FLORAL DIRECTORY.

Common Avens. _Geum Urbanum._

Dedicated to _St. Urban_.

[148] Butler.

[149] Porter, Golden Legend.

~May 26.~

_St. Philip Neri_, A. D. 1595. _St. Augustine_, Abp. of Canterbury, A.

D. 604. _St. Eleutherius_, Pope, A. D. 192. _St. Quadratus_, Bp. A. D.

125. _St. Oduvald_, Abbot, A. D. 698.

_St. Philip Neri._

He was born at Florence in 1515, became recluse when a child, dedicated

himself to poverty, and became miraculously fervent. “The divine love,”

says Alban Butler, “so much dilated the breast of our saint, that the

gristle which joined the fourth and fifth ribs on the left side was

broken, which accident allowed the heart and the larger vessels more

play; in which condition he lived fifty years.” According to the same

authority, his body was sometimes raised from the ground during his

devotions some yards high. Butler relates the same of St. Dunstan, St.

Edmund, and many other saints, and says that “Calmet, an author still

living, assures us that he knows a religious man who, in devout prayer,

is sometimes involuntarily raised in the air, and remains hanging in it

without any support; also that he is personally acquainted with a devout

nun to whom the same had often happened.” Butler thinks it probable that

they themselves would not determine whether they were raised by angels,

or by what other supernatural operation. He says, that Neri could detect

hidden sins by the smell of the sinners. He died in 1595: the body of

such a saint of course worked miracles.

St. Philip Neri founded the congregation or religious order of the

Oratory, in 1551. The rules of this religious order savour of no small

severity. By the “Institutions of the Oratory,” (printed at Oxford,

1687, 8vo. pp. 49.) they are required to mix corporal punishments with

their religious harmony:--“From the first of November to the feast of

the resurrection, their contemplation of celestial things shall be

heightened by a concert of music; and it is also enjoined, that at

certain seasons of frequent occurrence, they all whip themselves in the

Oratory. After half an hour’s mental prayer, the officers distribute

whips made of small cords full of knots, put forth the children, if

there be any, and carefully shutting the doors and windows, extinguish

the other lights, except only a small candle so placed in a dark

lanthorn upon the altar, that the crucifix may appear clear and visible,

but not reflecting any light, thus making all the room dark: then the

priest, in a loud and doleful voice, pronounceth the verse _Jube Domine

benedicere_, and going through an appointed service, comes _Apprehendite

disciplinam_, &c.; at which words, taking their whips, they scourge

their naked bodies during the recital of the 50th Psalm, _Miserere_, and

the 129th, _De profundis_, with several prayers; at the conclusion of

which, upon a sign given, they end their whipping, and put on their

clothes in the dark and in silence.”

_Oratorios._

The _Oratorio_ commenced with the fathers of the _Oratory_. In order to

draw youth to church, they had hymns, psalms, and spiritual songs, or

cantatas, sung either in chorus or by a single favourite voice. These

pieces were divided into two parts, the one performed before the sermon,

and the other after it. Sacred stories, or events from scripture,

written in verse, and by way of dialogue, were set to music, and the

first part being performed, the sermon succeeded, which the people were

induced to stay and hear, that they might be present at the performance

of the second part. The subjects in early times were the good Samaritan,

the Prodigal Son, Tobit with the angel, his father, and his wife, and

similar histories, which by the excellence of the composition, the band

of instruments, and the performance, brought the _Oratory_ into great

repute; hence this species of musical drama obtained the general

appellation of _Oratorio_.

_St. Augustine._

This was the monk sent to England by St. Gregory the Great, to convert

the English; by favour of Ethelbert, he became archbishop of Canterbury.

Christianity, however, had long preceded Augustine’s arrival, for the

queen of Ethelbert, previous to his coming, was accustomed to pay her

devotions in the church of St. Martin just without Canterbury. This most

ancient edifice still exists. Not noticing more at present concerning

his historical character, it is to be observed that, according to his

biographers, he worked many miracles, whereof may be observed this:--

St. Augustine came to a certain town, inhabited by wicked people, who

“refused hys doctryne and prechyng uterly, and drof hym out of the

towne, castyng on hym the tayles of thornback, or lyke fysshes;

wherefore he besought Almyghty God to shewe hys jugement on them; and

God sent to them a shamefull token; for the chyldren that were born

after in the place, had tayles, as it is sayd, tyll they had repented

them. It is said comynly that this fyll at Strode in Kente; but blyssed

be Gode, at thys daye is no such deformyte.”[150] It is said, however,

that they were the natives of a village in Dorsetshire who were thus

tail-pieced.[151]

Another notable miracle is thus related. When St. Augustine came to

Compton, in Oxfordshire, the curate complained, that though he had often

warned the lord of the place to pay his tythes, yet they were withheld,

“and therefore I,” said the curate, “have cursed hym, and I fynde him

the more obstynate.” Then St. Augustine demanded why he did not pay his

tythes to God and the church; whereto the knight answered, that as he

tilled the ground, he ought to have the tenth sheaf as well as the

ninth. Augustine, finding that he could not bend this lord to his

purpose, then departed and went to mass; but before he began, he charged

all those that were accursed to go out of the church. Then a dead body

arose, and went out of the church into the churchyard with a white cloth

on his head, and stood there till mass was done; whereupon St. Augustine

went to him, and demanded what he was; and the dead body said, “I was

formerly lord of this town, and because I would not pay my tithes to my

curate, he cursed me, and then I died and went to hell.” Then Augustine

bade the dead lord bring him to where the curate was buried, which

accordingly he did, and Augustine commanded the dead curate to arise,

who thereupon accordingly arose and stood before all the people. Then

Augustine demanded of the dead curate if he knew the dead lord, who

answered, “Would to God I had never known him, for he was a withholder

of his tythes, and, more over, an evil-doer.” Then Augustine delivered

to the said curate a rod, and then the dead lord kneeling, received

penance thereby; which done, Augustine commanded the dead lord to go

again to his grave, there to abide until the day of judgment; and

forthwith the said lord entered his grave, and fell to ashes. Then

Augustine asked the curate, how long he had been dead; and he said, a

hundred and fifty years. And Augustine offered to pray for him, that he

might remain on earth to confirm men in their belief; but the curate

refused, because he was in the place of rest. Then said Augustine, “Go

in peace, and pray for me and for holy church;” and immediately the

curate returned to his grave. At this sight, the lord who had not paid

the curate his tythes was sore afraid, and came quaking to St.

Augustine, and to his curate, and prayed forgiveness of his trespass,

and promised ever after to pay his tythes.

The Every-day Book and Table Book, v. 1 (of 3) or Everlasting Calendar of Popular Amusements, Sports, Pastimes, Ceremonies, Manners, Customs and Events, Incident to Each of the Three Hundred and Sixty-five Days, in past and Present Times; Forming a Complete History of the Year, Month, and Seasons, and a Perpetual Key to the Almanac · 第 414 / 982 题