I did not like his calling me little master. Such familiarity!

‘What are you doing here?’ I asked sternly.

‘Why, look here,’ he responded, never leaving off smiling, ‘I’m calling

the little birds to sing.’ He showed me his little cups. ‘The

chaffinches answer splendidly! You, at your tender years, take delight,

no doubt, in the feathered songsters’ notes! Listen, I beg; I will begin

chirping, and they’ll answer me directly--it’s so delightful!’

He began rubbing his little cups. A chaffinch actually did chirp in

response from a mountain ash near. The stranger laughed without a sound,

and winked at me.

The laugh and the wink--every gesture of the stranger, his weak,

lisping voice, his bent knees and thin hands, his very cap and long

frieze coat--everything about him suggested good-nature, something

innocent and droll.

‘Have you been here long?’ I asked.

‘I came to-day.’

‘Why, aren’t you the person of whom ...’

‘Mr. Baburin spoke to the lady here. The same, the same.’

‘Your friend’s name’s Baburin, and what’s yours?’

‘I’m Punin. Punin’s my name; Punin. He’s Baburin and I’m Punin.’ He set

the little cups humming again. ‘Listen, listen to the chaffinch.... How

it carols!’

This queer creature took my fancy ‘awfully’ all at once. Like almost all

boys, I was either timid or consequential with strangers, but I felt

with this man as if I had known him for ages.

‘Come along with me,’ I said to him; ‘I know a place better than

this; there’s a seat there; we can sit down, and we can see the dam

from there.’

‘By all means let us go,’ my new friend responded in his singing voice.

I let him pass before me. As he walked he rolled from side to side,

tripped over his own feet, and his head fell back.

I noticed on the back of his coat, under the collar, there hung a small

tassel. ‘What’s that you’ve got hanging there?’ I asked.

‘Where?’ he questioned, and he put his hand up to the collar to feel.

‘Ah, the tassel? Let it be! I suppose it was sewn there for ornament!

It’s not in the way.’

I led him to the seat, and sat down; he settled himself beside me. ‘It’s

lovely here!’ he commented, and he drew a deep, deep sigh. ‘Oh, how

lovely! You have a most splendid garden! Oh, o--oh!’

I looked at him from one side. ‘What a queer cap you’ve got!’ I couldn’t

help exclaiming. ‘Show it me here!’

‘By all means, little master, by all means.’ He took off the cap; I was

holding out my hand, but I raised my eyes, and--simply burst out

laughing. Punin was completely bald; not a single hair was to be seen on

the high conical skull, covered with smooth white skin. He passed his

open hand over it, and he too laughed. When he laughed he seemed, as it

were, to gulp, he opened his mouth wide, closed his eyes--and vertical

wrinkles flitted across his forehead in three rows, like waves. ‘Eh,’

said he at last, ‘isn’t it quite like an egg?’

‘Yes, yes, exactly like an egg!’ I agreed with enthusiasm. ‘And have you

been like that long?’

‘Yes, a long while; but what hair I used to have!--A golden fleece like

that for which the Argonauts sailed over the watery deeps.’

Though I was only twelve, yet, thanks to my mythological studies, I knew

who the Argonauts were; I was the more surprised at hearing the name on

the lips of a man dressed almost in rags.

‘You must have learned mythology, then?’ I queried, as I twisted his cap

over and over in my hands. It turned out to be wadded, with a

mangy-looking fur trimming, and a broken cardboard peak.

‘I have studied that subject, my dear little master; I’ve had time

enough for everything in my life! But now restore to me my covering, it

is a protection to the nakedness of my head.’

He put on the cap, and, with a downward slope of his whitish eyebrows,

asked me who I was, and who were my parents.

‘I’m the grandson of the lady who owns this place,’ I answered. ‘I live

alone with her. Papa and mamma are dead.’

Punin crossed himself. ‘May the kingdom of heaven be theirs! So then,

you’re an orphan; and the heir, too. The noble blood in you is visible

at once; it fairly sparkles in your eyes, and plays like this ... sh ...

sh ... sh ...’ He represented with his fingers the play of the blood.

