CHAPTER III.

THE TEMPLES OF EGYPT--DID MOSES GET HIS LAW FROM THE EGYPTIANS?

In the distribution of the monuments of Egypt, it is a curious fact

that the Pyramids are found almost wholly in Lower Egypt, and the

great Temples in Upper Egypt. It was not till we had been a week on

the Nile, that we had our first sight of the latter at Denderah. We

have since spent three days at Thebes, the great centre of historical

interest, and have made a regular campaign of sight-seeing, starting

on excursions every morning, and thus have explored the ruins on both

sides of the river--for Thebes, like many other great cities--like

London and Paris--was built on two sides of a river, but one much

greater than the Thames or the Seine, yet not so great but that it was

spanned by a bridge (at least this is inferred from some ancient

sculptures and inscriptions), over which poured a population such as

pours over London Bridge to-day. The site seems made for a great

capital, for here the mountains retire from the river, sweeping round

in a circuit of some fifty miles, leaving a broad plain to be filled

with human habitations. Here four thousand years ago was built a city

greater than that on the banks of the Tigris or the Euphrates, than

Nineveh or Babylon. Here was the centre of power and dominion for two

continents--not only for Africa, but for Asia--to which flocked the

multitudinous nations of Assyria and Arabia and Persia and the

farthest East, as well as the tribes of Ethiopia--as two thousand

years later all the peoples of the earth flocked to Rome. It is easy,

from historical records and monumental inscriptions, to form some

idea of the glory of this capital of the ancient world. We can imagine

the tumult and the roar of this more ancient Rome, when the chariots

of mighty kings, and the tread of armies returning victorious from

distant wars, thundered through her hundred gates.

Then did the kings of Egypt rear temples and palaces and statues and

obelisks worthy of all that greatness. Then were built the most

gigantic temples ever raised by the hand of man--as much surpassing in

vastness and grandeur those reared centuries afterward by the Greeks,

as the latter surpass anything by the moderns. The temples of

Thebes--including Luxor and Karnac, which are parts of one city--are

as much grander than the Parthenon, as the Parthenon is grander than

the Madeleine at Paris, which is a feeble attempt to copy it.

We have now been a week--beginning with Denderah--studying these

ruins, and may give certain general impressions. We do not attempt any

detailed description, which must necessarily be inadequate, since

neither words nor figures convey an idea of them, any more than they

do of the Alps. What would be thought of an avenue nearly two miles

long, lined with over twelve hundred colossal sphinxes? Yet such was

the avenue from Luxor to Karnac--an approach worthy to lead to the

temple of the gods. What can we say of a forest of columns, each

twelve feet in diameter, stretching out in long colonnades; of the

massive walls covered with bas-reliefs; and obelisks in single shafts

of granite, of such height and weight that it is the wonder of modern

engineering how they could be cut from the side of the hills, and be

brought a hundred and forty miles, and erected on their firm bases.

But this temple--or rather cluster of temples and palaces--was not,

like the temple of Solomon, finished in a single reign. Karnac was not

the work of one man, or of one generation. It was twenty-five hundred

years in building, successive kings and dynasties adding to the mighty

whole, which was to represent all the glory of Egypt.

The general impression of these temples--and the same is true of the

Egyptian statues and sculptures--is one of grandeur rather than

beauty. They seek to overpower the senses by mere size. Sometimes they

overdo the matter. Thus in the temples at Karnac the columns seem to

me too large and too much crowded for the best effect. Ordinary trees

may be planted in a dense grove, but great, broad-spreading oaks or

elms require space around them; and if these columns were a little

more _spaced_--to use a printer's word--the architectural effect would

be still grander. So in the Egyptian sculpture, everything is

colossal. In the granite lions and sphinxes there is always an aspect

of power in repose which is very impressive, and strikes one with awe.

But in any lighter work, such as frescoes and bas-reliefs, there is a

total absence of delicacy and grace. Nothing can be more stiff. They

sometimes have a rude force of drawing, but beauty they have none.

That was born in Greece. All the sculptures on all the temples of

Egypt are not worth--except as historical monuments--the friezes of

the Parthenon.

