PIOTR PETROVITCH’S STORY

I

... I am old and ill now, and my thoughts brood oftenest upon death,

every day coming nearer; rarely I think of the past, rarely I turn the

eyes of my soul behind me. Only from time to time--in winter, as I sit

motionless before the glowing fire, in summer, as I pace with slow tread

along the shady avenue--I recall past years, events, faces; but it is

not on my mature years nor on my youth that my thoughts rest at such

times. They either carry me back to my earliest childhood, or to the

first years of boyhood. Now, for instance, I see myself in the country

with my stern and wrathful grandmother--I was only twelve--and two

figures rise up before my imagination....

But I will begin my story consecutively, and in proper order.

I

1830

The old footman Filippitch came in, on tiptoe, as usual, with a cravat

tied up in a rosette, with tightly compressed lips, ‘lest his breath

should be smelt,’ with a grey tuft of hair standing up in the very

middle of his forehead. He came in, bowed, and handed my grandmother on

an iron tray a large letter with an heraldic seal. My grandmother put on

her spectacles, read the letter through....

‘Is he here?’ she asked.

‘What is my lady pleased ...’ Filippitch began timidly.

‘Imbecile! The man who brought the letter--is he here?’

‘He is here, to be sure he is.... He is sitting in the counting-house.’

My grandmother rattled her amber rosary beads....

‘Tell him to come to me.... And you, sir,’ she turned to me, ‘sit

still.’

As it was, I was sitting perfectly still in my corner, on the stool

assigned to me.

My grandmother kept me well in hand!

* * * * *

Five minutes later there came into the room a man of five-and-thirty,

black-haired and swarthy, with broad cheek-bones, a face marked with

smallpox, a hook nose, and thick eyebrows, from under which the small

grey eyes looked out with mournful composure. The colour of the eyes and

their expression were out of keeping with the Oriental cast of the rest

of the face. The man was dressed in a decent, long-skirted coat. He

stopped in the doorway, and bowed--only with his head.

‘So your name’s Baburin?’ queried my grandmother, and she added to

herself: ‘_Il a l’air d’un arménien._’

‘Yes, it is,’ the man answered in a deep and even voice. At the first

brusque sound of my grandmother’s voice his eyebrows faintly quivered.

Surely he had not expected her to address him as an equal?

‘Are you a Russian? orthodox?’

‘Yes.’

My grandmother took off her spectacles, and scanned Baburin from head

to foot deliberately. He did not drop his eyes, he merely folded his

hands behind his back. What particularly struck my fancy was his beard;

it was very smoothly shaven, but such blue cheeks and chin I had never

seen in my life!

‘Yakov Petrovitch,’ began my grandmother, ‘recommends you strongly

in his letter as sober and industrious; why, then, did you leave

his service?’

‘He needs a different sort of person to manage his estate, madam.’

‘A different ... sort? That I don’t quite understand.’

My grandmother rattled her beads again. ‘Yakov Petrovitch writes to me

that there are two peculiarities about you. What peculiarities?’

Baburin shrugged his shoulders slightly.

‘I can’t tell what he sees fit to call peculiarities. Possibly that

I ... don’t allow corporal punishment.’

My grandmother was surprised. ‘Do you mean to say Yakov Petrovitch

wanted to flog you?’

Baburin’s swarthy face grew red to the roots of his hair.

‘You have not understood me right, madam. I make it a rule not to employ

corporal punishment ... with the peasants.’

My grandmother was more surprised than ever; she positively threw up

her hands.

‘Ah!’ she pronounced at last, and putting her head a little on one side,

once more she scrutinised Baburin attentively. ‘So that’s your rule, is

it? Well, that’s of no consequence whatever to me; I don’t want an

overseer, but a counting-house clerk, a secretary. What sort of a hand

do you write?’

‘I write well, without mistakes in spelling.’

‘That too is of no consequence to me. The great thing for me is for it

to be clear, and without any of those new copybook letters with tails,

that I don’t like. And what’s your other peculiarity?’

Baburin moved uneasily, coughed....

‘Perhaps ... the gentleman has referred to the fact that I am not

alone.’