‘Well, and do you know, your noble honour, whether my friend has come to

terms with your grandmamma, whether he has obtained the situation he was

promised?’

‘I don’t know.’

Punin cleared his throat. ‘Ah! if one could be settled here, if only for

a while! Or else one may wander and wander far, and find not a place to

rest one’s head; the disquieting alarms of life are unceasing, the soul

is confounded....’

‘Tell me,’ I interrupted: ‘are you of the clerical profession?’

Punin turned to me and half closed his eyelids. ‘And what may be the

cause of that question, gentle youth?’

‘Why, you talk so--well, as they read in church.’

‘Because I use the old scriptural forms of expression? But that ought

not to surprise you. Admitting that in ordinary conversation such forms

of expression are not always in place; but when one soars on the wings

of inspiration, at once the language too grows more exalted. Surely your

teacher--the professor of Russian literature--you do have lessons in

that, I suppose?--surely he teaches you that, doesn’t he?’

‘No, he doesn’t,’ I responded. ‘When we stay in the country I have no

teacher. In Moscow I have a great many teachers.’

‘And will you be staying long in the country?’

‘Two months, not longer; grandmother says that I’m spoilt in the

country, though I have a governess even here.’

‘A French governess?’

‘Yes.’

Punin scratched behind his ear. ‘A mamselle, that’s to say?’

‘Yes; she’s called Mademoiselle Friquet.’ I suddenly felt it

disgraceful for me, a boy of twelve, to have not a tutor, but a

governess, like a little girl! ‘But I don’t mind her,’ I added

contemptuously. ‘What do I care!’

Punin shook his head. ‘Ah, you gentlefolk, you gentlefolk! you’re too

fond of foreigners! You have turned away from what is Russian,--towards

all that’s strange. You’ve turned your hearts to those that come from

foreign parts....’

‘Hullo! Are you talking in verse?’ I asked.

‘Well, and why not? I can do that always, as much as you please; for it

comes natural to me....’

But at that very instant there sounded in the garden behind us a loud

and shrill whistle. My new acquaintance hurriedly got up from the bench.

‘Good-bye, little sir; that’s my friend calling me, looking for me....

What has he to tell me? Good-bye--excuse me....’

He plunged into the bushes and vanished, while I sat on some time longer

on the seat. I felt perplexity and another feeling, rather an agreeable

one ... I had never met nor spoken to any one like this before.

Gradually I fell to dreaming, but recollected my mythology and sauntered

towards the house.

* * * * *

At home, I learned that my grandmother had arranged to take Baburin; he

had been assigned a small room in the servants’ quarters, overlooking

the stable-yard. He had at once settled in there with his friend.

When I had drunk my tea, next morning, without asking leave of

Mademoiselle Friquet, I set off to the servants’ quarters. I wanted to

have another chat with the queer fellow I had seen the day before.

Without knocking at the door--the very idea of doing so would never have

occurred to us--I walked straight into the room. I found in it not the

man I was looking for, not Punin, but his protector--the philanthropist,

Baburin. He was standing before the window, without his outer garment,

his legs wide apart. He was busily engaged in rubbing his head and neck

with a long towel.

‘What do you want?’ he observed, keeping his hands still raised, and

knitting his brows.

‘Punin’s not at home, then?’ I queried in the most free-and-easy manner,

without taking off my cap.

‘Mr. Punin, Nikander Vavilitch, at this moment, is not at home, truly,’

Baburin responded deliberately; ‘but allow me to make an observation,

young man: it’s not the proper thing to come into another person’s room

like this, without asking leave.’

I! ... young man! ... how dared he! ... I grew crimson with fury.

‘You cannot be aware who I am,’ I rejoined, in a manner no longer

free-and-easy, but haughty. ‘I am the grandson of the mistress here.’

