in every evening for their dinner. They were on terms of friendly

intimacy with the host and hostess who evidently regarded their office in

other lights than that of mere commercial enterprise. They looked upon

their guests as under their charge, and their desire was to minister to

their comfort and pleasure in every possible way. Monsieur and one of

the youths played draughts, Madame sewed and chatted, and Mademoiselle,

the niece, made herself generally agreeable. Between the two youths

was a mild rivalry for her smiles. We, as strangers, were treated with

special courtesy.

Madame and her husband did the honours of their homely _salon_ most

gracefully. The conversation turned on the Monuments of St. Remy, its

objects of interest which strangers come to see, and its excursions:

Les Baux above all, on the other side of the Alpilles.

"Une ville très ancienne, sculptée dans les rochers, toute élevée au

dessus de la vallée--mais une cité vraiment remarquable, Mesdames. Vous

devez certainment y aller."

And we decided at once to do so, arranging to have a trap to take us

across the mountains on the following morning.

Meanwhile we gathered further information about St. Remy itself. There

is _La Maison de la Reine Jeanne_, in which the family of the famous

Mistral has lived for generations. In the foundations were discovered

the bones of an elephant and various weapons, all supposed to be relics

of Hannibal's passage through the country at the foot of the Alpilles.

The famous poet, however, does not live in this historical home at

St. Remy, but at Maillane, a little village of the plain about seven

kilometres distant. The house, to which many a pious pilgrimage has been

made, is square and white and stands in a little shady garden with a

high wall and iron gate facing the village street. Thanks to the poet

and his colleagues the ancient costume still lingers at Maillane and

at St. Remy, and on Sundays the women go to church in the soft, white

fichu and picturesque head-dress that one has learnt to associate with

the women of Arles. The Provençal type is characteristic; dark eyes and

hair, olive skin, and a singularly fine carriage of the figure and head.

[Illustration: GROVE AT ST. REMY.

_By E. M. Synge._]

Mistral and his fellow Félibres have much to do with the survival of

art and old customs. One of this little band of modern troubadours lives

still, as we learn, in the house of his family at St. Remy, and Mistral

(as we have seen) is not far away across the plain, faithful always to

the land that he loves so deeply and labours so hard to preserve in its

ancient beauty, ancient faiths and ancient language. I had afterwards

the privilege of visiting Mistral at Maillane and M. Girard and his

wife at St. Remy, and of hearing them speak with intense enthusiasm

and affection of the Provence that is passing away. M. Girard's angry

melancholy at the erasure of all character and individuality from lands

and peoples was pathetic and impressive.

He exhibited his fine collection of ancient furniture, crockery, pewter,

and a thousand beautiful relics: among them a splendid example of the

"Crêche," that quaint Provençal institution with which the children

are made happy every Christmas. It is a modelled representation of the

coming of the Magi, but on this root idea the artists of Provence have

grafted many additions. The Virgin, beautifully sculptured and coloured,

sits in a hilly landscape and holds a sort of grand reception: Magi and

other distinguished visitors surround her, while shepherds, merchants,

publicans and sinners, varied by ornate donkey-drivers and goatherds,

are perched on hill-tops among companionable windmills about their own

size; and peasants are lavishly distributed in very green meadows in the

vicinity; all congregated to offer homage to the Madonna and the haloed

Babe. The _crêche_ is reverently veiled with a curtain on ordinary days,

and its owner drew this aside and lighted the candles to illumine the

treasured heirloom which has delighted so many generations ... and not

alone of children.

* * * * *

Our hostess of the Hôtel de Provence was learned about the seed industry

of St. Remy, and explained how ruthlessly every bloom is nipped off and

prevented from seeding if it does not answer truly to its type. That was

how the splendid flowers were achieved: viz., by a persistent interference

with the ordinary course of nature--a fact which gives food for thought.

Besides flowers, St. Remy has some fine vegetables to boast of. I had

often noticed strange, unknown, gourd-like things, bright red or yellow,

in the shop windows. The _cornichon serpent_, "ce légume extravagant,"

as somebody calls it, is said to measure nearly two metres! But that

immoderate object we never saw.

* * * * *

We were out betimes next morning, in the rose-garden which was glistening

with dew. The Garden of Pleasure truly, guarded by the mournful cypresses!

