Love! if thy destined sacrifice am I,
Come, slay thy victim, and prepare thy fires;
Plunged in thy depths of mercy let me die
The death which every soul that lives desires.
_Madame Guyon_ .
‘I AM writing these lines in my bedroom in the house of the Widow Gran,
in the village of Ober-Ammergau. They are the last you will receive from
me for a long time; perhaps the last I shall ever send you, for more and
more, as each day advances, I feel that my business with the world is
done.
‘What brought me hither I know not. I am sure it was with no direct
intention of witnessing what so many deem a mere mummery or outrage on
religion; but after many wanderings hither and thither, I found myself
in the neighbourhood, and whether instinctively or of set purpose,
approaching this lonely place.
‘As I have more than once told you, I have of late, ever since my
past trouble, been subject to a kind of waking nightmare, in which all
natural appearances have assumed a strange unreality, as of shapes seen
in dreams; and one characteristic of these seizures has been a curious
sense within my own mind that, vivid as such appearances seemed,
I should _remember_ nothing of them on actually _awaking_. A wise
physician would shake his head and murmur “diseased cerebration;” nor
would his diagnosis of my condition be less gloomy, on learning that
my physical powers remain unimpaired, and seem absolutely incapable of
fatigue. I eat and drink little; sleep less; yet I have the strength of
an athlete still, or so it seems.
‘I walked hither across the mountains, having no other shelter for
several nights than the boughs of the pine-woods where I slept. The
weather was far from warm, yet I felt no cold; the paths were dangerous,
yet no evil befell me. If I must speak the truth, I would gladly have
perished--by cold, by accident, by any swift and sudden means.
‘But when a man thirsts and hungers for death, Death, in its dull
perversity, generally spares him. More than once, among these dizzy
precipices and black ravines, I thought of suicide; one step would
have done it, one quick downward leap; but I was spared that last
degradation--indeed, I know not how.
‘It was night time when I left the mountains, and came out upon the
public road. The moon rose, pale and ghostly, dimly lighting my way.
‘Full of my own miserable phantasy, I walked on for hours and descended
at last to the outlying houses of a silent village, lying at the foot of
a low chain of melancholy hills. All was still; a thin white mist filled
the air, floating upward from the valley, and forming thick vaporous
clouds around the moon. Dimly I discerned the shadows of the houses, but
in none of the windows was there any light.
‘I stood hesitating, not knowing which way to direct my footsteps or at
which cottage door to knock and seek shelter, and never, at any moment
of my recent experience, was the sense of phantasy and unreality so full
upon me. While I was thus hesitating I suddenly became conscious of the
sound of voices coming from a small cottage situated on the roadside,
and hitherto scarcely discernible in the darkness. Without hesitation I
approached the door and knocked.
‘Immediately the voices ceased, and the moment afterwards the door
opened and a figure appeared on the threshold.
‘If the sense of unreality had been strong before it now became
paramount, for the figure I beheld wore a white priestly robe quaintly
embroidered with gold, and a golden headdress or coronet upon his head.
Nor was this all. The large apartment behind him--a kind of kitchen,
with rude benches around the ingle--was lit by several lamps, and within
it were clustered a fantastic group of figures in white tunics, plumed
head-dresses of Eastern device, and mantles of azure, crimson, and blue,
which swept the ground.
‘“Who is there?” said the form on the threshold in a deep voice, and
speaking German in a strong Bavarian patois.
‘I answered that I was an Englishman, and sought a night’s shelter.
‘“Come in!” said the man, and thus invited I crossed the threshold.
‘As the door closed behind me, I found myself in the large raftered
chamber, surrounded on every side by curious faces. Scattered here
and there about the room were rudely-carved figures, for the most part
representing the Crucifixion, many of them unfinished, and on a table
near the window was a set of carver’s tools. Rudely coloured pictures,
all of biblical subjects, were placed here and there upon the walls, and
over the fireplace hung a large Christ in ebony, coarsely carven.
‘Courteously enough the fantastic group parted and made way for me,
while one of the number, a woman, invited me to a seat beside the
hearth.
‘I sat down like one in a dream, and accosted the man who had invited me
to enter.
‘“What place is this?” I asked. “I have been walking all night and am
doubtful where I am.”
‘“You are at Ober-Ammergau!” was the reply.
‘I could have laughed had my spirit been less oppressed. For now, my
brain clearing, I began to understand what had befallen me. I remembered
the Passion Play and all that I had read concerning it. The fantastic
figures I beheld were those of some of the actors still attired in the
tinsel robes they wore upon the stage.