‘That’s all the same to me,’ retorted Baburin, setting to work with his

towel again. ‘Though you are the seignorial grandson, you have no right

to come into other people’s rooms.’

‘Other people’s? What do you mean? I’m--at home here--everywhere.’

‘No, excuse me: here--I’m at home; since this room has been assigned to

me, by agreement, in exchange for my work.’

‘Don’t teach me, if you please,’ I interrupted: ‘I know better than

you what ...’

‘You must be taught,’ he interrupted in his turn, ‘for you’re at an age

when you ... I know my duties, but I know my rights too very well, and

if you continue to speak to me in that way, I shall have to ask you to

go out of the room....’

There is no knowing how our dispute would have ended if Punin had not at

that instant entered, shuffling and shambling from side to side. He most

likely guessed from the expression of our faces that some unpleasantness

had passed between us, and at once turned to me with the warmest

expressions of delight.

‘Ah! little master! little master!’ he cried, waving his hands wildly,

and going off into his noiseless laugh: ‘the little dear! come to pay me

a visit! here he’s come, the little dear!’ (What’s the meaning of it? I

thought: can he be speaking in this familiar way to me?) ‘There, come

along, come with me into the garden. I’ve found something there.... Why

stay in this stuffiness here! let’s go!’

I followed Punin, but in the doorway I thought it as well to turn round

and fling a glance of defiance at Baburin, as though to say, I’m not

afraid of you!

He responded in the same way, and positively snorted into the

towel--probably to make me thoroughly aware how utterly he despised me!

What an insolent fellow your friend is!’ I said to Punin, directly the

door had closed behind me.

Almost with horror, Punin turned his plump face to me.

‘To whom did you apply that expression?’ he asked me, with round eyes.

‘Why, to him, of course.... What’s his name? that ... Baburin.’

‘Paramon Semyonevitch?’

‘Why, yes; that ... blackfaced fellow.’

‘Eh ... eh ... eh ...!’ Punin protested, with caressing reproachfulness.

‘How can you talk like that, little master! Paramon Semyonevitch is the

most estimable man, of the strictest principles, an extraordinary

person! To be sure, he won’t allow any disrespect to him, because--he

knows his own value. That man possesses a vast amount of knowledge--and

it’s not a place like this he ought to be filling! You must, my dear,

behave very courteously to him; do you know, he’s ...’ here Punin bent

down quite to my ear,--‘a republican!’

I stared at Punin. This I had not at all expected. From Keidanov’s

manual and other historical works I had gathered the fact that at some

period or other, in ancient times, there had existed republicans, Greeks

and Romans. For some unknown reason I had always pictured them all in

helmets, with round shields on their arms, and big bare legs; but that

in real life, in the actual present, above all, in Russia, in the

province of X----, one could come across republicans--that upset all my

notions, and utterly confounded them!

‘Yes, my dear, yes; Paramon Semyonitch is a republican,’ repeated Punin;

‘there, so you’ll know for the future how one should speak of a man like

that! But now let’s go into the garden. Fancy what I’ve found there! A

cuckoo’s egg in a redstart’s nest! a lovely thing!’

I went into the garden with Punin; but mentally I kept repeating:

‘republican! re ... pub ... lican!’

‘So,’ I decided at last--‘that’s why he has such a blue chin!’

