A week following the day of meetings on the Motterone, Luigi the spy was
in Milan, making his way across the Piazza de' Mercanti. He entered a
narrow court, one of those which were anciently built upon the Oriental
principle of giving shade at the small cost of excluding common air. It
was dusky noon there through the hours of light, and thrice night when
darkness fell. The atmosphere, during the sun's short passage overhead,
hung with a glittering heaviness, like the twinkling iron-dust in a
subterranean smithy. On the lower window of one of the houses there
was a board, telling men that Barto Rizzo made and mended shoes, and
requesting people who wished to see him to make much noise at the door,
for he was hard of hearing. It speedily became known in the court that a
visitor desired to see Barto Rizzo. The noise produced by Luigi was
like that of a fanatical beater of the tomtom; he knocked and banged
and danced against the door, crying out for his passing amusement an
adaptation of a popular ballad:--“Oh, Barto, Barto! my boot is sadly
worn: The toe is seen that should be veiled from sight. The toe that
should be veiled like an Eastern maid: like a sultan's daughter:
Shocking! shocking! One of a company of ten that were living a secluded
life in chaste privacy! Oh, Barto, Barto! must I charge it to thy
despicable leather or to my incessant pilgrimages? One fair toe! I fear
presently the corruption of the remaining nine: Then, alas! what do I go
on? How shall I come to a perfumed end, who walk on ten indecent toes?
Well may the delicate gentlemen sneer at me and scorn me: As for the
angelic Lady who deigns to look so low, I may say of her that her
graciousness clothes what she looks at: To her the foot, the leg, the
back: To her the very soul is bared: But she is a rarity upon earth. Oh,
Barto, Barto, she is rarest in Milan! I might run a day's length and not
find her. If, O Barto, as my boot hints to me, I am about to be stripped
of my last covering, I must hurry to the inconvenient little chamber
of my mother, who cannot refuse to acknowledge me as of this pattern:
Barto, O shoemaker! thou son of artifice and right-hand-man of
necessity, preserve me in the fashion of the time: Cobble me neatly: A
dozen wax threads and I am remade:--Excellent! I thank you! Now I can
plant my foot bravely: Oh, Barto, my shoemaker! between ourselves, it
is unpleasant in these refined days to be likened at all to that
preposterous Adam!”
The omission of the apostrophes to Barto left it one of the ironical,
veiled Republican, semi-socialistic ballads of the time, which were sung
about the streets for the sharpness and pith of the couplets, and not
from a perception of the double edge down the length of them.
As Luigi was coming to the terminating line, the door opened. A very
handsome sullen young woman, of the dark, thick-browed Lombard type,
asked what was wanted; at the same time the deep voice of a man;
conjecturally rising from a lower floor, called, and a lock was rattled.
The woman told Luigi to enter. He sent a glance behind him; he had
evidently been drained of his sprightliness in a second; he moved in
with the slackness of limb of a gibbeted figure. The door shut; the
woman led him downstairs. He could not have danced or sung a song now
for great pay. The smell of mouldiness became so depressing to him that
the smell of leather struck his nostrils refreshingly. He thought: “Oh,
Virgin! it's dark enough to make one believe in every single thing they
tell us about the saints.” Up in the light of day Luigi had a turn for
careless thinking on these holy subjects.
Barto Rizzo stood before him in a square of cellarage that was furnished
with implements of his craft, too dark for a clear discernment of
features.
“So, here you are!” was the greeting Luigi received.
It was a tremendous voice, that seemed to issue from a vast cavity.
“Lead the gentleman to my sitting-room,” said Barto. Luigi felt the wind
of a handkerchief, and guessed that his eyes were about to be bandaged
by the woman behind him. He petitioned to be spared it, on the plea,
firstly, that it expressed want of confidence; secondly, that it took
him in the stomach. The handkerchief was tight across his eyes while
he was speaking. His hand was touched by the woman, and he commenced
timidly an ascent of stairs. It continued so that he would have sworn
he was a shorter time going up the Motterone; then down, and along a
passage; lower down, deep into corpse-climate; up again, up another
enormous mountain; and once more down, as among rats and beetles, and
down, as among faceless horrors, and down, where all things seemed
prostrate and with a taste of brass. It was the poor fellow's nervous
imagination, preternaturally excited. When the handkerchief was caught
away, his jaw was shuddering, his eyes were sickly; he looked as if
impaled on the prongs of fright. It required just half a minute to
reanimate this mercurial creature, when he found himself under the
light of two lamps, and Barto Rizzo fronting him, in a place so like the
square of cellarage which he had been led to with unbandaged eyes, that
it relieved his dread by touching his humour. He cried, “Have I made the
journey of the Signor Capofinale, who visited the other end of the world
by standing on his head?”
