CHAPTER I. AN OLD MONASTERY

Produced by John Bickers, and Dagny

ADIEU

By Honore De Balzac

Translated by Katharine Prescott Wormeley

DEDICATION

To Prince Frederic Schwartzenburg

ADIEU

CHAPTER I. AN OLD MONASTERY

“Come, deputy of the Centre, forward! Quick step! march! if we want to

be in time to dine with the others. Jump, marquis! there, that’s right!

why, you can skip across a stubble-field like a deer!”

These words were said by a huntsman peacefully seated at the edge of the

forest of Ile-Adam, who was finishing an Havana cigar while waiting for

his companion, who had lost his way in the tangled underbrush of the

wood. At his side four panting dogs were watching, as he did, the

personage he addressed. To understand how sarcastic were these

exhortations, repeated at intervals, we should state that the

approaching huntsman was a stout little man whose protuberant stomach

was the evidence of a truly ministerial “embonpoint.” He was struggling

painfully across the furrows of a vast wheat-field recently harvested,

the stubble of which considerably impeded him; while to add to his other

miseries the sun’s rays, striking obliquely on his face, collected an

abundance of drops of perspiration. Absorbed in the effort to maintain

his equilibrium, he leaned, now forward, now back, in close imitation

of the pitching of a carriage when violently jolted. The weather looked

threatening. Though several spaces of blue sky still parted the thick

black clouds toward the horizon, a flock of fleecy vapors were advancing

with great rapidity and drawing a light gray curtain from east to

west. As the wind was acting only on the upper region of the air, the

atmosphere below it pressed down the hot vapors of the earth. Surrounded

by masses of tall trees, the valley through which the hunter struggled

felt like a furnace. Parched and silent, the forest seemed thirsty. The

birds, even the insects, were voiceless; the tree-tops scarcely waved.

Those persons who may still remember the summer of 1819 can imagine the

woes of the poor deputy, who was struggling along, drenched in sweat,

to regain his mocking friend. The latter, while smoking his cigar, had

calculated from the position of the sun that it must be about five in

the afternoon.

“Where the devil are we?” said the stout huntsman, mopping his

forehead and leaning against the trunk of a tree nearly opposite to

his companion, for he felt unequal to the effort of leaping the ditch

between them.

“That’s for me to ask you,” said the other, laughing, as he lay among

the tall brown brake which crowned the bank. Then, throwing the end of

his cigar into the ditch, he cried out vehemently: “I swear by Saint

Hubert that never again will I trust myself in unknown territory with a

statesman, though he be, like you, my dear d’Albon, a college mate.”

“But, Philippe, have you forgotten your French? Or have you left your

wits in Siberia?” replied the stout man, casting a sorrowfully comic

look at a sign-post about a hundred feet away.

“True, true,” cried Philippe, seizing his gun and springing with a bound

into the field and thence to the post. “This way, d’Albon, this way,”

he called back to his friend, pointing to a broad paved path and reading

aloud the sign: “‘From Baillet to Ile-Adam.’ We shall certainly find

the path to Cassan, which must branch from this one between here and

Ile-Adam.”

“You are right, colonel,” said Monsieur d’Albon, replacing upon his head

the cap with which he had been fanning himself.

“Forward then, my respectable privy councillor,” replied Colonel

Philippe, whistling to the dogs, who seemed more willing to obey him

than the public functionary to whom they belonged.

“Are you aware, marquis,” said the jeering soldier, “that we still have

six miles to go? That village over there must be Baillet.”

“Good heavens!” cried the marquis, “go to Cassan if you must, but you’ll

go alone. I prefer to stay here, in spite of the coming storm, and

wait for the horse you can send me from the chateau. You’ve played me a

trick, Sucy. We were to have had a nice little hunt not far from Cassan,

and beaten the coverts I know. Instead of that, you have kept me running

like a hare since four o’clock this morning, and all I’ve had for

breakfast is a cup of milk. Now, if you ever have a petition before the

Court, I’ll make you lose it, however just your claim.”

The poor discouraged huntsman sat down on a stone that supported the

signpost, relieved himself of his gun and his gamebag, and heaved a long

sigh.

“France! such are thy deputies!” exclaimed Colonel de Sucy, laughing.

“Ah! my poor d’Albon, if you had been like me six years in the wilds of

Siberia--”

He said no more, but he raised his eyes to heaven as if that anguish

were between himself and God.

“Come, march on!” he added. “If you sit still you are lost.”

“How can I, Philippe? It is an old magisterial habit to sit still. On my

honor! I’m tired out--If I had only killed a hare!”