* * * * *

My attitude to these two persons--Punin and Baburin--took definite shape

from that very day. Baburin aroused in me a feeling of hostility with

which there was, however, in a short time, mingled something akin to

respect. And wasn’t I afraid of him! I never got over being afraid of

him even when the sharp severity of his manner with me at first had

quite disappeared. It is needless to say that of Punin I had no fear; I

did not even respect him; I looked upon him--not to put too fine a point

on it--as a buffoon; but I loved him with my whole soul! To spend hours

at a time in his company, to be alone with him, to listen to his

stories, became a genuine delight to me. My grandmother was anything but

pleased at this _intimité_ with a person of the ‘lower classes’--_du

commun_; but, whenever I could break away, I flew at once to my queer,

amusing, beloved friend. Our meetings became more frequent after the

departure of Mademoiselle Friquet, whom my grandmother sent back to

Moscow in disgrace because, in conversation with a military staff

captain, visiting in the neighbourhood, she had had the insolence to

complain of the dulness which reigned in our household. And Punin, for

his part, was not bored by long conversations with a boy of twelve; he

seemed to seek them of himself. How often have I listened to his

stories, sitting with him in the fragrant shade, on the dry, smooth

grass, under the canopy of the silver poplars, or among the reeds above

the pond, on the coarse, damp sand of the hollow bank, from which the

knotted roots protruded, queerly interlaced, like great black veins,

like snakes, like creatures emerging from some subterranean region!

Punin told me the whole story of his life in minute detail, describing

all his happy adventures, and all his misfortunes, with which I always

felt the sincerest sympathy! His father had been a deacon;--‘a splendid

man--but, under the influence of drink, stern to the last extreme.’

Punin himself had received his education in a seminary; but, unable to

stand the severe thrashings, and feeling no inclination for the priestly

calling, he had become a layman, and in consequence had experienced all

sorts of hardships; and, finally, had become a vagrant. ‘And had I not

met with my benefactor, Paramon Semyonitch,’ Punin commonly added (he

never spoke of Baburin except in this way), ‘I should have sunk into the

miry abysses of poverty and vice.’ Punin was fond of high-sounding

expressions, and had a great propensity, if not for lying, for romancing

and exaggeration; he admired everything, fell into ecstasies over

everything.... And I, in imitation of him, began to exaggerate and be

ecstatic, too. ‘What a crazy fellow you’ve grown! God have mercy on

you!’ my old nurse used to say to me. Punin’s narratives used to

interest me extremely; but even better than his stories I loved the

readings we used to have together.

It is impossible to describe the feeling I experienced when, snatching

a favourable moment, suddenly, like a hermit in a tale or a good fairy,

he appeared before me with a ponderous volume under his arm, and

stealthily beckoning with his long crooked finger, and winking

mysteriously, he pointed with his head, his eyebrows, his shoulders,

his whole person, toward the deepest recesses of the garden, whither no

one could penetrate after us, and where it was impossible to find us

out. And when we had succeeded in getting away unnoticed; when we had

satisfactorily reached one of our secret nooks, and were sitting side

by side, and, at last, the book was slowly opened, emitting a pungent

odour, inexpressibly sweet to me then, of mildew and age;--with what a

thrill, with what a wave of dumb expectancy, I gazed at the face, at

the lips of Punin, those lips from which in a moment a stream of such

delicious eloquence was to flow! At last the first sounds of the

reading were heard. Everything around me vanished ... no, not vanished,

but grew far away, passed into clouds of mist, leaving behind only an

impression of something friendly and protecting. Those trees, those

green leaves, those high grasses screen us, hide us from all the rest

of the world; no one knows where we are, what we are about--while with

us is poetry, we are saturated in it, intoxicated with it, something

solemn, grand, mysterious is happening to us.... Punin, by preference,

kept to poetry, musical, sonorous poetry; he was ready to lay down his

life for poetry. He did not read, he declaimed the verse majestically,

in a torrent of rhythm, in a rolling outpour through his nose, like a

man intoxicated, lifted out of himself, like the Pythian priestess. And

another habit he had: first he would lisp the verses through softly, in

a whisper, as it were mumbling them to himself.... This he used to call

the rough sketch of the reading; then he would thunder out the same

verse in its ‘fair copy,’ and would all at once leap up, throw up his

hand, with a half-supplicating, half-imperious gesture.... In this way

we went through not only Lomonosov, Sumarokov, and Kantemir (the older

the poems, the more they were to Punin’s taste), but even Heraskov’s

_Rossiad_. And, to tell the truth, it was this same _Rossiad_ which

aroused my enthusiasm most. There is in it, among others, a mighty

Tatar woman, a gigantic heroine; I have forgotten even her name now;