Barto Rizzo rolled out a burly laugh.
“Sit,” he said. “You're a poor sweating body, and must needs have a dry
tongue. Will you drink?”
“Dry!” quoth Luigi. “Holy San Carlo is a mash in a wine-press compared
with me.”
Barto Rizzo handed him a liquor, which he drank, and after gave thanks
to Providence. Barto raised his hand.
“We're too low down here for that kind of machinery,” he said. “They say
that Providence is on the side of the Austrians. Now then, what have you
to communicate to me? This time I let you come to my house trust at all,
trust entirely. I think that's the proverb. You are admitted: speak like
a guest.”
Luigi's preference happened to be for categorical interrogations. Never
having an idea of spontaneously telling the whole truth, the sense that
he was undertaking a narrative gave him such emotions as a bad swimmer
upon deep seas may have; while, on the other hand, his being subjected
to a series of questions seemed at least to leave him with one leg
on shore, for then he could lie discreetly, and according to the
finger-posts, and only when necessary, and he could recover himself if
he made a false step. His ingenious mind reasoned these images out to
his own satisfaction. He requested, therefore, that his host would let
him hear what he desired to know.
Barto Rizzo's forefinger was pressed from an angle into one temple. His
head inclined to meet it: so that it was like the support to a broad
blunt pillar. The cropped head was flat as an owl's; the chest of
immense breadth; the bulgy knees and big hands were those of a dwarf
athlete. Strong colour, lying full on him from the neck to the forehead,
made the big veins purple and the eyes fierier than the movements of his
mind would have indicated. He was simply studying the character of his
man. Luigi feared him; he was troubled chiefly because he was unaware of
what Barto Rizzo wanted to know, and could not consequently tell what
to bring to the market. The simplicity of the questions put to him was
bewildering: he fell into the trap. Barto's eyes began to get terribly
oblique. Jingling money in his pocket, he said:--“You saw Colonel Corte
on the Motterone: you saw the Signor Agostino Balderini: good men, both!
Also young Count Ammiani: I served his father, the General, and jogged
the lad on my knee. You saw the Signorina Vittoria. The English people
came, and you heard them talk, but did not understand. You came home and
told all this to the Signor Antonio, your employer number one. You have
told the same to me, your employer number two. There's your pay.”
Barto summed up thus the information he had received, and handed Luigi
six gold pieces. The latter, springing with boyish thankfulness and
pride at the easy earning of them, threw in a few additional facts, as,
that he had been taken for a spy by the conspirators, and had heard one
of the Englishmen mention the Signorina Vittoria's English name.
Barto Rizzo lifted his eyebrows queerly. “We'll go through another
interrogatory in an hour,” he said; “stop here till I return.”
Luigi was always too full of his own cunning to suspect the same in
another, until he was left alone to reflect on a scene; when it became
overwhelmingly transparent. “But, what could I say more than I did say?”
he asked himself, as he stared at the one lamp Barto had left. Finding
the door unfastened, he took the lamp and lighted himself out, and along
a cavernous passage ending in a blank wall, against which his heart
knocked and fell, for his sensation was immediately the terror of
imprisonment and helplessness. Mad with alarm, he tried every spot for
an aperture. Then he sat down on his haunches; he remembered hearing
word of Barto Rizzo's rack:--certain methods peculiar to Barto Rizzo,
by which he screwed matters out of his agents, and terrified them into
fidelity. His personal dealings with Barto were of recent date; but
Luigi knew him by repute: he knew that the shoemaking business was
a mask. Barto had been a soldier, a schoolmaster: twice an exile; a
conspirator since the day when the Austrians had the two fine Apples
of Pomona, Lombardy and Venice, given them as fruits of peace. Luigi
remembered how he had snapped his fingers at the name of Barto Rizzo.