The two men presented a rather rare contrast: the public functionary

was forty-two years of age and seemed no more than thirty, whereas the

soldier was thirty, and seemed forty at the least. Both wore the red

rosette of the officers of the Legion of honor. A few spare locks of

black hair mixed with white, like the wing of a magpie, escaped from

the colonel’s cap, while handsome brown curls adorned the brow of the

statesman. One was tall, gallant, high-strung, and the lines of his

pallid face showed terrible passions or frightful griefs. The other

had a face that was brilliant with health, and jovially worth of an

epicurean. Both were deeply sun-burned, and their high gaiters of tanned

leather showed signs of the bogs and the thickets they had just come

through.

“Come,” said Monsieur de Sucy, “let us get on. A short hour’s march, and

we shall reach Cassan in time for a good dinner.”

“It is easy to see you have never loved,” replied the councillor, with a

look that was pitifully comic; “you are as relentless as article 304 of

the penal code.”

Philippe de Sucy quivered; his broad brow contracted; his face became

as sombre as the skies above them. Some memory of awful bitterness

distorted for a moment his features, but he said nothing. Like all

strong men, he drove down his emotions to the depths of his heart;

thinking perhaps, as simple characters are apt to think, that there was

something immodest in unveiling griefs when human language cannot

render their depths and may only rouse the mockery of those who do not

comprehend them. Monsieur d’Albon had one of those delicate natures

which divine sorrows, and are instantly sympathetic to the emotion they

have involuntarily aroused. He respected his friend’s silence, rose,

forgot his fatigue, and followed him silently, grieved to have touched a

wound that was evidently not healed.

“Some day, my friend,” said Philippe, pressing his hand, and thanking

him for his mute repentance by a heart-rending look, “I will relate to

you my life. To-day I cannot.”

They continued their way in silence. When the colonel’s pain seemed

soothed, the marquis resumed his fatigue; and with the instinct, or

rather the will, of a wearied man his eye took in the very depths of the

forest; he questioned the tree-tops and examined the branching paths,

hoping to discover some dwelling where he could ask hospitality.

Arriving at a cross-ways, he thought he noticed a slight smoke rising

among the trees; he stopped, looked more attentively, and saw, in the

midst of a vast copse, the dark-green branches of several pine-trees.

“A house! a house!” he cried, with the joy the sailor feels in crying

“Land!”

Then he sprang quickly into the copse, and the colonel, who had fallen

into a deep reverie, followed him mechanically.

“I’d rather get an omelet, some cottage bread, and a chair here,” he

said, “than go to Cassan for sofas, truffles, and Bordeaux.”

These words were an exclamation of enthusiasm, elicited from the

councillor on catching sight of a wall, the white towers of which

glimmered in the distance through the brown masses of the tree trunks.

“Ha! ha! this looks to me as if it had once been a priory,” cried the

marquis, as they reached a very old and blackened gate, through which

they could see, in the midst of a large park, a building constructed in

the style of the monasteries of old. “How those rascals the monks knew

how to choose their sites!”

This last exclamation was an expression of surprise and pleasure at the

poetical hermitage which met his eyes. The house stood on the slope of

the mountain, at the summit of which is the village of Nerville. The

great centennial oaks of the forest which encircled the dwelling made

the place an absolute solitude. The main building, formerly occupied by

the monks, faced south. The park seemed to have about forty acres.

Near the house lay a succession of green meadows, charmingly crossed by

several clear rivulets, with here and there a piece of water naturally

placed without the least apparent artifice. Trees of elegant shape and

varied foliage were distributed about. Grottos, cleverly managed, and

massive terraces with dilapidated steps and rusty railings, gave

a peculiar character to this lone retreat. Art had harmonized her

constructions with the picturesque effects of nature. Human passions

seemed to die at the feet of those great trees, which guarded this

asylum from the tumult of the world as they shaded it from the fires of

the sun.

“How desolate!” thought Monsieur d’Albon, observing the sombre

expression which the ancient building gave to the landscape, gloomy as

though a curse were on it. It seemed a fatal spot deserted by man. Ivy

had stretched its tortuous muscles, covered by its rich green mantle,

everywhere. Brown or green, red or yellow mosses and lichen spread their

romantic tints on trees and seats and roofs and stones. The crumbling

window-casings were hollowed by rain, defaced by time; the balconies

were broken, the terraces demolished. Some of the outside shutters hung

from a single hinge. The rotten doors seemed quite unable to resist an

assailant. Covered with shining tufts of mistletoe, the branches of the

neglected fruit-trees gave no sign of fruit. Grass grew in the paths.