but in those days my hands and feet turned cold as soon as it was

mentioned. ‘Yes,’ Punin would say, nodding his head with great

significance, ‘Heraskov, he doesn’t let one off easily. At times one

comes upon a line, simply heart-breaking.... One can only stick to it,

and do one’s best.... One tries to master it, but he breaks away again

and trumpets, trumpets, with the crash of cymbals. His name’s been well

bestowed on him--the very word, Herrraskov!’ Lomonosov Punin found

fault with for too simple and free a style; while to Derzhavin he

maintained an attitude almost of hostility, saying that he was more of

a courtier than a poet. In our house it was not merely that no

attention was given to literature, to poetry; but poetry, especially

Russian poetry, was looked upon as something quite undignified and

vulgar; my grandmother did not even call it poetry, but ‘doggrel

verses’; every author of such doggrel was, in her opinion, either a

confirmed toper or a perfect idiot. Brought up among such ideas, it was

inevitable that I should either turn from Punin with disgust--he was

untidy and shabby into the bargain, which was an offence to my

seignorial habits--or that, attracted and captivated by him, I should

follow his example, and be infected by his passion for poetry.... And

so it turned out. I, too, began reading poetry, or, as my grandmother

expressed it, poring over doggrel trash.... I even tried my hand at

versifying, and composed a poem, descriptive of a barrel-organ, in

which occurred the following two lines:

‘Lo, the barrel turns around,

And the cogs within resound.’

Punin commended in this effort a certain imitative melody, but

disapproved of the subject itself as low and unworthy of lyrical

treatment.

Alas! all those efforts and emotions and transports, our solitary

readings, our life together, our poetry, all came to an end at once.

Trouble broke upon us suddenly, like a clap of thunder.

* * * * *

My grandmother in everything liked cleanliness and order, quite in the

spirit of the active generals of those days; cleanliness and order were

to be maintained too in our garden. And so from time to time they

‘drove’ into it poor peasants, who had no families, no land, no beasts

of their own, and those among the house serfs who were out of favour or

superannuated, and set them to clearing the paths, weeding the borders,

breaking up and sifting the earth in the beds, and so on. Well, one day,

in the very heat of these operations, my grandmother went into the

garden, and took me with her. On all sides, among the trees and about

the lawns, we caught glimpses of white, red, and blue smocks; on all

sides we heard the scraping and clanging of spades, the dull thud of

clods of earth on the slanting sieves. As she passed by the labourers,

my grandmother with her eagle eye noticed at once that one of them was

working with less energy than the rest, and that he took off his cap,

too, with no show of eagerness. This was a youth, still quite young,

with a wasted face, and sunken, lustreless eyes. His cotton smock, all

torn and patched, scarcely held together over his narrow shoulders.

‘Who’s that?’ my grandmother inquired of Filippitch, who was walking on

tiptoe behind her.

‘Of whom ... you are pleased ...’ Filippitch stammered.

‘Oh, fool! I mean the one that looked so sullenly at me. There, standing

yonder, not working.’

‘Oh, him! Yes ... th ... th ... that’s Yermil, son of Pavel Afanasiitch,

now deceased.’

Pavel Afanasiitch had been, ten years before, head butler in my

grandmother’s house, and stood particularly high in her favour. But

suddenly falling into disgrace, he was as suddenly degraded to being

herdsman, and did not long keep even that position. He sank lower still,

and struggled on for a while on a monthly pittance of flour in a little

hut far away. At last he had died of paralysis, leaving his family in

the most utter destitution.

‘Aha!’ commented my grandmother; ‘it’s clear the apple’s not fallen far

from the tree. Well, we shall have to make arrangements about this

fellow too. I’ve no need of people like that, with scowling faces.’