One thing else has struck me much as to the plan of these temples,

viz.: that we see in them the types and models of much that has been

reproduced in various forms of ecclesiastical architecture. One has

but to observe with some care the construction of these vast

basilicas, to see how many features of Jewish, and even of Christian

and Moslem architecture, have been adopted from still older temples

and an earlier religion. Thus in the temple at Edfoo there is first

the vast enclosure surrounding the whole, and then within the walls an

outer court open to the sky, corresponding to the Court of the

Gentiles in the Temple at Jerusalem, to the Court of the Fountains

leading to the Mosques, and the cloister surrounding the approaches to

old abbeys and cathedrals. One might find a still closer resemblance

in forms of worship, in the vestments of priests, in the altars, and

in the burning of incense, etc., a parallel which scholars have often

traced.

And now of all this magnificence and glory of the ancient capital of

Egypt, what remains? Only these vast ruins of temples and palaces. The

"plain of Thebes" is still here, but deserted and silent. A few

columns and statues rise above the plain to mark where the city stood,

but the city itself is gone as much as the people who inhabited it

four thousand years ago. A few miserable mud huts are built against

the walls of mighty temples, and the ploughman drives his team over

the dust of the city of a hundred gates. I saw a fellah ploughing with

a cow and a camel yoked together, and a couple of half-naked Arabs

raising water with their _shadoof_ between the Memnon (the statue

which was said to sing when its stony lips were touched by the rising

of the sun) and its brother statue--the two great Colossi, between

which ran the Royal street to Luxor. Was there ever a more complete

and utter desolation? In the temple called the Rameseum once stood the

largest statue that ever was known--that of Rameses the Great (the

same who had a statue at Memphis, for he erected monuments to himself

everywhere), cut out of a single block of granite brought from the

First Cataract, and weighing nearly nine hundred tons! On this was

inscribed, as Herodotus writes, who saw it twenty-three hundred years

ago: "I am the king of kings: if any man wish to know how great I am,

and where I lie, let him surpass one of my works!" What a comment on

the emptiness of human ambition, that this colossal statue, which was

to last to the end of the world, was long ago pulled down by a later

conqueror, Cambyses, the Persian, and now lies on its back, with its

nose knocked off, and eyes put out, and all its glory in the dust!

In studying the figures and the inscriptions on the walls of temples,

there are many things which throw light on the manners and customs of

the ancient Egyptians. Here is a scene of hunting, or of fishing, or

of feasting. Here are the different trades, which show the skill of

the people in the mechanic arts, and many scenes which give us an

insight into their domestic life. These have been the subjects of two

learned and most interesting works by Wilkinson, which open the very

interior of ancient Egypt to our modern eyes. They show a very high

degree of civilization--of skill in all the useful arts, a skill fully

equal in many things, and in some greatly superior, to that of our own

day. Wendell Phillips, in his famous lecture on "The Lost Arts," finds

many of his illustrations in ancient Egypt. I could not but think that

this furnished a very effective answer to those advocates of

evolution, who hold that mankind sprung from animals, and have

gradually developed to their present state. How much progress have the

Egyptians made in four thousand years? Here the race has gone

backward, so that there is certainly no inherent tendency in our

nature to advance.

But I was less interested in studying the domestic life of the ancient

Egyptians, than their religious ideas. Herodotus says that the

Egyptians were a very religious people, excelling all others in the

honors paid to their gods; and this we can well believe, seeing the

temples that they reared for their worship. But what were the gods

they adored, and what sort of worship did they render, and how did all

this act on the life and character of the people? Here we obtain a

less exalted estimate of the ancient Egyptians. The remains which they

have left, while they illustrate the greatness of the empire, which

four thousand years ago had its seat in the valley of the Nile, do not

give a high idea of its Religion. The land was wholly given to

idolatry. The Egyptians had as many gods as the Greeks and Romans,

only baser and lower, indicating baser and lower ideas. They made

gods, not only of the sun, moon, and stars, but of beasts and birds

and reptiles--of the apis and the ibis--of the serpent and the

crocodile.

At Sakkara we visited one of the most stupendous mausoleums that we

have seen in Egypt--one which Herodotus described, but which for

centuries was so buried by the sands of the desert that its very site

was not known until brought to light by the researches of Mariette

Bey, who has done so much to restore the monuments of ancient Egypt.

The approach to it was by an avenue of sphinxes, which led to a vast

subterranean gallery--twenty feet wide and high--and leading two

thousand feet, more than a third of a mile, under the earth. This

long, vaulted passage is hewn in the solid rock--out of which open on

either side a series of chambers or recesses, like side chapels--each

containing a sarcophagus, 15 x 8 feet. These tombs, hollowed out of

the solid granite, are so huge and massive that we wonder how they

ever could have been got there. Yet these great sarcophagi--fit for

the burial places of a long line of kings--were not for the Pharaohs

or the Ptolemies, but for the Sacred Bulls! Thirty of these sarcophagi

have been found, and on the walls are tablets which record the birth,

and death, and burial of each one of these sacred beasts. These were

the gods of Egypt, mother of the arts, and civilizer of the earth!