Such ruin and desolation cast a weird poesy on the scene, filling the

souls of the spectators with dreamy thoughts. A poet would have stood

there long, plunged in a melancholy reverie, admiring this disorder

so full of harmony, this destruction which was not without its grace.

Suddenly, the brown tiles shone, the mosses glittered, fantastic shadows

danced upon the meadows and beneath the trees; fading colors revived;

striking contrasts developed, the foliage of the trees and shrubs

defined itself more clearly in the light. Then--the light went out. The

landscape seemed to have spoken, and now was silent, returning to its

gloom, or rather to the soft sad tones of an autumnal twilight.

“It is the palace of the Sleeping Beauty,” said the marquis, beginning

to view the house with the eyes of a land owner. “I wonder to whom it

belongs! He must be a stupid fellow not to live in such an exquisite

spot.”

At that instant a woman sprang from beneath a chestnut-tree standing to

the right of the gate, and, without making any noise, passed before the

marquis as rapidly as the shadow of a cloud. This vision made him mute

with surprise.

“Why, Albon, what’s the matter?” asked the colonel.

“I am rubbing my eyes to know if I am asleep or awake,” replied the

marquis, with his face close to the iron rails as he tried to get

another sight of the phantom.

“She must be beneath that fig-tree,” he said, pointing to the foliage of

a tree which rose above the wall to the left of the gate.

“She! who?”

“How can I tell?” replied Monsieur d’Albon. “A strange woman rose up

there, just before me,” he said in a low voice; “she seemed to come from

the world of shades rather than from the land of the living. She is so

slender, so light, so filmy, she must be diaphanous. Her face was as

white as milk; her eyes, her clothes, her hair jet black. She looked

at me as she flitted by, and though I may say I’m no coward, that cold

immovable look froze the blood in my veins.”

“Is she pretty?” asked Philippe.

“I don’t know. I could see nothing but the eyes in that face.”

“Well, let the dinner at Cassan go to the devil!” cried the colonel.

“Suppose we stay here. I have a sudden childish desire to enter that

singular house. Do you see those window-frames painted red, and the red

lines on the doors and shutters? Doesn’t the place look to you as if it

belonged to the devil?--perhaps he inherited it from the monks. Come,

let us pursue the black and white lady--forward, march!” cried Philippe,

with forced gaiety.

At that instant the two huntsmen heard a cry that was something like

that of a mouse caught in a trap. They listened. The rustle of a few

shrubs sounded in the silence like the murmur of a breaking wave. In

vain they listened for other sounds; the earth was dumb, and kept the

secret of those light steps, if, indeed, the unknown woman moved at all.

“It is very singular!” said Philippe, as they skirted the park wall.

The two friends presently reached a path in the forest which led to the

village of Chauvry. After following this path some way toward the main

road to Paris, they came to another iron gate which led to the principal

facade of the mysterious dwelling. On this side the dilapidation and

disorder of the premises had reached their height. Immense cracks

furrowed the walls of the house, which was built on three sides of

a square. Fragments of tiles and slates lying on the ground, and the

dilapidated condition of the roofs, were evidence of a total want of

care on the part of the owners. The fruit had fallen from the trees and

lay rotting on the ground; a cow was feeding on the lawn and treading

down the flowers in the borders, while a goat browsed on the shoots of

the vines and munched the unripe grapes.

“Here all is harmony; the devastation seems organized,” said the

colonel, pulling the chain of a bell; but the bell was without a

clapper.

The huntsmen heard nothing but the curiously sharp noise of a rusty

spring. Though very dilapidated, a little door made in the wall beside

the iron gates resisted all their efforts to open it.

“Well, well, this is getting to be exciting,” said de Sucy to his

companion.

“If I were not a magistrate,” replied Monsieur d’Albon, “I should think

that woman was a witch.”

As he said the words, the cow came to the iron gate and pushed her warm

muzzle towards them, as if she felt the need of seeing human beings.

Then a woman, if that name could be applied to the indefinable being who

suddenly issued from a clump of bushes, pulled away the cow by its rope.

This woman wore on her head a red handkerchief, beneath which trailed

long locks of hair in color and shape like the flax on a distaff. She

wore no fichu. A coarse woollen petticoat in black and gray stripes, too

short by several inches, exposed her legs. She might have belonged to

some tribe of Red-Skins described by Cooper, for her legs, neck, and

arms were the color of brick. No ray of intelligence enlivened her

vacant face. A few whitish hairs served her for eyebrows; the eyes

themselves, of a dull blue, were cold and wan; and her mouth was so

formed as to show the teeth, which were crooked, but as white as those

of a dog.