My grandmother went back to the house--and made arrangements. Three

hours later Yermil, completely ‘equipped,’ was brought under the window

of her room. The unfortunate boy was being transported to a settlement;

the other side of the fence, a few steps from him, was a little cart

loaded with his poor belongings. Such were the times then. Yermil stood

without his cap, with downcast head, barefoot, with his boots tied up

with a string behind his back; his face, turned towards the seignorial

mansion, expressed not despair nor grief, nor even bewilderment; a

stupid smile was frozen on his colourless lips; his eyes, dry and

half-closed, looked stubbornly on the ground. My grandmother was

apprised of his presence. She got up from the sofa, went, with a faint

rustle of her silken skirts, to the window of the study, and, holding

her golden-rimmed double eyeglass on the bridge of her nose, looked at

the new exile. In her room there happened to be at the moment four other

persons, the butler, Baburin, the page who waited on my grandmother in

the daytime, and I.

My grandmother nodded her head up and down....

‘Madam,’ a hoarse almost stifled voice was heard suddenly. I looked

round. Baburin’s face was red ... dark red; under his overhanging brows

could be seen little sharp points of light.... There was no doubt about

it; it was he, it was Baburin, who had uttered the word ‘Madam.’

My grandmother too looked round, and turned her eyeglass from Yermil

to Baburin.

‘Who is that ... speaking?’ she articulated slowly ... through her nose.

Baburin moved slightly forward.

‘Madam,’ he began, ‘it is I.... I venture ... I imagine ... I make bold

to submit to your honour that you are making a mistake in acting as ...

as you are pleased to act at this moment.’

‘That is?’ my grandmother said, in the same voice, not removing

her eyeglass.

‘I take the liberty ...’ Baburin went on distinctly, uttering every word

though with obvious effort--‘I am referring to the case of this lad who

is being sent away to a settlement ... for no fault of his. Such

arrangements, I venture to submit, lead to dissatisfaction, and to

other--which God forbid!--consequences, and are nothing else than a

transgression of the powers allowed to seignorial proprietors.’

‘And where have you studied, pray?’ my grandmother asked after a short

silence, and she dropped her eyeglass.

Baburin was disconcerted. ‘What are you pleased to wish?’ he muttered.

‘I ask you: where have you studied? You use such learned words.’

‘I ... my education ...’ Baburin was beginning.

My grandmother shrugged her shoulders contemptuously. ‘It seems,’ she

interrupted, ‘that my arrangements are not to your liking. That is of

absolutely no consequence to me--among my subjects I am sovereign, and

answerable to no one for them, only I am not accustomed to having people

criticising me in my presence, and meddling in what is not their

business. I have no need of learned philanthropists of nondescript

position; I want servants to do my will without question. So I always

lived till you came, and so I shall live after you’ve gone. You do not

suit me; you are discharged. Nikolai Antonov,’ my grandmother turned to

the steward, ‘pay this man off; and let him be gone before dinner-time

to-day! D’you hear? Don’t put me into a passion. And the other too ...

the fool that lives with him--to be sent off too. What’s Yermilka

waiting for?’ she added, looking out of window, ‘I have seen him. What

more does he want?’ My grandmother shook her handkerchief in the

direction of the window, as though to drive away an importunate fly.

Then she sat down in a low chair, and turning towards us, gave the order

grimly: ‘Everybody present to leave the room!’

We all withdrew--all, except the day page, to whom my grandmother’s

words did not apply, because he was nobody.

My grandmother’s decree was carried out to the letter. Before dinner,

both Baburin and my friend Punin were driving away from the place. I

will not undertake to describe my grief, my genuine, truly childish

despair. It was so strong that it stifled even the feeling of

awe-stricken admiration inspired by the bold action of the republican

Baburin. After the conversation with my grandmother, he went at once to

his room and began packing up. He did not vouchsafe me one word, one

look, though I was the whole time hanging about him, or rather, in

reality, about Punin. The latter was utterly distraught, and he too said

nothing; but he was continually glancing at me, and tears stood in his

eyes ... always the same tears; they neither fell nor dried up. He did

not venture to criticise his ‘benefactor’--Paramon Semyonitch could not

make a mistake,--but great was his distress and dejection. Punin and I

made an effort to read something out of the _Rossiad_ for the last time;

we even locked ourselves up in the lumber-room--it was useless to dream

of going into the garden--but at the very first line we both broke down,

and I fairly bellowed like a calf, in spite of my twelve years, and my

claims to be grown-up.