There was no despising him now. He could only arrive at a peaceful
contemplation of Barto Rizzo's character by determining to tell all,
and (since that seemed little) more than he knew. He got back to
the leather-smelling chamber, which was either the same or purposely
rendered exactly similar to the one he had first been led to.
At the end of a leaden hour Barto Rizzo returned.
“Now, to recommence,” he said. “Drink before you speak, if your tongue
is dry.”
Luigi thrust aside the mention of liquor. It seemed to him that by doing
so he propitiated that ill-conceived divinity called Virtue, who lived
in the open air, and desired men to drink water. Barto Rizzo evidently
understood the kind of man he was schooling to his service.
“Did that Austrian officer, who is an Englishman, acquainted with the
Signor Antonio-Pericles, meet the lady, his sister, on the Motterone?”
Luigi answered promptly, “Yes.”
“Did the Signorina Vittoria speak to the lady?”
“No.”
“Not a word?”
“No.”
“Not one communication to her?”
“No: she sat under her straw hat.”
“She concealed her face?”
“She sat like a naughty angry girl.”
“Did she speak to the officer?”
“Not she!”
“Did she see him?”
“Of course she did! As if a woman's eyes couldn't see through
straw-plait!”
Barto paused, calculatingly, eye on victim.
“The Signorina Vittoria,” he resumed, “has engaged to sing on the night
of the Fifteenth; has she?”
A twitching of Luigi's muscles showed that he apprehended a necessary
straining of his invention on another tack.
“On the night of the Fifteenth, Signor Barto Rizzo? That's the night of
her first appearance. Oh, yes!”
“To sing a particular song?”
“Lots of them! ay-aie!”
Barto took him by the shoulder and pressed him into his seat till he
howled, saying, “Now, there's a slate and a pencil. Expect me at the
end of two hours, this time. Next time it will be four: then eight,
then sixteen. Find out how many hours that will be at the sixteenth
examination.”
Luigi flew at the torturer and stuck at the length of his straightened
arm, where he wriggled, refusing to listen to the explanation of Barto's
system; which was that, in cases where every fresh examination taught
him more, they were continued, after regularly-lengthening intervals,
that might extend from the sowing of seed to the ripening of grain.
“When all's delivered,” said Barto, “then we begin to correct
discrepancies. I expect,” he added, “you and I will have done before a
week's out.”
“A week!” Luigi shouted. “Here's my stomach already leaping like a fish
at the smell of this hole. You brute bear! it's a smell of bones.
It turns my inside with a spoon. May the devil seize you when you're
sleeping! You shan't go: I'll tell you everything--everything. I
can't tell you anything more than I have told you. She gave me a
cigarette--there! Now you know:--gave me a cigarette; a cigarette. I
smoked it--there! Your faithful servant!”
“She gave you a cigarette, and you smoked it; ha!” said Barto Rizzo, who
appeared to see something to weigh even in that small fact. “The English
lady gave you the cigarette?”
Luigi nodded: “Yes;” pertinacious in deception. “Yes,” he repeated; “the
English lady. That was the person. What's the use of your skewering me
with your eyes!”
“I perceive that you have never travelled, my Luigi,” said Barto. “I am
afraid we shall not part so early as I had supposed. I double the dose,
and return to you in four hours' time.”
Luigi threw himself flat on the ground, shrieking that he was ready
to tell everything--anything. Not even the apparent desperation of his
circumstances could teach him that a promise to tell the truth was a
more direct way of speaking. Indeed, the hitting of the truth would
have seemed to him a sort of artful archery, the burden of which should
devolve upon the questioner, whom he supplied with the relation of
“everything and anything.”
All through a night Luigi's lesson continued. In the morning he was
still breaking out in small and purposeless lies; but Barto Rizzo
had accomplished his two objects: that of squeezing him, and that
of subjecting his imagination. Luigi confessed (owing to a singular
recovery of his memory) the gift of the cigarette as coming from the
Signorina Vittoria. What did it matter if she did give him a cigarette?
“You adore her for it?” said Barto.
“May the Virgin sweep the floor of heaven into her lap!” interjected
Luigi. “She is a good patriot.”
“Are you one?” Barto asked.
“Certainly I am.”
“Then I shall have to suspect you, for the good of your country.”