‘I asked if this was so, and was answered in the affirmative.
‘“We begin the play to-morrow,” said the man who had first spoken. “I
am Johann Diener the _Chorfuhrer_, and these are some of the members of
our chorus. We are up late, you see, preparing for to-morrow, and trying
on the new robes that have just been sent to us from Annheim. The pastor
of the village was here till a few minutes ago, seeing all things justly
ordered amongst us, and he would gladly have welcomed you, for he loves
the English.”
‘The man’s speech was gentle, his manner kindly in the extreme, but
I scarcely heeded him, although I knew now what the figures around me
were--the merest supernumeraries and chorus-singers of a tawdry show.
They seemed to me none the less ghostly and unreal, shadows acting in
some grim farce of death.
‘“Doubtless the gentleman is fatigued,” said a woman, addressing Johann
Diener, “and would wish to go to rest.”
‘I nodded wearily. Diener, however, seemed in some perplexity.
‘“It is not so easy,” he returned, “to find the gentleman a shelter. As
you all know, the village is overcrowded with strangers. However, if
he will follow ml I will take him to Joseph Mair, and see what can be
done.”
‘I thanked him, and without staying to alter his dress, he led the way
to the door.
‘We were soon out in the open street. Passing several chalets, Diener at
last reached one standing a little way from the roadside, and knocked.
‘“Come in,” cried a clear kind voice.
‘He opened the door and I followed him into an interior much resembling
the one we had just quitted, but smaller, and more full of tokens of the
woodcutter’s trade. The room was dimly lit by an oil lamp swinging from
the ceiling. Seated close to the fireplace, with his back towards us,
engaged in some handy work, was a man.
‘As we entered the man rose and stood looking towards us. I started in
wonder, and uttered an involuntary cry.
‘It was Jesus Christ, Jesus the son of Joseph, in his habit as he lived!
‘I had no time, and indeed I lacked the power, to separate the true
from the false in this singular manifestation. I saw before me, scarce
believing what I saw, the Christ of History, clad as the shape is clad
in the famous fresco of Leonardo, but looking at me with a face mobile,
gentle, beautiful, benign. At the same moment I perceived, scarcely
understanding its significance, the very crown of thorns, of which so
many a martyr since has dreamed. It was lying on the coarse table close
to a number of wood-carving tools, and close to it was a plate of some
red pigment, with which it had recently been stained.
‘Johann Diener advanced.
‘“I am glad to find you up, Joseph. This English gentleman seeks shelter
for the night, and I scarcely knew whither to take him.”
‘“You will not find a bed in the place,” returned the other; and he
continued addressing me. “Since this morning our little village has been
overrun, and many strangers have to camp out in the open air. Never has
Ober-Ammergau been so thronged.”
‘I scarcely listened to him; I was so lost in contemplation of the awful
personality he represented.
‘“Who are you?” I asked, gazing at him in amaze.
‘He smiled, and glanced down at his dress.
‘“I am Joseph Mair,” he replied. “Tomorrow I play the Christus, and as
you came I was repairing some portion of the attire, which I have not
worn for ten years past.”
‘Jesus of Nazareth! Joseph Mair! I understood all clearly now, but none
the less did I tremble with a sickening sense of awe.’
*****
‘That night I remained in the house of Joseph Mail sitting on a bench in
the ingle, half dying, half dreaming, till daylight came. Mair himself
soon left me, after having set before me some simple refreshment, of
which I did not care to partake. Alone in that chamber, I sat like a
haunted man, almost credulous that I had seen the Christ indeed.’
*****
‘I _have_ seen him! I understand now all the piteous humble pageant!
I have beheld the Master as He lived and died; not the creature of a
poet’s dream not the Divine Ideal I pictured in my blind and shadowy
creed; but Jesus who perished on Calvary, Jesus the Martyr of the World.
‘All day long, from dawn to sunset, I sat in my place, watching the
mysterious show. Words might faintly foreshadow to you what I beheld,
but all words would fail to tell you what I felt; for never before,
till these simple children of the mountains pictured it before me, had I
realised the full sadness and rapture of that celestial Life. How faint,
miserable, and unprofitable seemed my former creed, seen in the light
of the tremendous Reality foreshadowed on that stage, with the mountains
closing behind it, the blue heaven bending tranquilly above it, the
birds singing on the branches round about, the wind and sunshine shining
over it and bringing thither all the gentle motion of the world. Now for
the first time I conceived that the Divine Story was not a poet’s dream,
but a simple tale of sooth, a living experience which even the lowliest
could understand and before which the highest and wisest must reverently
bow.