That seemed full of significance: the Roses of Pleasure sheltered by

those dark trees of Experience and Grief.

Burns sings that "pleasures are like poppies"; and so perhaps they are,

but there are some that are more like roses--Roses of Provence!

They are the sort of pleasures of which that strange _pot-pourri_ that we

call happiness is made. For surely there _is_ such a thing as happiness,

though the science of it is as hard to learn as any other; perhaps harder

than them all. Maybe it is necessary for us unteachable mortals to have

torn our way--bruised and bleeding--through that black line of cypresses

before we come in sight of it.

If happiness is a will-o'-the-wisp, is it so because of the eternal

nature of things, or because, as Carlyle frankly insists, men are mostly

fools? Would not every desired object assume an elusive character if as

soon as we came in touch with it, we flew off on the hunt for something

else? On this principle we must go through life unpossessed of our own

fortunes, strangers and pilgrims in our own kingdom. Barbara and I agreed

that we would not forget to gather the roses in our Provençal garden

for the illusive sake of other roses further afield.

* * * * *

In this little mediæval pleasure city it seemed natural to speculate about

the life of the Middle Ages, and we wondered if part of the sad secret of

those times lay in that inveterate habit of the human mind to look for

the Earthly Paradise round the next corner. For then, possibly, there

was only a sage here and there who had learnt the folly of it through

long and footsore wanderings in the desert which stretches unremittingly

between the traveller and his mirage Eden. The restless barbarous manners

of the age must have made the truth harder to understand than it need

be to us who have many centuries of growing experience behind us, both

as a hereditary influence and as an object-lesson in the conduct of life.

Incessant war and struggle, with no great results, but only further

struggle, further war as the fruit of the lifelong contest: such was the

mediæval life, and no one saw its absurdity. Not a trace of the old Greek

spirit remained; not a vestige of the philosophies of the East, except

perhaps in the cloister, and even here, at its best, the religion partook

of the objective character of the general life, and placed the site of

"heaven" for the saint, as the sinner placed his happiness,--round the

next corner.

* * * * *

In those mad, picturesque, mediæval days St. Remy used to be the country

retreat of the Counts of Provence. They here retired from the excitements

of their capital at Aix, the learned little city a few leagues to the

northeast, beyond the Alpilles. We afterwards visited Aix, and found

another larger town of plane-avenues, more dignified, more important, but

almost as silent and forgotten as St. Remy itself. One could not but wonder

what the Counts had found of country joys at St. Remy that they could not

have commanded at the old city of Sextius with its shady ways and gardens.

[Illustration: ROMAN MONUMENTS, ST. REMY.

_By E. M. Synge._]

But, in fact, the human mind seeks not merely a change from excitement to

repose; it demands a change of scene and a change of thought-atmosphere

for its own sake.

During the whole of our stay at St. Remy we lived in an atmosphere of

roses. We could not gather enough of them to please our host; and we

used to have great bunches in our rooms placed on the window-sill, so

that the sunlight filtered through their petals; and over them we could

see the garden of their birth and the pale mountains beyond. Our very

dreams were of roses and rose-gardens!

One evening, inspired by their loveliness, I arranged a wreath of them

in Barbara's hair, added a creamy shawl flowing to her feet, and stood

back to admire the result. It was something to be proud of! Our dull,

discreet _régime_ of ladylike nonentities had disappeared, and there

was the poetry, the unapologetic grace of the classic world.

Barbara rose to try to see herself in the minute mirror.

She gasped in dismay.

"No, no! you _dare_ to take it off! There are some more roses to come

yet." (The victim made a comic face of resignation.) "I want _profusion_."

"You _do_!" said Barbara, sitting down to laugh. "Am I to wear this

costume when we go to Les Baux to-morrow?" she asked.

"It depends on the weather."

But, alas! as soon as active opposition was withdrawn, Barbara removed

the improvised costume, took the roses out of her hair and the vision

of the ancient world faded away. When we went down to dinner we both of

us had on our sombre prison garments.

And though Barbara laughed, I knew that the world was a sadder and a

drearier place because of it!

Romantic Cities of Provence · 第 20 / 24 章