Luigi could not see the deduction. He was incapable of guessing that it
might apply forcibly to Vittoria, who had undertaken a grave, perilous,
and imminent work. Nothing but the spontaneous desire to elude the
pursuit of a questioner had at first instigated his baffling of Barto
Rizzo, until, fearing the dark square man himself, he feared him dimly
for Vittoria's sake; he could not have said why. She was a good patriot:
wherefore the reason for wishing to know more of her? Barto Rizzo had
compelled him at last to furnish a narrative of the events of that day
on the Motterone, and, finding himself at sea, Luigi struck out boldly
and swam as well as he could. Barto disentangled one succinct thread of
incidents: Vittoria had been commissioned by the Chief to sing on the
night of the Fifteenth; she had subsequently, without speaking to any of
the English party, or revealing her features “keeping them beautifully
hidden,” Luigi said, with unaccountable enthusiasm--written a warning to
them that they were to avoid Milan. The paper on which the warning had
been written was found by the English when he was the only Italian on
the height, lying thereto observe and note things in the service of
Barto Rizzo. The writing was English, but when one of the English
ladies--“who wore her hair like a planed shred of wood; like a torn
vine; like a kite with two tails; like Luxury at the Banquet, ready
to tumble over marble shoulders” (an illustration drawn probably from
Luigi's study of some allegorical picture,--he was at a loss to describe
the foreign female head-dress)--when this lady had read the writing,
she exclaimed that it was the hand of “her Emilia!” and soon after she
addressed Luigi in English, then in French, then in “barricade Italian”
(by which phrase Luigi meant that the Italian words were there, but
did not present their proper smooth footing for his understanding), and
strove to obtain information from him concerning the signorina, and
also concerning the chances that Milan would be an agitated city. Luigi
assured her that Milan was the peacefullest of cities--a pure babe. He
admitted his acquaintance with the Signorina Vittoria Campa, and denied
her being “any longer” the Emilia Alessandra Belloni of the English
lady. The latter had partly retained him in her service, having
given him directions to call at her hotel in Milan, and help her to
communicate with her old friend. “I present myself to her to-morrow,
Friday,” said Luigi.
“That's to-day,” said Barto.
Luigi clapped his hand to his cheek, crying wofully, “You've drawn,
beastly gaoler! a night out of my life like an old jaw-tooth.”
“There's day two or three fathoms above us,” said Barto; “and hot coffee
is coming down.”
“I believe I've been stewing in a pot while the moon looked so cool.”
Luigi groaned, and touched up along the sleeves of his arms: that which
he fancied he instantaneously felt.
The coffee was brought by the heavy-browed young woman. Before she
quitted the place Barto desired her to cast her eyes on Luigi, and say
whether she thought she should know him again. She scarcely glanced, and
gave answer with a shrug of the shoulders as she retired. Luigi at the
time was drinking. He rose; he was about to speak, but yawned instead.
The woman's carelessly-dropped upper eyelids seemed to him to be reading
him through a dozen of his contortions and disguises, and checked the
idea of liberty which he associated with getting to the daylight.
“But it is worth the money!” shouted Barto Rizzo, with a splendid
divination of his thought. “You skulker! are you not paid and fattened
to do business which you've only to remember, and it'll honey your legs
in purgatory? You're the shooting-dog of that Greek, and you nose
about the bushes for his birds, and who cares if any fellow, just for
exercise, shoots a dagger a yard from his wrist and sticks you in the
back? You serve me, and there's pay for you; brothers, doctors, nurses,
friends,--a tight blanket if you fall from a housetop! and masses for
your soul when your hour strikes. The treacherous cur lies rotting in a
ditch! Do you conceive that when I employ you I am in your power? Your
intelligence will open gradually. Do you know that here in this house
I can conceal fifty men, and leave the door open to the Croats to find
them? I tell you now--you are free; go forth. You go alone; no one
touches you; ten years hence a skeleton is found with an English letter
on its ribs--”
“Oh, stop! signor Barto, and be a blessed man,” interposed Luigi,
doubling and wriggling in a posture that appeared as if he were shaking
negatives from the elbows of his crossed arms. “Stop. How did you know
of a letter? I forgot--I have seen the English lady at her hotel. I was
carrying the signorina's answer, when I thought 'Barto Rizzo calls me,'
and I came like a lamb. And what does it matter? She is a good patriot;
you are a good patriot; here it is. Consider my reputation, do; and be
careful with the wax.”
