THE ASS.

The cantering of TIM TIMS[340] startles him who told of his “youthful

days,” at the school wherein poor “Starkey” cyphered part of his little

life. C. L. “getting well, but weak” from painful and severe

indisposition, is “off and away” for a short discursion. Better health

to him, and good be to him all his life. Here he is.

THE ASS

_No. 2._

(_For Hone’s Every-Day Book._)

Mr. Collier, in his “Poetical Decameron” (Third Conversation) notices a

Tract, printed in 1595, with the author’s initials only, A. B., entitled

“The Noblenesse of the Asse: a work rare, learned, and excellent.” He

has selected the following pretty passage from it. “He (the Ass)

refuseth no burthen, he goes whither he is sent without any

contradiction. He lifts not his foote against any one; he bytes not; he

is no fugitive, nor malicious affected. He doth all things in good sort,

and to his liking that hath cause to employ him. If strokes be given

him, he cares not for them; and, as our modern poet singeth,

“Thou wouldst (perhaps) he should become thy foe,

And to that end dost beat him many times;

He cares not for himselfe, much lesse thy blow.”[341]

Certainly Nature, foreseeing the cruel usage which this useful servant

to man should receive at man’s hand, did prudently in furnishing him

with a tegument impervious to ordinary stripes. The malice of a child,

or a weak hand, can make feeble impressions on him. His back offers no

mark to a puny foeman. To a common whip or switch his hide presents an

absolute insensibility. You might as well pretend to scourge a

school-boy with a tough pair of leather breeches on. His jerkin is well

fortified. And therefore the Costermongers “between the years 1790 and

1800” did more politicly than piously in lifting up a part of his upper

garment. I well remember that beastly and bloody custom. I have often

longed to see one of those refiners in discipline himself at the cart’s

tail, with just such a convenient spot laid bare to the tender mercies

of the whipster. But since Nature has resumed her rights, it is to be

hoped, that this patient creature does not suffer to extremities; and

that to the savages who still belabour his poor carcase with their blows

(considering the sort of anvil they are laid upon) he might in some

sort, if he could speak, exclaim with the philosopher, “Lay on: you beat

but upon the case of Anaxarchus.”

Contemplating this natural safeguard, this fortified exterior, it is

with pain I view the sleek, foppish, combed and curried, person of this

animal, as he is transmuted and disnaturalized, at Watering Places, &c.

where they affect to make a palfrey of him. Fie on all such

sophistications!--It will never do, Master Groom. Something of his

honest shaggy exterior will still peep up in spite of you--his good,

rough, native, pine-apple coating. You cannot “refine a scorpion into a

fish, though you rince it and scour it with ever so cleanly

cookery.”[342]

The modern poet, quoted by A. B., proceeds to celebrate a virtue, for

which no one to this day had been aware that the Ass was remarkable.

One other gift this beast hath as his owne,

Wherewith the rest could not be furnished;

On man himselfe the same was not bestowne,

To wit--on him is ne’er engendered

The hatefull vermine that doth teare the skin

And to the bode [body] doth make his passage in.

And truly when one thinks on the suit of impenetrable armour with which

Nature (like Vulcan to another Achilles) has provided him, these subtle

enemies to _our_ repose, would have shown some dexterity in getting into

_his_ quarters. As the bogs of Ireland by tradition expel toads and

reptiles, he may well defy these small deer in his fastnesses. It seems

the latter had not arrived at the exquisite policy adopted by the human

vermin “between 1790 and 1800.”

But the most singular and delightful gift of the Ass, according to the

writer of this pamphlet, is his _voice_; the “goodly, sweet, and

continual brayings” of which, “whereof they forme a melodious and

proportionable kinde of musicke,” seem to have affected him with no

ordinary pleasure. “Nor thinke I,” he adds, “that any of our immoderne

musitians can deny, but that their song is full of exceeding pleasure to

be heard; because therein is to be discerned both concord, discord,

singing in the meane, the beginning to sing in large compasse, then

following on to rise and fall, the halfe note, whole note, musicke of

five voices, firme singing by four voices, three together or one voice

and a halfe. Then their variable contrarieties amongst them, when one

delivers forth a long tenor, or a short, the pausing for time, breathing

in measure, breaking the minim or very least moment of time. Last of all

to heare the musicke of five or six voices chaunged to so many of Asses,

is amongst them to heare a song of world without end.”

There is no accounting for ears; or for that laudable enthusiasm with

which an Author is tempted to invest a favourite subject with the most

incompatible perfections. I should otherwise, for my own taste, have

been inclined rather to have given a place to these extraordinary

musicians at that banquet of nothing-less-than-sweet sounds, imagined by

old Jeremy Collier (Essays, 1698; Part. 2.--On Music.) where, after

describing the inspirating effects of martial music in a battle, he

hazards an ingenious conjecture, whether a sort of _Anti-music_ might

not be invented, which should have quite the contrary effect of “sinking

the spirits, shaking the nerves, curdling the blood, and inspiring

despair, and cowardice and consternation.” “’Tis probable” he says, “the

roaring of lions, the warbling of cats and screech-owls, together with a

mixture of the howling of dogs, judiciously imitated and compounded,

might go a great way in this invention.” The dose, we confess, is pretty

potent, and skilfully enough prepared. But what shall we say to the Ass

of Silenus (quoted by TIMS), who, if we may trust to classic lore, by

his own proper sounds, without thanks to cat or screech-owl, dismaid and

put to rout a whole army of giants? Here was _Anti-music_ with a

vengeance; a whole _Pan-Dis-Harmonicon_ in a single lungs of leather!

But I keep you trifling too long on this Asinine subject. I have already

past the _Pons Asinorum_, and will desist, remembering the old pedantic

pun of Jem Boyer, my schoolmaster:--

ASS _in præsenti_ seldom makes a WISE MAN _in futuro_.

The Every-day Book and Table Book, v. 1 (of 3) or Everlasting Calendar of Popular Amusements, Sports, Pastimes, Ceremonies, Manners, Customs and Events, Incident to Each of the Three Hundred and Sixty-five Days, in past and Present Times; Forming a Complete History of the Year, Month, and Seasons, and a Perpetual Key to the Almanac · 第 763 / 982 题