‘I seem to see your look of wonder, and hear your cry of pitying pain.
Is the man mad? you ask. Is it possible that sorrow has so weakened
his brain that he can be overcome by such a summer cloud as the
_Passionspiel_ of a few rude peasants--a piece of mummery only worthy of
a smile! Well, so it is, or seems. I tell you this “poor show” has done
for me what all intellectual and moral effort has failed to do--it has
brought me face to face with the living God.
‘This at least I know, that there is no _via media_ between the full
acceptance of Christ’s miraculous life and death, and acquiescence in
the stark materialism of the new creed of scientific experience, whose
most potent word is the godless Nirwâna of Schopenhauer.
‘Man cannot live by the shadowy gods of men--by the poetic spectre of a
Divine Ideal, by the Christ of Fancy and of Poesy, by the Jesus of the
dilettante, by the Messiah of a fairy tale. Such gods may do for happy
hours; their ghostliness becomes apparent in times of spiritual despair
and gloom.
‘“Except a man be born again, he shall not enter the kingdom of Heaven!”
I have heard these divine words from the lips of one who seemed the Lord
himself; nay, who perchance _was_ that very Lord, putting on again the
likeness of a poor peasant’s humanity, and clothing himself with flesh
as with a garment. I have seen and heard with a child’s eyes, a child’s
ears; and even as a child, I question no longer but believe.
‘_Mea culpa! mea culpa!_ In the light of that piteous martyrdom I
review the great sin of my life; but out of sin and its penalty has come
transfiguration. I know now that my beloved one was taken from me in
mercy, that I might follow in penitence and love. Patience, my darling,
for I shall come;--God grant that it may be soon!’
CONCLUSION.
The following letter, written in the summer of 18--, by John
Cholmondeley to Sir George Craik, contains all that remains to be told
concerning the fate of Ambrose Bradley, sometime minister of Fensea, and
a seceder from the Church of England:--
‘My dear Sir,--You will remember our conversation, when we last met in
London, concerning that friend of mine with whose fortunes those of your
lamented niece have been unhappily interwoven. Your language was then
sufficiently bitter and unforgiving. Perhaps you will think more gently
on the subject when you hear the news I have now to convey to you. The
Rev. Ambrose Bradley died a fortnight ago, at Ober-Ammergau, in the
Bavarian highlands.
‘From time to time, during his wanderings in the course of the past
year, we had been in correspondence; for, indeed, I was about the only
friend in the world with whom he was on terms of close intimacy. Ever
since the disappearance of Miss Craik his sufferings had been most
acute; and my own impression is that his intellect was permanently
weakened. But that, perhaps, is neither here nor there.
‘Some ten days ago, I received a communication from the village priest
of Ober-Ammergau, informing me that an Englishman had died very suddenly
and mysteriously in the village, and that the only clue to his friends
and connexions was a long letter found upon his person, addressed to me,
at my residence in the Temple. I immediately hastened over to Germany,
and found, as I had anticipated, that the corpse was that of my poor
friend. It was lying ready for interment in the cottage of Joseph Mair,
a wood-carver, and a leading actor in the Passion Play.
‘I found, on inquiry, that Mr. Bradley had been in the village for
several weeks, lodging at Mair’s cottage, and dividing his time between
constant attendance at the theatre, whenever the Passion Play was
represented, and long pedestrian excursions among the mountains. He was
strangely taciturn, indifferent to ordinary comforts, eating little or
nothing, and scarcely sleeping. So at least the man Mair informed me,
adding that he was very gentle and harmless, and to all intents and
purposes in perfect health.
‘Last Sunday week he attended the theatre as usual. That night he did
not return to the cottage of his host. Early next morning, Joseph Hair,
on going down to the theatre with his tools, to do some carpenter’s work
upon the stage, found the dead body of a man there, lying on his face,
with his arms clasped around the mimic Cross; and turning the dead face
up to the morning light, he recognised my poor friend.
‘That is all I have to tell you. His death, like his life, was a sad
affair. I followed him to his grave in the little burial-place of
Ober-Ammergau--where he rests in peace. I am, &c.,
‘John Cholmondeley.
‘Judging from some talk I had before leaving with the village priest, a
worthy old fellow who knew him well, I believe poor Bradley died in full
belief of the Christian faith; but as I have already hinted to you, his
intellect, for a long time before his death, was greatly weakened. Take
him for all in all, he was one of the best men I ever knew, and might
have been happy but for the unfortunate “set” of his mind towards
retrograde superstitions.’
THE END