Barto drew a long breath. The mention of the English letter had been a
shot in the dark. The result corroborated his devotional belief in the
unerringness of his own powerful intuition. He had guessed the case, or
hardly even guessed it--merely stated it, to horrify Luigi. The letter
was placed in his hands, and he sat as strongly thrilled by emotion,
under the mask of his hard face, as a lover hearing music. “I read
English,” he remarked.
After he had drawn the seal three or four times slowly over the lamp,
the green wax bubbled and unsnapped. Vittoria had written the following
lines in reply to her old English friend:--
“Forgive me, and do not ask to see me until we have passed the
fifteenth of the month. You will see me that night at La Scala. I
wish to embrace you, but I am miserable to think of your being in
Milan. I cannot yet tell you where my residence is. I have not met
your brother. If he writes to me it will make me happy, but I
refuse to see him. I will explain to him why. Let him not try to
see me. Let him send by this messenger. I hope he will contrive to
be out of Milan all this month. Pray let me influence you to go for
a time. I write coldly; I am tired, and forget my English. I do
not forget my friends. I have you close against my heart. If it
were prudent, and it involved me alone, I would come to you without
a moment's loss of time. Do know that I am not changed, and am your
affectionate
“Emilia.”
When Barto Rizzo had finished reading, he went from the chamber and blew
his voice into what Luigi supposed to be a hollow tube.
“This letter,” he said, coming back, “is a repetition of the Signorina
Vittoria's warning to her friends on the Motterone. The English lady's
brother, who is in the Austrian service, was there, you say?”
Luigi considered that, having lately been believed in, he could not
afford to look untruthful, and replied with a sprightly “Assuredly.”
“He was there, and he read the writing on the paper?”
“Assuredly: right out loud, between puff-puff of his cigar.”
“His name is Lieutenant Pierson. Did not Antonio-Pericles tell you his
name? He will write to her: you will be the bearer of his letter to the
signorina. I must see her reply. She is a good patriot; so am I; so are
you. Good patriots must be prudent. I tell you, I must see her reply
to this Lieutenant Pierson.” Barto stuck his thumb and finger astride
Luigi's shoulder and began rocking him gently, with a horrible
meditative expression. “You will have to accomplish this, my Luigi. All
fair excuses will be made, if you fail generally. This you must do. Keep
upright while I am speaking to you! The excuses will be made; but I, not
you, must make them: bear that in mind. Is there any person whom you, my
Luigi, like best in the world?”
It was a winning question, and though Luigi was not the dupe of its
insinuating gentleness, he answered, “The little girl who carries
flowers every morning to the caffe La Scala.”
“Ah! the little girl who carries flowers every morning to the caffe
La Scala. Now, my Luigi, you may fail me, and I may pardon you. Listen
attentively: if you are false; if you are guilty of one piece of
treachery:--do you see? You can't help slipping, but you can help
jumping. Restrain yourself from jumping, that's all. If you are guilty
of treachery, hurry at once, straight off, to the little girl who
carries flowers every morning to the caffe La Scala. Go to her, take
her by the two cheeks, kiss her, say to her 'addio, addio,' for, by the
thunder of heaven! you will never see her more.”
Luigi was rocked forward and back, while Barto spoke in level tones,
till the voice dropped into its vast hollow, when Barto held him fast a
moment, and hurled him away by the simple lifting of his hand.
The woman appeared and bound Luigi's eyes. Barto did not utter another
word. On his journey back to daylight, Luigi comforted himself by
muttering oaths that he would never again enter into this trap. As
soon as his eyes were unbandaged, he laughed, and sang, and tossed a
compliment from his finger-tips to the savage-browed beauty; pretended
that he had got an armful, and that his heart was touched by the
ecstasy; and sang again: “Oh, Barto, Barto! my boot is sadly worn. The
toe is seen,” etc., half-way down the stanzas. Without his knowing it,
and before he had quitted the court, he had sunk into songless gloom,
brooding on the scenes of the night. However free he might be in body,
his imagination was captive to Barto Rizzo. He was no luckier than a
bird, for whom the cage is open that it may feel the more keenly with
its little taste of liberty that it is tied by the leg.