“Here, my good woman!” called Monsieur de Sucy.

She came very slowly to the gate, looking with a silly expression at the

two huntsmen, the sight of whom brought a forced and painful smile to

her face.

“Where are we? Whose house is this? Who are you? Do you belong here?”

To these questions and several others which the two friends alternately

addressed to her, she answered only with guttural sounds that seemed

more like the growl of an animal than the voice of a human being.

“She must be deaf and dumb,” said the marquis.

“Bons-Hommes!” cried the peasant woman.

“Ah! I see. This is, no doubt, the old monastery of the Bons-Hommes,”

said the marquis.

He renewed his questions. But, like a capricious child, the peasant

woman colored, played with her wooden shoe, twisted the rope of the

cow, which was now feeding peaceably, and looked at the two hunters,

examining every part of their clothing; then she yelped, growled, and

clucked, but did not speak.

“What is your name?” said Philippe, looking at her fixedly, as if he

meant to mesmerize her.

“Genevieve,” she said, laughing with a silly air.

“The cow is the most intelligent being we have seen so far,” said the

marquis. “I shall fire my gun and see if that will being some one.”

Just as d’Albon raised his gun, the colonel stopped him with a gesture,

and pointed to the form of a woman, probably the one who had so keenly

piqued his curiosity. At this moment she seemed lost in the deepest

meditation, and was coming with slow steps along a distant pathway, so

that the two friends had ample time to examine her.

She was dressed in a ragged gown of black satin. Her long hair fell in

masses of curls over her forehead, around her shoulders, and below her

waist, serving her for a shawl. Accustomed no doubt to this disorder,

she seldom pushed her hair from her forehead; and when she did so, it

was with a sudden toss of her head which only for a moment cleared her

forehead and eyes from the thick veil. Her gesture, like that of an

animal, had a remarkable mechanical precision, the quickness of which

seemed wonderful in a woman. The huntsmen were amazed to see her

suddenly leap up on the branch of an apple-tree, and sit there with the

ease of a bird. She gathered an apple and ate it; then she dropped to

the ground with the graceful ease we admire in a squirrel. Her limbs

possessed an elasticity which took from every movement the slightest

appearance of effort or constraint. She played upon the turf, rolling

herself about like a child; then, suddenly, she flung her feet and hands

forward, and lay at full length on the grass, with the grace and natural

ease of a young cat asleep in the sun. Thunder sounded in the distance,

and she turned suddenly, rising on her hands and knees with the rapidity

of a dog which hears a coming footstep.

The effects of this singular attitude was to separate into two heavy

masses the volume of her black hair, which now fell on either side of

her head, and allowed the two spectators to admire the white shoulders

glistening like daisies in a field, and the throat, the perfection of

which allowed them to judge of the other beauties of her figure.

Suddenly she uttered a distressful cry and rose to her feet. Her

movements succeeded each other with such airiness and grace that she

seemed not a creature of this world but a daughter of the atmosphere, as

sung in the poems of Ossian. She ran toward a piece of water, shook one

of her legs lightly to cast off her shoe, and began to dabble her foot,

white as alabaster, in the current, admiring, perhaps, the undulations

she thus produced upon the surface of the water. Then she knelt down at

the edge of the stream and amused herself, like a child, in casting in

her long tresses and pulling them abruptly out, to watch the shower of

drops that glittered down, looking, as the sunlight struck athwart them,

like a chaplet of pearls.

“That woman is mad!” cried the marquis.

A hoarse cry, uttered by Genevieve, seemed uttered as a warning to the

unknown woman, who turned suddenly, throwing back her hair from either

side of her face. At this instant the colonel and Monsieur d’Albon could

distinctly see her features; she, herself, perceiving the two friends,

sprang to the iron railing with the lightness and rapidity of a deer.

“Adieu!” she said, in a soft, harmonious voice, the melody of which did

not convey the slightest feeling or the slightest thought.

Monsieur d’Albon admired the long lashes of her eyelids, the blackness

of her eyebrows, and the dazzling whiteness of a skin devoid of even the

faintest tinge of color. Tiny blue veins alone broke the uniformity of

its pure white tones. When the marquis turned to his friend as if to

share with him his amazement at the sight of this singular creature, he

found him stretched on the ground as if dead. D’Albon fired his gun

in the air to summon assistance, crying out “Help! help!” and then

endeavored to revive the colonel. At the sound of the shot, the unknown

woman, who had hitherto stood motionless, fled away with the rapidity

of an arrow, uttering cries of fear like a wounded animal, and running

hither and thither about the meadow with every sign of the greatest

terror.