This great repository of dead divinities is a colossal monument, at

once of the architectural skill of the ancient Egyptians, and of their

degrading superstition.

This single fact is enough to answer those who would imply, if they do

not quite dare to assert, that the inspiration of the Books of Moses

was derived from the Egyptians. It is a favorite theory of certain

writers that Moses, being brought up in Egypt, here obtained both the

Law and the Religion which he gave to the Israelites. No doubt he did

learn much from a country that was at that time the most civilized in

the world. He was brought up in a court, and enjoyed every advantage

of a royal education. He was "learned in all the wisdom of the

Egyptians." And it detracts not at all from his inspiration, to

suppose that he may have been instructed to embody in his new and

better code whatever was excellent in the older system, and had been

approved by the experience of centuries. The ceremonial laws--such as

those of purification--may have been adopted from the Egyptians. But

these are the mere fringes of the garment of the great Lawgiver. As

soon as we open the Hebrew Scriptures, we find traces of a wisdom such

as the Egyptians never knew. The very first sentence--"In the

beginning God created the heavens and the earth"--scatters the fables

of Isis and Osiris, and substitutes for the troop of heathen deities

the worship of One Living and True God. This single declaration marks

a stupendous advance in the religious faith and worship of mankind.

The same first principle appears as the corner-stone of the law given

on Mount Sinai: "I am the Lord thy God which brought thee out of the

land of Egypt, out of the house of bondage. Thou shalt have no other

gods before me."

The second law of the first table breaks in pieces the images of the

gods of the Egyptians: "Thou shalt not make unto thee any graven

image, nor any likeness of any thing that is in heaven above, nor in

the earth beneath, nor in the waters under the earth." This was spoken

to a people that had just come out of a country where they worshipped

beasts and birds and reptiles, and where the walls of the temples were

covered with the images of all kinds of foul and creeping things.

In this age of the world, and among civilized nations, we cannot

understand the passion for idolatry. Yet it is one of the most

universal and ineradicable instincts of a half barbarous people. They

see tokens of an unseen power in the forces of nature, in clouds and

winds, in lightning and tempest, and they torment themselves with all

imaginable terrors, from which they seek relief and protection in

bowing down to gods of wood and stone.

The Israelites coming out of Egypt, were out of the house of bondage

in one sense, but they were in it in another. They were continually

relapsing into idolatry. The golden calf of Aaron was but an imitation

of the sacred bulls of Egypt. Often they pined for the products of the

fertile valley of the Nile. With nothing but the burning sands beneath

their feet, they might well long for the shade of the palm tree and

for its delicious fruit, and they said, Why hath this man Moses

brought us up to die in this wilderness? It required forty years of

wandering, and that a whole generation should leave their bones to

whiten the sands of the desert, before their children could be wholly

alienated from the worship of false gods. So not only with the

Israelites, but with all nations of men, ages of fiery discipline have

been necessary to bring back the race to this first article of our

faith: "I believe in God the Father Almighty, the Maker of heaven and

earth."

We might follow the comparison through all the tables of the law, to

show how absurd is the pretence that what Moses taught to the

Israelites he first learned from the Egyptians. Tell us, ye learned

antiquaries, where on all these temples, and in all the records which

they have left us, is there any trace of the Ten Commandments?

And yet Egypt is connected very intimately, in history at least, with

the birth of our religion. No other country, except Palestine, figures

so largely in the Bible. Abraham went down into Egypt. Here came the

sons of Jacob to buy corn, and found Joseph ruling in the house of

Pharaoh. And hither centuries later fled the virgin mother with her

child from the wrath of Herod, fulfilling the prediction, "Out of

Egypt have I called my son."

But Religion--the Divine wisdom which at once instructs and saves

mankind--came not from the valley of the Nile. Abraham and Jacob and

Moses saw the Pyramids standing just as we see them now, but they did

not point them to the true God. That knowledge came from a higher

source. "History," says Bunsen, "was born on that night when Moses,

with the law of God in his heart, led the people of Israel out of

Egypt." And not History only, but Religion then came to a new birth,

that was to be the herald of new and better hopes, and of a higher

civilization than was known to the ancient world.

From Egypt to Japan · 第 3 / 25 章