When he had taken his seat in the carriage Baburin at last turned to me,

and with a slight softening of the accustomed sternness of his face,

observed: ‘It’s a lesson for you, young gentleman; remember this

incident, and when you grow up, try to put an end to such acts of

injustice. Your heart is good, your nature is not yet corrupted....

Mind, be careful; things can’t go on like this!’ Through my tears, which

streamed copiously over my nose, my lips, and my chin, I faltered out

that I would ... I would remember, that I promised ... I would do ... I

would be sure ... quite sure ...

But at this point, Punin, whom I had before this embraced twenty times

(my cheeks were burning from the contact with his unshaven beard, and I

was odoriferous of the smell that always clung to him)--at this point a

sudden frenzy came over Punin. He jumped up on the seat of the cart,

flung both hands up in the air, and began in a voice of thunder (where

he got it from!) to declaim the well-known paraphrase of the Psalm of

David by Derzhavin,--a poet for this occasion--not a courtier.

‘God the All-powerful doth arise

And judgeth in the congregation of the mighty! ...

How long, how long, saith the Lord,

Will ye have mercy on the wicked?

“Ye have to keep the laws....”’

‘Sit down!’ Baburin said to him.

Punin sat down, but continued:

‘To save the guiltless and needy,

To give shelter to the afflicted,

To defend the weak from the oppressors.’

Punin at the word ‘oppressors’ pointed to the seignorial abode, and then

poked the driver in the back.

‘To deliver the poor out of bondage!

They know not! neither will they understand! ...’

Nikolai Antonov running out of the seignorial abode, shouted at the top

of his voice to the coachman: ‘Get away with you! owl! go along! don’t

stay lingering here!’ and the cart rolled away. Only in the distance

could still be heard:

‘Arise, O Lord God of righteousness! ...

Come forth to judge the unjust--

And be Thou the only Ruler of the nations!’

‘What a clown!’ remarked Nikolai Antonov.

‘He didn’t get enough of the rod in his young days,’ observed the

deacon, appearing on the steps. He had come to inquire what hour it

would please the mistress to fix for the night service.

The same day, learning that Yermil was still in the village, and would

not till early next morning be despatched to the town for the execution

of certain legal formalities, which were intended to check the

arbitrary proceedings of the landowners, but served only as a source of

additional revenue to the functionaries in superintendence of them, I

sought him out, and, for lack of money of my own, handed him a bundle,

in which I had tied up two pocket-handkerchiefs, a shabby pair of

slippers, a comb, an old night-gown, and a perfectly new silk cravat.

Yermil, whom I had to wake up--he was lying on a heap of straw in the

back yard, near the cart--Yermil took my present rather indifferently,

with some hesitation in fact, did not thank me, promptly poked his head

into the straw and fell asleep again. I went home somewhat

disappointed. I had imagined that he would be astonished and overjoyed

at my visit, would see in it a pledge of my magnanimous intentions for

the future--and instead of that ...

‘You may say what you like--these people have no feeling,’ was my

reflection on my homeward way.

My grandmother, who had for some reason left me in peace the whole of

that memorable day, looked at me suspiciously when I came after supper

to say good-night to her.

‘Your eyes are red,’ she observed to me in French; ‘and there’s a smell

of the peasant’s hut about you. I am not going to enter into an

examination of what you’ve been feeling and doing--I should not like to

be obliged to punish you--but I hope you will get over all your

foolishness, and begin to conduct yourself once more in a manner

befitting a well-bred boy. However, we are soon going back to Moscow,

and I shall get you a tutor--as I see you need a man’s hand to manage

you. You can go.’

We did, as a fact, go back soon after to Moscow.

A Desperate Character and Other Stories · 第 27 / 70 题