‘You are married?’

‘Oh no ... but ...’

My grandmother knit her brows.

‘There is a person living with me ... of the male sex ... a comrade, a

poor friend, from whom I have never parted ... for ... let me see ...

ten years now.’

‘A relation of yours?’

‘No, not a relation--a friend. As to work, there can be no possible

hindrance occasioned by him,’ Baburin made haste to add, as though

foreseeing objections. ‘He lives at my cost, occupies the same room with

me; he is more likely to be of use, as he is well educated--speaking

without flattery, extremely so, in fact--and his morals are exemplary.’

My grandmother heard Baburin out, chewing her lips and half

closing her eyes.

‘He lives at your expense?’

‘Yes.’

‘You keep him out of charity?’

‘As an act of justice ... as it’s the duty of one poor man to help

another poor man.’

‘Indeed! It’s the first time I’ve heard that. I had supposed till now

that that was rather the duty of rich people.’

‘For the rich, if I may venture to say so, it is an entertainment ... but

for such as we ...’

‘Well, well, that’s enough, that’s enough,’ my grandmother cut him

short; and after a moment’s thought she queried, speaking through her

nose, which was always a bad sign, ‘And what age is he, your protégé?’

‘About my own age.’

‘Really, I imagined that you were bringing him up.’

‘Not so; he is my comrade--and besides ...’

‘That’s enough,’ my grandmother cut him short a second time. ‘You’re a

philanthropist, it seems. Yakov Petrovitch is right; for a man in your

position it’s something very peculiar. But now let’s get to business.

I’ll explain to you what your duties will be. And as regards wages....

_Que faites vous ici?_’ added my grandmother suddenly, turning her dry,

yellow face to me:--‘_Allez étudier votre devoir de mythologie._’

I jumped up, went up to kiss my grandmother’s hand, and went out,--not

to study mythology, but simply into the garden.

* * * * *

The garden on my grandmother’s estate was very old and large, and was

bounded on one side by a flowing pond, in which there were not only

plenty of carp and eels, but even loach were caught, those renowned

loach, that have nowadays disappeared almost everywhere. At the head

of this pond was a thick clump of willows; further and higher, on both

sides of a rising slope, were dense bushes of hazel, elder,

honeysuckle, and sloe-thorn, with an undergrowth of heather and clover

flowers. Here and there between the bushes were tiny clearings,

covered with emerald-green, silky, fine grass, in the midst of which

squat funguses peeped out with their comical, variegated pink, lilac,

and straw-coloured caps, and golden balls of ‘hen-dazzle’ blazed in

light patches. Here in spring-time the nightingales sang, the

blackbirds whistled, the cuckoos called; here in the heat of summer it

was always cool--and I loved to make my way into the wilderness and

thicket, where I had favourite secret spots, known--so, at least, I

imagined--only to me.

On coming out of my grandmother’s room I made straight for one of these

spots, which I had named ‘Switzerland.’ But what was my astonishment

when, before I had reached ‘Switzerland,’ I perceived through the

delicate network of half-dry twigs and green branches that some one

besides me had found it out! A long, long figure in a long, loose coat

of yellow frieze and a tall cap was standing in the very spot I loved

best of all! I stole up a little nearer, and made out the face, which

was utterly unknown to me, also very long and soft, with small reddish

eyes, and a very funny nose; drawn out as long as a pod of peas, it

positively over-hung the full lips; and these lips, quivering and

forming a round O, were giving vent to a shrill little whistle, while

the long fingers of the bony hands, placed facing one another on the

upper part of the chest, were rapidly moving with a rotatory action.

From time to time the motion of the hands subsided, the lips ceased

whistling and quivering, the head was bent forward as though listening.

I came still nearer, examined him still more closely.... The stranger

held in each hand a small flat cup, such as people use to tease

canaries and make them sing. A twig snapped under my feet; the stranger

started, turned his dim little eyes towards the copse, and was

staggering away ... but he stumbled against a tree, uttered an

exclamation, and stood still.

A Desperate Character and Other Stories · 第 25 / 70 题