Monsieur d’Albon, hearing the rumbling of a carriage on the high-road

to Ile-Adam, waved his handkerchief and shouted to its occupants for

assistance. The carriage was immediately driven up to the old monastery,

and the marquis recognized his neighbors, Monsieur and Madame de

Granville, who at once gave up their carriage to the service of the

two gentlemen. Madame de Granville had with her, by chance, a bottle of

salts, which revived the colonel for a moment. When he opened his eyes

he turned them to the meadow, where the unknown woman was still running

and uttering her distressing cries. A smothered exclamation escaped

him, which seemed to express a sense of horror; then he closed his eyes

again, and made a gesture as if to implore his friend to remove him from

that sight.

Monsieur and Madame de Granville placed their carriage entirely at the

disposal of the marquis, assuring him courteously that they would like

to continue their way on foot.

“Who is that lady?” asked the marquis, signing toward the unknown woman.

“I believe she comes from Moulins,” replied Monsieur de Granville. “She

is the Comtesse de Vandieres, and they say she is mad; but as she

has only been here two months I will not vouch for the truth of these

hearsays.”

Monsieur d’Albon thanked his friends, and placing the colonel in the

carriage, started with him for Cassan.

“It is she!” cried Philippe, recovering his senses.

“Who is she?” asked d’Albon.

“Stephanie. Ah, dead and living, living and mad! I fancied I was dying.”

The prudent marquis, appreciating the gravity of the crisis through

which his friend was passing, was careful not to question or excite him;

he was only anxious to reach the chateau, for the change which had taken

place in the colonel’s features, in fact in his whole person, made him

fear for his friend’s reason. As soon, therefore, as the carriage had

reached the main street of Ile-Adam, he dispatched the footman to the

village doctor, so that the colonel was no sooner fairly in his bed at

the chateau than the physician was beside him.

“If monsieur had not been many hours without food the shock would have

killed him,” said the doctor.

After naming the first precautions, the doctor left the room, to

prepare, himself, a calming potion. The next day, Monsieur de Sucy was

better, but the doctor still watched him carefully.

“I will admit to you, monsieur le marquis,” he said, “that I have feared

some affection of the brain. Monsieur de Sucy has received a violent

shock; his passions are strong; but, in him, the first blow decides all.

To-morrow he may be entirely out of danger.”

The doctor was not mistaken; and the following day he allowed the

marquis to see his friend.

“My dear d’Albon,” said Philippe, pressing his hand, “I am going to ask

a kindness of you. Go to the Bons-Hommes, and find out all you can of

the lady we saw there; and return to me as quickly as you can; I shall

count the minutes.”

Monsieur d’Albon mounted his horse at once, and galloped to the old

abbey. When he arrived there, he saw before the iron gate a tall, spare

man with a very kindly face, who answered in the affirmative when asked

if he lived there. Monsieur d’Albon then informed him of the reasons for

his visit.

“What! monsieur,” said the other, “was it you who fired that fatal shot?

You very nearly killed my poor patient.”

“But, monsieur, I fired in the air.”

“You would have done the countess less harm had you fired at her.”

“Then we must not reproach each other, monsieur, for the sight of the

countess has almost killed my friend, Monsieur de Sucy.”

“Heavens! can you mean Baron Philippe de Sucy?” cried the doctor,

clasping his hands. “Did he go to Russia; was he at the passage of the

Beresina?”

“Yes,” replied d’Albon, “he was captured by the Cossacks and kept for

five years in Siberia; he recovered his liberty a few months ago.”

“Come in, monsieur,” said the master of the house, leading the marquis

into a room on the lower floor where everything bore the marks of

capricious destruction. The silken curtains beside the windows were

torn, while those of muslin remained intact.

“You see,” said the tall old man, as they entered, “the ravages

committed by that dear creature, to whom I devote myself. She is my

niece; in spite of the impotence of my art, I hope some day to

restore her reason by attempting a method which can only be employed,

unfortunately, by very rich people.”

Then, like all persons living in solitude who are afflicted with an ever

present and ever renewed grief, he related to the marquis at length the

following narrative, which is here condensed, and relieved of the many

digressions made by both the narrator and the listener.

Adieu · 第 1 / 3 章